MATRIXSYNTH: Search results for Plumbutter


Showing posts sorted by date for query Plumbutter. Sort by relevance Show all posts
Showing posts sorted by date for query Plumbutter. Sort by relevance Show all posts

Friday, December 14, 2018

Ciat-Lonbarde Plumbutter v2 & Cocoquantus ★ Strymon Big Sky & Timeline ★ PARABRAHM ★


Published on Dec 14, 2018 Jay Frederick

★ PARABRAHM ★Ciat-Lonbarde Plumbutter v2 & Cocoquantus ★ Strymon Big Sky & Timeline ★

★ Ciat-Lonbarde Cocoquantus and the Plumbutter V2 with Strymon Timeline and reverb from the Big Sky on the aux sends of the Allen & Heath GSR-24M console. The Coco is great is self generative patches and that is what is here bass line ★

★ Recorded in Protools 2018.10 on Windows 10.★

★ Thanks for listening.★

Friday, November 30, 2018

Ciat Lonbarde Plumbutter 2 Analogue Modular Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.


via this auction

Tuesday, October 30, 2018

Ciat-Lonbarde Plumbutter 2 weirdo modular analog Drum & Drama Machine

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Ciat-Lonbarde Plumbutter 2 'Drum and Drama Machine' in excellent condition. Ships with 20 Pomona banana cables and power supply. Main stereo output is on 3.5mm TRS jack on rear."

See the demo from Peter B. here.

Sunday, October 28, 2018

Ciat-Lonbarde Plumbutter V2 ★ Strymon Big Sky & Timeline ★ Foxtex X18 Tape Machine ★ ON THE VINE ★


Published on Oct 28, 2018 Jay Frederick

"First outing with the Ciat-Lonbarde Plumbutter v2. You could call it a semi modular patchable synth. You could call it a drum and drama machine. But I am quickly learning that it's actually a box of strange magic. As always, thanks for listening.

★ ON THE VINE ★ Ciat-Lonbarde Plumbutter V2 ★ Strymon Big Sky Reverb & Timeline Delay ★ Foxtex X18 Four Track Tape Machine ★"

Monday, October 15, 2018

Rolzer - Beat Generator Add-On for the Ciat-Lonbarde Plumbutter


Published on Jul 23, 2018 hajimmie

Rolzer patching [plumbutter jam #19]
"rolls of rolzer patches into an ultrasound, gong, and pitch input of an Avdog. so you’re hearing three voices. showing how things suddenly gets chaotic and unpredictable manner, beyond comprehensive planning of control.

to be predictable needs some unique approach to learn - patch memo often doesn't reproduce the same result... well, that's actually the point of this thing partly, tho.."



Plumbrolzer session! [plumbutter jam #20]
plumbrolzer video is still relatively rare on tube so here’s a session on one night. Well, it’s not TRULY Plumbrolzer which I can’t afford yet but it is essentially the same ;)


via Ciat-Lonbarde

"Rolzer is a beat generator add-on for the Plumbutter, a drum and drama machine. The Plumbutter offers complete voltage control of all parameters, including its pulse-rolls, for generating beat tempo patterns. However, when voltage control is added to an androgynous circuit such as the rolz, it has the tends to roll-off the ultrasound chaos present in the original incarnation of this idea, the rolz-5. So here we have the Rolzer, a collection of geometries graded into tempi by virtue of their capacitors. It is for developing a relationship and searching for the oddest, most alive rhythms, not by twiddling knobs but by making connections.

According to the concepts outlined in the Rollz-5 papers, combinations of even and odd geometries, such as a square and a triangle, generate sophisticated beat patterns including chaos at ultrasound frequencies. An even roll maintains a steady pattern, and an odd roll tries to resolve its inherent paradox; connecting them blends these attributes over time and with "grain". The original paper circuits presented each solder-worker to construct her own idiosyncratic assemblage of geometries, with assortments of capacitors based on what was on at hand, or strict dogmata, or pure whimsey. When the concept evolved into a Laboratory Rollz, the Plumbutter discarded any idiosyncrasies for the sake of pure control and dialing in aesthetic by knob. However, the Tocante line offers a way to think about the materials of electronics- capacitors- that allows a revision of the original Rolz concept..."

Click through above for more.

Plumbrolzer session! [plumbutter jam #20]


Published on Oct 15, 2018 hajimmie

"plumbrolzer video is still relatively rare on tube so here’s a session on one night. Well, it’s not TRULY Plumbrolzer which I can’t afford yet but it is essentially the same ;)"

Monday, October 08, 2018

Tone Science Module No​.​2 Elements and Particles (DiN​:​TS02)




"Tone Science sub-label, from DiN records, continues to explore the world of modular synth music.

DiN was initially set up in 1999 by well known UK synthesist Ian Boddy to bridge the gap between the analogue music of his heritage and the emerging digital possibilities of the future. This label has always forged its own independent path and to date has released 56 physical CD albums as well as 21 download only releases.

Even after being involved in music since the late 1970’s Boddy has continued to explore new sonic territories and in 2016 he released what was probably his most experimental album in “Tone Science” (DiN48). This album comprised five long, slowly evolving self playing compositions realised entirely on his vast arsenal of modular synthesisers. Boddy’s love of the analogue sound has been well documented not only through his own releases but many sound and sample libraries. These instruments all but disappeared in the 1990’s but recent years has seen an unprecedented growth in interest in this form of synthesiser with a proliferation of both module manufacturers and performers using these highly flexible and personal systems.

Thus, inspired by his “Tone Science” release, Boddy has set up this sub-label to feature artists and performers working in the field of modular synthesis. The first release “Module No.1 Structure and Forces” was released in March 2018 and has garnered a lot of critical acclaim. This second compilation “Module No.2 Elements and Particles”, like its predecessor, features nine artists from different musical backgrounds with the common thread being that all the tracks were composed entirely with a modular synth system.

The album opens and closes with the ambient soundscapes of two tracks by Todd Barton and
 r beny. Barton is a world renowned exponent of Buchla modular systems as well as the Music Easel employed on this track. Austin Cairns (aka r beny) has a penchant for lo-fi looped synth atmospheres which combined, in this case, with a field recording creates a haunting, evocative piece. The next three pieces by Bluetech, Parallel Worlds and Paul Nagle build up rhythmic and sequenced elements with a fascinating amount of detail that modular systems are so good at. They also all use various methods to produce a poly-rhythmic, fractal feel as patterns shift and change throughout their tracks. The middle of the album then sees a fascinating experimental ambient interlude by Dave Bessell (a member of the synth group Node) using waveguide physical modelling in the analogue domain. The second half of the album has a rawer, more gritty feel with Richard Quirk building up a crescendo of wonderful textures in his track “Radar Hill”. This is followed by Hainbach using the exotic Ciat-Lonbarde series of hand built instruments to produce, in his words, a piece of “pure electronic music”. Nathan Moody then brings proceedings to a climax with a gnarly, muscular track using a Buchla modular system before the blissful ending piece “Marine Layer” closes out the 60 minute sonic journey the listener has just travelled.

Boddy has curated both the artists and tracks on this album to flow in a musical way and not just be a collection of equipment heavy demos. Though fascinating and always cool to look at, it is important not to get lost in the gear for gear’s sake syndrome. Having said that this album features Eurorack, Serge, Buchla & Ciat-Lonbarde modular systems and the nine tracks show how varied and flexible these instruments can be.

“Tone Science Module No.2 Elements and Particles” continues the journey down the rabbit hole of possibilities and sound worlds inhabited by artists and musicians working in this ever fascinating and varied musical field.
credits
releases October 19, 2018

1. Todd Barton Floating World 8:41
This is an exploration of layering various timbres and textures, each having its own
diverse panning structure and speed. Performed on a Buchla Music Easel with a
TC Electronic Ditto x4 looper and TC T2 reverb.
toddbarton.com

2. Bluetech Magnetic Lullaby 6:36
Multitracked sequencers in long takes at different clock speeds to get a fractal layer of shifting melodies evolving at different rates with Strymon modulation at different times for complexity.
bluetechonline.com

3. Parallel Worlds Additive Procedure 5:56
Eurorack, Analogue Systems and Serge modular systems, using harmonics created via waveshaping/wavefolding & the Verbos Harmonic Oscillator & RS370/375 Polyphonic Harmonic Generator.
parallel-worlds-music.com

4. Paul Nagle Euneirophrenia 7:52
The peaceful state of mind after a pleasant dream. In this mellow polymetric excursion, Cirklon's CVIO juggles a Quadnic, NW1, Plonk, Rings and Plaits.
bogusfocus.com/pn/

5. Dave Bessell Overtone 6:37
Between two worlds, the technical and the theatre of the imagination, the apparently real and the obviously synthetic play hide and seek with your perception. Realised with an all analogue signal path, this is a study in waveguide physical modelling.
sites.google.com/site/davebessellmusic/home\

6. Richard Quirk Radar Hill 7:22
This track is taken from an ongoing collection of music based on abandoned radar stations. Created with an AJH Eurorack system along with a Voltage Multistage, Bark filter, Magneto delay, Radiomusic and a tube Echoplex.
richardquirkmusic.bandcamp.com

7. Hainbach Your Strange Glitter 5:02
Aiming for purity I focused entirely on the Ciat-Lonbarde Plumbutter, Sidrax and Cocoquantus. I wanted this piece to feel like “synthesizer music”, clear and shimmering, yet alien, not rooted in a real acoustic space.
hainbachmusik.com

8. Nathan Moody Prophet And Loss 5:02
This piece was created using a Buchla modular synthesizer (200 & 100 series modules) as a meditation on the false piety of tyrannical populists in the early 21st Century.
nathanmoody.bandcamp.com

9. r beny Marine Layer 7:02
Fog conjuring with Mutable Instruments Rings loops being processed by Orthogonal Devices ER-301, Mannequins Three Sisters, and Strymon Magneto.
rbeny.bandcamp.com


Total Time 60:24
license
all rights reserved"

Follow-up to:
Tone Science Module No.2 Elements and Particles Demo Mix
Todd Barton Autumn Tour & New Release

Saturday, September 29, 2018

Mroztronium Pipsqueak Touch-Controlled Noise Synthesizer


Published on Sep 28, 2018 hajimmie

Playlist:

1. Mroztronium Pipsqueak and Bugbrand COFilter
Pipsqueak out to COFilter, the output is also used to modulate COFilter. since the mixer is passive voltage is dropped and maybe a bit weak for the modulation.
2. Mroztronium Pipsqueak (take #2)
Pipsqueak with zoom MS70CDR
3. Noise meditation - Plumbutter with Pipsquak [plumbutter jam #20]
Ciat-lonbarde Plumbutter gets external modulation by Mroztronium Pipsqueak


via Mroztronium

"A new portable touch-controlled noisy synthesizer from Mroztronium. Spiritually inspired by the Cracklebox, Bugbrand Weevil and other touch-controlled instruments, but using a unique circuit developed by Mroztronium that is designed for unpredictable results, wide frequency range (from sub-audio to above human hearing), sensitive touch control and stereo operation.

It is a touch-sensitive electronic instrument that directly interfaces with your fingers and takes advantage of the many quirks of the CD4046 Phase Locked Loop. Pipsqueak uses a pair of these chips cross-connected and set up in such a way that they are generally silent unless provoked via the touch pads. The touch pads enable a very convoluted cross-modulation scheme that make the two outputs related in a stereo way. You can also think of it as a standalone "noise machine" if you wish.

It features a pair of 1/4" outputs that emit rectangle waves, complex pulse trains, triggers or complex noisy waveforms in the region of 0-9V depending on how it is touched. In addition to listening to the raw stereo output, you can also use it as a complex controller to gate/trigger and frequency modulate external CV/Gate equipment. It is an interesting way to spice up a modular synth patch or to turn an otherwise predictable synthesizer into a freakish improvisational instrument.

Pipsqueak is available for $100 including shipping in the US. By default, these ship with 1/4" output jacks, but 3.5mm "minijack" versions are available upon request.

It is also intended as an instrument that we can build together in a workshop and is suitable for both beginners and more advanced builders. If you are interested in hosting a small group workshop in your town, please get in touch."

Friday, August 31, 2018

ASTROGENIC HALLUCINAUTING - CONVERSATION WITH XAPHAN


Published on Aug 30, 2018 thenoiztemple

"ASTROGENIC HALLUCINAUTING - CONVERSATION WITH XAPHAN
- for more noiz: https://itunes.apple.com/us/artist/as...

noiz weapons

Plankton Electronics The Jellyfish
Red Panda Particle
Red Panda Tensor
Elta Console
Boss DD-500
Vermona DRM mkIII
Ciat-Lonbarde Din Datin DEATH
Ciat-Lonbarde Cocoquantus 2
Ciat-Lonbarde Plumbutter 2
Ciat-Lonbarde/Meng Qi Rollz-5
Meng Qi Qin Sidrassi
Tocante Karper
Tocante Zenert
Ieaskul F. Mobenthey IGM Keyboard with Mister Grassi
Pigtronix Echolution 2 Super Deluxe
Pigtronix Echolution 2
Eventide Space"

Sunday, August 26, 2018

ASTROGENIC HALLUCINAUTING - Late Night Noiz For Late Night Fiends 082218


Published on Aug 24, 2018 thenoiztemple

Slowly evolving drone noiz session featuring Ciat-Lonbarde gear in via Spike the Percussionist.

"ASTROGENIC HALLUCINAUTING - Late Night Noiz For Late Night Fiends 082218 - for more noiz: https://itunes.apple.com/us/artist/as...

Cocoquantus 2 Loops = the word MURDER and the sound of of a breath.

noiz weapons:
Cocoquantus 2
Plumbutter 2
Eventide SPACE"

Sunday, August 05, 2018

Forst, West Germany | SE-02, Plumbutter, Minidisc, OP1, Fieldkit FX, Thyme


Published on Aug 5, 2018 HAINBACH

"The last piece in my holiday series - back home today. The Ciat-Lonbarde Plumbutter is a beautiful filter - running the Roland SE-02 through it gives wide stereo movement and adds even more warmth to this tiny but powerful synthesizer.

Minidisc plays lyrics I sung and cut-up through the lovely delay and frequency shifter on the Field Kit FX, OP1 is the choir patch.'

Wednesday, June 13, 2018

Batchas - Before they come


Published on Jun 13, 2018 batchas

"Ciat-Lonbarde Plumbutter 1 with Strymon blueSky Reverb."

Batchas - They are coming

Published on Jun 13, 2018 batchas

"Ciat-Lonbarde Plumbutter 1 with effects.

LISTEN LOUD!"

Monday, June 04, 2018

Balancing Act | Hyve Touch Synth, Ciat-Lonbarde Plumbutter


Published on Jun 3, 2018 HAINBACH

"Support what I do by buying my music: https://hainbach.bandcamp.com/

After being surprised by a massive and beautiful summer rainfall in our holiday retreat, I recorded this piece using only the Hyve Touch Synth into a Ciat-Lonbarde Plumbutter. No edits, Valhalla Plate reverb on the master."

Sunday, April 15, 2018

plumbutter jam, a sunday afternoon [plumbutter #16]


Published on Apr 15, 2018 hajimmie

Monday, March 12, 2018

Krakow | Ciat-Lonbarde Plumbutter 2, Tape Loop


Published on Mar 12, 2018 HAINBACH

"Support what I do by buying my music: https://hainbach.bandcamp.com/
This is the second session I spent with Bowie, the first Berlin-assembled Ciat-Lonbarde Plumbutter. Its a drum and drama machine, capable of beautiful tones and lovely clicks. And noise of course. Running a tape loop into it and playing all the knobs and switches I have learned so far."

Monday, February 12, 2018

Ciat-Lonbarde Plumbutter 2

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Wednesday, January 17, 2018

Ciat Lonbarde Plumbutter 2

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Beautiful Plumbutter 2, handmade by Peter Blasser of Ciat Lonbarde. Requires banana cables to play. Comes with a North American power supply."

Thursday, December 07, 2017

7 12 17 Cocoquantus 2 - Impro


Published on Dec 7, 2017 batchas

"I finally got to play again with the Cocoquantus during this cold night of december.

I was checking some old mics and piezos I was using 2 decades ago for my live acts and sent some notes from the kalimbas into the Cocoquantus input. Loop. Speed tweaking. Endless.
First time I also had the Plumbutter playing with his companion from Ciat Lonbarde.
I was enjoying the sound and decided to pick up quickly the camera (not holding it right as there is the computer in the front + many other DIY things in the way!)."

Saturday, October 28, 2017

The Plumbutter and Sidrax jam [plumbutter #13]


Published on Oct 28, 2017 hajimmie

"Saturday jam of the plumbutter and the sidrax. Focusing on the deerhorn of the PB. Lately I often do rather complex patching especially on the sidrax but this time just keep it so simple. Later on bugbrand PTdelay kicks in."

Tuesday, October 24, 2017

Kozept and Weinglas Live at Noodlefest, Rotterdam


Published on Oct 24, 2017 Wein Glas

"After an earlier collaboration this year, album FRNDS, Weinglas and Kozepz performed a live set together for the very first time at Noodlefest 2017, V2, Rotterdam.

Gear list Kozepz:
Ciat Lonbarde Plumbutter
Ciat Lombarde Cocoquantus
Kalimba

Gear List Weinglas:
2 Hordijk Blippoo Boxes
Ciat Lonbarde Tetrax
Ciat Lonbarde Phashi
Industrialectric RM-1N
Synthstrom Audible Deluge"
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