Synthé KING KORG : définitivement analogique par Olivier Briand

Published on Jan 6, 2014 La Boite Noire du Musicien·1,305 videos

"Le King Korg est le synthé à modélisation analogique !

Basé sur la nouvelle technologie XMT Korg, (Xpanded Modeling Technology, il dépasse tout ce qui a pu être fait auparavant dans ce domaine. Le King Korg intègre les modélisations des synthétiseurs légendaires tels que MS20, Mono/Poly mais également les sons numériques des Prophecy, Z1, MS2000 et RADIA.

Ce monstre de technologie intègre également un modulateur en anneau, un générateur de bruit, une entrée audio et même un Vocodeur. Et quel Vocodeur !

Pour parfaire le tout, le King Korg intègre les filtres modélisés des synthétiseurs qui ont fait l'histoire du synthé : MG, OB, P5 sont des noms qui parleront au plus férus d'entre-vous.
http://www.laboitenoiredumusicien.com"

via Olivier Briand on The MATRIXSYNTH Lounge

Googlish:
"The King Korg's analog modeling synth!

Based on the new XMT technology Korg (Xpanded Modeling Technology, it exceeds anything that has been done before in this area. King Korg integrates models of legendary synths such as MS20, Mono / Poly, but also the digital sound of Prophecy , Z1, MS2000 and RADIATION.

This monster of technology also incorporates a ring modulator, a noise generator, an audio input and even a vocoder. And what Vocoder!

To top it off, the King Korg synthesizers integrates modeled filters that have made ​​the history of synth G., OB, P5 are names that speak to the most savvy of you.
http://www.laboitenoiredumusicien.com"

KingKORG : Filtre MG vs MOOG SOURCE par Olivier Briand (La Boite Noire)

Published on Jan 13, 2014

"Essai comparatif du Filtre MG du synthétiseur KingKORG avec le MOOG SOURCE, par Olivier Briand.
http://www.laboitenoiredumusicien.com"

CLICK FOR MORE »

XILS 3 LAB - EMS Style Soft Synth Videos

You might remember the XILS 3 from this post. You'll find a link to the XILS-Lab website there. XILS-Lab also make the PolyKB featured in this post.

Tuto MAO XILS 3 LAB Test des Presets Noise par Didguitare

YouTube via didguitare — December 05, 2009 — "Tuto MAO XILS 3 LAB Test des Presets Noise/Percu par Didguitare.
Retrouver tous les tuto et tests vidéos sur le forum MAM :

*MAO ( musique assistée par ordinateur)
*Ableton live
*Mastering

http://www.maoableton.forumactif.net/"

Tuto MAO XILS 3 LAB Test des Presets Pads par Didguitare


Tuto MAO XILS 3 LAB Test des Presets Bass par Didguitare


Tuto MAO XILS 3 LAB Test des Presets Leads par Didguitare


Tuto MAO XILS 3 LAB Test des Presets Synthe par Didguitare

Introducing the New Powerful SYNTHR4 Desktop Analog Synthesizer

SYNTHR4 "COSMIC" DEMO video upload by KurtzMindfields

"Introducing the new powerful SYNTHR4 !
I sounds designed and recorded the new Synthr4 from SynthR & Ozoe. This musical piece was recorded with 4 synthr4 tracks, and one midi connected (NR)synth at the end (sequenced), without nothing else more, exept little limiter/compressor for youtube.
4 VCOs, 2 filters (8 choices), 3 LFOs, pans, Mono/Paraphonic 4 voices, split mode, powerful mono & poly sequencer, step sequencer (like 960 moog), Arpeggiator, aftertouch mono, patch memories and 2 internal effects (reverb, delays, flanger, phaser, chorus and Shimmer! from Yves Usson), ring mod, 4 portamentos ...."

Pre-wired analog compact synthesizer with interchangeable filters** and MIDI control Paraphonic synthesizer possédant the suivants modes:
• paraphonic 4 voies,
• duophonic 2 voices bi-timbrale,
• Bun
• accord 4, accord 3+1
• Arpeggiator
• Sequencer
• Sequenceur d'accord
• Step sequencer interactive
• Song : chainage of several sequences of a type.

CLICK FOR MORE »

Hiper - New Album from Par

A new album from supporting MATRIXSYNTH member, Par, Nacho Adda on YouTube.

"Par presents his fourth studio album: Hiper

Creating song-like tracks, it doesn't abandon the experimental and abstract ways of his previous works, adding more sound layers in order to get more density.

Featuring Hante. (France), Fenna Frei (Argentina), Liz Bohlmann (Germany) and the local artists Alfonsina, Laura Chinelli, Caminauta, Tanky and Meg.

Available at Bandcamp and digital stores.

Hiper is everything, a lot, all the time. It's a vision and a veil. Hiper is distorted HD. It's a framework that falls apart. Hiper is augmented reality. It's asleep instinct. Hyperreal, hypersensitivity, hyperfast, hyperconnected. Hiper is tedium, a lot, all the time.

Par is the project of Nacho Adda (Montevideo, 1983) focused on conceiving spaces and concepts with electronic music. Par has 4 studio albums, 2 EP and 3 remixes albums with 4 nominations to the "Graffiti Awards" for the Uruguayan Music as well as soundtracks for several short films and drama plays."

Par - Tiempo Aire c/ Fenna Frei (en vivo)

Published on Oct 23, 2019 Nacho Adda

"Tiempo Aire is Par’s new live video featuring Argentinian singer Fenna Frei. The song is part of Hiper (2018) and its live version is the first single of Par’s new live record that will be released in November together with the video recording of the performance.

Recorded live at Sala Camacuá 9/19/19
Cameras: Nicolás Silva, Maxi Muniz and Rubén Etcheverry. Editor: Nacho Adda
Lights design: Mauricio Peinado. Live sound and recording: Matías Rodríguez.
Mix: Nacho Adda. Aditional mix: Candela Cibrián. Master: Nacho Adda
Produced by Mija

Par is the project of Nacho Adda (Montevideo, 1983) focused on conceiving spaces and concepts with electronic music. Par has 4 studio albums, 2 EP and 3 remixes albums with 5 nominations to the "Graffiti Awards" for the Uruguayan Music as well as soundtracks for several short films and drama plays."

New from supporting member, Nacho Adda aka Par.

Ciclos by Par

Estreno de Ciclos (full album - visualizer)

video upload by Par

00:00 intro
00:20 Fin
03:10 Silencio
06:26 Días
10:37 Atravesar
14:17 No estar
16:52 Disrupción
20:09 El otro día
24:02 Ya
27:26 El túnel
33:10 créditos

► BANDCAMP: https://parmusic.bandcamp.com/
► SPOTIFY: http://bit.ly/par_music
► INSTAGRAM: https://www.instagram.com/par_music
► FACEBOOK: https://www.facebook.com/musicapar

Par - Ciclos
Con:
Vera Sienra (voz en Días)
Lucía Torrón (letra y voz en Días)
Camila Rodríguez (letra y voz en Ya)
Pedro Dalton (voz en El túnel)

Luis Angelero (guitarra en Días)
Gabi Lucena (guitarra en Disrupción)
Candela Cibrián (coros en Ya, recitado en El otro día)

Voz de Vera Sienra grabada en El liebregal por Federico Coore y Haugussto Brazlleim
Voz de Lucía Torrón y Camila Rodríguez grabada en Basurita por Guillermo Berta
Voz de Pedro Dalton grabada en La encrucijada por Orlando Fernández

Producción, grabación, texto en El túnel y mezcla: Par
Master: Emiliano Zapata.

Arte y diseño: Nacho Adda.

Grabado entre 2019 y 2021

Gracias a Vera, Lucía, Camila, Pedro, Luis, Gabi y Cande por sumarse y elevar la idea; a Lu y Feli por acompañarme, y a todos los que de alguna manera u otra colaboraron para que este trabajo salga a flote.

Para Bruno.

Korg PS-3100

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Totally serviced by Manfred Veber Vintage synth repair who did an amazing job inside and outside :

-Changement des 18 connecteurs 22 broches par des pièces neuves identiques : fourniture / installation / câblage

- Changement de la totalité des condensateurs électroyltiques et tantales (175 pièces) : fourniture et installation

- Nettoyage des couleures de condensateurs électrolytiques, restauration des pistes cuivre HS

- Installation / câblage d'un kit MIDI KENTON ( fourni par le client )

- Calibration complète

- Changement de la totalité des potentiomètres par des pièces neuves identiques : 46 pièces [fourniture et installation / câblage ]

- Changement de la totalité des 32 jacks par des pièces neuves identiques [fourniture et installation ]

- Changement des 12 diviseurs par des clones neufs [ 8 € pièce ] [ fourniture et installation ]

- Rajout d'un mod qui permet de faire baisser le souffle résiduel en sortie audio / casque"

CLICK FOR MORE »

Par Live AV Set at the Architecture School in Montevideo, Uruguay

Trama_Liminal.mp4 from ciudadn lab on Vimeo.

Live AV set by supporting member, Par (aka Nacho Ada) at the Architecture School in Montevideo, Uruguay.

Credits:

Concept & production: ciudadN
Music: Par
Visuals: C03RA
Footage: Luis E. Sosa, Pedro Grolla, SMA

Par is the project of Nacho Adda (Montevideo, 1983) focused on conceiving spaces and concepts with electronic music. Par has 4 studio albums, 2 EP and 3 remixes albums with 6 nominations to the "Graffiti Awards" for Uruguayan Music as well as soundtracks for several short films and drama plays.
https://linktr.ee/parmusic

Mathías Chumino aka C03RA (Montevideo, Uruguay) is a multimedia artist, director, editor and musician, specialized in experimental image and sound manipulation, using state of the art software and hardware. His work delivers captivating, dark and mysterious immersive experiences achieved by a combination of heavy image processing with polished aesthetics and a poetic vision of the world.

His work in film and visual arts has been showcased and awarded in traditional and digital media and in many festivals around the world.

C03RA.COM

Par - El Futuro EPK - A Tribute and Homage to the Hardware Synthesizer

Par - El Futuro EPK (HD) - english subtitles
Published on Aug 28, 2013 Nacho Adda·12 videos

Some  good synth spotting including clips from the days of musique concrete & tape.  
Lots of KORG EMX in this one.

http://biatchcorp.com/album/el-futuro
"EPK de la grabacion de El Futuro, primer LP de Par.
Produce: COBRA & TWIN PEAKS
Cámara: Andrés Levy, Lucía Cossani, Nacho Adda
Edición: Mathías Chumino, Nacho Adda

https://www.facebook.com/musicapar"

via Par Uy on The MATRIXSYNTH Lounge:

"Acclaimed New York techno label Biatch Corp turns to the emerging Montevideo artist Par for one of the most ambitious electronic music full lengths in years. El Futuro could be described as an exciting combination of genre-blurring music, cutting edge sound design, and South American dance music sophistication. But in reality the record is hard much to pigeonhole with easy labels and trite definition. On the first pass, the album is nebulous and ephemeral touching on the distant, the emotional, and the hear-and-now without ever revealing its inspirations or influences like a Dada vision hiding in an opaque cloud of dense mystery. Repeat listenings reveal subtle layers with intense shades of gray nuance coloring the smallest of details like a cultured piece of fine art.

Buy the album - http://biatchcorp.com/album/el-futuro"

Modularsquare invite Polyphones : la place des femmes + initiation à la synthèse

Published on May 2, 2016 Modularsquare

"Composer de la musique électronique devrait être une activité partagée par les hommes et les femmes, pourtant l’essentiel de nos habitués sont des hommes.

Pour comprendre cette anomalie, et surtout tenter d’y remédier, nous invitions samedi 23 avril 2016 Christine Webster et Gael Segalen, responsables de Polyphones, un collectif en réseau de productrices qui militent pour obtenir plus de visibilité dans le champs de l’expérimentation sonore et musicale.

Minutage :
00:00:00 Introduction par Cyril Colom de Modularsquare et présentation de Polyphones par Gael Segalen et Christine
Webster.
00:32:09 Initiation a la synthèse et aux synthétiseurs modulaires
01:26:00 Témoignage d'une débutante avec Catherine
01:33:00 Intervention de Christine Webster, présentation de son système, extraits sonores, applications diverses, sons modulaires spatialisés sur acousmonium virtuel avec Unity5.
02:10:00 Échange avec le public

------------------------------------

Nous sommes Modularsquare, une boutique spécialisée dans les instruments de musique électroniques et une communauté de passionnés qui se réunissent une fois par mois autour d'un thème différent à chaque fois.

Notre showroom de Paris est ouvert au public du mardi au samedi de 13h45 à 18h45 - http://www.modularsquare.com

Pour consulter l'agenda de nos prochaines rencontres c'est par ici
Notre blog : http://www.modularsquare.com/blog

Les photos de nos rencontres :
http://www.flicker.com/modularsquare"

Par - Futuro | Pasado (Laura's Theme cover)

Published on Feb 24, 2020 Nacho Adda

New release from supporting member, Par/Nacho Adda.

"Free download: https://parmusic.bandcamp.com/track/f...

Follow Par:
► https://parmusic.bandcamp.com
► https://www.instagram.com/par_music
► http://bit.ly/Par_Spotify

"Diane, 11:30 AM, February 24th. Entering the town of Twin Peaks, five miles south of the Canadian border, twelve miles west of the state line. I’ve never seen so many trees in my life."

Celebrando los 30 años del estreno de Twin Peaks, los invito a escuchar mi nuevo single, Futuro | Pasado, un cover del maestro Angelo Badalamenti."

perdide

perdide from druc drac on Vimeo.

via Druc Drac Sertyle on The MATRIXSYNTH Lounge

"This generative patch name is after the movie "Les Maîtres du temps" by René Laloux, with drawings by Mœbius and synthetic soundscapes by Christian Zanési."

French video description followed Googlish further below.

"Le nom de ce patch - et de cette vidéo - fait référence au film "Les maîtres du temps" de René Laloux, dont Mœbius avait signé le dessin et Christian Zanési les ambiances sonores synthétiques.

This patch - and video - name is after the movie "Les Maîtres du temps" by René Laloux, with drawings by Mœbius and synthetic soundscapes by Christian Zanési.

Détails du patch :

Le seul VCO utilisé est le DPO.

Les deux premières voix :
La sortie dent de scie du premier oscillateur et la sortie carrée du second passent chacune par une piste de l'Optomix.
Celles-ci sont modulées par les canaux 1 et 4 du Maths au niveau du Control et sont triggées par les sorties EOR et EOC du Fonction.
Le Fonction et le Maths s'intermodulent (les sorties sont récupérées pour changer les durées de Rise et/ou de Fall du module voisin).

Troisième voix :
Les sorties sinusoïdes des deux oscillateurs du DPO s'intermodulent dans le Moddemix.
Je récupère la sortie 2 de celui-ci, ce qui me permet de remoduler le résultat par la sortie SUM du Maths.

Quatrième voix :
La sortie Final du DPO est directement récupérée.

Intermodulations supplémentaires :
La sortie EOC du canal 4 du Maths vient donner une clock à l'enveloppe 1 du PEG.
Cette enveloppe influe sur la durée du Rise des canaux 1 et 4 du Maths.
Les sorties EOR et EOF du PEG fournissent les clocks du Brains et du VIII de Razmasynth qui séquencent chacun la hauteur de chaque oscillateur du DPO.
Le Fonctions vient aussi moduler l'indice de modulation FM entre ces deux oscillateurs.
La sortie OR du Maths vient changer le Scale du PEG.

Enfin, le VCA Matrix me sert à atténuer les différentes pistes.

Je récupère le tout dans ma carte son et je le mixe dans live (niveaux, panoramiques + injection dans une Valhalla Room)."

Googlish:

"The name of this patch - and this video - refers to the movie" Masters of Time "by René Laloux, including Moebius had signed drawing and Christian Zanési synthetic soundscapes.

This patch - and video - Effective name is the movie "Masters of Time" by René Laloux, with drawings by Moebius and synthetic soundscapes by Christian Zanési.

Details of the patch:

The only VCO is used DPO.

The first two votes:
The sawtooth of the first oscillator and the square output of the second pass each output by a runway Optomix.
These are modulated by channels 1 and 4 of Maths at the Control and are triggées by EOR and the EOC function outputs.
The Function and Maths intermodulent (outputs are retrieved to change Rise times and / or of the adjacent module Fall).

Third voice:
The outputs of the two sinusoidal oscillators DPO is intermodulent in Moddemix.
I get the output 2 thereof, which allows me to remodulate the result by the SUM output of Maths.

Fourth voice:
Final output of the DPO is directly recovered.

Additional intermodulation:
The EOC output channel 4 Maths just give a clock to the casing 1 of PEG.
This envelope affects the duration of the Rise of channels 1 and 4 Maths.
EOR and EOF PEG outputs provide clocks of Brains and VIII each séquencent Razmasynth that the height of each oscillator DPO.
The functions also comes modulate the FM modulation index between these two oscillators.
The GOLD Maths output is change the Scale of PEG.

Finally, the VCA Matrix I use to mitigate the different tracks.

I get all my sound card and I live in the mix (levels, panoramic + injection in Valhalla Room)."

KingKORG : MS-20 vs KORG MS-20 & MG vs MOOG SOURCE Filter Comparisons

KingKORG : Filtre MS-20 vs KORG MS-20 par Olivier Briand (La Boite Noire)

Published on Jan 20, 2014

"Essai comparatif du Filtre MS-20 du synthétiseur KingKORG avec le KORG MS-20, par Olivier Briand.
http://www.laboitenoiredumusicien.com"

via Olivier on The MATRIXSYNTH Lounge

Update: the above was part three in the series. The following featuring the Moog filter is part 2. All parts posted here.


KingKORG : Filtre MG vs MOOG SOURCE par Olivier Briand (La Boite Noire)

Published on Jan 13, 2014

"Essai comparatif du Filtre MG du synthétiseur KingKORG avec le MOOG SOURCE, par Olivier Briand.
http://www.laboitenoiredumusicien.com"

Bidouillages électroniques...

YouTube Published on May 8, 2012 by seb17320

"Test du futur module 985 triple LFO.
Le LFO 2 est controllable en tension par le LFO 1 ou une source externe. Le LFO 3 est controllable en tension par le LFO 2 ou une source externe. Ce qui fait au final que le LFO 3 peut être controllé par le 2, lui même controllé par le 1. Résultat : des modulations hyper complexes !
Dispo du module : Fin 2012."

MOS-LAB

Les séquenceurs modulaires : le Metropolis d'Intellijel

Published on Sep 19, 2014 modularsquare

"Première vidéo de notre série découverte des séquenceurs modulaires ! Suivez-nous pour recevoir les prochaines.

Récapitulation des points forts :

http://modularsquare.com/Intellijel-M...

- Séquenceur 8 pas avec un twist : possibilité de programmer des répétitions (jusqu'à 8) par note, et de choisir entre un silence, une blanche, une noire, et une note tenue + slide
- On peut muter chaque note
- Un bouton par fonction
- Prise en main quasi immédiate, une soirée est suffisante pour le maîtriser
- Une mémoire pour sauvegarder une séquence et la globalité des réglages
- Clock intégrée, pas besoin de module externe
- Sortie clock avec diviseur de clock intégré (de mémoire c'est le seul à le proposer sur le marché) pour arroser d'autres modules de votre boitiers sans passer par un diviseur externe
- Quantizer intégré
- Contrôlable en CV
- Possibilité de modifier la longueur du Gate en sortie

Points faibles :
- Plutôt large
- Un certain prix...

----------------------------------------­-----

Qui sommes-nous :

Modularsquare est une boutique spécialisée dans les synthétiseurs, ainsi qu'une communauté de passionnés qui se retrouvent une fois par mois pour découvrir de nouveaux instruments et de nouvelles façons de composer.

Rejoignez-nous ! Pour être informé des dates de nos prochaines rencontres suivez-nous sur Facebook, Twitter, notre blog (http://www.modularsquare.com/blog) ou bien abonnez-vous à notre newsletter en inscrivant votre adresse email dans le menu en haut à droite de notre site internet :

http://www.modularsquare.com

Notre showroom est également ouvert au public du lundi au jeudi de 13h45 à 18h45, et le vendredi de 14h45 à 19h45."

I Dream of Wires: Made in Canada - Modcan & Intellijel

I Dream of Wires: Made in Canada - Modcan & Intellijel from MUTEK on Vimeo.

"Canada holds a significant place in the history of electronic instrument development: from the ground-breaking inventions of Hugh Le Caine in the 1940s to the innovations at the University of Toronto's Electronic Music Lab in the 1960s. Recently, Canada has again come to play a significant role with the modern day resurgence of modular synthesizers; it is home to two highly respected manufacturers: Modcan, founded by Toronto's Bruce Duncan, was the first company to reintroduce modular synthesizers to the post-MIDI marketplace, and Intellijel, founded by Vancouver's Danjel Van Tijn, is one of the fastest growing and most respected lines of Eurorack synthesizer modules.

For more info on Modcan, visit: modcan.com

For more info on Intellijel, visit: intellijel.com

Music/sound: Jason Amm (Solvent), Bruce Duncan (Modcan), Danjel Van Tijn (Intellijel), John Elliot (Emeralds)

Catch I DREAM OF WIRES' showcase at Mutek Montreal 2012: Saturday June 2 @ Satosphere, with live performances, all incorporating modular synthesizers, by Sealey/Greenspan/Lanza (Orphx/Junior Boys), Keith Fullerton Whitman (Kranky/Editions Mego), Solvent (Ghostly International/Suction Records), Clark (Warp Records), and Container (Spectrum Spools).

I DREAM OF WIRES is a forthcoming documentary film about the history and resurgence of modular synthesizers. The film is currently in production. This is the 5th in a series of extended interviews, which will be produced and released in various formats throughout the production, and following the release, of the film. I DREAM OF WIRES extended interview segments are sponsored by MATRIXSYNTH (m.matrixsynth.com).

For info on the film: facebook.com/idreamofwiresdocumentary

---

Le Canada occupe une place importante dans l’histoire et le développement des instruments de musique électronique : en partant des premières inventions révolutionnaires de Hugh Le Caine dans les années 40, jusqu’aux innovations du Laboratoire de Musique Electronique de l’Universoté de Toronto dans les années 60. Plus récemment, le Canada a de nouveau joué un rôle significatif avec le renouveau actuel des synthétiseurs modulaires, en étant le pays de deux fabricants très reconnus : Modcan, fondé par le torontois Bruce Duncan, qui fut la première compagnie a réintroduire des synthétiseurs modulaires dans le marché actuel ; et Intellijel, créé par Danjel Van Tijn à Vancouver, qui produit une des meilleures gammes de modulaires Eurorack.

CLICK FOR MORE »

XILS-lab Releases Ring’X Virtual Effects

Press release follows.

XILS-lab releases Ring’X representing latest addition to lengthening line of virtual effects as inspiring and musical multi-effect plug-in par excellence


GRENOBLE, FRANCE: audio software company XILS-lab is proud to release Ring’X — readily representing the latest addition to its lengthening line of virtual effects as an inspiring and musical multi-effect plug-in par excellence — as of September 28…

Duly developed as an inspiring and musical multi-effect plug-in for seriously satisfying anyone’s needs, Ring’X is certainly worthy of the oft- overused French phrase par excellence — literally translated into English as ‘by excellence’ — as evidenced by its feature-packed GUI (Graphical User Interface) that is as easy on the eye as it is easy to use.

Ultimately, it is anchored around a six-slot so-called ‘Effect Ring’ that allows anyone to insert the effects they need in the order they want, choosing from a selection of deeply-modifiable classic analogue effect emulations: ANALOG FILTER — modelled from the CMS 3320 chip, used in the exciting-sounding (early-Eighties-era) Elka Synthex subtractive synthesis-based polytimbral powerhouse (much loved by the likes of famous French electronic music pioneer Jean-Michel Jarre, who still uses it to this day to create the distinctive sound of his onstage laser harp), providing five (LP24 — 24db Low-Pass, LP12 — 12db Low-Pass, HP12 —12db High-Pass, BP12 — 12db Band-Pass, or BP6 — 6db Band-Pass) self- oscillating filter types; ANALOG 18db FILTER — modelling the specific sound and behaviour of an 18db self-oscillating filter from the breakthrough British EMS VCS3, which made musical history upon its introduction in 1969 by being the first commercially portable synthesiser available anywhere in the world, thanks to its innovative modular matrix-based patchboard dispensing with the telephone exchange-like cabling of other (much larger) modular systems in favour of making space-saving connections with (removable) coloured pegs; CHORUS (BUCKET BRIGADE DELAY); DELAY — stereo delay that copies the input signal to the left and right channel; DISTORTION; PARAMETRIC EQ — a three-band affair with each band type selectable from six standard filter types; PHASER; and REVERB — with three (L — Large, M — Medium, and S — Small) algorithms. Each effect provides four MODULATION points with a SOURCE and DESTINATION menu associated with an AMOUNT knob.

Standard STEP and specific LOC locator sequencers for modulating effects are also available — the loop goes through a defined number of steps and each time the internal clock is fired the next step is triggered, in the case of the former, while the latter is designed to be synchronised to the DAW (Digital Audio Workstation) with the loop being synchronised to the DAW bar (or a multiple of the bar).

But that’s not all. Another area well worth highlighting here features four input followers; a TRANSIENT tracker ‘module’ — detects the transients present in the input sound, each transient triggering a simple envelope without attack and release controlled by the RELEASE knob; S- DETECTION ‘module’ — detects sibilance present in the input sound, and also useful for separating high-frequency parts from those with more middle and bass frequencies; GATE ‘module’ — removes all the parts from the input sound that are below a specified threshold; and a STEREO SPACE ‘module’ — powerful stereo processing that allows users to dynamically position their audio signal into a true stereo space.

By being so flexible in both operation and resulting effects, it stands to reason, therefore, that Ring’X should come complete with a raft of presets. All are accessible via an integrated (single-window) Preset Manager, making it easy to find the right patch in seconds, manage presets, sound banks, and create custom tags. That being said, then, inspiring and musical multi-effects are only a click away, but those wishing to dig deeper to seriously satisfy their needs are always free to do just that! After all, as the latest addition to XILS-lab’s lengthening line of virtual effects, Ring’X is, indeed, an inspiring and musical multi-effect plug-in par excellence — in the literal sense of those (French- originating) words.

Who better, then, to put Ring’X in its rightful place than the Frenchman primarily responsible for bringing it into existence — namely, XILS-lab CEO Xavier Oudin (credited in the multi-effect plug-in in question’s user manual with: Concept of Ring’X and original UI design; Digital Signal Processing and plug-in coding; [and] the graphical user interface). “For a number of years, customers have been regularly asking me to create an effect featuring filters extracted from our synthesizers,” he begins, before adding: “This idea grew into providing a sort of Swiss army knife-style tool capable of sculpting audio with modulation fully independent of its content, and also able to create any kind of de-esser and transient shaper with far more possibilities than standard such effects. Eventually, Ring’X was born.”


Ring’X is available to purchase as an iLok-protected virtual effect plug-in (installable in up to two independent locations) at an introductory promo price of only €69.00 EUR until October 31, 2023 — rising thereafter to an MSRP (Manufacturer’s Suggested Retail Price) of €179.00 EUR — directly from XILS-lab via its dedicated webpage, which also includes more in-depth information and several must-see video demonstrations, here: https://www.xils-lab.com/products/ringx-p-172.html#

A time-limited full version of Ring’X can be requested for pre-purchase evaluation purposes here: https://www.xils-lab.com/products/ringx-p-172/download.html#AskDemo

Ring’X is downloadable in 64-bit AAX (native)-, AU-, VST2.4-, and VST3-compatible formats for macOS (10.9+) and 64-bit AAX (native)-, VST2.4-, and VST3-compatible formats for Windows (7/8/10) directly from XILS-lab.

Par - Atravesar

video upload by Par

► BANDCAMP: https://parmusic.bandcamp.com/
► SPOTIFY: http://bit.ly/par_music
► INSTAGRAM: https://www.instagram.com/par_music

Todo lo que termina comienza.

released December 1, 2021

Vera Sienra (voz en Días) - Lucía Torrón (letra y voz en Días)
Camila Rodríguez (letra y voz en Ya) - Pedro Dalton (voz en El túnel)

Luis Angelero (guitarra en Días) - Gabi Lucena (guitarra en Disrupción) Candela Cibrián (coros en Ya, recitado en El otro día)

Voz de Vera Sienra grabada en El liebregal por Federico Coore y Haugussto Brazlleim
Voz de Lucía Torrón y Camila Rodríguez grabadas en Basurita por Guillermo Berta
Voz de Pedro Dalton grabada en La encrucijada por Orlando Fernández

Producción, grabación, texto en El túnel y mezcla: Par
Master: Emiliano Zapata.

Arte y diseño: Nacho Adda.

Grabado entre 2019 y 2021

Gracias a Vera, Lucía, Camila, Pedro, Luis, Gabi por sumarse y elevar la idea; a Lu y Feli por acompañarme, y a todos los que de alguna manera u otra colaboraron para que este trabajo salga a flote.

Para Bruno.

Par - Método

Par - Método from Par on Vimeo.

A new video from supportting member, Par. The track is featured on his previous album Arq (2016).

"Método exists in the edge, between sleep and wakefulness, between life and death, between being alone and being among others, between day and night. It is loving the night, the state in which everyone descends into their own world, into their idiocy, their oniric dialogue with the deceased. Nameless sleepers, apolitical, illogical, sleeping we descend into Hades under the city. At night, the man shines a light for himself. In private, he gives up on the common, he sleeps, he imagines, he turns to one side and another, he dreams. Everyone to themselves, no one for the city."
F.Q.

Him: Johonny Rodríguez
Made by: Flavia Quartino, Florencia Lamas, Adrián Nogueira, Román Benvenuto y Johanna Silveira
Color grading: Sebastián Vázquez
Thanks to: Crazy Horse, Francesca Quartino, Manuel Rilla (and the night)

https://parmusic.bandcamp.com

Par - Aalto (en vivo - 29/6/19)

Par - Aalto (en vivo - 29/6/19) from Par on Vimeo.

http://bit.ly/hiper_spotify

29/6 Pensión Cultural Milán

Sonido en vivo: Matías Rodríguez - Luces: Mauricio Peinado

Puesta en escena: Lu Cossani - Fotos: Nato Olivera - Cámaras: Maxi Muniz / Fito Shaw - Edición: Nacho Adda - Créditos: Nacho Adda / Martín Acuña

Apoya: UUU Espacio para música, arte sonoro y experimentalismos - Ciudadela Bar

Producción: Mija

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Follow-up to Par - Espejos (c/ Lucía Torrón en vivo - 29/6/19)