"If you're interested in the early history of ROLAND, the Japanese manufacturer of electronic musical instruments and the TB-303 Bassline, you'll enjoy this 20-minute video. The TB-303 and its design are described in depth, and many examples of popular music made with the machine are presented.
Director: Nate Harrison Producer: Nate Harrison Production Company: Nate Harrison Sponsor: Nate Harrison Audio/Visual: sound, color Contact Information: nate@nkhstudio.com, nkhstudio.com"
Note this was originally posted on July 23, 2005 here. I figured I'd put a new post for those that missed it and now that it is embeddable. If you like this documentary be sure to see The History of the Amen Break, also by Nate Harrison.
Update: be sure to see the comments in this post for more.
"Nate Wood takes us through a beat breakdown of how he composed, 'Guru Model,' & demonstrates his masterful use of the New KORG Drumlogue and the fantastic features it offers to enhance his creative process.
Nate harnessed the full potential of the Drumlogue by utilizing all 64 steps, the randomizer to introduce certain notes at specific intervals, giving the piece an ever-changing and dynamic feel, & its built-in nano synth voice adding a unique and powerful bass layer to Nate's composition that serves as the backbone of the song. Mixing standard drum machine sounds with captivating synth sounds, he effortlessly brings in and out different elements, creating a mesmerizing musical tapestry."
"Nate Wood joins us in the studio for a full performance of “Guru Model” from Nate Wood – fOUR, a project recorded entirely in one take with no overdubs! Watch as the multi-instrumentalist builds out this intricate song on the fly incorporating the use of the new KORG drumolgue, as well as the beloved minilogue xd, and monologue. After being introduced to the drumlogue, Nate was able to create “Guru Model” within just a few hours of using drumlogue, and he finds that drumlogue is super intuitive to use and is the perfect complement to the minilogue xd and monologue."
This one is not necessarily a synth demo, but considering how prominent the DSI Tempest is featured, I thought it deserved a post. Also, I thought it was kind of cool that there is a credit for "modular synth" in the description for the video below. I remember the first time I heard this song in the background while posting away. About a minute in, I was like, "what the heck am I listening to?!" It was like the bizarre thoughts that go through your mind right before you fall asleep. Some of the other tracks on the album are like that as well. This track and some others grew on me. Regardless of our musical tastes, the Tune-Yards are great musicians and the production quality of the album is top notch.
"'Look at Your Hands' by Tune-Yards. New album 'I can feel you creep into my private life' is released January 19th 2018: http://smarturl.it/TYICFYCIMPL
Video by Michael Speed
Footage by Marisa Gesualdi & Jennifer Sommer
Additional photos by Nate Brenner, Ginger Fierstein and Merrill Garbus
Nate Brenner (bass, sequences, modular synth)
Michael Coleman (synth solo, crazy keys, bleeps/bloops)
Merrill Garbus (vocals, MPC and other drum programming, keys)
Maryam Qudus (vocals)
Jason Slota (drums)
Beau Sorenson (drum machine processing, vocal effects)
John Vanderslice (vocals)
Engineered by Beau Sorenson at Tiny Telephone Oakland
Mixed by Mikaelin 'Blue' BlueSpruce at Lounge Studios NY
La la la la la la la look at your hands, your hands
LOOK, la la look at your hands, your hands
Look at all the objects in your hands your hands
La la look at your hands, your
I created this soundscape and short film for Halloween 2021. A friend and I went for a walk around beacon fell to do some filming and sound recording a few weeks ago, but the weather was far too wet and windy to do either!
However, I managed to get a few shots of the spectacular foggy atmospheres on my Osmo action, and thought they would pair well with the otherworldy sounds of the Lyra 8... so here we are.
The samples are from some radio show about haunted woodlands I recorded late on night on my field recorder.
I hope you enjoy. Please like & subscribe for more videos.
"Yamaha Montage Synth, Based On Entirely New Technology
YAMAHA’S NEW MONTAGE synth offers unprecedented ways for keyboard players to control and interact with sound.
For more than 40 years, Yamaha has developed industry-leading synthesiz-ers, from the revolutionary DX7 in the 1980s to the renowned Motif series, one of the best-selling synthesizers of all time. The Montage, available in 61-, 76-, and 88-key configurations, features the Motion Control Synthesizer Engine, a powerful and intuitive way to interact with and control sound.
The Motion Control Synthesizer Engine controls two iconic Sound Engines: Advanced Wave Memory 2 (AWM2) and FM-X. Compatible with previous generation Motif libraries, the AWM2 engine is exponentially more powerful than the previous Motif XF flagship with nearly ten times more wave memory, integrated flash, double the effects, and twice the polyphony. Joining the powerful AWM2 engine is FM-X. A sophisticated pure FM (Frequency Modulation) synthesizer engine is capable of producing classic ‘80s or cutting-edge EDM sound with excellent dynamic range, power, and fidelity.
Montage also features a brand new user interface with color touch screen, endless rotary encoders and the Super Knob: a macro control allowing users to control multiple parameters simultane-ously.
‘Montage is the culmination of over forty years of synthesizer legacy and innovation,’ said Nate Tschetter, mar-keting manager, music production, Yamaha Corporation of America. ‘Playing and experiencing Montage is, quite simply, inspiring.’
Yamaha’s Montage con-tains two discrete sound engines for expanded tonal flexibility."
Update: A quick note on the evolution of this post. As typically happens, stuff gets sent in, I parse it, post it, and then updates come in. Below is the original blob of text I was confronted with from the source site. This was before the scans went up. It appears the source site did a bad copy and paste of the article and jumbled sections out of order. Imagine reading it first. Some of you did and got to enjoy my experience. For those that didn't here you go. A Tacky what?
"NEW PRODUCTS Yamaha Montage Synth, Based On Entirely New Technology user interface with color touch screen, endless rotary encoders and the Super Knob: a macro control allowing users to control multiple parameters simultane-ously. “Montage is the culmination of over forty years of synthesizer legacy and innovation,” said Nate Tschetter, mar-keting manager, music production, Yamaha Corporation of America. “Playing and experiencing Montage is, quite simply, inspiring.” Anaheim Marriott Marquis Ballroom http://4wrd.it/Montage Yamaha’s Montage con-tains two discrete sound engines for expanded tonal flexibility. VATER TACKY SACK VATER PERCUSSION’S new Tacky Sack Grip Enhancer, the first product of its kind to be marketed to the drumming world, features a sack of grip-enhancing rosin powder that absorbs moisture and provides drummers additional control of their drumsticks while performing in humid and sweaty conditions. Gently “clapping” hands on the Tacky Sack applies rosin powder to the palms. A cord is included to hang Tacky Sack from a snare drum, stick bag, or hard-ware. “Once again, Vater knows just what I need, even before I do,” said Slipknot’s Jay Weinberg. “Especially in intense, sweaty environments, Tacky Sack allows me to lose myself in the vibe of a song without worrying if I’m going to send a stick flying from my palms. My grip relaxes, and I’m better able to avoid carpal tunnel-like problems. Tacky Sack lets me thrash with com-plete control.” Marilyn Manson’s Gil Sharone added, GRIP ENHANCER YAMAHA’S NEW MONTAGE synth offers unprecedented ways for keyboard players to control and interact with sound. For more than 40 years, Yamaha has developed industry-leading synthesiz-ers, from the revolutionary DX7 in the 1980s to the renowned Motif series, one of the best-selling synthesizers of all time. The Montage, available in 61-, 76-, and 88-key configurations, features the Motion Control Synthesizer Engine, a powerful and intuitive way to interact with and control sound. The Motion Control Synthesizer Engine controls two iconic Sound Engines: Advanced Wave Memory 2 (AWM2) and FM-X. Compatible with previous generation Motif libraries, the AWM2 engine is exponentially more powerful than the previous Motif XF flagship with nearly ten times more wave memory, integrated flash, double the effects, and twice the polyphony. Joining the powerful AWM2 engine is FM-X. A sophisticated pure FM (Frequency Modulation) synthesizer engine is capable of producing classic ‘80s or cutting-edge EDM sound with excellent dynamic range, power, and fidelity. Montage also features a brand new Vater Tacky Sack Grip Enhancer. 224 MUSIC TRADES February 2016"
Update: and a slightly longer one on YouTube sent my way via Soviet Space Child:
MONTAGE is coming soon Published on Jan 15, 2016 yamahacorporation
"Yamaha flagship Synthesizer MONTAGE is coming soon"
"Lofi tape loop drones using a Sony TCM 200DV walkman cassette loop, sequential prophet rev2, drolofx stretchweaver & a strymon bigsky. Everything is directed through my SPL Goldmike pre-amp, through a Focusrite 18i20 and recorded into Cubase 11 Pro.
YouTube via brettdomino — April 07, 2010 — "Brett Domino and Steven Peavis perform a medley of Justin Timberlake hits using assorted miniature instruments and lap tray travel bags (Trabasacks - for more info go to http://www.trabasack.com ).
The medley includes: SEXYBACK (written by Justin Timberlake, Timbaland, Nate "Danja" Hills) LIKE I LOVE YOU (written by Justin Timberlake, Pharrell Williams, Chad Hugo, Terrence Thornton, Gene Thornton) LOVESTONED (written by Justin Timberlake, Timbaland, Nate "Danja" Hills).
Performed on: Stylophone Beatbox, iPod Touch (using DigiDrummer Lite), Kazoo, Thumb Piano, Shaker, Stylophone, Cowbell, Recorder, Ukulele, Theremin, Spoons, and Roland AX-Synth.
YouTube via wellweatheredmusic | December 18, 2010 |
"An ensemble of 22 laptops performing under the direction of composer/mix-master Miguel Frasconi, on Thursday, Dec 16, 2010. This was the end-of-semester concert of Bard College's "Workshop in Software for Composition and Performance," taught by Miguel Frasconi.
The participants this semester (fall 2010) were: Laura Bradford • Penn Chan Jake Coan • Dylan Coburn Lucas Denton • Dani Dobkin John Garlid • Charlie Heller Alex Hood • Zack Khalil Shahrod Khalkhali • Elias Moose Marcel Reid-Jaques • Steve Reiman Sean Rucewicz • David Silberberg Nate Smallwood • Charlotte Su Will Tesdell • Joe Tisdall Elon Ullman • Jed Wolf Miguel Frasconi, director & mix-master"
"This is a WSG synthesizer made by Elvertronics (elvertronics.com) a few years ago. It's number 1.5 and signed by Nate from Elvertronics. This synth is based off of the popular MFOS WSG kit available here"
Playlist:
Yamaha Music Synthesizer MX BK/BU Series Official Movie
FM Essential Introduction
iOS Application FM Essential Voice demo
Introducing the MX88 music synthesizer
Yamaha MX88 with FM Essential Artist Interview
Update: one more not yet in the playlist:
How to unlock the YAMAHA FM Essential iOS app
Published on Apr 20, 2017 Yamaha Corporation
Update: And the official press release:
"Yamaha Expands MX Series with 88-Key, Weighted-Action MX88, Combining Synth Features and Real Piano Feel
BUENA PARK, Calif. (April 20, 2017) – Yamaha today announced the MX88, the latest addition to its popular MX line of synthesizers for stage and studio.
Equipped with 88 weighted keys, the MX88 represents the logical extension of the MX line, known for its high-quality instrument and synth sounds, deep computer and iOS integration, and with this introduction, a full-size keyboard featuring realistic piano action.
Connection to both Windows and Mac computers is a breeze, thanks to a class-compliant, bi-directional USB audio/MIDI interface. Players can record the keyboard’s superb internal sounds into a computer-based DAW and monitor the computer’s output through the keyboard’s ¼" audio outputs or headphone jack.
The comprehensive sound collection of the MX88 is based on the legendary Yamaha Motif sound engine, and contains everything from synthesizer leads, pads and more to authentic acoustic instrument sounds. The realistic Concert Grand Piano sound has been optimized for the MX88 keyboard to provide the highest level of expression.
'The MX88 will appeal to players who need the touch and feel of a real piano with 88 weighted-action keys,' said Nate Tschetter, product marketing manager, Music Production, Yamaha Corporation of America. 'Now, any keyboardist can take advantage of the computer and iOS integration and superb Motif sound that distinguish the MX line in the market. And like the MX49/61 BK/BU, MX88 unlocks FM Essential – a free FM synthesizer iOS app. This provides the great sounds inside MX88 along with the pure FM synthesis Yamaha made famous.'
Other key features on the MX88 include:
A full selection of VCM effects
Easy Split/Layer Performance Mode
16-part Multi timbral operation and 128-note polyphony
Extensive hands-on control for VSTs and DAWs
A software bundle that includes Steinberg Cubase AI
Between its comprehensive design, 88-key weighted-action keyboard and affordable price, the MX88 will appeal not only to professional musicians, but also to the educational and worship markets.
Pricing and Availability
The MX88 will be available at authorized Yamaha piano retailers starting April 20, 2017, with an MSRP of $1,299.00
I Dream of Wires is coming to video on demand via iTunes and Vimeo on Demand on August 10. The DVD will be released in Europe, Africa, Asia and Latin America on July 31st. To celebrate, there will be a screening in Berlin with a performance and Q&A session with Morton Subotnick.
"To celebrate the August VOD/DVD release of I DREAM OF WIRES, the definitive and acclaimed electronic music documentary about the rise, fall and rebirth of the modular synthesizer, MONODUO FILMS presents a very special screening and electronic music event in Berlin.
On Tuesday July 28, I DREAM OF WIRES will celebrate it’s release premiere in Berlin, followed by a live performance by the legendary Morton Subotnick. Taking place at Babylon Kino Berlin, Morton Subotnick, accompanied by his frequent collaborator, video artist Lillevan, presents FROM SILVER APPLES OF THE MOON TO A SKY OF CLOUDLESS SULFUR REVISITED: VI, marking Subotnick’s first live appearance in Germany since 2011.
Morton Subotnick’s contributions to electronic music cannot be overstated; as a founding member of the seminal San Francisco Tape Music Center, Subotnick played a key role in the conception and development of the influential Buchla modular synthesizer. Armed with his Buchla, Subotnick composed and recorded the landmark 1967 LP, SILVER APPLES OF THE MOON, widely regarded as a modern classic, and the first all-electronic music album to connect with popular music audiences. In 2010 SILVER APPLES was selected for the National Recording Registry of the Library of Congress. Long considered one of the essential milestones in electronic music, it continues to have great effect on later generations of artists.
Subotnick’s interview in I DREAM OF WIRES, alongside interviews with influential electronic musicians including Trent Reznor, Gary Numan, Carl Craig, James Holden and Vince Clarke, is pivotal in the film, and provides a revealing insight into this true electronic music visionary.
The film will be introduced by I DREAM OF WIRES' director Robert Fantinatto, who will also join Morton Subotnick for a post-screening Q&A. This July 28 event is more than just a celebration of the modular synthesizer; it’s a rare opportunity to learn and experience the historical roots of electronic music.
I Dream Of Wires is an independent documentary about the history, demise and resurgence of the modular synthesizer - exploring the dreams and obsessions of people who have dedicated part of their lives to this fascinating, esoteric electronic music machine. Over 100 inventors, musicians and enthusiasts are interviewed about their relationship with the modular synthesizer - for many, it’s an all-consuming passion.
Through tracing the history of the modular synthesizer, I Dream Of Wires also outlines the history of electronic music as a whole, from its very beginnings at the dawn of the electric age. The film provides a fascinating look at how technology has shaped the electronic music landscape. Today, the modular synthesizer is no longer an esoteric curiosity or even a mere music instrument - it is an essential tool for radical new sounds and a bona fide subculture.
Interviews include:
- Legendary electronic musicians: Trent Reznor (Nine Inch Nails), Morton Subotnick, Gary Numan, Vince Clarke (Erasure).
- Contemporary dance & electronica artists: Carl Craig, James Holden, Legowelt.
- Synthesizer manufacturers: Doepfer, Modcan, Make Noise.
Event Details
Babylon Kino
Rosa-Luxemburg-Strasse 30,
10178 Berlin
28.07.2015 | 8PM
20€ Presales
25€ At the Door
+10€ w/DVD
VOD and DVD Release of I Dream of Wires in Europe, Africa, Asia and Latin America will start as follows:
* DVD available July 31 through Cargo Distribution / Amazon
* VOD available August 10 through ITunes and Vimeo on Demand
"Gecho Loopsynth V2, Korg Volca Drum, Korg Volca Keys, shakers, singing bowl. Some uses I found for the Gecho Loopsynth v2. I look at two of my favourite channels, 24 & 34, infinite looper and MI clouds. I also try it out with the Korg Volca Drum & Keys. I'm still finding my way around this strange thing.
00:00 - channel 24 - infinite looper & delay
02:07 - change the speed / pitch
03:09 - change the loop length
03:40 - flanging finger drumming
04:23 - volca drum various drum patterns
05:48 - playing with line noise
06:11 - playing volca keys with channel 34 mi clouds
08:02 - final thought
The melody is playing from the Prophet Rev-2 into channel-1 of the stretch-weaver. The tascam is playing a field recording of me out walking, into channel-2 of the stretch-weaver. Everything is going through the Strymon Big-Sky.
"BUENA PARK, Calif. (March 13, 2018) – Yamaha has partnered with social network Allihoopa, empowering users of the Yamaha TNR mobile music-making apps to share their work and collaborate online.
The two iOS apps make up the mobile version of the Yamaha TENORI-ON, the groundbreaking electronic musical instrument. These apps allow intuitive music creation via a simple, user-friendly interface, without the need for specialized training.
The Allihoopa partnership allows musicians to collaborate with the world using a mobile device. TNR-iOS users create music using the original TNR-i and its electronic-music counterpart, TNR-e. Once they have a finished piece, they can “Drop” it and share directly with the Allihoopa community. From there, others can 'Pick Up' the track, add recording elements of their choosing and 'Drop' it back to Allihoopa for further collaboration.
'TNR-i and TNR-e users now have a new way to share and collaborate with others,' says Nate Tschetter, marketing manager, Music Production, Yamaha Corporation of America. 'Yamaha and Allihoopa encourage creativity by helping music-makers around the world share ideas and inspire each other.'
For more information about the iOS version of the world-renowned TENORI-ON, please visit http://4wrd.it/TENORI-ONIOS
