Brian Kehew gave a presentation on his vintage synthesizer brochures at Knobcon this year. He sent in a few select scans to share with readers of MATRIXSYNTH. Enjoy! Be sure to see the channel labels at the bottom of the post for any you are not familiar with. Three of these warranted separate posts that just went up. You'll find links to them below. These are an amazing bit of synth history, many of which have never been shared online before. HUGE THANK YOU to Brian Kehew for sharing these with us!
The scans pictured in order:
Moog Sonic V Synthesizer "Makes Waves"
ARP Synthesizers
ARP Modular Synthesizer Lab
EML
EMS SYNTHI FLI (always thought of it as the Hi-Fli but the had only has FLI)
Performer by Ionic
Variophone
Sequential Circuits Model 600 Sequencer (see this post for a write-up)
Digelius Electronics Finland DEMI (see this post for a write-up)
DMX-101 Computer Sound Processor for a whopping $35,300 at the time. (see this post for a write-up)
What a busy year it has been in the world of synths.
This is going to be one doozy of a post, so bear with me. This post is a review of the year in synths for 2013. We begin with Tributes to Those We Lost This Year, followed by New Manufacturers & Makers, Older Manufacturers Added to the Site, New Gear Announcements, Top 10 Posts by Traffic, My Standout Posts for the Year, and finally This Years' Synth Events. I did my best to keep things as short and concise as possible.
All missed and never to be forgotten. Take a moment to remember them.
------
New Manufacturers & Makers
Starting last January, I decided to keep a running list of every new manufacturer and maker introduced to the site during the year. This is something I haven't done before and I thought it would be interesting to see how many there were in the year. It's easy to focus on the big synth announcements throughout the year, but what about all the new makers and brands? I shouln't have to go considerably into the significance of new designers on the scene, so I'll just say two things regarding them. One, the number of new makers is a direct reflection on the interest in our scene, and two, these are the creators of new gear which directly translate into new designs not previously available to us. Think about that for a moment. These are makers and designs that did not exist before. They are part of our synth history. So what is the total count of new synth designers for the year? A whopping 113. Think about that a bit. One hundred and thirteen new synth designers and brands this year alone.
Here they are (note a handful date back to 2012, but 2013 marked their momentum and availability):
"It looks like we'll be producing and releasing one more free I Dream Of Wires: Extended Interview piece in 2014. If you could choose just one person, out of all of the people we interviewed in IDOW, who would you like to see featured in a full Extended Interview? [leave your pick on Facebook here]
If you're not familiar with our Extended Interview series, we've released 9 of them so far. See the list below, and check out our Vimeo channel to watch.
"this is a very rare musonics minimoog in mint condition fully working , perfectly tuned. no issues at all. it will be shipped with an original moog norlin case."
Regarding Musonics:
via Wikipedia on Moog: "In November 1971, the company moved to Williamsville, New York. An old factory at the north end of Academy Street was purchased. The company was renamed Moog Musonics, then Moog Music. In 1976 the company moved to much better facility on Walden Avenue in Cheektowaga..."
via Wikipedia on the Moog Sonic Six: "The Sonic Six is the result of Bill Waytena, then the owner of synthesizer manufacturer Musonics, acquiring R.A. Moog Inc. Interested in the marketing opportunity afforded by the Moog name, Waytena acquired R.A. Moog Inc., moved the company to Buffalo, New York, and renamed it Moog/Musonics (which eventually was shortened to simply Moog Music). It was under this new brand that a new version of the Musonics Sonic V was released as the Moog Music Sonic Six..."
Published on Jul 12, 2013 New England Analog LLC·20 videos
"This is the final video in out six-part series detailing the restoration of a Moog Sonic V synthesizer. We start by showing some footage of the synth when we got it, and then conclude with footage of the synth after having all of the op-amps, polarized capacitors, bridge rectifiers, regulators, and amplifier components replaced. The difference is stunning. No audio processing was done on either set of clips. This video also shows the dramatic difference that can be made by upgrading components like op-amps, capacitors, and voltage regulators. A good deal of electronic troubleshooting took place to solve the problem of the high pitched whistle. It ended up being components in the regulator circuit that had drifted out of spec, causing the LM723 to oscillate."
Published on Jul 10, 2013 New England Analog LLC·16 videos
Not all parts of this series are up. I'll let you know when they are. The first video is a demo of the Moog Sonic V prior to the restoration. The videos below are parts of the restoration.
"This is the first part in a 5 part series detailing the restoration of a rare Musonics Moog Sonic V. We begin by powering up the synthesizer and seeing what's wrong. We found that the keyboard mechanicals were in dire need of attention, and there is a lot of noise and intermittent behavior. There is also a high pitched whistle that can be heard even when the master volume is turned down.
For more info on this and other vintage synthesizers, synth restoration and repair, and sales of vintage keyboards, check out our website at www.NewEnglandAnalog.com."
"Mike Hosker presents to you a tutorial video of the iMini, Arturia's first application for Ipad.
iMini is an application recreating the classic Minimoog™ synthesizer that is based on the TAE™ technology found in Arturia award winning Mini V software.
iMini is designed to allow users the classic sound, look and feel of this iconic synthesizer.
iMini endorsers include Stephan Bodzin, Richard Devine, Banco de Gaia"
"COMPATIBILITY
iMini is compatible with iPAD 2, iPAD 3 and IPAD Mini
DESCRIPTION
iMini is a recreation of the classic 1971 Minimoog™ synthesizer, one of most iconic synthesizers of all time.
Based on the TAE® technology found in our award winning Mini V software, iMini offers a level of sound quality never before found on the iPAD as well as over 500 sounds by leading sound designers.
We have also partnered with the Bob Moog Foundation so that a portion of each sale goes to support their work in music education via the Dr. Bob Sound school program, making available the archives of Dr. Bob Moog and funding the dream to build the Moogseum.
The Minimoog™ synthesizer was made famous by artists and bands such as Stevie Wonder, Depeche Mode, Kraftwerk, Keith Emerson, Devo, Jean Michel Jarre and more. We now bring the features and sound of this classic to the iOS platform.
The iMini not only recreates the look and feel of the most legendary synthesizer, it does it with unparalleled sound quality. iMini is based on the award winning Arturia Mini V software that was created in partnership with Dr. Robert Moog himself, back in 2003. Thanks to this heritage, continuous research and refinements over the years, iMini comes with amazing sound quality and a large collection of preset sounds created by top sound designers such as Klaus Schulze (Tangerine Dream) and Geoff Downes (Asia).
What will you do with it?
First you can play the iMini’s numerous sounds from the iPad keyboard. You can create your own sounds and start building your personal sound palette.
If you are an owner of the Arturia Mini V software on your Mac or PC, you can import and export sounds between your laptop or desktop Mini V and iMini.
You can also control iMini from a MIDI keyboard via CoreMIDI and integrate it into your studio or live performances.
But this is not all; iMini is ‘Tabletop Ready’. Tabletop is a free iPad application that allows you to integrate iMini into a full studio of devices. With Tabletop you can build an entire song, with drum machines, FX's, sequencers... and of course the inimitable Minimoog™ sound.
Tabletop Ready™
The connect page is also your avenue to open up a whole new world of possibilities with iMini via Retronyms Tabletop application.
Tabletop™ is a free app for your iPAD that allows you to integrate iMini into a complete studio environment. In Tabletop you can use multiple instances of iMini; record your performance into a real-time sequencer; automate any of the parameters; add effects; process other modules through the iMini filters, etc. Tabletop also features number of in app purchase options to add more effects and instruments from other 3rd party companies.
Features include
Classic Minimoog™ sound.
3 Oscillators
24db per octave filter.
Simulated headphone jack/external input feedback.
2 Assignable XY pads
Chromatic or tuned scale keyboard modes
Polyphonic mode
Full featured arpeggiator
Repeat
HOLD and MEMORY latch modes
Octave span
5 note order modes
Speed and sync controls
Virtual Analog Chorus
Virtual Analog Delay
Owners of both the iMini and Mini V software apps can transfer sounds from one platform to the other via iTunes.
Full user MIDI mapping of panel controls.
Supports WIST sync with other iOS devices.
‘Tabletop Ready’
Soundcloud seeder (via Tabletop)
Render to .wav file (via Tabletop)
‘Audiocopy’ to paste your audio into another iPAD application. (via Tabletop)
The Minimoog™ name used here is a trademark of the respective owners, which are in no way associated or affiliated with Arturia. These trademarks are used solely to identify the products whose sound and features were modeled during the development process."
"Arturia advances history-making Minimoog to iPad musical masses!
"The iMini turned my iPad into an ‘old skool’ analogue bass monster! Its sound is irresistibly ‘phat’ and very close to the original. If you want that typical dirty Moog sound then the iMini is all you’ll ever need. It’s by far the most powerful and hypnotising synth app on the market.”
- Stefan Bodzin, 2013 (DJ/producer, remixer of Depeche Mode, Booka Shade, and more)
GRENOBLE, FRANCE: music software and hardware company Arturia is proud to announce availability of iMini, an authentic recreation of the all-time classic Minimoog monosynth for Apple’s all-conquering iPad, as of February 27...
iMini is based on the TAE® (True Analog Emulation) synthesis technology found in Arturia’s award-winning Mini V soft synth, meticulously modelling the distinctive tones and analogue nuances of the legendary Seventies-vintage Minimoog Model D monosynth. Moog changed the musical world with the Minimoog and Arturia helped change the music software world with the Mini V.
Arturia now brings the still-sought-after classic Minimoog sound to the musical masses, transforming any iPad mini, iPad 2, or iPad with Retina display into the ultimate analogue synth emulation! Those timeless three oscillators and that 24dB per octave fabled filter are all present and accounted for in iMini. It also successfully sports the look and feel of Dr Bob Moog’s namesake iconic synthesizer for all to see (and hear). But being a game-changing iPad app for 2013 and not an analogue synth design dating back to 1970 means there’s a whole lot more to iMini than first meets the eye...
Any serious synthesizer connoisseur will instantly recognise the MAIN mode screen as an eye-catching rendering of the Minimoog Model D front panel, albeit with welcome additional ‘analogue’ CHORUS AMT. and DELAY AMT. level controls, as well as a POLY switch for playing polyphonically — impossible in 1970, obviously! Other subtle supplements include a gearwheel icon above the keyboard — press to reveal GLIDE, DECAY, LEGATO, and SCROLL switches for performance keyboard control, plus a SCALE function to choose from no fewer than 26 different scales and modes. Meanwhile, iMini comes complete with hundreds of superb sounds showcasing its supreme sonic versatility; press LOAD from the menu bar and choose from sound designer or category — couldn’t be simpler!
But ‘behind’ that familiar-looking MAIN screen lies a wealth of truly 21st Century audio action: the PERFORMANCE page accesses an arpeggiator with two latch modes and two assignable XY pads for creating all kinds of patterns and real-time morphing sounds; the FX page provides iMini with the same wide-ranging CHORUS and accurate ANALOG DELAY models found in the above-mentioned Mini V software — subtle sound thickening to wildly modulated effects (chorus) and sync to external tempo (stereo delay) possibilities abound here! Handily, all onscreen knobs and switches in each iMini page can easily be assigned to MIDI CC allowing automation from any external MIDI source. The default MIDI map will automatically work with Arturia MiniLab or Analog Player 25 Universal MIDI Controller keyboards!
And that’s not all: the CONNECT page is the gateway to making iMini talk to the outside world (using the Apple iPad Camera Connection Kit) — use WIST (Wireless Sync Start Technology) to sync the arpeggiator and delay to other iPad or iPhone apps, and integrate iMini into a complete studio environment via Retronyms Tabletop. This free iPad app allows multiple iMini instances to be simultaneously run; real-time performance recording into a sequencer; parameter automation; processing of third-party, Tabletop-ready apps through the iMini filter, and more. “iMini is an ideal Tabletop-ready app,” says Retronyms Co-Founder John-Paul Walton. “It’s a fresh take on a legendary synth, and comes packed with a ton of amazing presets — everything from retro space sounds to contemporary bass noise.”
Thanks to iMini, today there’s really no excuse for not taking that history-making Minimoog sound anywhere anytime. And in recognition of the groundbreaking instrument to which it owes its very existence, for every iMini sold, Arturia will make a donation to The Bob Moog Foundation, whose Executive Director, Michelle Moog-Koussa, kindly adds: “We are grateful to Arturia and Retronyms for donating part of the proceeds from the iMini in support of our mission to ignite creativity at the intersection of music, science, history, and innovation. A portion of this funding will go to support our educational initiative, Dr Bob’s SoundSchool, which teaches children the science of sound through the magic of music.”
So let’s make music and help history come alive with iMini in more ways than one, and also support the dream of building the Moogseum (Bob Moog Museum), the convergence of The Bob Moog Foundation’s goals of inspiring and educating people through electronic music.
Appropriate iPad owners can purchase iMini directly from Apple’s App Store during a three-week introductory launch pricing period for €8.99 EURO/$9.99 USD (rising to €19.99 EURO/$21.99 USD thereafter)."
"Moog muSonics Sonic V that was recently repaired by The Analog Lab in NYC.
From Matrixsynth:
It has 2 osc's (saw, tri, square/pulse) 2 lfo's (saw,ramp,tri square) a ring modulator, a noise generator (white or pink), an external input, 2 outputs and 2 built in speakers. The speakers can be bypassed by using the second output. It is monophonic (plays one note at a time) and/or duophonic (plays two notes at a time). It even has a 'scale' knob on the front panel so it can play microtones.
The Sonic V has a 24db diode filter which is very expressive. It has that Moog sound when you want it, but you can also have it sound quite different. It can sound more gritty or aggressive then other synths containing the traditional Moog 24db transistor ladder filter thanks to the diode filter design and also to the addition of the ring modulator.
"Sascha Dikiciyan. Sound creator and founder of Sonic Mayhem, Composer and Producer."
Roland Juno-106
Moog Slim Phatty
DSI & Roger Linn Tempest
Eurorack Modular
Teenage Engineering OP-1
Circuit Bent Alesis HR-16
iPad - Animoog pictured
Also:
"These were some of the main tools used to create the musical soundscape that is Mass Effect 3. Honorable mention: The MS2000 (still a great synth), Roland V-synth and of course my Symbolic Sounds Kyma system, which was used to create some drones and other morph lik effects."
Sascha Dikiciyan also did the music for Quake and Mortal Kombat.
via this auction "PALettes have been played live by electronic and noise musicians around the world and are built to satisfy the sonic palettes of modular synth lovers and experimenters. If you are looking to get analog sounds, a unique filter that can also distort and get dirty, with a large option of CV controls on board, as well as external jacks to interface with other CV/Gate synths, this is for you. The PALette synthesizer has two oscillators with individual and linked CV inputs, ramp, saw and square with pulse width modulation, a hard sync and a master tune control that is switchable on/off. Fine tuners make easier for playing octaves with both oscillators, and there are switches that route the LFO, two envelopes, and Sample and Hold to either oscillators. Both are callibrated to play 1V/octave with other CV, V/oct keyboards.
PINK noise and WHITE noise, Audio Input processed through the VCF. The Sample and Hold takes external sample sources as well as on board LFO and Envelopes. The VCF is a state variable (Band Pass and Low Pass) filter based on the 13700 OTAs, designed to self oscillate at full resonance and is also callibrated to play 1V/Octave so you get your smooth bassy synth lines. There is a CV input on/off switch that routes the input to the filter from the CV input jack. This allows you to sync your CV input to the oscillators.
The Envelope Generators are routed to the oscillators, filter, and VCA by a switch and also take gate inputs. The two Gate inputs are synced so you can trigger them both, or use a dummy plug to disconnect the two. Attack and Release Envelopes will also re-trigger with the Loop switch (in trigger mode), and also can be triggered by the manual switch. Each Envelope Generator can also be triggered by the other, and will ping-pong after each Release cycle until you switch the function to "off". More info on the PALette, samples, and photos are available at ---> www.magicechomusic.com
*Beautiful and professionally cut WALNUT sides and silkscreened smooth anodized aluminum. *NOTE that this PALette comes with the MOOG styled knobs with silver inlay, the products page on the website pictures two different knobs. Comes with 12Vac adapter (US 120vAC)."
"June 17, 2011—Moog Music, a North Carolina-based electronic musical instrument manufacturer, today announced the release of Phatty OS v.3.1, a major firmware upgrade to the very popular and portable Phatty family of analog synthesizers. The upgrade to the Phatty operating system coincides with an aesthetic upgrade for the Little Phatty Stage 2 Edition, as Moog introduces new black sidepieces.
New features in the Phatty OS v3.1 update include the following features that improve power, sound and control:
• Volume Velocity Sensitivity: The ability to map note velocity to output volume with fifteen adjustable levels of sensitivity saved per preset. [Tribute Edition hardware does not currently support this feature]
• Legato Glide: Automatically engage the pitch glide between legato notes. Non-overlapping notes snap instantly to a new pitch. The user is able to play or sequence dynamic bends and slides mixed with cleanly-articulated notes.
• LFO Reset: The ability to reset the LFO cycle at the start of each note. Two LFO trigger modes provide dynamic new modulation possibilities.
• Sustain/Hold Mode: A sustain pedal or control voltage plugged into the CV GATE input jack can now be used to send MIDI Sustain on/off, and to polyphonically sustain MIDI notes from the Phatty keyboard.
• 14-bit MIDI: All Phatty synths can now send and receive high-resolution 14-bit MIDI messages for critical voltage-controlled parameters.
• MIDI Output Filtering: New options control which MIDI CC messages are sent from the Phatty, for maximum compatibility with external gear.
• Expanded MIDI Clock sync options: 22 clock divisions including triplet values for both LFO and Arpeggiator MIDI sync. Clock divisions range from 32nd triplets up to 4 bars.
• Improvements to Arpeggiator: • Global Arp Setup menu: Set important arpeggiator parameters at a global level. Arpeggiator also remains active when presets are changed. • Gate Length: Adjust the arpeggiator note length from 50% to greater than 100% (overlapping), for a range of new sonic textures. • Arp Clock Send: Arpeggiator can now send MIDI Clock, MIDI Start and Stop messages, allowing you to synchronize other gear to the Phatty internal clock.
• Improvements to Polyphonic Mode: o New polyphonic note-allocation scheme: Uses a "round-robin" algorithm to share notes across multiple Phatty synths in a natural and very playable way. o Polyphonic arpeggiation: Multiple ways to use the Arpeggiator across a poly chain of Phatty synths, from tight integration to completely freeform.
Availability and pricing: The Phatty OS v.3.1 Update is a free Firmware upgrade for all Phattys: Little Phatty Tribute, Stage 1, 2, and the Slim Phatty. It is available for download at www.moogmusic.com/OSv3.1. It is also available as a Factory Upgrade from Moog. Should you choose the Factory Upgrade, Moog will update the firmware for your Little Phatty (Stage 1, 2 and Tribute) as well as include a sonic tune-up to the latest hardware for $99.00.
To download Phatty OS v3.1 free, visit: http://moogmusic.com/OSv3.1 (Choose between Windows and OSX versions for Little Phatty Stage II, Little Phatty Tribute Edition or Slim Phatty.)
Learn more about the Phatty family of synthesizers here: http://moogmusic.com/products/Phattys"
This is an emulator of the muSonic 5, a synthesizer originally designed by one of the Moog engineers Gene Zumchek (possibly the real father of modern synths), he proposed then eventually designed and built the prototype Mini Moog, the first fixed configuration portable monophonic. After leaving Moog he created the muSonic who themselves eventually bought the bankrupt remains of Moog and released this synth with a few changes as the Moog Sonic-6. The dual LFO configuration is very rich and there are lots of modulation possibilities as well as direct mix and in this emulator some mild stereo reverb.
Interface zooming can be done either with the trackball (Nexus/HTC have them) or enable multitouch via the menu then tap the screen with two fingers at the same time - this will zoom the interface in/out. If you tap with two fingers but keep them held you can move the screen around. This kind of helps out with the dense graphics.
Patches are saved on the SD card along with factory sounds, there is an export and import option to exchange patches.
The emulator will, per default, attempt to run with a set of options that will give reasonable quality and the lowest possible latency/lag. The quality of the audio can be tuned with the menu options however the lowest possible latency for pretty much all Android devices is currently 42ms, on my HTC Desire it is 70ms. If you understand what this means then the value might seem quite high but the app is still a lot of fun.
Twitter @bristolaudio"
"Classic ARP Axxe Synthesizer Emulator
The is an emulation of the ARP Axxe synthesiser, single oscillator, noise, mixer, filter and envelope generator fully emulated in software with modulation. The app supports pressure sensitive touch screens, X/Y accelerometer for pitch and mod wheel, multitouch and zooming interface facilities. The original was a monophonic instrument however the emulator can operate as a polyphonic (duophonic) synth via multitouch when it is enabled. The interface has options for fat-finger, analogue filters and rich oscillators however these will consume extra CPU cycles. The interface also has a full piano keyboard setting.
Interface zooming can be done either with the trackball (Nexus/HTC have them) or enable multitouch via the menu then tap the screen with two fingers at the same time - this will zoom the interface in/out. If you tap with two fingers but keep them held you can move the screen around. This kind of helps out with the dense graphics.
Patches are saved on the SD card along with factory sounds, there is an export and import option to exchange patches.
The emulator will, per default, attempt to run with a set of options that will give reasonable quality and the lowest possible latency/lag. The quality of the audio can be tuned with the menu options however the lowest possible latency for pretty much all Android devices is currently 42ms, on my HTC Desire it is 70ms. If you understand what this means then the value might seem quite high but the app is still a lot of fun.
Tested on HTC Desire/2.2, Emulator hires and lowres. The Axxe is one of a family of emulators."
"Augur-52 Synth
This version of the bristol augur synthesizer is in stereo with a flanger effect to widen out the sound,
This is an emulator of a 80s classic analogue poly synth, the emulator is just dual voice for multitouch. It has dual oscillator, noise, lfo, mixer, filter and a pair of envelope generators. The app supports pressure sensitive touch screens, X/Y accelerometer for pitch and mod wheel, multitouch and zooming interface facilities. The interface has options for fat-finger, analogue filters and rich oscillators however these will consume extra CPU cycles. The interface also has a full piano keyboard setting. There is an emulator 'Unison' switch which will play both voices on a single note to pad out the sound.
Interface zooming can be done either with the trackball (Nexus/HTC have them) or enable multitouch via the menu then tap the screen with two fingers at the same time - this will zoom the interface in/out. If you tap with two fingers but keep them held you can move the screen around. This kind of helps out with the dense graphics.
Patches are saved on the SD card along with factory sounds, there is an export and import option to exchange patches.
The emulator will, per default, attempt to run with a set of options that will give reasonable quality and the lowest possible latency/lag. The quality of the audio can be tuned with the menu options however the lowest possible latency for pretty much all Android devices is currently 42ms, on my HTC Desire it is 70ms. If you understand what this means then the value might seem quite high but the app is still a lot of fun."
"BME-700 Synthesizer
The is an emulation of an esoteric German synth known as the BME 700, very few in existence and using a unique dual filter design, one tracking the envelope and one resonating at a fixed frequency. The envelopes are also interesting, there are two A/R or A/S/R that can be mixed to create ADSR and other ingenious combinations.
The app supports pressure sensitive touch screens, X/Y accelerometer for pitch and mod wheel, multitouch and zooming interface facilities. The original was a monophonic instrument however the emulator can operate as a polyphonic (duophonic) synth via multitouch when it is enabled. The interface has options for fat-finger, analogue filters and rich oscillators however these will consume extra CPU cycles. The interface also has a full piano keyboard setting.
Interface zooming can be done either with the trackball (Nexus/HTC have them) or enable multitouch via the menu then tap the screen with two fingers at the same time - this will zoom the interface in/out. If you tap with two fingers but keep them held you can move the screen around. This kind of helps out with the dense graphics.
Patches are saved on the SD card along with factory sounds, there is an export and import option to exchange patches.
The emulator will, per default, attempt to run with a set of options that will give reasonable quality and the lowest possible latency/lag. The quality of the audio can be tuned with the menu options however the lowest possible latency for pretty much all Android devices is currently 42ms, on my HTC Desire it is 70ms. If you understand what this means then the value might seem quite high but the app is still a lot of fun.
Tested on HTC Desire/2.2, Emulator hires and lowres. The BME700 is one of a family of emulators.
ARTURIA and the BOB MOOG FOUNDATION are proud to introduce Dr. Bob's Collector Pack.
This luxurious box set includes Arturia's award-winning Minimoog-V and Moog Modular V, a DVD of
the Moog documentary, an archival book featuring unreleased material curated by Michelle Moog-Koussa entitled From Bob Moog's Private Archives, and an official Bob Moog Foundation button.
Quantities are limited to 1000 copies worldwide. Profits will be donated to the Moog Foundation to benefit their projects and help carry Bob Moog’s legacy forward.
To celebrate this event, Arturia is also organizing a contest to win a 1975 Minimoog synthesizer on their Facebook page at www.facebook.com/arturia2.
"We are delighted to partner with the BMF and bring to musicians Dr. Bob, a pack that will be of high value to everyone interested in Bob Moog's legacy. Years ago, Arturia was extremely lucky to work with Bob Moog on the re-creation of some of his most famous synthesizers. Today we are extremely happy to support the BMF and give a little back, while bringing to the market a great collector box."
— Frederic Brun (President of Arturia)
“"The Bob Moog Foundation is proud and delighted to share many items from our archives for the one-of-a-kind From Bob Moog's Private Archives booklet included in Dr. Bob's Collector Pack. The items gracing these pages, many of them rarely seen, illuminate pivotal junctures in the rich history of the Moog legacy. From Bob Moog's Private Archives is the first published collection of images from the vast trove of materials that Bob accumulated over the length of his 50-year career; it serves as the ultimate complement to the materials in the Pack. Our thanks to Arturia for highlighting the sonic, historical and human legacy that Bob Moog left for us all to enjoy."
Well, it's that time of year again. Keep an eye out on the NAMM label (added to top right menu) for everything NAMM and more. More in that anything new will get the label whether it's shown at NAMM or not. It's about new gear. Updates in this post will be preceded in red. Some already in below. See "The NAMM List!" link under the Twitter, Facebook, and RSS labels on top of the right to get back to this post later.
(A note on the top site menus: I removed the iPhone and iPad labels as they go up in posts every day now so you can find them there. eBay links are on the right, so I removed it as well.)
That said, the following are some of the things to look out for. If you have any NAMM info feel free to comment and/or send it in. If I missed anything, let me know! If you are going to NAMM, feel free to send pics and video in.
