"-CALC- introduces the exciting new update for Bass Station II - v4.14.
The latest firmware update for Bass Station II adds five powerful and innovative new features to Novation’s hugely popular monosynth, all of them developed in response to user feedback and requests, one of those users being particularly noteworthy…
--- AFX Mode (the realisation of Aphex Twin)
--- Fixed duration envelopes
--- Extended sub-oscillator control
--- Oscillator glide diverge
--- Envelope retrigger count
The latest firmware update for Bass Station II adds five powerful and innovative new features to Novation’s hugely popular monosynth, all of them developed in response to user feedback and requests, one of those users being particularly noteworthy…
AFX Mode
Electronic music legend Richard James, aka Aphex Twin, has already played an instrumental part in the Bass Station II story, having provided guidance for the implementation of the micro-tuning added with Firmware v2.5. His conceptual contribution to v4.14 is even more profound.
Letting his imagination run riot, James envisioned the decidedly radical notion of having a discrete set of synthesis parameters assigned to each note of Bass Station II, either variations on a ‘seed’ patch, or disparate sounds designed to constitute a chimeric whole. Although this sort of thing could already be kludged using very fast program change messages, having multiple sounds active at the same time would clearly be a far more creative and efficient system.
AFX Mode is the realisation of James’ out-there concept. Put simply, it lets you modify your Bass Station II patch on a key-by-key basis. Use it to introduce subtle changes to a sound as you play up and down the keyboard; divide the keyboard into multiple zones (one per key if you like!), each playing its own sound; or create entire drum kits in a single preset for triggering manually or via the Arpeggiator. It’s a truly inspiring feature that really does open up a whole new world of sound design and performance possibilities.
Fixed duration envelopes
Aiding in the programming of drum sounds and plucks especially, the sustain segments of Bass Station II’s envelopes can now be set to a fixed length, moving on to the release stage regardless of when the key or trigger is actually released after playing a note. When fixed duration envelopes are enabled, the decay stage is taken out of play, and the Decay slider instead sets the duration of the Sustain stage.
Extended sub-oscillator control
With Firmware v4.14, Bass Station II’s sub-oscillator, slaved to the pitch of Oscillator 1, can be detuned using the Coarse and Fine controls. Now you can set the sub to any non-octave tracking interval you like, and knock it out of tune – subtly or dramatically – for creative effect.
Oscillator glide diverge
Prior to Firmware v4.14, both of Bass Station II’s oscillators could only be set to the same Glide time, but now you can slow down the Glide time of Oscillator 2 relative to Oscillator 1 by a variable amount, causing the two to diverge for interesting portamento effects. Just the thing for adding thickness and character to basslines, pads and leads, and certainly not a function you’ll find on many other hardware or software synths.
Envelope retrigger count
The Firmware v2.5 update added envelope retriggering, and now, to help with drum synthesis, the number of times the envelopes retrigger can be adjusted.
Introducing AFX Mode, fixed duration envelopes, extended sub-oscillator control, oscillator glide diverge and envelope retrigger count, Firmware v4.14 is a free update for all Bass Station II users, available via the Components content manager for Mac and PC."
"Version 1.8 update for the MC-707 GROOVEBOX, MC-101 GROOVEBOX, and VERSELAB MV-1 adds a host of requested features to your instrument. In this video, Zeale walks through the new enhancements for each instrument as well as how to import clips and new Production Packs.
New functions include undo/redo plus clip import, export, and save. Clip compatibility between the MC-707, MC-101, and VERSELAB MV-1 means you can load clips straight from an SD card, then save and share between units or with other MC and VERSELAB users. There are also three brand-new MFX to embellish your sound—Exciter, Phonograph, and JD Multi—as well as support for pitch bend, hold, and other MIDI CC recording options.
Expand your sound and clip library with new MC/MV Production Packs. These top-shelf collections of clips and sample-based tones designed by Wave Alchemy will expand your sound library or jump-start new ideas for songs. Each Production Pack contains 48 custom tones, 50-plus drum one-shots, 16 kits, and 64 clips—with clips organized in groups of four for building 16 custom scenes.
If you’re an MC-707 GROOVEBOX owner, you can now set the key and scale of your project. And there’s a multitrack mode for Pad Note.
If you’re an MC-101 GROOVEBOX owner, you’ll find a game-changing partial editor for creating compelling tones directly from your MC-101. Plus, you can set the key and scale of each of your projects.
If you’re a VERSELAB MV-1 owner, this update includes a powerful random tone designer for quickly creating interesting sounds from a variety of algorithms. The update also adds another much-requested feature: vocal take panning.
And that’s not all. Find more under the hood when you download the Version 1.8 update.
0:00 INTRODUCTION 1:26 CLIP COMPATIBILITY/IMPORT 2:21 VERSELAB MV-1 IMPORT CLIPS & PRODUCTION PACKS 4:19 MC-101 IMPORT CLIPS & PRODUCTION PACKS 6:15 MC-707 IMPORT CLIPS & PRODUCTION PACKS 7:46 UNDO & ADDITIONAL UPDATE FEATURES 8:37 MV-1 RANDOM TONE DESIGNER 9:41 MC-101 TONE PARTIAL EDITOR 11:35 MC-707 ADDITIONAL UPDATE FEATURES
"New features, enhancements, and optimizations in a timely update continue company's mission to provide the best support for our customers —
Boston, MA (December 15, 2009) — Cakewalk, the world's leading developer of powerful and easy to use products for music creation and recording, today announces a free update for SONAR 8.5 Producer and SONAR 8.5 Studio. Registered SONAR 8.5 Producer, SONAR 8.5 Studio, and V-Studio 700 customers can download the 8.5.2 update for free here.
The SONAR 8.5.2 update provides over one hundred usability enhancements, plug-in/component optimizations, and new features. These enhancements also address various performance issues across the entire application reported by customers after SONAR 8.5's initial release.
New SONAR 8.5.2 Features include:
Arpeggiator: The Arpeggiator now features automatable controls and a Per-arpeggiator swing control slider.
Matrix View: SONAR 8.5's flexible cell-based, non-linear audio/MIDI arranging and triggering view adds new functionality including:
o Record mutes and solos o Per-cell "one-shot" mode o New option to automatically Groove Clip audio and MIDI clips when dragged into the Matrix View o Cell content can now be dragged into the Track View o Support for Step Sequencer patterns containing probabilities o Accessibility and QWERTY keyboard support o Support for clips of up to 30 minutes in length o Import files directly from cells
Media Browser: SONAR's hub for content access adds a new mode to now preview all audio/MIDI content in sync with project tempo. The Media Browser also now supports Step Sequencer Patterns containing probabilities.
Perfect Space: 70+ new impulse responses added, provided by Acousticas.
Step Sequencer 2.0: Improved parameter controls for Dimension LE, Dimension Pro, DropZone, Pentagon I, Rapture, Rapture LE, PSYN, and Z3TA+. Also includes 35 new Step Sequencer patterns.
Optimized multiprocessor load balancing: Even more efficient handling of multithread processing for improved CPU utilization and better overall performance.
All of the new and exciting features found in the SONAR 8.5.2 update are a direct result of active dialog with our users. Cakewalk's delivery of timely product updates is an extension of Cakewalk's commitment in providing the very best in product support for our customers.
Availability The 8.5.2 Update for Windows XP, Vista, and, Windows 7 (32-bit & 64-bit) versions of SONAR 8.5 is available as a free download to all registered SONAR 8.5 and V-Studio 700 customers at www.cakewalk.com."
Roland TR-8S Rhythm Perfomer v2.0 Update: FM Synthesis, New INST FX & More
"The Roland TR-8S v2.0 Update adds a powerful FM sound engine that brings a whole universe of sonic textures to the modern drum machine classic. Unlock the power of FM with the new MORPH feature—an ultra-expressive macro control that lets you sweep through an array of tonal variations, wildly manipulating FM depth, ratio, and feedback…all with a simple twist of a knob.
Also, in the TR-8s v2.0 Update is a new RELOAD feature that lets you immediately jump back to your previous settings with a simple shortcut. Not only does this save time getting back to your initial sound, but you can use it as a performance feature for build-ups and transitions. RELOAD also works for PATTERNS, TRACKS, FADERS, and KNOBS too. After adding layers and layers of instruments to your pattern, jump back to your original saved pattern with a simple shortcut!
We've also added a few more INSTRUMENT FX in v2.0 to inspire your next drum sound designs. Add SATURATOR to give more warmth and drive to your drums or use SPREAD to give them a 3D feel. FREQ SHIFTER and RING MOD work perfectly with the TR-8S FM sound engine providing everything from smooth bell-like tones to harsh, clangorous noise depending on your mood."
Review: Roland TR-8S V2.0 // How does it compete? // 10 performance ideas and tricks (Roland TR8S)
loopop
TIMELINE:
0:00 Intro
1:15 What’s new?
1:30 FM synths
2:50 How Morph works
4:20 Sound demos of FM drum synths and synths
10:40 Cowbell...
11:05 New effects
12:45 New shortcuts
14:25 OVERVIEW
17:50 Connectivity
18:40 Key features
19:50 Sequencing
20:20 Automation
21:25 Sample controls
23:15 IDEAS & TIPS
23:25 Mixer view
23:50 Gain vs faders
24:20 Send defaults
24:45 Weak & accent
24:55 Compressor
25:15 Tune melodies
25:50 FM sweet spots
26:10 Filter harsh FM
26:40 S&H LFO
27:40 Easy polyphony
28:35 Pros & cons
32:10 FM Jam
And the official press release:
"Free Firmware Update Offers Next-Level Enhancements That Make the TR-8S the Most Complete Drum Machine Ever
Los Angeles, CA, August 11, 2020 — Roland announces TR-8S Version 2.0, a powerful new firmware update for the flagship drum machine in the AIRA series. Carrying on the genre-defining legacy of legendary Roland drum machines like the TR-808 and TR-909, the forward-thinking TR-8S Rhythm Performer has been lauded by musicians, producers, and reviewers around the world. The free Version 2.0 update makes this already-powerful instrument the most complete drum machine ever, offering next-level enhancements like an FM synthesis engine with Morph control, expanded performance effects, and helpful reload functions to speed up workflow.
The TR-8S puts an unlimited creative palette at users’ fingertips with ACB recreations of historic TR drum machine sounds, a diverse range of onboard samples, mono/stereo sample import capability, and premium effects—all driven by the famous “TR REC” sequencer and a deep mixing interface built for real-time performance. Version 2.0 extends the possibilities even further, bringing a new dimension of sound creation to the iconic TR platform.
The newly added FM synthesis engine delivers an array of futuristic tone colors, including silvery metallic hits and other harmonically rich percussion sounds. Users can sweep through sonic variations with the ultra-expressive Morph control, wildly manipulating FM depth, ratio, and feedback with simple knob movements. FM sounds can be freely blended with classic TR sounds and custom samples, paving the way to never-before-heard grooves.
The TR-8S includes many percussion-tuned effects for enhancing individual sounds or entire kits with character, depth, and space. Version 2.0 adds Saturator, Freq Shift, Ring Mod, and Spread effects to the mix, which can be assigned to control knobs for shaping sounds on the fly.
Version 2.0 also adds many reload functions that restore pattern and kit elements to their stored states with quick actions, providing exciting new ways to manipulate beats while creating sounds and performing live.
To learn more about the TR-8S Version 2.0 update, visit Roland.com."
"Introducing MPC 2.11 from Akai Professional. The powerful standalone workflow is even better with new plugins like AIR Flavor and AIR Amp Sim, Ratchet and Probability sequencer functions, the brand-new Sounds Mode for immediate access to all your plugins and sounds, and so much more."
MPC 2.11 Overview | First Look at The New Features of MPC 2.11
"Join Andy as he unpacks MPC 2.11 and all its features that will supercharge your MPC workflow. The MPC 2.11 feature update includes AIR Flavor, Amp Sim plugins, Ratchet, Probability, and the new Sounds Mode. Watch it now."
"I demo the upcoming firmware update for the standalone MPCs (MPC One, MPC Live, etc) that adds some new effects and workflow improvements.
00:00 Intro
00:59 AIR Flavor
02:33 AIR Amp Sim
04:30 Granulator
05:46 One-click keygroups
06:29 16 Levels for keygroups and plugins
07:29 Probability in the note editor
08:02 Plugin window updates
08:49 Miscellaneous updates
09:56 Outro"
And the press release:
AKAI PROFESSIONAL® SUPERCHARGES THE STANDALONE WORKFLOW WITH THE MPC 2.11 FEATURE UPDATE
New plugins and a new Sounds Mode offering a powerful way to access, explore, and load MPC instrument presets, projects, and custom layered track combinations.
Cumberland, RI USA (June 9, 2022) Akai Professional, a leading manufacturer of music equipment for performers and producers announces the upcoming MPC 2.11 features update, free for registered MPC users and available on June 23, 2022. This feature update provides MPC music creators with new tools and enhancements for better productions with a more creative and organized workflow.
The new Sounds Mode is a vibrant multi-faceted browser that puts all the MPC instruments front and center. Dive into any plugin and search the presets by category or, cycle through and preview sounds individually. Save up to 256 presets for quick recall on the Favorites Tab and lay out your projects for one-touch loading on the Setlists Tab, enabling faster load times in between song performances.
MPC 2.11 also adds 2 new plugin effects. The new AIR Flavor plugin adds instant vinyl simulation to any sound source. Add flutter, tube saturation, distortion, and more for rich, textured manipulation from 30 different Timbers. Additionally, the new AIR Amp Sim insert effect delivers sweet and crunchy distortion, EQ and tone color to samples, vocals, drums, synths, bass, and yes—guitars—or any other sound source. AIR Amp Sim adds texture and character that brings your sound to life.
MPC 2.11 also adds Probability & Ratcheting for humanizing your tracks and adding more feel. This feature will add interesting variation and dimension to repetitive beats, rhythms and melody lines. The Note Probability feature lets you control note variations at 25%, 50%, or 75% increments, while the Ratchet feature adds a creative subdivision to notes into any increment from 1-8. More creative control means more fresh, exciting new ideas.
The MPC Tuner is a one-touch instrument tuner assuring your instruments are always in tune, without the need to unplug and connect to a hardware device—perfect for stringed instruments or analog synthesizers and modules.
The new drum Pad to Keygroup function allows you to assign and pitch any sample from a pad instantly to a new keygroup program, which can then be played across the key-range. Any sampled sound from a drum program can now be played as scales, chords or melodies for musical dimension. Additionally, new MIDI Key Splits can layer multiple tracks with the Key Ranges section, each with unique split points. Blend 8 instrument tracks or any combination of Drum, Keygroup, and MIDI tracks to create massive multi-timbral sound stacks.
EMBARGO UNTIL Thursday June 9th, 2022, AT 10AM EDT / 3PM BST
WiFi enabled MPC devices will now support Ableton Link 3.0 for responsive start and stop controls, keeping all your devices in perfect sync. MPC 2.11 will now also allow the configuration of a track to filter notes outside a given key range or velocity range.
MPC 2.11 will be available Thursday June 23, 2022, as a free download for all registered standalone MPC hardware users.
To learn more about the MPC 2.11 feature update, visit akaipro.com.
"Because of the new features, MajorOSC was able to completely reapproach the design process for sequencing and expressive interaction while playing a sequence. The results speak for themselves on this short demo"
And the official press release:
Ashun Sound Machines makes major strides in advancing Hydrasynth sensation with Version 1.5 feature-heavy firmware update
LOS ANGELES, CA, USA/HONG KONG, CHINA: musician-empowering musical instruments creator Ashun Sound Machines (ASM) is proud to make major strides in advancing its innovative Hydrasynth digital wave morphing synthesizer — launched late last year to widespread critical acclaim as its inaugural hardware product, produced as a keyboard variant (featuring a proprietary PolytouchTM 49-note polyphonic aftertouch keybed and a user- assignable ribbon controller) and desktop variant (with 24 velocity- and polyphonic aftertouch-sensitive pads, plus an included 19-inch rack-mount kit) — with a feature-heavy firmware update, as of August 6…
New arrivals Ashun Sound Machines made a huge splash when diving deep into the synthesizer world with the introduction of its Hydrasynth sensation in both keyboard and desktop variants late last year. Ultimately, users appreciated an unprecedented combination of sound generation methods and processing power — anchored around a unique digital wave morphing synthesis engine as an eight-voice polysynth whose three oscillators can all make use of any one of the 219 single-cycle waveforms available, while flexibly facilitating defining eight waveforms into a list and then morphing from one to the next using extensive movement-inducing modulation sources with Wave Scan mode (for OSC 1 and OSC 2 only) — potently coupled with hardware that is perfectly tailored for live interaction and real-time tweaking, all at a very affordable price. Perhaps best of all, a new generation of synth users were introduced to an amazingly expressive way to shape individual notes, thanks to that proprietary PolytouchTM 49-note polyphonic aftertouch keybed and a user-assignable ribbon controller.
Today, the release of the Version 1.5 firmware update for the Hydrasynth brings an amazing array of new features and behaviours to an already sensational synthesizer, starting with advancing its unique-sounding synthesis engine several steps further forward. Firstly, five new filter models are available in FILTER 1 — namely, LP Stn12, ASM’s version of a popular 12dB low-pass filter; LP 1 Pole, a gentle 6dB low-pass filter; and LP 8 Pole, a steep 48dB low-pass filter; alongside BP Stn12, a popular 12dB band-pass filter with dual 6dB slopes; and HP Stn12, a popular 12dB high-pass filter — expanding its total to 16 filter models. Meanwhile, that Version 1.5 firmware update also adds a second multi-mode filter type to FILTER 2, with an ability to switch between LP/BP/HP (low-pass/band-pass/high-pass) or LP/NOTCH/HP (low-pass/notch/high-pass) filter modes. Thereafter, the Hydrasynth now benefits from microtonal scale support, opening up a brave new world of musical expression beyond the 12 tones most prevalent in Western music to allow composition and performances from any culture or harmonic discipline with 32 custom scales loadable using MIDI (Musical Instrument Digital Interface) Tuning Standard files. Furthermore, envelopes can now be triggered from as many as four sources, including LFOs (Low Frequency Oscillators), keyboard, ribbon, CV (Control Voltage) INPUTS, and PEDAL — EXPRESSION — input, whereas previously they were all triggered by the keyboard only. On top of that, the LFOs themselves have been upgraded to allow up to 64 steps when set to Step mode, with a new SemiLock feature to quantise those steps for pitch control of the oscillators.
MOD MATRIX improvements in the Version 1.5 firmware update makes creating modulation routings one step easier by allowing users to choose a specific parameter in a MODULE to be the modulation destination via direct selection, thereby creating a link between the source and destination in the fewest number of possible steps. Since the MOD MATRIX itself has been expanded to allow new modulation destinations with many more VOICE parameters and macros being added to the destinations, there are now many more sound design options available.
ASM has also updated the RANDOM page so users can set a percentage of how much randomisation takes place in each MODULE. Many more usable patches result from an added second patch randomisation option that generates a new patch by pulling in a random selection of values from other patches, which themselves are selected at random from every bank by combining various aspects of patches that are already known to be useful.
The PRE-FX and POST-FX modules both benefit from the addition of a new stereo Distortion effect, with controls for Drive, Tone, Asymmetry, and the Overdrive curve, as well as Output level.
LATCH mode moves things onwards and upwards, allowing users to press a key and have that key stay holding for as long as the LATCH button itself is enabled — ideal for ambient and generative patches.
System setup changes courtesy of the Version 1.5 firmware update include a Save System state, allowing users to boot up their Hydrasynth with a patch of choice; shorter timing options in Vegas mode; additional (Buchla®) 1.2V per octave support via the CV OUTPUTS; an option of selecting MIDI CC mode or NRPN (Non-Registered Parameter Number) modes, making automation in DAWs (Digital Audio Workstations) that do not support NRPNs possible, while that all-important user-assignable ribbon controller can now send NRPN or pitchbend data — all aiding ASM in making major strides in advancing its Hydrasynth sensation... dive deeper than ever before!
Thank you for everything Bob. The synths, the inspiration, the humor, positive vibes and the magic.
Update:Mark Pulver's Moog tattoo. Mark was good friends with Bob Moog. I remember him getting this tattoo after his passing.
BTW, if you have anything Moog specific you'd like to send in, feel free. You can reach me at matrixsynth at gmail. Of course feel free to comment.
Also, I don't ask for a dime to run this site. I've had people suggest I put up a Paypal Donate Here button. I don't because I do have ads on the site and I believe in offering the site for free. But if you do want to donate, even just a few bucks, donate something to The Bob Moog Foundation. Little donations can add up. They are keeping not only Bob Moog's memory alive, but the magic and history of synths.
Update: On the technical side of things, here is a list of patents (creations) from Bob Moog via Jerry on the SDIY list: "well to name a few, "Voltage-Controlled Electronic Music Modules" (R.A. Moog, Journal of the Audio Engineering Society , Vol.13, No. 3, pp 200-206, July 1965...
Update on the Patents via ASSI:
Here's the fulllist of patents where he is named an inventor:
EP000000157821A4 PEPPER WILLIAM JR MOOG ROBERT A [DE] LEITFÄHIGE
ELEKTRODENMATRIX UND MATRIX VON WIDERSTANDSELEMENTEN ... no
EP000000157821A1 PEPPER WILLIAM JR, US MOOG ROBERT A, US [DE] LEITFÄHIGE
ELEKTRODENMATRIX UND MATRIX VON WIDERSTANDSELEMENTEN ... yes
US000004778951A PEPPER JR WILLIAM, US MOOG ROBERT A, US [EN] Arrays of resistive
elements for use in touch panels and for producing ... yes
US000004280387A MOOG ROBERT A [EN] Frequency following circuit yes
US000004213367A MOOG ROBERT A, US [EN] Monophonic touch sensitive keyboard
yes
US000004202238A MOOG ROBERT A, US [EN] Compressor-expander for a musical
instrument yes
US000004180707A MOOG ROBERT A, US [EN] Distortion sound effects circuit yes
US000004166197A MOOG ROBERT A, US WALBORN RICHARD M, US [EN] PARAMETRIC ADJUSTMENT
CIRCUIT yes
US000004117413A MOOG ROBERT A [EN] AMPLIFIER WITH MULTIFILTER yes
US000004108041A MOOG ROBERT A COX ROGER FLAVIUS [EN] Phase shifting sound effects
circuit yes
US000004050343A MOOG ROBERT A [EN] Electronic music synthesizer yes
US000003475623A MOOG ROBERT A [EN] ELECTRONIC HIGH-PASS AND LOW-PASS FILTERS
EMPLOYING THE BASE TO ... yes
WO001985001375A1 PEPPER WILLIAM JR, US MOOG ROBERT A, US [EN] CONDUCTIVE
ELECTRODE ARRAYS AND ARRAYS OF RESISTIVE ELEMENTS FOR ... yes
Other patents listed at the site of Don Tillman are either from employees of Moog
Music or related to some inventions that have been used in Moog products (like the
Bode frequency shifter). This is not to take away from Bob, but I'm sure he would
have been the first to point out that some other guy had invented something. The
patent family he's got together with Mr. Pepper is of course for the touch panel
for the Voyager.
Polyphonic Modes
US 4,778,951: Arrays of Resistive Elements for use in Touch Panels and for Producing Electric Fields"
Update via The Bob Moog Foundation:
"August 21, 2009 -- A Moog Day of Rememberance and Celebration
When August 21st comes around each year, we pause to remember Bob and the remarkable legacy that he left for us all to enjoy. His impact is so widespread that people remember him in all kinds of ways that are meaningful to their particular connection with him. Take a moment today to pay tribute to Bob by:
* Connecting with Bob through your instrument. Lay down a killer lead on your synth or play an ethereal melody on your theremin.
* Listening to some of your favorite Moog tunes. Bob loved working with musicians and fed off their creative drive. He was often astonished at what they could do with his instruments.
* Going out and hear some live music tonight. Bob believed deeply in live music as a force that brings people together in community.
* Reading about Bob's life, work, and legacy. Visit the CaringBridge site and read Ileana Grams-Moog's reflection on today's significance.
* Supporting the Bob Moog Foundation. We carry Bob's legacy forward by inspiring and educating people through electronic music. Donate here so that we can continue our important work.
Today we also celebrate the Bob Moog Foundation's third anniversary of making waves. Next week we head to the Museum of Making Music in Carlsbad, CA for the opening of the first exhibit featuring Bob's archives. The exhibit, Waves of Inspiration. The Legacy of Moog, pays tribute to Bob's impact and celebrates his legacy, just as we are doing at the foundation today.
Update via Richard Lainhart in the comments:
"Here's a link to Part 1 of Jordan Rudess and Richard Lainhart's Moog Birthday Space Jam, from May 23, 2004, featuring an introduction by Bob Moog:
http://www.otownmedia.com/Polaris_Part_1.mp3 [link updated]
"50 years ago, American maverick inventor Robert Moog began developing electronic instruments that altered the course of modern music for all time and have since become an integral part of our musical culture. Jordan Rudess, keyboard virtuoso, and Richard Lainhart, synthesist extraordinaire, will be performing live online on Sunday, May 23, at 1 PM Eastern Daylight Savings Time, to honor Bob Moog on his 70th birthday, and on the 50th anniversary of his company Moog Music. We'll be using old and new Moog instruments exclusively, including a vintage Mini-Moog, a modern Moog Voyager Mini-Moog, Arturia's Moog Modular V software, and a Moog Etherwave Theremin, in a classic electronic space improvisation streaming live on the Internet from O-Town Live."
Bob was a great man, and a good friend, and we still miss him."
Update: the Moog hockey table has been verified as real. You might remember the Moog phone. Note these were made by Moog in the 80s long after Bob Moog left the company.
Update via NOISECOLLECTIVE
Saint image below with Moog and Roland and: "Here are some pictures of my moog prodigy exposed @the past 'TORINO SYNTH CLINIC'"
Update on the hockey game via brian in the comments: "It's not called Moog hockey, but "Super Chexx" hockey. Sadly, the Super Chexx game has ALWAYS been collectible in the arcade world anyway, due to it's clear plastic bubble look and the sound effects.
With "sound by Moog" written up there at the top as I recall. It sounds REALLY bad, but grainy as hell in a good way. I'd be surprised if it was 8-bit. More like 4..."
"At the 2011 NAMM show, Spectrasonics made two product announcements and demonstrated both a major new version of their award-winning Power Synth Omnisphere® along with a new iPad app called “Omn TR” that allows wireless-remote control of Omnisphere. Many of the new capabilities in version 1.5 of Omnisphere are featured in the “Omni TR” app.
The company’s flagship synthesizer includes a host of new features, in particular a new interactive interface called “The Orb” offering stunning real-time synthesis manipulation capabilities (also a key element in the new “Omni TR” app) — along with many deeply expanded additions to the synthesis engine and user interface. The v1.5 update also includes many important user-requested features such as the new 5-Column Browser view and support for polyphonic aftertouch. The new version also includes a significant update to the factory patch library, taking advantage of all the new sound design capabilities and bringing the total number of included sounds to over 8,000. Omnisphere 1.5 is set to be released on February 15th, 2011 as a free downloadable update for all registered users.
'Our goal for Omnisphere has always been to make it the ‘best of both worlds’ – awesome sounds AND a dream instrument for sound design,” says Eric Persing, Founder and Creative Director of Spectrasonics. “As longtime synth geeks ourselves, we are just as excited as our customers to see how Omnisphere is growing and evolving as a synthesis platform. We’re really looking forward to hearing how our users explore the new sonic worlds this version opens up. I think it’s some of our best work yet.'"
At the 2011 NAMM show, Spectrasonics made two product announcements and demonstrated both a major new version of their award-winning Power Synth Omnisphere® along with a new iPad app called “Omn TR” that allows wireless-remote control of Omnisphere. Many of the new capabilities in version 1.5 of Omnisphere are featured in the “Omni TR” app.
The company’s flagship synthesizer includes a host of new features, in particular a new interactive interface called “The Orb” offering stunning real-time synthesis manipulation capabilities (also a key element in the new “Omni TR” app) — along with many deeply expanded additions to the synthesis engine and user interface. The v1.5 update also includes many important user-requested features such as the new 5-Column Browser view and support for polyphonic aftertouch. The new version also includes a significant update to the factory patch library, taking advantage of all the new sound design capabilities and bringing the total number of included sounds to over 8,000. Omnisphere 1.5 is set to be released on February 15th, 2011 as a free downloadable update for all registered users.
“Our goal for Omnisphere has always been to make it the ‘best of both worlds’ – awesome sounds AND a dream instrument for sound design,” says Eric Persing, Founder and Creative Director of Spectrasonics. “As longtime synth geeks ourselves, we are just as excited as our customers to see how Omnisphere is growing and evolving as a synthesis platform. We’re really looking forward to hearing how our users explore the new sonic worlds this version opens up. I think it’s some of our best work yet.”
omnitr.jpg
Omnisphere 1.5 Update
Expanded Synthesis
Omnisphere 1.5 includes new and expanded synthesis capabilities, with newly designed “zoom” interface views for the synthesizer’s Harmonia, Waveshaper and Granular synthesis areas. Harmonia can create extremely rich sounds by adding up to 10 oscillators per patch with new independent modulation possibilities on each oscillator. The Waveshaper now includes more extreme sound mangling capabilities with the new polyphonic “Crusher” and “Reducer” modules, which include ‘Animation’ and ‘Force’ parameters that can all be modulated. Omnisphere’s Granular synthesis area has been made significantly more powerful by including new ‘Speed’ and ‘Position’ modes, which create dramatic polyphonic shifts through the audio and time spectrums. At the center of the Granular Zoom interface is a new real-time ‘Granular Visualizer’ showing a colorful graphic model of the effect of parameter edits, all of which makes Omnisphere’s complex Granular synthesis easier to understand and more fun to use.
The Orb
The innovative “Orb” feature of Omnisphere 1.5 is both a remarkable sound manipulation tool and an intuitive performance interface — it can be thought of as a ‘circular controller.’ Now with a single click of the mouse, the user can instantly customize the sound. Best of all, the Orb automatically works with every patch a user has, there’s no setup necessary.The user simply moves the Orb cursor with a mouse, a MIDI controller or in the case of an iPad, with fingers directly on the Orb itself. As the Orb moves around the concentric circles, it morphs between automatically generated parameter scenes in Omnisphere’s STEAM engine in a highly intelligent and musical manner — all patch dependent — manipulating the sound in subtle or radical ways appropriate to that particular patch. If the user doesn’t like what the Orb has created, a complete new set of manipulations can be chosen by simply rolling the “Dice” button, which instantly creates a brand new group of intelligent sonic modifications and effects to try. There’s no limit to how many serendipitous sonic variations the “Dice” can create – opening up the vast power of the STEAM engine to every user, regardless of synthesis knowledge.
For advanced synthesists seeking maximum flexibility, the Orb can also be setup manually and used as a new modulation source in Omnisphere’s sophisticated Mod Matrix.The Inertia slider of the Orb allows the user to create a ‘movement trail’ after letting go of the Orb, just like a ball might roll and bounce off the walls of a circular enclosure, adding a musical symmetry to the “performance” of an Orb interaction. Users can also Record their performance movements directly into the Orb and play the performance back in sync with their controller or host. The Orb’s movements and sonic results are saved within the patch, multi or the host’s session for later recall. The movement of the Orb can also be automated in the users host.The ideal control surface for Omnisphere’s new ‘Orb’ is the multi-touch interface of the simultaneously announced “Omni TR” iPad app, but the Orb can also be used with standard mice, trackpads and MIDI controllers.Hands-On Expression
Omnisphere 1.5 includes support for Spectrasonics new “Omni TR” iPad app, which provides wireless multi-touch performance control over the synthesizer. Alternate controllers that send multiple simultaneous MIDI channels have improved handling with the new “Clone Part” feature, making it easier to edit with multichannel systems like Guitar synths and the Eigenharp™ controller. Omnisphere 1.5 also adds support for MIDI keyboards and devices that send polyphonic aftertouch. A special new MIDI Learn mode enables hardware controllers that send a single channel to have all of their learned knobs, sliders and switches affect any parts currently selected in Live Mode – making Omnisphere even more intuitive when controlled from a hardware synth such as a Moog Little Phatty™.Version 1.5 of Omnisphere is set to be released February 15th, 2011. The update will be free for all registered users and can be downloaded from the Spectrasonics website. http://www.spectrasonics.net
Omnisphere is available now from all Spectrasonics dealers - MSRP $499US / 379Euro
Highlights of Omnisphere 1.5
• Innovative “Orb” ‘circular sound manipulation’ interface with Motion Recording and “Dice” button for infinite variations and one-touch sound customization
• Expanded Synthesis capabilities:
Harmonia: New zoom page shows all Harmonia parameters per layer adding up to 10 oscillators per patch with new independent modulation options for Levels and Fine Tuning on each Harmonia oscillator.
Waveshaper: New zoom page with extreme new processing modules including polyphonic ‘Crusher’ and ‘Reducer’ sections with ‘Force’ and ‘Animation’ controls that can all be modulated.
Granular Synthesis: New ‘Speed’ and ‘Position’ modes. New zoom page with new ‘Granular Visualizer’ showing a graphic model of the effect of parameter edits which makes Granular synthesis easier to use.
• Patch Library Update: Over 700 brand new patches created by renowned Spectrasonics sound development team gives Omnisphere over 5,000 patches and 8,000 total sounds
• New 5-Column Browser view displays more sound categories and attributes simultaneously
• New Online Video Tutorials for Version 1.5 capabilities
• Support for new ‘Omni TR’ iPad app
• New “Recently Added” Browser sorting option
• Added support for MIDI devices which send polyphonic aftertouch
• New ‘Clone Part’ feature allows easier editing/setup with multichannel MIDI controllers
• New MIDI Learn hardware control mode follows Live Mode selection
• Modulation Envelope points can be key-command snapped to semitone when modulating pitch
• User-assignable Legato Interval rule added
• V1.5 is a FREE update for registered users of Omnisphere!
The new “Omni TR” iPad app introduces Spectrasonics ‘TR’ (Touch Remote) concept - combining the tactile advantages of the iPad as a performance-oriented touch surface, with the company’s powerful computer-based virtual instruments – creating a true hands-on experience for musicians.“One of the big differences between software and hardware synths is the feeling of hardware that’s so wonderful,” says Eric Persing. “With the iPad and our new Omni TR app, we are excited to bridge that gap and bring the sense of touch to state-of-the-art virtual instruments like Omnisphere.”Omni TR brings Omnisphere’s interactive features closer to the music creation process with the ability to create setups and sound modifications very quickly. The user’s fingers can activate patches, tweak filters, re-mix, bend and spin amazing performance possibilities from the innovative new ‘Orb’ circular controller.With its high contrast interface, ‘Omni TR’ is perfect onstage for live performance or even in the studio where the iPad sits at the controller keyboard located away from the studio computer. Best of all, the Omni TR app is extremely easy to use, offering full two-way communication with Omnisphere with just a simple wireless connection to the computer running the plug-in.Main Page
The Main page mirrors Omnisphere’s unique Live Mode offering 8 patch slots with latching and trigger modes, individual mute and solo, and mixer faders. In this page alone, Omnisphere becomes a new performance instrument with the iPad sitting at the user’s controller keyboard. Patch names can be simply touched to be enabled, one or more at a time for layers and stacks. Users can also browse and select Multis and Patches directly from the iPad to instantly change sounds for a new song or live set.
Orb Page
Omni TR was designed to make the iPad the ideal control surface for Omnisphere’s innovative new ‘Orb’ feature. The ‘Orb’ is both a remarkable sound manipulation tool and an intuitive performance interface — it can be thought of as a ‘circular controller.’ Now with a single gesture, the user can instantly customize the sound in Omnisphere. Best of all, the Orb automatically works with every patch a user has, there’s no setup necessary.
As the Orb moves and orbits around the concentric circles, it morphs between automatically generated parameter scenes in Omnisphere’s STEAM engine in a highly intelligent and musical manner, all patch dependent — manipulating the sound in subtle or radical ways appropriate to that particular patch.
If the user doesn’t like what the Orb has created, a complete new set of manipulations can be chosen by simply rolling the “Dice” button, which instantly creates a brand new group of intelligent sonic modifications and effects to try. There’s no limit to how many serendipitous sonic variations the Orb can create – opening up the vast power of the STEAM engine to every user, regardless of synthesis knowledge.
The tactile experience of moving the cursor around the Orb space on the iPad with a finger to create variations in the sound is remarkably musical. Where standard controllers might change one or two simple parameters in a linear manner, the Orb morphs a host of parameters that are patch specific, and easily changed on-the-fly.
The Inertia slider of the Orb allows the user to create a ‘movement trail’ after letting go of the Orb, just like a ball might roll and bounce off the walls of a circular enclosure, adding a musical symmetry to the “performance” of an Orb interaction.
Users can also record their performance movements directly into the Orb and play the performance back in sync with their controller or host. The Orb’s movements and sonic results are saved within the patch, multi or the host’s session for later recall. The movement of the Orb can also be automated in the user’s host.
Controls and Jumbo Pages
The Controls page features a touch-based pitch ribbon performance controller and 8 touch sliders assigned to groups of the most useful performance/editing parameters for each Omnisphere layer. The Jumbo page shows large patch names on all 8 parts, easily seen in a live stage performance situation.
The new “Omni TR” iPad app is compatible with both Mac and Windows systems running Spectrasonics Omnisphere v1.5 or higher and will be available free from the App Store on February 15th, 2011 (pending Apple’s review)."
Well, it's that time of year again. Keep an eye out on the NAMM label (added to top right menu) for everything NAMM and more. More in that anything new will get the label whether it's shown at NAMM or not. It's about new gear. Updates in this post will be preceded in red. Some already in below. See "The NAMM List!" link under the Twitter, Facebook, and RSS labels on top of the right to get back to this post later.
(A note on the top site menus: I removed the iPhone and iPad labels as they go up in posts every day now so you can find them there. eBay links are on the right, so I removed it as well.)
That said, the following are some of the things to look out for. If you have any NAMM info feel free to comment and/or send it in. If I missed anything, let me know! If you are going to NAMM, feel free to send pics and video in.
Sequential Unveils Take 5 Synthesizer v2.0 Software Update
Latest Software Update Doubles the Number of Presets and Introduces New Synthesis Features and Effects
San Francisco, CA - Sequential, a leading manufacturer of synthesizers and electronic musical instruments, has announced the release of the Take 5 v2.0 software update, bringing a host of new features and enhancements that further extend the capabilities of this portable polyphonic analog synthesizer.
This free software update includes an additional 128 Preset and 128 User memory locations, doubling the previous sound bank size. The Factory bank expansion is filled with imaginative new sounds created by some of the world’s leading sound designers and synthesists. These sounds range from classic analog-style patches to modern, cinematic soundscapes that will give artists a competitive edge in modern music production.
Take 5 v2.0 also provides new synthesis features that dramatically expand the creative possibilities for sound design. This includes capabilities like Envelope Repeat, which allows users to create evolving and complex sounds by looping sections of the synth’s envelopes, and LFO Slew, which smooths over wave shapes to enable more organic and musical modulations. These are especially useful for creating ambient, drone, and experimental sounds, adding new dimensions to any performance.
One of the most exciting new features is the addition of a Lo-Fi effect emulating the sound of time-worn analog tape machines. Featuring controls for wow and flutter, playback head azimuth, and tape drive amount, the Lo- Fi effect can be used to add anything from a gritty character, through to a full-blown “busted tape deck” vibe, imparting a new level of vintage flavor to any of Take 5’s sounds.
'In the 18 months since we introduced it, thousands of Take 5 synths have gone around the world and introduced many musicians to the feeling of Sequential for the first time,” said David Gibbons, CEO. “We hope these new sounds excite and inspire existing owners and new Take 5 players alike.'
The Take 5 v2.0 software update includes numerous new features and several bug fixes and is available now as a free download for all Take 5 owners at the Sequential website. For more information about the Take 5 synthesizer and its v2.0 software update, visit us at: https://www.sequential.com/take-5-v2-update
What's New in Version 1.1
- iOs SDK 7.1 update
- Audiobus 2.0 sdk update
- Audiobus State Saving
- AudioCopy sdk update
- Dropbox sdk update
- Cubasis freeze audio fixed
- New Midi Program Change for Presets select
- arm64 update
- New, VCO's afford the FM full range - New, Filter's afford the FM full range
- New, Output Channels afford AM full range
- New, VCO3 waves, improved as the original
- Joystick now work even outside the area
- New, In-App print manual
- Up to 100 new built-in presets
- New, Filter Glide parameter
- New, setting for hide UI flashing
- Filter resonance improved
- DSP performance optimisation
- AudioCopy SDK update
- IAA Keyboard range extended full range
- Minimum Sequencer steps now is two
- Scope time scale improved
- Minor UI improvements
"This is the introductory tutorial for Loopy, the live-looper for iOS: Recording the first track, count-in, tempo and clock length controls and track-twisting."
"Major Update to iPad and iPhone Looper “Loopy” Brings Pro-Level Capabilities
A major update to indie developer A Tasty Pixel’s app Loopy has hit the App Store today, bringing both enhanced usability for inexperienced users, and professional-grade enhancements for more advanced musicians. Loopy lets musicians and tinkerers alike rapidly build multi-layered musical pieces by recording or importing looped layers of sound.
Independent software developer A Tasty Pixel today announces the latest major update to its live-looping iOS app Loopy. The update includes a big overhaul of the app’s sophisticated audio engine, bringing an entirely new level of audio quality, responsiveness, and audio hardware support.
Loopy is an app that brings live-looping, an innovative music creation technique previously limited to the realm of expensive hardware and complicated computer setups, to anyone with an iPad or iPhone. Furthermore, the app does it in style, with a sleek and tactile interface.
'The big audio engine improvements in this update are going to make Loopy an even more appealing candidate for replacing the expensive equipment previously required for live-looping,' said Loopy developer and independent software company A Tasty Pixel founder Michael Tyson. 'The changes bring a lightning-fast 6-7 millisecond response time, top-quality audio mixing, and support for a wide range of multichannel audio hardware including the Alesis iO Dock and IO4, and the Tascam US range.'
Loopy introduced MIDI support in an earlier update, which allows it to be extensively controlled by foot pedals such as the Roland FC-200 or the Behringer FCB 1010, or tempo-synchronized with other equipment.
Device Requirements: iPad, iPhone 3Gs or newer, or 3rd-generation iPod Touch or newer (microphone accessory recommended) running iOS 4.0 or later.
Pricing and Availability: Loopy, the iPhone-only version of the live looper app, is available for $2.99 exclusively through the App Store in the Music category. Loopy HD, the iPad and Universal version of the app, is available for $7.99 through the App Store.
About A Tasty Pixel
A Tasty Pixel specializes in apps with beautiful and functional user interfaces – software that works like an extension of oneself, with the charm and elegance that make it a pleasure to use. A Tasty Pixel currently has two iOS apps available on the App Store -- The Cartographer and Loopy. A Tasty Pixel products have been extensively featured by Apple and have been finalists on several occasions for the prominent iPhone industry competition, Best App Ever Awards, hosted by 148 Apps.
A Tasty Pixel can be found on Facebook and Twitter." http://loopyapp.com/
"What's New in Version 1.2
Loopy HD has been taken apart, given a good spit-and-polish and put back together! This version features a brand-spanking new audio engine with improved mix quality, much lower latency, better synchronisation, and support for multi-channel audio interfaces.
- Multi channel audio interface support
- Retina support (New iPad)
- Big improvements in punch in/out interaction and track gestures, generally
- Count-in quantize length setting
- Toggle track sync via MIDI
- SoundCloud update
- Added Japanese localization, and updated Italian one
- Many assorted interface and workflow improvements"
"We've created the Circuit v1.6 firmware update using most-requested features, bringing the community’s imagining of the Circuit sequencer, synth and sampler to life.
Our users are awesome, they're always coming up with new ideas. Using the most requested features of the Circuit Owners group and other websites, we bring the community’s imagining of the Circuit sequencer, synth and sampler to life. Circuit v1.6 is the latest firmware update that we've created.
We knew how much people wanted to pan on Circuit, so we listened to our users, and our engineers did everything they could to make it happen. Panning has been the single most requested feature of the community to date. It enables users to create audio landscapes or integrate with their favourite hardware.
While users are making the best of Circuit with music-making, we're pushing boundaries within Novation HQ. From this came Drum Micro Steps. Using Drum Micro Steps as a beat-building tool, Circuit v1.6 adds instant fills and stutter effects to users’ workflows, retriggering a sample up to six times within each step. J Dilla fans should probably board here.
Is Circuit’s brightness intruding when the room darkens? Light Dim will help to set the mood for all sorts of romantic occasions with its brightness setting. The features above are accompanied by FX Mute, which can be used to mute any unwanted FX, making it easier to connect with external hardware processors."
Playlist:
1. Novation // Circuit 1.6 - Overview
"We've created the Circuit v1.6 firmware update using most-requested features, bringing the community’s imagining of the Circuit sequencer, synth and sampler to life. Discover more about Circuit v1.6"
2. Novation // Circuit 1.6 - Settings view
"We've created the Circuit v1.6 firmware update using most-requested features, bringing the community’s imagining of the Circuit sequencer, synth and sampler to life. Light Dim will help to set the mood for all sorts of romantic occasions, and FX Mute makes it easier to connect with external hardware processors."
3. Novation // Circuit 1.6 - Micro Steps
"We've created the Circuit v1.6 firmware update using most-requested features, bringing the community’s imagining of the Circuit sequencer, synth and sampler to life. Using Drum Micro Steps as a beat-building tool, Circuit v1.6 adds instant fills and stutter effects to users’ workflows, retriggering a sample up to six times within each step. Discover more about Circuit v1.6"
4. Novation // Circuit 1.6 - Panning
"We've created the Circuit v1.6 firmware update using most-requested features, bringing the community’s imagining of the Circuit sequencer, synth and sampler to life. Panning enables users to create audio landscapes or integrate with their favourite hardware."
"Cakewalk today announces a free update for SONAR 8.5 Producer and SONAR 8.5 Studio. Registered SONAR 8.5 Producer, SONAR 8.5 Studio, and V-Studio 700 customers can download the 8.5.2 update for free.
The SONAR 8.5.2 update provides 100+ usability enhancements, plug-in/component optimizations, and new features. These enhancements also address various performance issues across the entire application. All of these new and exciting features found in the SONAR 8.5.2 update are a direct result of active dialog with our users. Cakewalk's delivery of timely product updates is an extension of Cakewalk's commitment in providing the very best in product support for our customers.
The 8.5.2 Update for Windows XP, Vista, and, Windows 7 (32-bit & 64-bit) versions of SONAR 8.5 is available as a free download to all registered SONAR 8.5 and V-Studio 700 customers at www.cakewalk.com."
"Introducing the latest update for MPC. MIDI Multi delivers the power to drive expanded MIDI Device setups. New workflow enhancements including Retrospective Record, Enhanced Notes Mode. and Q Link Overlay. MPC 2.8, available May 14th, 2020."
Presenting MPC 2.8 firmware & software update. Featuring new MIDI Multi, Multitrack Recording and custom Standalone Progressions. Andy walks us through the exciting new features and additions.
1:27 MIDI Multi
5:07 Send MIDI To Tracks
7:24 Export Progressions
10:25 Retrospective Record
12:57 Enhanced Notes Mode
14:11 Workflow Enhancements
3. MPC UPDATE 2.8 - Ollie Loops
In this video, we show some of the new features that were added to the MPCs in firmware update 2.8. This new software release brings some exciting new features including advancing midi routing, pad copy, pad performance and retrospective record. We show an example midi setup as we walk you through each of the new features.
"Introduces AAX compatibility, workflow enhancements, free expansions, a builtin synthesizer from AIR Music Technology, and over 100 other enhancements.
Cumberland, RI, USA – September 8, 2014. Akai Professional (akaipro.com), creator of the iconic Music Production Center (MPC), announces their largestever update to MPC Software – the software platform for creating music with the MPC Renaissance and MPC Studio. Version 1.7, a free update, introduces enhancements that bring the most indemand features to modern music producers.
MPC Software version 1.7 introduces AAX compatibility for use with Pro Tools 10 and 11. In addition, the software’s audio structure has been optimized to allow for deeper manipulation of MPC programs including an enriched mixer interface, multiprocessor audio path, improved metering accuracy, and new automation capabilities. Legacy MPC Software project files are supported by version 1.7 with the addition of enhanced creative control.
Continuing MPC’s track record for worldclass content, MPC Software version 1.7 delivers a host of powerful new sonic tools. Hybrid 3, the bestselling synthesizer plugin from AIR Music Technology, is seamlessly integrated into the software. With automatic intelligent mapping of MPC’s controls, users can create lush, highdefinition synth parts in the same environment as samplebased music. Version 1.7 also includes two free expansions from Prime Loops, the premier creator of sound libraries for music producers and DJs. The two expansions, Deep House Drums and Official Trap Drums, span over 30 new programs of fresh kits, loops, and demo tracks. A new expansion browser provides streamlined access to all instruments and sample expansion packs with better organization of programs, samples, and sequences.
The update also adds new creative workflow features. Direct Record brings a live loopstationstyle sampling option to Sample Record Mode, letting producers build complex layered recordings effortlessly. For greater flexibility within the DAW environment, MPC users may export their project audio by program or track, as well as being able to mixdown insert return buses and the master effects insert.
'This is a monumental update for the MPC user,' noted Dan Gill, Akai Professional Product Manager. 'We have added features and content that will ignite the creative process while giving the user more capability than ever within their favorite DAW. Even more, we are including an industryleading synthesizer and two expansions to push the sonic boundaries even further.'
MPC Software v1.7 Highlights:
● AAX plugin compatibility for use with Pro Tools 10 and 11
● Allnew audio mixer architecture with improved metering and control
● Multiprocessor audio path with enhanced performance
● Extensive track automation with indepth visual feedback
● Hybrid 3 builtin; a virtual synth from AIR Music Technology
● Comprehensive audio export; export audio by program and track
● Direct Record mode: realtime loopstyle sample layering
● Mixer view filters for customized display of essential parameters
● Allnew expansion browser with adjustable sampleaudition volume
● Two free Prime Loops expansions; 30+ programs of kits, loops, and demo tracks
● New keyboard shortcuts for greater efficiency during common tasks
● Over 100 workflow and stability enhancements
MPC Software version 1.7 is available now as a free update for MPC Renaissance and MPC Studio owners. Internetconnected computers will automatically prompt MPC Software users for an update upon program startup. For a manual download or a comprehensive list of features, visit akaipro.com."
[Los Angeles, August 15, 2023] – Chinese musical instrument manufacturer Donner today announced the release of the latest firmware update, V1.1.0, for the Essential B1 Bass Synthesizer, their first analog bassline synthesizer with sequencer. This major update brings a host of exciting new features, enhancements, and bug fixes, making the Essential B1 even more versatile and user-friendly.
SONG MODE Unleashes Infinite Creativity With the V1.1.0 firmware update and the introduction of SONG MODE, a powerful feature that extends the sequencer from 16 steps to an astounding 256 steps, users can now chain up to 16 patterns, creating seamless transitions and expanding the possibilities of music creation. The new SONG MODE can be switched automatically or manually using the 16 designated buttons, providing quick access to 16 favorite patterns.
“SONG MODE is an outcome after the discussion and feedback I had with our users on Gearspace. Simply double tap the PATTERN button to enter the SONG MODE, you can program, choose, and chain up to 16 patterns from the 128 stored patterns.” Says Logan Torres, product manager for the synthesizer product line of Donner, “We are deeply grateful for the valuable feedback from our users, who have continuously driven us to unlock the full potential of the Essential B1 Bass Synthesizer.” Logan added.
Other Updates from the V1.1.0 In addition to the groundbreaking SONG MODE, the V1.1.0 firmware update brings several enhancements and bug fixes, ensuring a smoother and more enjoyable user experience. Firmware Version Display Upon power on, the LED screen now displays the firmware version for easy reference. Improved Step Editing The back-lit keypads now indicate the pitch of each step during REC/EDIT mode, facilitating precise adjustments. Streamlined Parameter Adjustment Adjusting OCT, GATE LENGTH, and RATCHET for each step is now faster and more intuitive by holding the corresponding button and pressing the↑/ ↓ buttons. Smart Save Indicator Whenever unsaved changes are present in the sequence, the SAVE button will light up, and when switching patterns without saving, the SAVE button will flash briefly for confirmation. Enhanced Random Note Generator Access The Random Note Generator is now accessible via PLAY/STOP + REC/EDIT, simplifying the process during sequence playback. Improved Clear/Rest Function To clear the pending pattern, use PLAY/STOP + CLEAR/REST instead of PATTERN + CLEAR/REST.
To ensure the Essential B1 operates flawlessly, the V1.1.0 update also addresses some minor bugs fixes including fixes for Sequence Edit Glitch and Slide issue.
Users can now access to the latest firmware via Donner Control software. For a detailed walkthrough of the new SONG MODE and all the exciting features in the V1.1.0 firmware update, please check out Donnermusic.com.
The ESSENTIAL B1 Bass Synthesizer is now available globally with a 10% off discount on Donnerdeal.com and Donner’s Amazon storefront.
Good news for Tempest owners. You might remember the owners petition posted back in March. It looks like there will be an OS update to address some of the requests. The following came in from Roger Linn in response to Sonic State:
"To be honest, a big part of the problem is that I've been so busy with LinnStrument for the past couple of years that I haven't been giving Tempest the attention I should have as designer, and I think that is reflected in problems in the last Tempest update. So I owe Tempest owners an apology. Dave and his guys were already working on a new update, but with the kind assistance of one of the writers of the petition, I've stepped back in to help insure that the next update does what it needs to. I'd love to give you a release date for this update but there are still too many unanswered questions. So the best I can say now is that we're working hard on it and this is very important to me personally.
- Roger"
I confirmed with DSI, and an update will be coming.
PERCUSSA UPDATES SSP EURORACK MODULE SOFTWARE, ADDING 3D GRAPHICS, NEW PLUGIN SDK, SCANNING OSCILLATOR MODULE AND MORE
May 2nd, 2022 (Los Angeles, CA) Percussa, makers of the Super Signal Processor (SSP) Eurorack module, are set to return to the SUPERBOOTH show in Berlin, May 12-14 2022, since the COVID-19 pandemic started, and are presenting a major software update for the Percussa SSP.
Percussa has been working on a software update for the SSP since its last participation in the show in 2019, featuring a complete graphics rewrite, leveraging the previously unused GPU processor on the SSP, for accelerated 2D and 3D graphics. Additionally, the SSP's plugin SDK has been updated to enable plugin developers to use the GPU as well for 2D or 3D graphics via OpenGL(ES).
Graphics acceleration on the SSP and GPU support in the plugin SDK were stretch goals which were not reached during the succesfully funded Percussa SSP kickstarter campaign back in 2017. With this update, users will receive the features planned in these stretch goals, and the benefits of accelerated graphics and increased DSP power.
In addition to increased DSP power, audio processing optimizations, and accelerated graphics, the update features countless bug fixes and improved memory management, and comes with a new "3D wave scanning" oscillator, developed by Percussa, featuring GPU powered raytraced 3D graphics.
Since the last SUPERBOOTH show, Percussa has released several incremental updates and fixes for the SSP software, enabling 24-channel USB audio support, improving MIDI MPE support as well as improvements to the step sequencer, sampler and direct to disk recorder.
In addition to the new software update, open source developer and SSP power user @thetechnobear (Mark Harris) is releasing over 10 new plugins for the Percussa SSP, and will be demoing these daily at the Percussa SSP table at the SUPERBOOTH show. Mark has also started contributing recently to the main SSP application software, in addition to his plugin contributions, which include countless modules such as a performance mixer, matrix switchers and mixers, sample and hold modules, utility modules, and ports of open source modules such as Clouds, Rings and Plaits. More information about @thetechnobear's work can be found at https://forum.percussa.com/t/thetechnobears-vsts-development/941/. Including @thetechnobear's plugins, the SSP now offers more than 50 modules in total.
The new software update is currently in BETA with the release version to be made publicly available by the end of June. The update will be available via the Percussa forum at https://forum.percussa.com/. Percussa has also opened up pre-orders for the next production batch of SSPs. The SSP can be ordered via your favourite eurorack dealer, or on Percussa's website at https://www.percussa.com
"Free Update for the Industry-Leading Compact Sampler Delivers Improved Performance, Workflow Enhancements, and Powerful New Features for DJs and Dance Music Producers
Los Angeles, CA, March 9, 2023 — Roland announces the Version 3 update for the SP-404MKII Creative Sampler and Effector. Since its release in 2021, the next-generation SP-404MKII has been the instrument of choice for performance-based beatmakers and creative musicians everywhere. Version 3 offers improved performance and a host of new workflow features developed with feedback from the wide-ranging SP artist community. The free update also includes many pattern sequencer and DJ Mode enhancements that make the SP-404MKII an even more powerful tool for live performers and dance music producers.
SP-404MKII Version 3 Features
Perform with Multitrack Files from DAW Sessions and Other Projects—The SP-404MKII sequencer offers improved stability for playing multiple long audio files in perfect sync, enabling users to perform with tracks created in music production software.
Expanded Motion Recording—Motion recording is now available for effects parameters.
Pad Mute and Pad Mute Automation—Easily mute/unmute patterns during performances and capture mute actions in sequences.
Optimized MIDI Sync—Improved clock timing and adjustable delay on the MIDI clock output for tight sync with external instruments.
One-Shot Playback—Allows users to perform with long, evolving samples while jamming with short loops underneath.
Convert Patterns to Samples—Convert any pattern into a sample with the press of a button, transforming complex programming into manageable loops for quick song building.
Expanded DJ Mode—Many new DJ Mode enhancements include the ability to manipulate eight cue points per sample, adjust fader curves, sync external MIDI instruments, assign time stretch, and more.
Additional Features—Version 3 also includes many other workflow enhancements, including quantize after recording, finer tempo setting range, default MFX setups, and more.
SP-404MKII App—The latest version of the companion editor/librarian for the SP-404MKII features greatly increased import/export speed and AU3/VST3 plug-in support for using the app within music production software on Mac and Windows computers.
Availability & Pricing
The Roland SP-404MKII is available now for $599.99 in the U.S. The Roland SP-404MKII Version 3 update is available now for free."
