The Moogseum is Coming!

Published on May 20, 2019 moogfoundation

"10 years in the making, the Bob Moog Foundation is thrilled to announce that the Moogseum will open in downtown Asheville, NC on May 23, 2019! You can read more at www.moogseum.org or www.moogfoundation.org."

Bob Moog Foundation Raffle for Minimoog Signed by Stevie Wonder, Moogseum Update & Summercamp

via The Bob Moog Foundation

"Every year we endeavor to bring you a truly exceptional Minimoog as part of our annual raffle. This year we are honored to offer a gorgeous vintage Minimoog in excellent physical and technical condition, played by the phenomenal Stevie Wonder and signed with his fingerprints, which are affixed to the synthesizer in a brass and plexiglass archival enclosure!

You can read more about the Minimoog, and purchase tickets here: http://bit.ly/2019MinimoogRaffle

Tickets are $25, 5/$100 or 12 for $200. All proceeds go to benefit Dr. Bob's SoundSchool and the Moogseum (opening in a mere two months).

This is the first time that Stevie has signed a Minimoog, making this a one-of-a-kind offering! Please join him in supporting the Bob Moog Foundation's important work. Purchase your tickets today and help us spread the word so we can make this the most successful raffle to date!"

On the Moogseum

"Wonder what we've been up to lately? In addition to teaching almost 3,000 students about the science of sound through Dr. Bob's SoundSchool, we've also been working hard to bring the Moogseum to life. We'll have more details soon, but we are still aiming for an opening at the end of May.

The Moogseum will feature two interactive timelines, an immersive video dome, lessons on synthesis for the novice to advanced learner, a re-creation of Bob's workbench, and much more.

As we close in on our goals for this one-of-a-kind facility, we need your help to bring it to fruition. Please consider making a donation to support this effort to bring Bob's legacy to life. Donate here.

Thank you for your ongoing support of our work!"

And Announcing Our 2019 Summer Camps:

"Back by popular demand, we are once again offering our experiential, fun Science of Sound and Science of Synthesis Summer Camps for kids ages 7-13 in the Asheville area.
You can read more and register your child here.

Our camps offer a unique experience for kids learn all about theremins, synthesizers, oscilloscopes, and lots more musical instruments and electronic devices. Many parents of past campers have raved that our Dr. Bob's SoundSchool camps were the best camps that their children had attended. We are proud to offer enriched, innovative, and inquiry-driven camps to so many wonderful children, and to inspire them to engage in science and discovery in their daily lives!"

Bob Moog Foundation Previews Moogseum At 2019 NAMM Show

Published on Jan 29, 2019 Synthtopia

"At the 2019 NAMM Show, The Bob Moog Foundation was offering a preview of their upcoming 'Moogseum' - a new museum space, in Asheville, NC.

We talked with the Foundation's Online Education Coordinator, Lee Sebel, who gave us a demo of a classic Moog modular - and a preview of what to expect with the Moogseum."

Moogseum - Bob Moog Foundation | NAMM 2019

Published on Jan 29, 2019 Under the Big Tree

"We visit with Lee Sebel, who tells us about the plans to build the Moogseum, a museum documenting the life and work of Bob Moog. The Moogseum will be in Asheville, NC, where the Moog Music factory and other synth manufacturers are located.

I don't know about you, but this is going to make Asheville a bucket list destination for me!

www.moogfoundation.org"

Vintage Moog Analog Modular Synthesizer Performance - NAMM 2019 Moogseum

Published on Jan 27, 2019 ustadkhanali

"Hear this amazing historic 1967 modular system previously owned by both Patrick Gleeson of Different Fur Studios and Don Preston of The Mothers of Invention. I recorded this very short video yesterday at NAMM, holding it right next to the speaker so you could actually hear the audio on the very loud NAMM floor.

The modular is currently owned by Walter Holland of lauded Holland Synthesizers, designers of custom aerospace quality audio equipment. Holland and his musical partner Steve Leonard, keyboardist for The Cretones, will be demonstrating the synthesizer throughout the weekend.Holland’s monolithic four-tiered modular includes three prototype modules created by R.A. Moog, Co. in the late 1960s, making it a truly one-of-a-kind system.

Both gentleman were saying that this required constant maintenance, and indeed, while we were there, they were tuning it. Leonard said that if you were to go in back of the synth and fart, it would probably go out of tune! :D

I hope you enjoy this rare peak into an amazing, historic modular synth! BWHOBUBUBUBUBUBUBUBUBUWAHWAHWAHWAH!!!"

NAMM 2019 part 2 - Korg, Waldorf, Moog Foundation & Moogseum, Casio, Dexibell

Published on Jan 24, 2019 SynthMania

Korg - new keytars, special edition Kromes;
Waldorf - Kyra VA synthesizer (sounds spectacular)
Moog Foundation - carrying forward the heritage of Robert Moog
Moogseum - with original Moog modular from the late '60s/early '70s
Casio - new digital pianos - really impressive sound
Dexibell - great organ and piano keyboards, organ has super-cool moving drawbars to recall the settings

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Cool news/update on the Moogseum! Apocalypse Now 5U Moog modular system owned by Walter Holland. You can find additional details on the Bob Moog Foundation booth here.

Historic Moog Modular Coming to Bob Moog Foundation Booth at NAMM 2019

Update: the original image I had on top appears to actually be an EMU modular. Thanks to Malte Steiner in the comments for catching it. I moved the image below for reference and moved the image of the current owner Walter Holland on top. I also added an image of Don Preston with the Moog system in 1975.

via The Bob Moog Foundation

"We are excited to announce our return to the 2019 NAMM Show with an expanded booth presence celebrating our recently launched endeavor, the Moogseum. We will have two adjoining booths, 10310 and 10409, for the Foundation and Moogseum respectively, located in Hall A, the synthesizer section of the NAMM floor, with our friends from KORG, Casio, and Roland nearby.

As part of our Moogseum exhibit, and continuing our tradition of featuring unique, expansive Moog modular synthesizers, the Moogseum booth will be hosting a historic 1967 modular system previously owned by both Patrick Gleeson of Different Fur Studios and Don Preston of The Mothers of Invention. Both Gleeson and Preston will appear at the booth on Friday, January 25th, to pay homage to the synthesizer that helped shape their careers.

The modular is currently owned by Walter Holland of lauded Holland Synthesizers, designers of custom aerospace quality audio equipment. Holland and his musical partner Steve Leonard, keyboardist for The Cretones, will be demonstrating the synthesizer throughout the weekend.Holland’s monolithic four-tiered modular includes three prototype modules created by R.A. Moog, Co. in the late 1960s, making it a truly one-of-a-kind system."

Top: "Walter Holland with his Moog Modular synthesizer."

Middle: "Don Preston with the Moog Modular in 1975 at the Provisional Theater."

Bottom: Per the update above, "Patrick Gleeson assists Herbie Hancock in the early 1970s" on an EMU modular.

See the full post including additional pics at the Bob Moog Foundation website here.

Bob Moog Foundation Squarewave to Heaven Synth T-Shirt by David Lovelace, Posters, & Interviews

Soon to be a classic, this t-shirt was conceptualized and designed by our graphics guru David Lovelace. It has been so popular in Germany that we listed it on Amazon.de as well. Check it out here.

"Inspired by Bob Moog? So are we! The Bob Moog Foundation strives to ignite creativity in children and adults through the intersection of science, music, and technology. Your support helps our ongoing work inspiring young children about the science of sound through our hallmark educational project, Dr. Bob's SoundSchool, and our historic preservation of the Bob Moog Foundation Archives, which includes thousands of schematics, photos, notes, vintage catalogs, personal correspondence, instruments, and more. In the spring of 2019 both of these projects will converge in a Moogseum in downtown Asheville, NC."

"Starting today and running through Tuesday, January 1st, all of the art and festival posters (many signed by the performing artists!) on our online store are 25% off!

Go here to check out the entire sale. Just enter discount code 'Posters25' at checkout!"

"Our executive director Michelle Moog-Koussa was recently featured on the podcast Twenty Thousand Hertz, which explores the stories behind the world's most recognizable and interesting sounds. Both she and theremin virtuoso Rob Schwimmer appear alongside the podcast's host, Dallas Taylor, discussing the theremin's history, functionality, and its link to Bob Moog and his work.

You can listen to the podcast here.

Michelle was also interviewed by Heather Anders of 98.1 The River in the Foundation's hometown of Asheville, NC. Heather delved into all of the Foundation's work, with an exploration of the plans for the Moogseum.

You can listen to that insightful interview here."

New Moogseum.org Website Launches

via The Bob Moog Foundation

"Following the recent announcement of our plans to open a storefront Moogseum next spring in the heart of downtown Asheville [posted here], we have launched moogseum.org. Check out this page to sign up to volunteer, donate, or receive Moogseum updates. We will be adding to this site over time, so keep checking back to see how the project is progressing!"

Don't miss the Trifecta Raffle for the chance to win a Moog Memorymoog, Source, or Rogue. You can find videos of them here.

Bob Moog Foundation Moving to Location of the Future Moogseum

via The Bob Moog Foundation

"August 21, 2018 (Asheville, NC) — Marking its twelfth anniversary, the Bob Moog Foundation has announced it will be moving its headquarters to a new space in the heart of downtown Asheville. The new location at 56 Broadway Street will be home to the Foundation’s operations, and the future home of its long-awaited Moogseum.

The Foundation’s offices will relocate to the new space this October, with monthly events and a pop-up Moogseum store planned shortly thereafter. The Moogseum is expected to open in early 2019.

“We are thrilled to have the opportunity to expand our mission through this new public space,” remarked Michelle Moog-Koussa, Executive Director of the Foundation. “The new location will be an ideal venue for inspiring people through our extensive archives and our varied educational initiatives. Both our offices and the Moogseum will benefit greatly from being part of the vibrant downtown Asheville community, and the millions of visitors that it hosts each year. We look forward to enriching Asheville’s cultural offerings by sharing the legacy of Bob Moog with tens of thousands of visitors every year.”

Since its inception 12 years ago, the Bob Moog Foundation has been a force for science education, historical preservation, and creativity. It has inspired over 10,000 elementary school students with the science of sound through its experiential 10-week curriculum, Dr. Bob’s SoundSchool, as well as preserving thousands of documents, photos, memorabilia, and a vault of vintage instruments. The Foundation has assisted with numerous historical books, including integral contributions to two upcoming biographies about Bob Moog, and played a formative role in creating the upcoming documentary, Electronic Voyager.

'The Moogseum will represent a convergence of the Foundation’s many ongoing projects, as well as opening the door to a wide range of new possibilities,' concluded Moog-Koussa. 'We are truly excited for the opportunity to share the Foundation’s efforts with a wider audience.'

The 56 Broadway location currently houses the Black Mountain College Museum and Arts Center, which is moving to a new location at 120 College Street."

The First Moog Ever

via Bubba Ayoub on Facebook

"I saw the first Moog ever today. IT WAS AWESOME."

"The Henry Ford Museum in Dearborn, Michigan. It was in the Mini Moogseum at the Museum of Making Music a few years ago though."

Curious what impact moving the Bob Moog Archives to Cornell will have on the formation of the Moogseum. Click here for all posts mentioning the Moogseum.

Update:

New pics via Brian Kehew.

They are owned by the Henry Ford museum of American innovations.

Bob Moog Foundation Objects to Archives Moving to Cornell, New York

via Mountain Xpress where you'll find the full article (you'll find my notes at the bottom of this post):

"A move to ship Bob Moog's archives from Asheville to New York is creating family discord over the best way to preserve the late inventor's legacy.

An electronic music titan, Bob Moog founded Moog Music, the world's leading manufacturer of analog synthesizers. His widow, Ileana Grams-Moog, announced July 18 that she's planning to donate his personal archive of notes, plans, drawings and recordings to the Cornell University Library's Division of Rare and Manuscript Collections in Ithaca, N.Y.

'It was Bob‘s wish that his archives be preserved and made accessible to other scientists, inventors, engineers and innovators,' Asheville resident Grams-Moog said in a press release. 'The Cornell Library makes its extensive rare collections accessible to students and scholars all over the world.'

Noting that Moog earned his Ph.D. in engineering physics from Cornell in 1965, she added: 'It has been eight years since my husband’s death and I am happy that my gift to Cornell will finally make this rich collection available. Bob would be pleased to know his life’s work is finally being properly preserved and made available to current and future generations to advance upon his work.'

However, Grams-Moog makes no mention of the Bob Moog Foundation in her announcement, which has overseen the preservation of those archives for the last seven years in Asheville, where Moog lived from 1979 until his death in 2005. The foundation is a nonprofit organization run by Michelle Moog-Koussa, the inventor's daughter, who says that she and other family members are surprised and disappointed by the decision to ship the archives out of town..."

...

"Upon hearing of Grams-Moog's intentions to move the archives out of town, Moog-Koussa says the foundation is now 'considering our options.'

She adds: "No matter what happens, the Bob Moog Foundation will continue to carry on Bob Moog's legacy, and that his legacy is alive and well in our educational projects, which are thriving in this area.'"

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My notes:

What is your opinion on this?  Personally, the number one priority in my opinion is keeping the documents safe.  I think they would be safe at either Cornell or The Bob Moog Foundation, so that imo is not an issue. The issue then is where would they be of the most value to the community and how do you define that? Exposure to the public or access to researchers? I don't see Cornell being as pro-active in spreading the works of Bob Moog as The Bob Moog Foundation. I think the archives may be safe in Cornell but my fear is that they will be all but forgotten aside from those that take the time to research them and then share that research with us. In other words, they will essentially disappear into the ether, unless someone makes the effort otherwise. The BMF was doing that. With the Bob Moog Foundation, his research would be at the forefront and present in everything they do. Your opinion? Click on the comments link below. Note although it currently reads 0, Facebook comments are there. Blogger only counts blogger comments in the count. It might take a sec for the Facebook comments to load after clicking the link.

Update: The following is the official press release on the move.  I received it from Moog Music and Hummingbird Media a separate press outlet:

"Bob Moog's Archives Donated To World-Class Facility at Cornell University
Inventor’s Alma Mater to Receive Rich Collection

Yesterday Cornell University announced the archives of Dr. Robert A. Moog have found a home at their Sidney Cox Library of Music & Dance, thanks to a generous donation from his widow, Dr. Ileana Grams-Moog.

Dr. Robert A. Moog is the founder of Moog Music, the world’s leading manufacturer of analog synthesizers, and the inventor of the legendary Moog synthesizer. He received his Ph.D. from Cornell in engineering physics in 1965 and was a longtime resident of Trumansburg, N.Y. His personal archive of notes, plans, drawings, recordings and more will be housed in the Library’s Division of Rare and Manuscript Collections.

“It was Bob‘s wish that his archives be preserved and made accessible to other scientists, inventors, engineers and innovators,” Grams-Moog said. “It has been eight years since my husband’s death and I am happy that my gift to Cornell will finally make this rich collection available. Bob would be pleased to know his life’s work is finally being properly preserved so that current and future generations may advance upon his work.”

Cornell has flourished as a center for research in music since the Sidney Cox Library of Music & Dance was founded in 1929, and its extensive holdings include a special focus on historical keyboard instruments. It collects heavily in 20th- and 21st-century music of Europe and the United States, including electronic music and music by Cornell composition alumnae.

“We’re thrilled to welcome this donation to Cornell, and we look forward to welcoming researchers from all over the world who hope to learn more about Dr. Moog’s life and work, ” said Anne R. Kenney, Carl A. Kroch University Librarian. “We pride ourselves on not only preserving valuable historical knowledge, but providing access to one-of-a-kind, original materials to as many people as possible.”

Dr. Grams-Moog continued, “Cornell is a 150-year-old institution with a long history of stewardship and dissemination of rare and valuable collections for education and research. Donating Bob’s archives to the university is the best opportunity to preserve and protect them so they will finally be accessible to students and scholars worldwide. In addition, they will be available to future generations long after we’re all gone.”

About Cornell University Library
Cornell University Library’s rich collections, expert librarians, responsive services and welcoming spaces inspire and nourish scholarship and learning throughout the university. Its world-class collection — nearly 8 million print volumes, nearly a million e-books and 5 million journal article downloads per year — covers incredibly diverse fields. The Sidney Cox Library of Music & Dance provides extensive holdings of printed materials and recordings to support the study of music."

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Update2: Michelle Moog-Koussa of The Bob Moog Foundation issues statement:

"Dear Friend,

The Bob Moog Foundation takes seriously its role as the only non-profit organization dedicated to preserving, protecting and promoting my father’s work for future generations. In was in this capacity that the Foundation made significant investments over the past seven years to rescue the majority of my father’s archives, and to protect and preserve them to prevent further deterioration from occurring.

Our efforts have included re-housing the collection in archival quality storage materials, securing climate controlled storage, cataloging thousands of items, cleaning and restoring a breadth of materials including almost 100 reel-to-reel tapes in the collection, and most recently securing state-of-the-art archival storage and processing facilities where researchers from around the world could acess the archives.

We have also worked to share the archives through many exhibits from California to our local region, exposing tens of thousands of people to the unique information and insights that the archives contain.

We did this based on a verbal understanding that these documents would eventually be donated to the Foundation.

Yesterday, an annoucement was made that Cornell University will be receiving Bob's archives. The announcement was made by Bob's widow, Ileana Grams-Moog, with whom we have been working closely for the past seven years, up until as recently as February 18, 2013.

The decision to abandon a pending agreement, which ignores the Foundation’s stewardship of my father’s archives, and move them out of Western North Carolina is disappointing and, we believe, not in keeping with my father’s intent. Asheville was my father’s home for 25 years and, in the end, his spiritual home. It is important that his archives remain in Asheville and that they are administered by the Bob Moog Foundation, where they can be considered within a wide musical and technological context and where they will benefit from being interpreted by the unified network of experts that surround the Foundation’s work.

The Moog Family is saddened and surprised not to be part of the discussion to move our father’s archives away from the organization where they would receive the most well-rounded care, and away from the area where the Bob Moog Foundation, Moog Music, and Moogfest are located.

Over the years, you have been witness to all of the dedicated work we have done for the archives. Many of you have visited our exhibits and complimented our efforts. At this time, we ask that you support us on Facebook and other outlets by reposting and commenting in ways that are reflective of our work.

With or without Bob's archives, the Bob Moog Foundation Archives remains a robust collection of historic materials that we have obtained, or that have been donated to us. We remain a repsitory of materials that represent the evolution of electronic music history. We are excited to be sharing some of the incredible material that we have obtained with you over the coming months. Please keep your eyes open for that.

I may be reaching out soon with other ways that you can help. Until then, I remain

Devotedly yours,

Michelle

Michelle Moog-Koussa
Executive Director
Bob Moog Foundation

P.S. Should you have any concerns about this topic, please be in touch at info@moogfoundation.org."

Update3 (also posted here):

Online Petition to Keep Bob Moog's Archives in Asheville with the BMF

You'll find the petition here.

The petition was setup up via Michael Koehler who sent in the following:

"I am not involved with the BMF, but am friends with Michelle. She knows that I am doing this.

I am very passionate about it because I was fortunate to knew Bob for a short while and know that he would not want things to go the way that they are going right now. I am not trying discredit Cornell or say anything bad about them. They are a fine institution. I am just trying to help them see what moving the archives would mean.

There is so much more to this material. It is not simply 'Bob's stuff'. In Bob's work, he always included colleagues and musicians in the development of his works. If we send these notes off to some storage facility where only scholars can reference them, most of this is lost. The BMF is connected with many of the musicians that worked with Bob. They have the ability to connect the information that Bob wrote down from the engineering standpoint and re-connect it with the musicians that worked with Bob to create it. I have witnessed this first hand. I am telling you, this type of documentation and interpretation would be impossible with the items at Cornell. Think of all of the nuggets that have come out of the BMF. Stories, video clips, etc. Remember all of those insights? It is almost as if Bob were still here. Cornell will most definitely have a totally different output. It will be much more sterilized and scholastic.

I saw first hand the work that Michelle and her team have done. There were literally rooms of material laying in in total disarray. One piece of gear that was salvaged by her team was the very last minimoog made from the original factory. The synth was barely salvageable at the time. That was in 2006. Had it laid there, out in the shed, exposed to the elements, do you think it would even be salvageable today? And, even if it were, do you honestly believe that Cornell would even restore it? In the list of items, it most likely would not be on the top of the list. But the reason that this synth was so iconic to save was that back in the day, Bob had the fore-site to know that something like this should be preserved. Remember, this was at a time when you couldn't give analog synths away! Bob was like that, he knew to save things not for himself or his own legacy, but because some day, these things will be important to someone.

Another example, the BMF has restored 100 recordings. I have heard some of these. Amongst them is a recording where Bob sent a minimoog prototype to Sun Ra to play with and asked Sun Ra to let him know what he thought of the synth. Sun Ra used it in a performance the night that they received it. They did not have a user manual or any instructions, they just went with it. Sun Ra recorded this performance and sent the tape to Bob. This was the first recording of the minimoog and it was also an iconic recording of a concert as well. I can tell you that if this recording goes to Cornell, no one will be able to hear it. The licensing rights will never be able to be cleared by them for public consumption. No way a record label will give that away easily. Way too broad of a license. Where as the BMF would be allowed to play these recording during their exhibits and seminars because they would be able to keep custody of the recording preventing broad public dissemination.

I could go on, but I have probably typed your eyes out! :)"

You'll find the petition here.

Update4:

BMF Board President Bryan Bell Responds to Ileana Grams-Moog

"On July 26th, Ileana Grams-Moog issued an online statement regarding her decision to transfer Bob's archives to Cornell University. After much consideration, President of the BMF Board of Directors, Bryan Bell, has decided to issue an open letter to address the misinformation in that statement.

An Open Letter from Bryan Bell, President of the Board of Directors, The Bob Moog Foundation

The past three weeks have been hard ones for the children of Bob Moog and the staff, board, and friends of the Bob Moog Foundation (BMF). As President of the BMF Board of Directors, I am profoundly disappointed in Dr. Ileana Grams-Moog’s decision to withdraw her support for the BMF, a not-for-profit organization devoted to perpetuating Bob’s love of music and innovation, the manner in which she chose to do it, and her exclusion of key facts.

I knew Bob well. We were colleagues and friends for more than 30 years. During that time, we collaborated on projects and solved problems that changed the way music is made. I serve on the BMF board because it is the truest representation of Bob’s legacy. That is why I also know how sad it would make him to see what is happening in his name, and why we should all be asking Ileana a few questions.

What’s behind the sudden decision to take the archives away from the BMF?

On Feb. 14, 2013, after 18 months of personally and directly negotiating with Ileana, we agreed upon the BMF’s temporary custody of the archives and management of Bob’s Rights of Publicity (his name, image, signature, and voice). This was the first step towards a much larger agreement between us. In the words of the interim agreement, we were working “together in good faith to define and execute a mutually satisfactory [larger] Agreement as rapidly as possible,” or so I thought.

Suddenly, on February 25, Ileana notified me that she would not sign the interim agreement, based on information she had received from Moog Music President Mike Adams. (Note: Mr. Adams was a BMF board member at the time these discussions took place.) The BMF quickly addressed Ileana’s concerns in writing, concerns that she never voiced to me as the BMF board president and concerns that were later proven to have no basis in fact.

Why was there no consultation with Bob’s children about the future of their father’s archives and his Rights of Publicity?

What about money?

We all agree that Bob’s legacy is priceless, but his share of Moog Music and his Rights of Publicity have price tags. Because Ileana has chosen to publically disclose the BMF’s offer to purchase the archives, I challenge her to disclose the detailed terms, both financially and legally, of her sale of Bob’s share of Moog Music and her sale of Bob’s Rights of Publicity to Mike Adams.

Was there a financial contribution to Cornell from Moog Music regarding the archives? Will Moog Music, for example, have access to the Cornell Archives for their commercial purposes? Will the Bob Moog Foundation and Bob’s children have access to the archives for their own use?
Has The BMF been a good steward of Bob’s archives?

The answer is an unequivocal YES. For seven years The BMF has consistently acted in the best interest of Bob's legacy, rescuing his archives from moisture, dirt and mildew; storing the archives in secure climate controlled storage; entering into a lease with the N.C. Department of Cultural Resources to secure state-of-the-art archival facilities in Western N.C.; and making the difficult but prudent decision to defer a capital campaign to fund building of the Moogseum.

Ileana has said that her decision to move the archives was based, in part, on the fact that construction has not started on The Moogseum, the eventual Asheville home for Bob’s archives. At no time did she ever communicate that requirement to the BMF Board or me. Furthermore, during her tenure as president of the BMF Board, Ileana personally oversaw the decision to postpone the Moogseum’s capital campaign until the economy recovered from the nation’s worst financial crisis since the Great Depression. The economy aside, great museums take a long time to build. The Rock and Roll Hall of Fame, for example, took 16 years to plan before breaking ground.

The BMF’s leadership, board and staff have intentionally stayed above the fray, and we encourage our supporters to do the same. Ileana’s decision to move the archives, which was announced in a press release written and distributed by Moog Music’s public relations firm and posted on Moog Music’s website, has unleashed negative comments, many of which raise questions about the role Mike Adams and Moog Music played in Ileana’s sudden change of heart. The BMF has chosen to take the high road, and we will continue to do so, despite many inaccurate comments from Ileana and Mike Adams. That’s what Bob would expect of us. But Ileana’s decision and its timing, the wording of the announcement and the secrecy surrounding its release raise troubling questions about whose interests are really being served by Ileana’s actions.

As for The BMF, we will continue to do what we do best – inspiring and igniting creativity through historic preservation of the Bob Moog Foundation Archives and creating programs like Dr. Bob’s SoundSchool, that introduce children to the power of music, science, and innovation. Nothing would have made Bob happier or prouder.

(Trademarks referred to in this letter are the property of their respective owners)

Sincerely,

Bryan Bell, President

Bob Moog Foundation Board of Directors

Bryan Bell is President and Founder of Synth-Bank Consulting, LLC (Synth-Bank®) a technology practice focusing on using technology to enhance business and creative processes. Bryan spent 20 years consulting and pioneering technology innovation for high-profile corporations and entertainers, including Apple, Domain Chandon, NBC, GEIS, Herbie Hancock, Carlos Santana, Neil Young, Branford Marsalis and INXS. He has served continuously for over 20 years on the board of directors of The Bridge School. Bryan holds a DIS from Harvard University’s Graduate School of Business Administration and has been a speaker at conferences around the world. Bryan Bell’s latest music production project, “Duality”, by Nestler and Hawtin was recently released on iTunes."

Arturia Releases iMINI Polyphonic Minimoog for iPad

iMini Tutorial Video

Uploaded on Feb 25, 2013 Arturiaweb·80 videos

"Mike Hosker presents to you a tutorial video of the iMini, Arturia's first application for Ipad.
iMini is an application recreating the classic Minimoog™ synthesizer that is based on the TAE™ technology found in Arturia award winning Mini V software.
iMini is designed to allow users the classic sound, look and feel of this iconic synthesizer.

iMini endorsers include Stephan Bodzin, Richard Devine, Banco de Gaia"

iTunes:
iMini - Arturia

"COMPATIBILITY
iMini is compatible with iPAD 2, iPAD 3 and IPAD Mini

DESCRIPTION
iMini is a recreation of the classic 1971 Minimoog™ synthesizer, one of most iconic synthesizers of all time.

Based on the TAE® technology found in our award winning Mini V software, iMini offers a level of sound quality never before found on the iPAD as well as over 500 sounds by leading sound designers.

We have also partnered with the Bob Moog Foundation so that a portion of each sale goes to support their work in music education via the Dr. Bob Sound school program, making available the archives of Dr. Bob Moog and funding the dream to build the Moogseum.

The Minimoog™ synthesizer was made famous by artists and bands such as Stevie Wonder, Depeche Mode, Kraftwerk, Keith Emerson, Devo, Jean Michel Jarre and more. We now bring the features and sound of this classic to the iOS platform.

The iMini not only recreates the look and feel of the most legendary synthesizer, it does it with unparalleled sound quality. iMini is based on the award winning Arturia Mini V software that was created in partnership with Dr. Robert Moog himself, back in 2003. Thanks to this heritage, continuous research and refinements over the years, iMini comes with amazing sound quality and a large collection of preset sounds created by top sound designers such as Klaus Schulze (Tangerine Dream) and Geoff Downes (Asia).

What will you do with it?
First you can play the iMini’s numerous sounds from the iPad keyboard. You can create your own sounds and start building your personal sound palette.
If you are an owner of the Arturia Mini V software on your Mac or PC, you can import and export sounds between your laptop or desktop Mini V and iMini.

You can also control iMini from a MIDI keyboard via CoreMIDI and integrate it into your studio or live performances.

But this is not all; iMini is ‘Tabletop Ready’. Tabletop is a free iPad application that allows you to integrate iMini into a full studio of devices. With Tabletop you can build an entire song, with drum machines, FX's, sequencers... and of course the inimitable Minimoog™ sound.

Tabletop Ready™
The connect page is also your avenue to open up a whole new world of possibilities with iMini via Retronyms Tabletop application.
Tabletop™ is a free app for your iPAD that allows you to integrate iMini into a complete studio environment. In Tabletop you can use multiple instances of iMini; record your performance into a real-time sequencer; automate any of the parameters; add effects; process other modules through the iMini filters, etc. Tabletop also features number of in app purchase options to add more effects and instruments from other 3rd party companies.

Features include
Classic Minimoog™ sound.
3 Oscillators
24db per octave filter.
Simulated headphone jack/external input feedback.
2 Assignable XY pads
Chromatic or tuned scale keyboard modes
Polyphonic mode
Full featured arpeggiator
Repeat
HOLD and MEMORY latch modes
Octave span
5 note order modes
Speed and sync controls
Virtual Analog Chorus
Virtual Analog Delay
Owners of both the iMini and Mini V software apps can transfer sounds from one platform to the other via iTunes.
Full user MIDI mapping of panel controls.
Supports WIST sync with other iOS devices.
‘Tabletop Ready’
Soundcloud seeder (via Tabletop)
Render to .wav file (via Tabletop)
‘Audiocopy’ to paste your audio into another iPAD application. (via Tabletop)

The Minimoog™ name used here is a trademark of the respective owners, which are in no way associated or affiliated with Arturia. These trademarks are used solely to identify the products whose sound and features were modeled during the development process."

iTunes:
iMini - Arturia
Tabletop - Retronyms
iOS Devices on eBay - Daily Tech Deals

Update: new video and the press release:


Published on Feb 26, 2013 Arturiaweb·80 videos

And the press release:

"Arturia advances history-making Minimoog to iPad musical masses!

"The iMini turned my iPad into an ‘old skool’ analogue bass monster! Its sound is irresistibly ‘phat’ and very close to the original. If you want that typical dirty Moog sound then the iMini is all you’ll ever need. It’s by far the most powerful and hypnotising synth app on the market.”
- Stefan Bodzin, 2013 (DJ/producer, remixer of Depeche Mode, Booka Shade, and more)


GRENOBLE, FRANCE: music software and hardware company Arturia is proud to announce availability of iMini, an authentic recreation of the all-time classic Minimoog monosynth for Apple’s all-conquering iPad, as of February 27...

iMini is based on the TAE® (True Analog Emulation) synthesis technology found in Arturia’s award-winning Mini V soft synth, meticulously modelling the distinctive tones and analogue nuances of the legendary Seventies-vintage Minimoog Model D monosynth. Moog changed the musical world with the Minimoog and Arturia helped change the music software world with the Mini V.

Arturia now brings the still-sought-after classic Minimoog sound to the musical masses, transforming any iPad mini, iPad 2, or iPad with Retina display into the ultimate analogue synth emulation! Those timeless three oscillators and that 24dB per octave fabled filter are all present and accounted for in iMini. It also successfully sports the look and feel of Dr Bob Moog’s namesake iconic synthesizer for all to see (and hear). But being a game-changing iPad app for 2013 and not an analogue synth design dating back to 1970 means there’s a whole lot more to iMini than first meets the eye...

Any serious synthesizer connoisseur will instantly recognise the MAIN mode screen as an eye-catching rendering of the Minimoog Model D front panel, albeit with welcome additional ‘analogue’ CHORUS AMT. and DELAY AMT. level controls, as well as a POLY switch for playing polyphonically — impossible in 1970, obviously! Other subtle supplements include a gearwheel icon above the keyboard — press to reveal GLIDE, DECAY, LEGATO, and SCROLL switches for performance keyboard control, plus a SCALE function to choose from no fewer than 26 different scales and modes. Meanwhile, iMini comes complete with hundreds of superb sounds showcasing its supreme sonic versatility; press LOAD from the menu bar and choose from sound designer or category — couldn’t be simpler!

But ‘behind’ that familiar-looking MAIN screen lies a wealth of truly 21st Century audio action: the PERFORMANCE page accesses an arpeggiator with two latch modes and two assignable XY pads for creating all kinds of patterns and real-time morphing sounds; the FX page provides iMini with the same wide-ranging CHORUS and accurate ANALOG DELAY models found in the above-mentioned Mini V software — subtle sound thickening to wildly modulated effects (chorus) and sync to external tempo (stereo delay) possibilities abound here! Handily, all onscreen knobs and switches in each iMini page can easily be assigned to MIDI CC allowing automation from any external MIDI source. The default MIDI map will automatically work with Arturia MiniLab or Analog Player 25 Universal MIDI Controller keyboards!

And that’s not all: the CONNECT page is the gateway to making iMini talk to the outside world (using the Apple iPad Camera Connection Kit) — use WIST (Wireless Sync Start Technology) to sync the arpeggiator and delay to other iPad or iPhone apps, and integrate iMini into a complete studio environment via Retronyms Tabletop. This free iPad app allows multiple iMini instances to be simultaneously run; real-time performance recording into a sequencer; parameter automation; processing of third-party, Tabletop-ready apps through the iMini filter, and more. “iMini is an ideal Tabletop-ready app,” says Retronyms Co-Founder John-Paul Walton. “It’s a fresh take on a legendary synth, and comes packed with a ton of amazing presets — everything from retro space sounds to contemporary bass noise.”

Thanks to iMini, today there’s really no excuse for not taking that history-making Minimoog sound anywhere anytime. And in recognition of the groundbreaking instrument to which it owes its very existence, for every iMini sold, Arturia will make a donation to The Bob Moog Foundation, whose Executive Director, Michelle Moog-Koussa, kindly adds: “We are grateful to Arturia and Retronyms for donating part of the proceeds from the iMini in support of our mission to ignite creativity at the intersection of music, science, history, and innovation. A portion of this funding will go to support our educational initiative, Dr Bob’s SoundSchool, which teaches children the science of sound through the magic of music.”

For Frédéric Brun, Arturia’s President, the feeling is mutual: “We are delighted to donate to The Bob Moog Foundation and acknowledge our gratitude to Robert Moog, who helped us when we released our first virtual instrument, the Modular Moog V, back in 2003. We are also thrilled to work with Retronyms, who are a great company and a force to be reckoned with when it comes to iOS. The iMini sets a new standard for what a virtual instrument should sound like on an iPad.”

So let’s make music and help history come alive with iMini in more ways than one, and also support the dream of building the Moogseum (Bob Moog Museum), the convergence of The Bob Moog Foundation’s goals of inspiring and educating people through electronic music.

Appropriate iPad owners can purchase iMini directly from Apple’s App Store during a three-week introductory launch pricing period for €8.99 EURO/$9.99 USD (rising to €19.99 EURO/$21.99 USD thereafter)."

The Foundation Of Synthesis 106: Designing Timbres

Note the following are only three teaser videos from the full series.
You'll find the description and links to the rest further below.

The Foundation Of Synthesis 106: Designing Timbres - 1. Introduction

Published on Oct 3, 2012 by macProVideoDotCom

The Foundation Of Synthesis 106: Designing Timbres - 4. Synth Bass and Metal

Published on Oct 3, 2012 by macProVideoDotCom

The Foundation Of Synthesis 106: Designing Timbres - 9. Minimoog: Fat

Published on Oct 3, 2012 by macProVideoDotCom

"Additional videos for this title: http://j.mp/SZWST5
The Foundation Of Synthesis 106: Designing Timbres by The Bob Moog Foundation

Synthesis on hardware synths is a real adventure. Every synth designer has their own interpretation on how things look, feel, sound and get patched together! In this sixth course in our Foundations Of Synthesis series, Marc Doty assembles a selection of synths from his personal collection and demonstrates how he creates his sounds.

All of the synthesis and control processes that Marc brought to the table in the previous five courses blend together as he builds (and patches) lead, bass, and FX. This course is a unique opportunity to get inside a master synthesist's head to see how he manipulates and realizes the sonic dreams that reside in his aural imagination!

Bob Moog was an early pioneer and inventor of voltage controlled analog synthesizers. He revolutionized the music industry and his ideas, inventions and musical instruments have dominated the sound of music for more than 30 years. Aside from being an innovator, Dr. Bob was an outspoken advocate of education. The Bob Moog Foundation, created by his daughter, Michelle Moog-Kousa, continues his legacy with Dr. Bob's SoundSchool, the preservation of his inventions and the development of the Moogseum the only museum of its kind dedicated to the advancement of sonic education. We hope you will help support the BMF's efforts by watching these courses with the knowledge that a large portion of the proceeds go to support their awesome efforts!

So sit back, hit the play button, and get into sound design in this Foundation of Synthesis course with Marc Doty, and the Bob Moog Foundation.

Be sure to watch all 6 of the BMF's courses on filters, modulation, oscillators, sound design and more!
More info on this title: http://j.mp/SZWST5"

Bob Moog Foundation Releases 2012 “Moog Pioneers in the Studio” Calendar

"December 6, 2011 - Asheville, NC - The Bob Moog Foundation announces the release of its 2012 calendar, “ Moog Pioneers in the Studio.” The calendar features photos and history from Bob Moog’s archives, as well as photos from collections of pioneering synthesists. The photos and text, compiled and written by BMF volunteer historian Brian Kehew, focus on more obscure luminaries and their fascinating instruments.

Through documenting the many musicians, composers, and scholars who collaborated with Moog, the Foundation aims to share the breadth of material encompassed in the inventor’s archives and to share the very rich history of electronic music. In addition to three photos that feature Moog himself, “Moog Pioneers in the Studio” also features Joel Chadabe, Jon Appleton, Jean Jacques-Perrey, Chris Swansen, Jon Weiss, Max Brand, Herb Deutsch, JD Robb, Eric Siday, Emmanuel Ghent, Mort Garson, and Gil Trythall.

As an ode to Moog’s pioneering work in modular synthesis, the background of calendar grid features art images of vintage Moog modules from symphonic synthiesist Erik Norlander’s 1967 modular system. The images were taken by Shaun Hollingsworth of [SIC] Images. The calendar was designed by Rose Hecht and edited by Geary Yelton. Both Kehew and Executive Director Michelle Moog-Koussa wrote forewords for the calendar.

“Saints be praised, the Bob Moog Foundation has released another fantastic, picture-laden calendar, this one for 2012! Featured in gorgeous vintage photos and posing with Moog modular synthesizers — and on occasion with the great Bob Moog himself — are 12 important pioneers of synthesized and electro-acoustic music. Some of these pioneers I’m familiar with, others not so much, and I welcome the challenge of learning more about them beyond what’s revealed by their accompanying captions. Cheers to the Bob Moog Foundation for recognizing these pioneers! I urge everyone to support the crucial Bob Moog Foundation cause by first purchasing this new calendar and by contributing in any way humanly possible.”

—Mark Vail, Music Historian, Author, Teacher and Journalist

The calendar is available for purchase on the Bob Moog Foundation's brand new online store. All proceeds from online sales go to support the Foundation's ongoing projects, including the preservation of Bob's historical and extensive archives, the expansion of our Dr. Bob's Sound School, and creation of the Moogseum in Asheville, N."

CLICK FOR MORE »

Moogfest 2011 Signed Posters for Sale - Tangering Dream and More

See here for the full list.

Pictured in this post: Tangerine Dream

"Moogfest 2011 rocked Asheville, North Carolina on Halloween weekend. Over 70 bands played on six stages around the city. The festival was covered by a variety of international news outlets, including an extensive feature on National Public Radio.

This unique autographed Moogfest 2011 poster is the perfect way to celebrate an unforgettable weekend of music, even if you weren’t able to attend! This is the official poster of Moogfest 2011. It was designed and hand printed by Justin Helton of Status Serigraph on heavy stock and features a modular synth surrounded by spaceships and astronauts in outer space. It measures 18 x 24.

This poster was signed by Tangerine dream at Moogfest 2011

All proceeds from this sale will benefit the Bob Moog Foundation, a non-profit organization that seeks to ignite the innovator in everyone through exposure to interactive educational experiences that draw from Dr. Bob Moog’s legacy of groundbreaking work at the intersection of music, science, and innovation.

We carry out this mission through our three main projects: Dr. Bob’s SoundSchool – teaching kids the science of sound through the magic of music. Bob Moog Archive Preservation Initiative – preserving history to affect the future. The future Moogseum.

You can read more about these projects and our other activities, and sign up for our monthly enewsletter on our website at www.bobmoogfoundation.org"

Moog Filtered Ale Brewing in October

It's back! via The Bob Moog Foundation:
"Asheville Brewing Company and the Bob Moog Foundation are proud to announce the release of the second limited edition of Moog Filtered Ale, a pale beer named in honor of synthesizer pioneer Bob Moog. The two organizations partnered in 2010, releasing the first edition to international acclaim. The Ale will be available October 6, 2011, through November 7, 2011. Proceeds from the sale of the beer will be donated to the Bob Moog Foundation to benefit their mission of igniting the innovative and creative through science, music and history. The timing of the beer’s release coincides with Moogfest, the three-day electronic music festival to be held in Asheville, N.C., on October 28, 29, and 30, 2011.

Moog Filtered Ale is an American-style pale ale with distinctive notes of caramel and pine. It will be distributed nationally and internationally in 22-ounce bottles through Asheville’s Bruisin’ Ales and will be distributed locally by Budweiser of Asheville at various locations throughout Western North Carolina, on draft and in 22-ounce bottles.



Asheville Brewing has been making outstanding craft beers since 1998 and has won several awards for its beers. As an active supporter of local non-profit groups, they are thrilled to be working with the Bob Moog Foundation, whose work is innovative and historical. Through Moog Filtered Ale, Asheville Brewing aims to support the interactive educational programs that the Foundation is developing to teach science through music, as well as to support the eventual creation of the Moogseum.

Asheville Brewing Company President Mike Rangel says, “We are honored to be working with the Bob Moog Foundation again this year to help keep Bob’s vision and legacy alive. By donating the profits from Moog Filtered Ale, we will be supporting innovative science education through the Foundation’s Dr. Bob’s SoundSchool outreach program. Moog Filtered Ale is absolutely the most exciting project our company has been involved in, and after the success of last year’s collaboration, we couldn’t wait to do it again this year.”

The Bob Moog Foundation is extremely proud and grateful to be partnering with Asheville Brewing Company again this year. The funding from last year’s sales of Moog Filtered Ale was of tremendous assistance in helping us reach our goals. As a result, our programs are thriving and our organization is stronger than ever. Purchasing Moog Filtered Ale is a very tasty way for people to support both the work of the Bob Moog Foundation and Asheville Brewing Company, a small business that supports many local non-profit organizations all year long.

The label for the Ale is an original design by Asheville artist Phil Cheney. Featuring vibrant shades of purple, green, and orange, the label shows Bob Moog leaning over a keyboard with musical notes, synthesizer knobs, and patch cables floating above his head.

A line of t-shirts and other merchandise featuring the label will be available through www.shop.ashevillebrewing.com beginning October 10."

Bob Moog Foundation Announces impOSCar2 Controller Raffle Touch Digital Controllers™ and GForce Software Unite in Tribute to Moog Legacy

"ASHEVILLE, N.C. – September 19, 2011 – A raffle to benefit the Bob Moog Foundation begins today. Two lucky winners will each receive the new impOSCar2 Controller from Touch Digital Controllers and an entire suite of five virtual instruments from GForce software—a prize package valued at nearly $2,500. The raffle will continue until all 500 tickets have been sold. Because the BMF will be awarding two complete packages, each entry has a 1 in 250 chance of winning. Tickets are $20 each, or you can improve your odds by buying six for $100.

Raffle tickets are available from the Bob Moog Foundation’s Web store. Be sure to enter before all 500 tickets have sold out. Two winners chosen by a random-number generator will be announced once all 500 tickets are sold. The winner will be announced within 24 hours after that time. Raffle participants should check the Foundation’s website and social media outlets to learn when all 500 tickets have been sold and who the two winners are. The winners will be contacted by email.

The new impOSCar2 Controller provides a physical user interface for both the standalone and plug-in versions of GForce Software’s acclaimed impOSCar2 soft synth. The combination of software and hardware offers the sound and functionality of one of the most sought-after analog/digital hybrid synthesizers ever made—Oxford Synthesizer Company’s OSCar—brought up to date with automation, effects, 16-note polyphony, and tons of patch storage.

As a tribute to the memory of Bob Moog, Touch Digital Controllers donated not one, but two impOSCar2 Controllers to the BMF. One is produced in a hand-finished natural mahogany and the other in ebony black on oak. These beautifully made controllers deliver plenty of visual and tactile feedback to make programming impOSCar2 a pleasure, just like programming the original OSCar but with total recall. With 101 high-resolution knobs and buttons, every parameter is available from the controller’s front panel to remotely operate the software. In addition to its dedicated impOSCar functionality, the controller can be configured to control any software instrument that supports MIDI Learn.

“The impOSCar2 Controller is our first product, and we are proud of what we have been able to achieve with this handcrafted music instrument,” said Richard Lawson and Kent Spong of Touch Digital Controllers. “As synthesists, and as a manufacturer, we have been deeply inspired by the one man who pioneered the whole thing: Bob Moog.”

Released in July, GForce’s impOSCar2 breathes new life into the popular previous version, first launched in 2004. New features include more comprehensive modulation routing, an improved arpeggiator, ring modulation, panning mono and poly unison modes, and more than 1,000 signature patches. Add nine filter types, six portamento modes, and a programmable additive synthesis grid, and you have one powerful soft synth.

Want more? The BMF’s raffle winner will also receive licenses for M-Tron Pro, Minimonsta, Oddity, and Virtual String Machine, which realistically emulate the Mellotron, Minimoog, ARP Odyssey, and numerous polyphonic string synthesizers, while adding dozens of innovative touches. In addition, GForce Software has included the ChamberTron and OptiTron Expansion Packs for M-Tron Pro.

BMF Executive Director Michelle Moog-Koussa said, “Through the ImpOSCar2 Controller, Richard and Kent bring their love of vintage synthesizers into the design and ethos of this very special piece of handcrafted hardware. Bob’s goal was always to give musicians the highest level of expressivity, and his interface design was a big part of that. The construction of the ImpOSCar2 Controller echoes that commitment to musicians. Our many thanks to Richard, Kent, and the team at GForce Software for sharing their life's work with us. Their support is a tribute to Bob Moog's legacy and to the work of the Bob Moog Foundation.”

The Bob Moog Foundation (www.moogfoundation.org) honors the legacy of synthesizer pioneer Dr. Bob Moog through its mission of igniting the innovative and creative spirit at the intersection of music, science, and history. Its projects include Dr. Bob's SoundSchool, which brings electronic musical instruments into the schools to teach children science through music; the Archive Preservation Initiative, an effort to preserve and protect the inventor's extensive and historic archive; and the future Moogseum, an innovative educational, historic, and cultural facility that will bring Bob Moog's spirit alive to ignite innovation and creativity in children and adults. It will be located in Asheville, N.C., in the years ahead, pending necessary funding. The Bob Moog Foundation is an independent, donor-driven 501(c)(3) non-profit organization and is not formally affiliated with Moog Music, Inc."

Spectrasonics Announce Winners in "OMG-1 Contest"

"BURBANK, CALIF -- SEPTEMBER 15, 2011 -- Spectrasonics today announced the winners of their worldwide "OMG-1 Contest." Over 400 entries for the contest were submitted from 68 different countries, with a very wide diversity of musical styles. The goal for each contestant was to use the sounds from the Bob Moog Tribute Library in a creative and inspiring way. The company reports that the Contest and the Library have been able to raise record-breaking funds for the Bob Moog Foundation to support their innovative projects.

Eric Persing, Spectrasonics Creative Director and Founder, said, "With the hundreds of creative entries from around the world, the OMG-1 Contest was an incredible success! The overall quality of all the entries was so much higher than we expected, it was extremely difficult to choose the winners."

The Grand Prize of Persing's custom-built OMG-1 synthesizer has been awarded to Torley Wong of Washington State [matrix edit: Torley's been featured here on MATRIXSYNTH a number of times] , who submitted an entire album's worth of music--15 pieces, over one-hour in total--exclusively using the "Bob Moog Tribute Library" in Spectrasonics' Omnisphere software synthesizer for the tonal elements of his album. The one-of-a-kind OMG-1 synthesizer will be presented as the Grand Prize to Mr. Wong in a special event at the 'Moogfest' in Asheville, North Carolina in October 2011.

In fact, so many great pieces of music were submitted in the contest that three other major winners were announced as well, winning prizes generously donated by hardware synthesizer manufacturer Moog Music:

* "Outstanding Achievement Award" David Soltany (Strasbourg, France)

* "Next Generation Award" Eric Oberthaler (Berkeley, California)

* "Most Original Composition" Waen Shepherd (London, UK)

Fifteen additional contestants were recognized with "Creative Excellence Awards" and have their music featured on the Spectrasonics website.

View the complete contest-winners list and listen to their music: [LINK]

The OMG-1 Synthesizer
The grand prize in the contest, the OMG-1 hardware synthesizer, was designed by Persing as a live performance instrument and is not a commercial product. It integrates the worlds of analog synthesis with a Moog Little Phatty®, and software synthesis with Omnisphere software synthesizer and the Omni TR™ iPad app--all in a hand-crafted curly maple cabinet containing Apple iPads and a MacMini.

The Bob Moog Tribute Library - Still Available for all Omnisphere Users!

Produced by Eric Persing, the Bob Moog Tribute library features over 700 stunning new sounds for Spectrasonics' Omnisphere Power Synth. The Soundsources in the library were developed using highly creative processing techniques--often with exotic gear. The sounds in the library were created by more than 40 of the world's top synth artists, remixers and sound designers, including Hans Zimmer, Vince Clarke, Jean Michel Jarre, The Crystal Method, Bernie Worrell, Larry Fast, Ryuichi Sakamoto, Jan Hammer, Richard Devine, Danny Elfman and many more. Although the OMG-1 Contest has ended, Spectrasonics' Bob Moog Tribute Library will continue to be sold as a $100 downloadable library for Omnisphere, and 100% of the proceeds will continue to be donated to the Bob Moog Foundation.

Check out the Bob Moog Tribute Library


About Spectrasonics
Founded in 1994, Spectrasonics is a leading innovator of world-class, award-winning virtual instrument software plug-ins, used by the top recording artists, producers, remixers and film composers on the planet. Key Spectrasonics products include its flagship synthesizer Omnisphere®, the Trilian® Total Bass Module, and the popular Stylus RMX® Realtime Groove Module. For more information visit http://www.spectrasonics.net

About the Bob Moog Foundation
The Bob Moog Foundation honors the legacy of synthesizer pioneer Dr. Bob Moog through its mission of igniting the innovative and creative spirit through the intersection of music, science and history. Its projects include Dr. Bob's Sound School, which brings electronic musical instruments into the schools to teach children science through music, the Archive Preservation Initiative, an effort to preserve and protect the inventor's extensive and historic archive and the future Moogseum, an innovative educational, historic, and cultural facility that will bring Bob Moog's spirit alive to ignite innovation and creativity in children and adults. It will be located in Asheville, NC in the years ahead, pending necessary funding. The Bob Moog Foundation is an independent, donor-driven 501(c)(3) non-profit organization and is not formally affiliated with Moog Music, Inc."

Herbie Hancock and George Duke Signed Little Phatty up for Auction

via this auction
"This Little Phatty® synthesizer was donated to the Bob Moog Foundation and the Museum of Making Music by Moog Music, Inc. pursuant to their joint exhibit, Waves of Inspiration: The Legacy of Moog, which was on display at the Museum of Making Music until April 2010. The Bob Moog Foundation and the Museum of Making Music both convey inspiration from music, history, and innovation. They will share the proceeds from the auction.

George Duke signed the back of the synthesizer after his November performance at the exhibit with the inscription “Keep Playing” and his signature. Herbie Hancock signed the iconic curved side panel of the instrument. Duke and Hancock are both considered synthesizer pioneers, making heavy use of the innovative instruments in the 1970s and 1980s.

This Little Phatty will be a unique conversation piece in your studio or music room. After all, who else has a synthesizer signed by two legendary synth players?

This is truly a one-of-a-kind piece!

50% of the sale price will be donated to the Bob Moog Foundation and 50% will be donated to the Museum of Making Music.

From the Moog Music site:
Like the Stage and Tribute Edition before it, the Little Phatty Stage II puts the performer in control of a 100% analog signal path, two ultra stable Voltage Controlled Oscillators, a Voltage Controlled Filter and other versatile features like an external audio input, CV and KB gate inputs and a full MIDI controller.

“The Little Phatty not only has it’s own signature killer sounds, but the ability to use it’s innovative interface as a versatile general MIDI controller make it an incredible tool for both performance and the studio.”
-Cyril Lance, Engineering Manager

Additionally, the Stage II boasts great new features including; MIDI over USB, MIDI Clock Sync, an Arpeggiator, Tap Tempo and a stylish New Black Finish.

The addition of MIDI over USB makes this performance and sound sculpting tool even more powerful. Combined with its warm analog sound, ability to process external audio and its intuitive performance, sound design and control features, the Stage II makes a great addition to any rig... from full-on analog, to a laptop/softsynth setup. You can also connect it directly to a computer running the Little Phatty Editor/Librarian.

MIDI Clock Sync allows you to synchronize the LFO and arpeggiator rate to the tempo of your MIDI sequencer, drum machine or software. Sample and hold, triangle, square, sawtooth and ramp wave modulations can now be perfectly timed with your rhythm tracks and the arpeggiator.

The arpeggiator is a great new performance feature with applications for musicians in all genres. Its wide variety of uses is sure to find a place in any style, and of course it also syncs to MIDI clock. Tap Tempo brings LFO and arpeggiator tempo sync functionality to situations in which there is no MIDI clock.

“The new features in the Little Phatty Stage II bring true analog synthesis to contemporary performance and production.” says Cyril Lance, “USB, MIDI Clock Sync, Tap Tempo and the Arpegiator make it a modern music powerhouse.”

The Bob Moog Foundation
www.moogfoundation.org

The Bob Moog Foundation honors the legacy of synthesizer pioneer Bob Moog through its mission of igniting creativity at the intersection of music, history, science, and innovation. Its projects include Dr. Bob's SoundSchool, which brings electronic musical instruments into the schools to teach children science through music; the Archive Preservation Initiative, an effort to preserve and protect the inventor’s extensive and historical archive; and the future Moogseum, an innovative educational, historical, and cultural facility that will bring Bob Moog’s spirit alive. It will be located in Asheville, NC, in the years ahead, pending necessary funding.


The Bob Moog Foundation is an independent, donor-driven 501(c)(3) non-profit organization and is not formally affiliated with Moog Music, Inc.

The Museum of Making Music
www.museumofmakingmusic.org
The Museum of Making Music's mission is to celebrate the rich history and encourage the future of music making.

The Museum's vision is to preserve, communicate, and advance the tradition of innovation and excellence in the music products industry and to help ensure that music making processes, in their broadest sense, continue to thrive.

To achieve this vision, we engage people of diverse backgrounds in the exploration of the creation, design, distribution and use of musical instruments and tools, and provide opportunities for people to develop their personal connections with music."