Arturia Microfreak | An excellent modular companion

video upload by Cinematic Laboraty

"It's not easy to find a touch capacitive keyboard for Eurorack. I tried the Verbos and ultimately ended up with the Buchla Corvette 218e which also has a strong nostalgic value. I completely overlooked the Microfreak even though @mylarmelodies made an excellent video about it while recreating an Easel. I've been familiar with the Microfreak since its release, but didn't pay much attention to it when I found out it's a bit like a paraphonic Plaits. Then Noise Engineering contributed to it with three eclectic voices, also paraphonic. And recently they added samples and granular synthesis to the endless list of features. So the Freak isn't really 'micro' anymore. It's stellar.

I got myself a Freak because I wanted to find out if these keys were on par with the Buchla. The good news (for me), is that the Buchla is still a few decades ahead, because Arturia was clearly inspired by the older model with elevated 'black' keys. So objectively, the Freak doesn't 'ultraglide'. The good news (for all of us) is that the difference is marginal, considering that the Freak comes with a really, really nice synth. Bottomline: the Freak is a great addition to any modular setup. But it doesn't end there. If you happen to like granular synthesis and looping, it's an excellent source for grains, loops, stacks and sample mangling and when you recorded something cool, you can play it with pressure, gates and pitch CV.

I'll keep the Freak close to my Instruo case because it lacks a proper sequencer. Here, the Freak ticks all the boxes that were left open."

SOUNDMIT 2023 - STEFANO BERTOLI - SOMA NIGHT ITALIA - LIVE EXCERPT

video upload by SOUNDMIT

"Presenza fissa al @SOUNDMIT, Stefano è l'agitatore di numerose iniziative musicali, come questa Soma Night Italia che prevede l'incontro di musicisti da tutta Italia accomunati dall'utilizzo di almeno uno strumento prodotto da @somasynths

LINK
STEFANO BERTOLI su Soundmit: https://soundmit.com/en/speaker/stefa...

Regular presence at @SOUNDMIT, Stefano is the driving force behind numerous musical initiatives, like this Soma Night Italia, which brings together musicians from all over Italy united by the use of at least one instrument produced by @somasynths."

Présence régulière à @SOUNDMIT, Stefano est le moteur de nombreuses initiatives musicales, comme cette Soma Night Italia, qui réunit des musiciens de toute l'Italie unis par l'utilisation d'au moins un instrument produit par @somasynths.

Presencia habitual en @SOUNDMIT, Stefano es el impulsor de numerosas iniciativas musicales, como esta Soma Night Italia, que reúne a músicos de toda Italia unidos por el uso de al menos un instrumento producido por @somasynths.

Si ringraziano per il video @pvmlab6423 - Max Esposito e Gabriele Guarnieri
#soundmit #soma #stefanobertoli #somanight #synthesizers #torino"

SOUNDMIT 2023 - SPACE INSPIRED SPACE SAVING EURORACK DRUMS - FASELUNARE

video upload by SOUNDMIT

"Ci siamo, qui giochiamo in casa perchè @faselunare3814 è il brand che nasce dall'esperienza nel settore della musica e dell'elettronica di Francesco e Alessandro (Soundmit). Il primo modulo è stato il VEGA, recentemente aggiornato alla versione 2.0 del firmware. Un modulo che in soli 6HP offre 4 voci drum complete in sintesi (con i DSP modellati da Stefano D'Angelo di @orastron5861) ma anche la possibilità di usare samples! Nuovi moduli sono in arrivo, Sulax sequencer euclideo, Aladfar espansione CV per il Vega, Ixhie Espansione MIDI e molto altro!

LINKS
FASELUNARE su Soundmit: https://soundmit.com/en/exhibitor/fas...
FASELUNARE https://www.faselunare.com

We're here, playing at home because @faselunare3814 is the brand born from Francesco and Alessandro's (Soundmit) experience in the music and electronics industry. The first module was VEGA, recently updated to version 2.0 firmware. A module that, in just 6HP, offers 4 complete drum voices in synthesis (with DSP modeled by Stefano D'Angelo of @orastron5861) but also the possibility to use samples! New modules are on the way, Sulax Euclidean sequencer, Aladfar CV expansion for Vega, Ixhie MIDI Expansion, and much more!

Nous y sommes, jouant à domicile car @faselunare3814 est la marque née de l'expérience de Francesco et Alessandro (Soundmit) dans l'industrie de la musique et de l'électronique. Le premier module était VEGA, récemment mis à jour en version 2.0 du firmware. Un module qui, en seulement 6HP, offre 4 voix de batterie complètes en synthèse (avec DSP modélisé par Stefano D'Angelo de @orastron5861) mais aussi la possibilité d'utiliser des échantillons ! De nouveaux modules arrivent, le séquenceur euclidien Sulax, l'expansion CV Aladfar pour Vega, l'expansion MIDI Ixhie, et bien plus encore !

Estamos aquí, jugando en casa porque @faselunare3814 es la marca nacida de la experiencia en la industria de la música y la electrónica de Francesco y Alessandro (Soundmit). El primer módulo fue VEGA, recientemente actualizado a la versión 2.0 del firmware. ¡Un módulo que, en solo 6HP, ofrece 4 voces de batería completas en síntesis (con DSP modelados por Stefano D'Angelo de @orastron5861) pero también la posibilidad de usar muestras! ¡Nuevos módulos están en camino, el secuenciador euclidiano Sulax, la expansión CV Aladfar para Vega, la Expansión MIDI Ixhie, y mucho más!

Si ringraziano per il video @pvmlab6423 - Max Esposito e Gabriele Guarnieri
#soundmit #faselunare #eurorack #synthesizers #modularsynth #torino"

SOUNDMIT 2023 - EURORACK BORN IN THE USA - SONOCURRENT

video upload by SOUNDMIT

"Seconda volta al Soundmit per il brand americano Sonocurrent, capitanato da Graham Watson, produce moduli eurorack di altissima qualità costruttiva e sonora.

LINKS
SONOCURRENT su Soundmit: https://soundmit.com/en/exhibitor/son...
SONOCURRENT Website: https://www.sonocurrent.com/

Second time at Soundmit for the American brand Sonocurrent, led by Graham Watson, producing Eurorack modules of the highest build and sound quality.

Deuxième fois au Soundmit pour la marque américaine Sonocurrent, dirigée par Graham Watson, produisant des modules Eurorack d'une qualité de construction et sonore exceptionnelle.

Segunda vez en Soundmit para la marca estadounidense Sonocurrent, liderada por Graham Watson, que produce módulos Eurorack de una calidad de construcción y sonido excepcionales.

Si ringraziano per il video @pvmlab6423 - Max Esposito e Gabriele Guarnieri
#soundmit #sonocurrent #madeinusa #eurorack #modulaes #torino"

Bad Gear - A Tragedy???

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world's most hated audio tools. Today we are going to talk about Dreadbox Nymphes. Is this compact polyphonic analog synthesizer a worthy replacement for classics like a Roland Juno or the Sequential Circuits SixTrak it was inspired by? Is it on par with other Dreadbox synths like Erebus and Typhon and is the UI truly a tragedy???"

Chapters:
00:00 Intro tune
01:08 Overview Dreadbox Nymphes
01:39 Polyphony, Oscillator
02:01 Autotune Mode
02:08 Shift Modes: Pulse Width, Detune
02:32 More Polyphony Modes, Chord Mode
02:51 Lack of Multitimbrality and Sequencer
03:00 Filter, Self-Oscillation, HPF
03:12 Envelopes, LFO1
03:28 LFO2, Introduction to Menu Diving
03:36 Recalling a Patch
03:55 Routing Matrix
04:13 Mono Reverb
04:34 Mono Output, Rear Panel
04:48 Pricing
04:58 Hate
05:22 Jam 1 (Techno)
06:14 Jam 2 (Slow Arrangement)
07:09 Finale (Epic Stuff)
07:40 Verdict

SOUNDMIT 2023 - 1010MUSIC - NANOBOX, ANTEPRIMA ESCLUSIVA TANGERINE STREAMING SAMPLER

video upload by SOUNDMIT

"Ancora un'anteprima esclusiva al Soundmit 2023 con la nuova NANOBOX TANGERINE di 1010MUSC qui rappresentata dal distributore tedesco TOMESO. Tangerine è il nuovo sampler nel collaudato formato tascabile che conosciamo già da qualche tempo, fanno parte della serie anche Razzmatazz, Lemondrop e Fireball rispettivamente FM Synth, Granular Synth e Wavetable Synth.

Another exclusive preview at Soundmit 2023 with the new NANOBOX TANGERINE by 1010music [announcement post here], presented here by the German distributor Tomeso. Tangerine is the new sampler in the proven pocket-sized format that we've been familiar with for some time. Also part of the series are Razzmatazz, Lemondrop, and Fireball, representing FM Synth, Granular Synth, and Wavetable Synth, respectively.

Une autre avant-première exclusive au Soundmit 2023 avec le nouveau NANOBOX TANGERINE de 1010music, présenté ici par le distributeur allemand Tomeso. Tangerine est le nouveau sampleur dans le format de poche éprouvé que nous connaissons depuis un certain temps. Font également partie de la série Razzmatazz, Lemondrop et Fireball, représentant respectivement FM Synth, Granular Synth et Wavetable Synth."

Or Majician - Synth Improvisation & Life Is A Mystery (Live from Poitiers)

video upload by Or Majician

Yamaha CP

"Extrait du spectacle : "Au delà de l'espace et du temps" avec la voix de Balthazar Dy.

UNE PRODUCTION L'ORBE
D'après une idée originale d'Or Majician

Excerpt from the show: "Beyond Space and Time" with the voice of Balthazar Dy.

A PRODUCTION BY L'ORBE
Based on an original idea by Or Majician

Artistes : Or Majician & Balthazard Dy
Composition et direction artistique : Aurélien BOURGEONNIER
Voix et arrangements : Balthazar DIALLO
Accompagnement live : Gregory CADU
Création lumière : Louis RIBOUILLAULT
Son : Pierre HEBRAS
Prise vidéo : Le Petit Reporter, Arman Fernandez
Mixage/Mastering : Aurélien BOURGEONNIER
Visuels vidéos :
Arthur RIBOULET, Liam COMBACAL, Maxime HOARAU, Kellian BLANDEAU
Dans le cadre du dispositif Impulsion.

Projet soutenu par : Université de Poitiers / CVEC / Région Nouvelle-Aquitaine
/ DRAC Nouvelle-Aquitaine / Grand Poitiers Communauté Urbaine / CROUS

https://www.instagram.com/ormajician/
https://open.spotify.com/artist/3w6ZB...
https://soundcloud.com/or-themagician"

NPC ONE (Bad Gear)

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world's most hated audio tools. Today we are going to talk about the Akai MPC ONE. Is this groovebox, music production platform and successor to legendary instruments like the Akai MPC 60 and MPC 2000 and sibling to the more upscale models Akai MPC Live and Akai MPC X on par with its competitors like the Elektron Octatrack and even software solutions like Ableton Live or FL Studio? Is it NPC ONE???"

Chapters:
00:00 Intro tune
00:55 Overview MPC ONE
01:57 Is it still a real MPC??? (Old School Workflow)
02:09 Sampling
02:16 Ratchets
02:20 Keygroups
02:28 MPC Structure (Sequences, Tracks, Instruments)
02:50 Midi Out, CV, Audiotracks, Timestretching, Looper
03:09 AutoSampling
03:14 Software Instruments, Limitations
04:02 Midi, Arpeggiator, Step Sequencer, Piano Roll
04:31 Many, many Windows... (Tracks, Mixer, FX)
04:53 More Limitations
05:10 Differences to other MPCs
05:22 What else??? (Pricing, Thanks)
05:41 Hate
06:04 Jam 1 (Dytopian Beat)
07:02 Jam 2 (Hardware House)
08:08 Finale (Rave'n'Roll)
08:40 Verdict

XILS-lab Releases Ring’X Virtual Effects

Press release follows.

XILS-lab releases Ring’X representing latest addition to lengthening line of virtual effects as inspiring and musical multi-effect plug-in par excellence


GRENOBLE, FRANCE: audio software company XILS-lab is proud to release Ring’X — readily representing the latest addition to its lengthening line of virtual effects as an inspiring and musical multi-effect plug-in par excellence — as of September 28…

Duly developed as an inspiring and musical multi-effect plug-in for seriously satisfying anyone’s needs, Ring’X is certainly worthy of the oft- overused French phrase par excellence — literally translated into English as ‘by excellence’ — as evidenced by its feature-packed GUI (Graphical User Interface) that is as easy on the eye as it is easy to use.

Ultimately, it is anchored around a six-slot so-called ‘Effect Ring’ that allows anyone to insert the effects they need in the order they want, choosing from a selection of deeply-modifiable classic analogue effect emulations: ANALOG FILTER — modelled from the CMS 3320 chip, used in the exciting-sounding (early-Eighties-era) Elka Synthex subtractive synthesis-based polytimbral powerhouse (much loved by the likes of famous French electronic music pioneer Jean-Michel Jarre, who still uses it to this day to create the distinctive sound of his onstage laser harp), providing five (LP24 — 24db Low-Pass, LP12 — 12db Low-Pass, HP12 —12db High-Pass, BP12 — 12db Band-Pass, or BP6 — 6db Band-Pass) self- oscillating filter types; ANALOG 18db FILTER — modelling the specific sound and behaviour of an 18db self-oscillating filter from the breakthrough British EMS VCS3, which made musical history upon its introduction in 1969 by being the first commercially portable synthesiser available anywhere in the world, thanks to its innovative modular matrix-based patchboard dispensing with the telephone exchange-like cabling of other (much larger) modular systems in favour of making space-saving connections with (removable) coloured pegs; CHORUS (BUCKET BRIGADE DELAY); DELAY — stereo delay that copies the input signal to the left and right channel; DISTORTION; PARAMETRIC EQ — a three-band affair with each band type selectable from six standard filter types; PHASER; and REVERB — with three (L — Large, M — Medium, and S — Small) algorithms. Each effect provides four MODULATION points with a SOURCE and DESTINATION menu associated with an AMOUNT knob.

Standard STEP and specific LOC locator sequencers for modulating effects are also available — the loop goes through a defined number of steps and each time the internal clock is fired the next step is triggered, in the case of the former, while the latter is designed to be synchronised to the DAW (Digital Audio Workstation) with the loop being synchronised to the DAW bar (or a multiple of the bar).

But that’s not all. Another area well worth highlighting here features four input followers; a TRANSIENT tracker ‘module’ — detects the transients present in the input sound, each transient triggering a simple envelope without attack and release controlled by the RELEASE knob; S- DETECTION ‘module’ — detects sibilance present in the input sound, and also useful for separating high-frequency parts from those with more middle and bass frequencies; GATE ‘module’ — removes all the parts from the input sound that are below a specified threshold; and a STEREO SPACE ‘module’ — powerful stereo processing that allows users to dynamically position their audio signal into a true stereo space.

By being so flexible in both operation and resulting effects, it stands to reason, therefore, that Ring’X should come complete with a raft of presets. All are accessible via an integrated (single-window) Preset Manager, making it easy to find the right patch in seconds, manage presets, sound banks, and create custom tags. That being said, then, inspiring and musical multi-effects are only a click away, but those wishing to dig deeper to seriously satisfy their needs are always free to do just that! After all, as the latest addition to XILS-lab’s lengthening line of virtual effects, Ring’X is, indeed, an inspiring and musical multi-effect plug-in par excellence — in the literal sense of those (French- originating) words.

Who better, then, to put Ring’X in its rightful place than the Frenchman primarily responsible for bringing it into existence — namely, XILS-lab CEO Xavier Oudin (credited in the multi-effect plug-in in question’s user manual with: Concept of Ring’X and original UI design; Digital Signal Processing and plug-in coding; [and] the graphical user interface). “For a number of years, customers have been regularly asking me to create an effect featuring filters extracted from our synthesizers,” he begins, before adding: “This idea grew into providing a sort of Swiss army knife-style tool capable of sculpting audio with modulation fully independent of its content, and also able to create any kind of de-esser and transient shaper with far more possibilities than standard such effects. Eventually, Ring’X was born.”


Ring’X is available to purchase as an iLok-protected virtual effect plug-in (installable in up to two independent locations) at an introductory promo price of only €69.00 EUR until October 31, 2023 — rising thereafter to an MSRP (Manufacturer’s Suggested Retail Price) of €179.00 EUR — directly from XILS-lab via its dedicated webpage, which also includes more in-depth information and several must-see video demonstrations, here: https://www.xils-lab.com/products/ringx-p-172.html#

A time-limited full version of Ring’X can be requested for pre-purchase evaluation purposes here: https://www.xils-lab.com/products/ringx-p-172/download.html#AskDemo

Ring’X is downloadable in 64-bit AAX (native)-, AU-, VST2.4-, and VST3-compatible formats for macOS (10.9+) and 64-bit AAX (native)-, VST2.4-, and VST3-compatible formats for Windows (7/8/10) directly from XILS-lab.

Bad Gear - The 90s called...

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world's most hated audio tools. Today we are going to talk about the Korg Electribe EM-1 Music Production Station. Can this all-in-one music production tool from the year 2001 give us the sound of the 90s??? Is it on par with its more famous sibling, the Korg Electribe ER-1 rhythm synthesizer and can it keep up with contemporary grooveboxes like the Korg Electribe 2, Akai MPC One, Roland MC-101, Elektron Digitakt or Teenage Engineering OP-1??? The 90s called... they want their crunchy lofi samples back."

Chapters:
00:00 Intro tune
00:54 Overview Korg Electribe EM1
01:43 Drum & Synth Voices
02:02 Samples
02:21 Differences to the Korg Electribe ES-1
02:28 Sound Design Facilities (AD Env, Filter, Drive)
03:02 FX Section, Delay
03:28 Sequencer, Drum- & Synth Modes
03:44 Additional Features (Roll, Transpose, Accent)
03:58 Motion Recording
04:07 Limitations, What else??? Pricing
04:55 Hate
05:18 Jam 1 (Drum&Bass)
06:14 Jam 2 (LoFi House)
07:09 Finale (Techno)
08:42 Verdict

Sound design : exploration de la Landscape Noon

video upload by Makingsound

"Découverte et exploration de l'étonnante Landscape Noon, une boite à rythme / drone machine passive, uniquement alimentée par les signaux CV/Gate/Trig et Audio qu'elle reçoit sur ses entrées."

00:00 Intro
01:43 Présentation de la Noon
13:56 Présentation de Landscape et de leurs instruments
17:02 La vidéo qui m'a fait craquer
20:56 Première petite démo
23:26 Une fois dans les mains, à quoi ressemble la Noon
25:17 Découverte du périmètre sonore des deux premières tranches
31:49 Séquences euclidiennes sur toutes les pistes
34:18 Là il se passe un truc
35:25 Là il se passe un autre truc
35:58 Activation des "personnalités alternatives" sur toutes les pistes
36:44 Là il se passe encore un truc
38:30 Là il y a du grabuge qui gratouille
49:00 En plus des triggers, envoi d'une séquence de notes dans les entrées CV
40:45 Récapitulation de ce qu'il se passe
41:22 Là ça grésille par où ça passe
42:20 Le son change en fonction des outils utilisés
43:23 Autre piste de recherche : lui envoyer des enveloppes à la place des trigs
45:44 Boum Boum Boubouboum
47:15 Il y a de la friture sur la ligne
48:09 En mode big band
50:10 Minimal Techno
51:47 La Noon est aussi une machine à drones
52:44 Drone + Circuit Bending
58:23 Utiliser la Noon comme traitement externe (via l'entrée Audio In)
01:04:01 Conclusion

Bad Gear - Roland MC-101

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world's most hated audio tools. Today we are going to talk about the Roland MC-101 Groovebox. Is this youngest member of the Roland Groovebox family and little sibling of the Roland MC-707 on par with competitors like the Teenage Engineering OP-1, Elektron Digitakt or Korg Electribe?"


Chapters:
00:00 Intro tune
01:04 Overview Roland MC101
01:45 Engines (Drums, Drums+Comp, Tone, Looper)
02:03 Sounds, Presets, Patches
02:35 UI, Filter, Partial Editor, Unison
03:27 Clip Matrix, Sequencer, Workflow,
03:52 Polymeters, Substeps, Probability, Motion Recording
04:13 Effects Section (Reverb, Delay, Multi FX), Scatter
04:43 Sample Management, Time Stretch
05:05 Sampling (or lack thereof)
05:18 What else??? Pricing, Thanks!!!
05:53 Hate
06:16 Jam 1 (Tech House)
07:12 Jam 2 (Boom Bap)
08:10 Finale (80s on Steroids)
08:42 Verdict

Bad Gear - Roland V-Synth

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world's most hated audio tools. Today we are going to talk about Roland V-Synth. Does this highly misunderstood former Roland flagship synth deserve the online hate and why did it fail back in the time when it was released? Is it on par with other classics like the Roland Jupiter-8, Roland D-50 or Roland JP-8000?

Thanks to Mario Reithofer of TSAMM for this synth from his great collection:
https://www.tsamm.com/

Chapters:
00:00 Intro tune
00:55 Overview Roland V-Synth XT
01:34 Virtual Analog Oscillators (Juno, D-50, SuperSaw, HQ,...)
02:33 Ext. Input, PCM Waveforms (Samples)
02:53 VariPhrase (Elastic Audio)
03:25 Patch Modes (Ring Modulation, FM)
03:33 Filter, COSM FX (Waveshaper, Resonator,...)
03:57 Structure Modes, TVA (Amp), Multi FX
04:15 Multitimbrality, Arpeggiator, Modulation Sequencer, Virtual TTP
04:40 Presets
04:54 V-Cards (pre-installed on the XT): D-50, Vocal Designer
05:32 Limitations, Loading Times,...
05:54 V-Synth Range (Original, V-Synth XT, V-Synth GT)
06:11 Rear Panel, Pricing, Thanks!!!
06:21 Hate
06:47 Jam 1 (Bassline)
07:38 Jam 2 (Patch Overkill)
08:41 Finale (Techno Anthem)
09:11 Verdict
10:29 Patreon Vocoder Shoutout"

Par - Cerrazón

video upload by Par

Otro 27 de junio.
Un año más a tientas.

► BANDCAMP: https://parmusic.bandcamp.com/
► SPOTIFY: http://bit.ly/par_music
► INSTAGRAM: https://www.instagram.com/par_music

Teenage Engineering OP1 Field // Sound Quality You Can Finally Trust?

video upload by Dexba

"Yes, no, overpriced toy, saviour of all the portable jams, we will probably never know (and to each their own opinion). I got one, I was sceptical, because I already had four original OP1 in the past, and I was always tempted more by the idea, rather than any particular characteristic other than the portability.

The sound quality on the previous iteration was risible, the output used to hiss like a cat, it lacked dimension, character (other than being toyish) and practicality.

OP1 Field changes almost everything: it now features control over the quality of the tape and some other parameters, different projects we can save and recall, and sound quality is now at least up to par the job of not sounding like the Casio common ancestor, the new Mother Reverb sounds like a reverb and the Spring has become useful! WOW, and I am not sarcastic.

I would have never imagined a jam on my huge speakers with the previous OP1, and now here I am, with one track of the new Dimension analogue-ish synth through the cow (yes!) and the other three tracks coming from Strings, with an increasing number of overdubbing, always through the Grid effect.

Yes, it still lacks some features (I am not talking about the Undo, but for example the possibility of recording on tape while recording the master: it would have been handy to push the overdubbing even further), and the maximum sample length is a bit... old school, but I am so happy I can finally welcome an instrument I won't sell out of frustration in a matter of weeks 🧡"

Bad Gear - Oberheim Matrix-1000

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world's most hated audio tools. Today we are going to talk about Oberheim Matrix 1000. Is this 80s analog synth in the compact 19" rack format and little sibling of the Oberheim Matrix-6 on par with timeless classics like the Oberheim OB-X. Are you willing to enter the matrix of arcane sysex midi commands?

Chapters:
00:00 Intro tune
00:58 Overview Oberheim Matrix-1000
01:14 Front Panel Controls (or lack thereof)
01:33 Presets
02:06 Programmability, Parameter Access
02:44 EPROM Update, Software Editors, Programmer
03:00 Synth Engine, DCOs
03:22 Filter Resonance
03:37 Filter FM
03:44 Modulators (ADSRs, LFOs, Tracking)
03:57 Modulation Matrix
04:09 Midi CC Control (or lack thereof)
04:26 What else??? Thanks!!!
05:04 Hate
05:28 Jam 1 (Downbeat)
06:21 Jam 2 (Analog Filter Workout)
07:17 Finale (80s Trancewave)
07:43 Verdict
08:39 Patreon Vocoder Shoutout"

Démonstration Kodamo Mask1 par jean-philippe Rykiel SynthFest 2023

video upload by Olivier Briand

"Démonstration Kodamo Mask1 par jean-philippe Rykiel SynthFest 2023"

Nord Electro 6D Can Do Vintage & Lofi Synth [Sounds Only Demo] |No Talking|

video upload by gstormelectro

"Audio + Video by G-Storm Electro c. 2023

The Nord Electro 6D. It's not just for organ/piano/EP sounds. There's a plethora of sick vintage + esoteric + obscure + lofi synth sounds in the Synthesizer Engine. Yes, it's not actually synthesis but rather samples. But IMHO very very nice samples very well done. A lot of these samples aren't even assigned in the factory presets! It's up to you to load them up and give them a whirl. And there's even more to download into the synth on the Nord website. Today my playing is not really up to par for me, but hopefuly you'll still enjoy auditioning these tasty sounds.

I have an album coming out May 23, 2023. Be sure to follow my bandcamp page https://gstormelectro.bandcamp.com/

0:00 PPG Choir
0:25 Polychrome Choir
0:50 Yamaha CP80 + Ditial Air Pad
1:14 Massive Pad from the Nord Lead 2X
1:49 Polymoog Pad
2:24 Mellotron Guitar
2:39 Chamberlin Solo Violin
3:13 Polychrome Piano
3:42 Mellotron Guitar my favorite
4:09 ELKA Rhapsody
4:40 Hohner/Logan String Melody II
5:07 Optigan Strings
5:35 Chamberlin 3-Violins"

KRISCHER M8 - Thom Yorke chords

video upload by John Krischer

"Accords du titre Dawn Chorus de Thom Yorke

Reproduit par le synthétiseur M8,
L’effet d’impulsions est créé par un filtre analogique Krischer."

Available via Reverb


See this post for and additional demo and details on the KRISCHER M8.

Korg PS-3100

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Totally serviced by Manfred Veber Vintage synth repair who did an amazing job inside and outside :

-Changement des 18 connecteurs 22 broches par des pièces neuves identiques : fourniture / installation / câblage

- Changement de la totalité des condensateurs électroyltiques et tantales (175 pièces) : fourniture et installation

- Nettoyage des couleures de condensateurs électrolytiques, restauration des pistes cuivre HS

- Installation / câblage d'un kit MIDI KENTON ( fourni par le client )

- Calibration complète

- Changement de la totalité des potentiomètres par des pièces neuves identiques : 46 pièces [fourniture et installation / câblage ]

- Changement de la totalité des 32 jacks par des pièces neuves identiques [fourniture et installation ]

- Changement des 12 diviseurs par des clones neufs [ 8 € pièce ] [ fourniture et installation ]

- Rajout d'un mod qui permet de faire baisser le souffle résiduel en sortie audio / casque"

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