"At Superbooth 2024, Gur at Tiptop Audio showcased their latest innovations in the world of modular synthesis, introducing the range of new ART polyphonic modules and utilities that are set to revolutionize the way musicians interact with their modular systems. Vortex 6 *, a PPG Wave oscillator, *Octopass Poly Filter*, *Octostages Poly Envelope and Octogain are all set to begin shipping straight after Superbooth 2024.
All these polyphonic modules peak to each other using ART*, Tiptops polyphonic signal, and this signal travels through the *Polytip patch cords. Gur also revealed some new utilities, including *M*, a Polytip Mult.
Next Gur revealed the Triax8*, a fully analog polyphonic oscillator featuring 16 true analog oscillators designed by the renowned *Dave Rossum and his colleagues at SSI*. The *Triax8 offers a rich and diverse sound palette, allowing users to create anything from beautiful pads to classic vintage analog tones. The oscillator also boasts a linear FM with true zero, enabling users to experiment with frequency modulation and create complex and evolving sounds.
Triax 8 Available soon.
All prices can be found on the Tiptop Audio website.
https://tiptopaudio.com/"
Press announcment/release follows:
Polyphonic modular system:
Are you ready for a new chapter in modular synthesis? Soon after Superbooth we will announce preorders and start shipping the first set of the fully Polyphonic modules: Vortex6, Octopass, Octostages, Octogain, Octo I/O and the Polytip patch cables that are used to patch them.
Buchla and Tiptop Audio 200t systems:
Moving forward with our collaboration with Buchla we are demoing a complete 200t system at Superbooth. The system is housed in cool wood-like Mantis cases with a vintage touch. These systems will be available later this year.
"At Superbooth 2024, Thomas from XOR Electronics showcased their new expanders for the NerdSeq sequencer. The dual-core expander features a two times four voice oscillator with 32 waveforms that can be independently mixed, allowing for multi-octave chords to be played in a paraphonic way. Integrated into the NerdSeq, the expander also includes eight LFOs for manipulating different parameters within the waveform, as well as a stereo mode with two audio outputs for creating a rich stereo field.
In addition to the dual-core expander, XOR Electronics introduced a small add-on module for the TipTop Art System, enabling polyphonic sequencing with up to six columns of notes. This module, compatible with the Art protocol, is a cost-effective solution for integrating polyphonic sequencing into the Art system. With both products set to be available in the summer, these expanders offer expanded capabilities for electronic musicians seeking new ways to explore and experiment with their sound. For more information on the dual-core expander and the add-on module for the TipTop Art System, visit the XOR Electronics website."
"AMSynths takes the B1004 to new soundscapes, with five individual waveforms AND a waveform mixer in just 8HP. A simple DIY installation and you have the most powerful VCO that ARP invented!"
Curious if this is the first add on to a Behringer product and the first manufacturer to to so. If you know of any others feel free to comment.
Priced at $999 for the VOICE, $299 for the BREAKOUT, and $1249 for the BUNDLE.
Check with the dealers on the right for upcoming availability.
Details follow:
イセーニン (ISE-NIN) VOICE brings the legendary Japanese discrete analog sound into a compact 100% analogue Eurorack creation. Ideal for combination with an x0x techno rig, the full depth of rich sonic potential and programmability of ISE-NIN can now be patched into new modular concoctions. A full complement of iconic analog oscillators, filters, envelopes, and modulation make this at once a full-featured semi-modular synth on its own, and a powerful addition to any rig with the addition of ISE-NIN BREAKOUT.
Check with the dealers on the right for upcoming availability.
Details follow:
KIJIMI MK2 is crafted to be one of the most powerful polysynths ever built, all behind intuitive front-panel controls, from its continuous timbral variation to its exhaustive modulation matrix. The Black Corporation original features planetary-sized analog sound, inspired by the best of rare and classic synths, but unique to our own parallel galaxy.
"At Superbooth 2024, we met up with Richard Nicol from Pittburgh Modular who introduced us to the eagerly anticipated Voltage Lab 2 synthesizer. This new iteration, five years in the making, builds upon the success of the original Voltage Lab with innovative features like independent waveform manipulation, a six-stage wave folder, pulse symmetry, and a reflection circuit. The Voltage Lab 2 offers a unique approach to synthesis, expanding on traditional West Coast synthesis techniques and providing a diverse palette of sounds.
In addition to the robust synthesis capabilities, the Voltage Lab 2 also includes a two-channel, 16-step controller for sequencing and control. This versatile controller features capacitive touch pads, pitch outputs, CV outputs, trigger gate outs, and scan inputs for added flexibility in performance and experimentation.
Voltage Lab 2: Available for Pre-order, shipping June 2024. Price: 2,149 USD"
For those attending SUPERBOOTH, you'll find Joranalogue at our their spot: booth W435 in the gymnasium.
Coming in Q3 2024.
A small Eurorack oscillator that packs a punch: that’s the best way to summarise Cycle 5.
At its heart lies a refined high-stability triangle core voltage controlled oscillator (VCO), with performance matching or exceeding that of much bigger and costly oscillator modules.
Instead of a coarse frequency knob, a 7-position octave switch is provided. This in combination with a perfect fifth transposition switch and factory pitch tuning, makes Cycle 5 an exceptionally straightforward and musical VCO to use: simply centre the fine tune knob, and the module will be instantly tuned to reference C.
Meanwhile, its dual precision volt per octave inputs add a great deal of versatility. For example, one could be used for pitch sequencing and the other as a generic exponential FM input, or both sequenced together for transposition effects—the dual inputs serving as a built-in precision adder.
Sporting all the classic waveforms, ranging from sine wave, triangle, saw and square/saw, as well as a hard sync input and low frequency oscillator (LFO) mode, Cycle 5 makes for a real workhorse VCO. The novel trigonometric waveshaper results in a very clean sine wave, ideal for sub bass duty.
Cycle 5’s highlight however, is its vari-wave feature. By adjusting the vari-wave knob, the waveform on the matching output will smoothly morph from sine, to triangle, saw, square and finally a very narrow pulse. The vari-wave parameter can be CV controlled, up to audio frequencies for some intense timbres.
Equally at home as a modest modulation companion to big VCOs, as being in the spotlight in miniature or polyphonic systems, Cycle 5 might just be the most multi-talented tiny analogue oscillator yet.
High-stability precision analogue triangle-core VC(LF)O. Octave and perfect fifth switches—all intermediate frequencies can be reached using the front panel controls. Dual volt per octave FM inputs. Outputs: sine, triangle, saw, square/pulse (PWM) and vari-wave, smoothly morphing between all waveforms. Reset (hard oscillator sync) input. Wide frequency range: 48 mHz (20 seconds) to 3.7 kHz. Don't waste time tuning: pre-tuned for 0 V = C. Impedance-compensated outputs with dual-colour vari-wave LED. Trim potentiometers accessible from the front panel. Precision-milled 2 mm anodised aluminium front panel with high-resolution, non-erasable graphics. Bullet-proof design: polarised power header and MOSFET protection circuit. Includes 16-to-10-pin Eurorack power ribbon cable. Premium mounting hardware: black screws, black nylon washers and matching hex key. High-quality components and assembly; designed and made in Belgium.
As always check with your favorite dealers on the right for upcoming availability of all new modules and synths.
Orinda, CA, May 15, 2024 — California-based electronic instrument maker Groove Synthesis today announced that they have added high-resolution sampling capability to their critically acclaimed Advanced Wavetable Synthesizer, the 3rd Wave.
This much-requested new feature allows owners to sample up to 30 seconds of 16-bit, 48 kHz, monophonic audio into the synth directly or by importing audio over USB, and use it as a new oscillator type alongside the 3rd Wave’s powerful wavetable and virtual analog sound engines. This significantly expands the sound palette of the synthesizer. Now owners can create custom sounds that feature sampled acoustic instruments, sound effects, and other sources.
The company will preview a new OS that provides this capability at the Superbooth24 music expo in Berlin, Germany from May 16-18 at booth #0246. The upgrade will be available free of charge to 3rd Wave owners as a download from the company’s website upon official release.
“As fans of the original PPG and its ultra-rare Waveterm sampling option, we thought it would
be exciting to add that capability to the 3rd Wave’s existing architecture — if it was technically possible,” said Groove Synthesis founder Bob Coover. “It took some tricky programming, but we did it and we think 3rd Wave owners are going to love it. It’s a dream come true for everyone who wanted the full PPG-plus-Waveterm experience, and now it’s within reach.”
While the 3rd Wave has roots in the classic digital wavetable synths of the past, it takes the concept firmly into the 21st century with a lush, expansive sound that’s a product of its expanded wavetables and analog filters. It’s hybrid design features 24-voices and 4-part multi-timbral operation, which is the equivalent of having four independent 6-voice synthesizers controlled by a single keyboard. Each of its three oscillators per voice can generate a classic PPG-era wavetable, a modern high-resolution wavetable, an analog modeled waveform — and now multi-sampled audio. With its industry-first WavemakerTM tool, users can create custom wavetables in a single step through proprietary sample-to-wave technology, allowing almost unlimited sound sculpting opportunities.
"Standalone Modern Analog Synthesis Laboratory Pittsburgh Modular Synthesizers’ long-anticipated successor to the Voltage Research Laboratory is filled to the brim with interesting new inventions, such as several new wave-shaping technologies, an addictive tactile performance controller, and more…"
The New, Experimental Synthesis of the Voltage Lab 2
"Dusting the cobwebs from my vintage 1950's lab coat - it was all the rage once honest.
Going into lab rat research mode and seeing where the maze takes me..
... and here's the results.
Just a little taster while I open the lab book to record apparatus, method, results, discussion and conclusion.
0:00 Bunsen Burner Big Beats 2:15 Plucking Pipettes (no pipettes were harmed) 3:06 Test Tube Techno (it's not techno) 5:59 She's Alive 7:44 Naked Flame 10:00 Medical Skeleton (its the Bare Bones)"
Pittsburgh Modular Voltage Lab 2 - Just Jammin'
video upload by
"Fascinating new modular system from Pittsburgh with a decidedly West Coast bent. Too soon for a review, but here's half an hour of playing with the rather remarkable sequencer, the timbre of the oscillators and other bits and pieces. I added some reverb via the Chroma Console but otherwise it's all the VL2."
The Sweet Spot: Voltage Lab 2 Semi-Modular Synthesizer
video upload by HAINBACH
"As anyone who has ever tried to assemble a modular synthesizer, it is not easy to create a cohesive instrument, especially if you try to narrow it down to a portable case. In comes The Voltage Lab 2 that Pittsburgh Modular send me to play with (thanks for that!) - it is a semi-modular self contained synthesizer, and to me it hits the sweet spot between functionality and musicality."
May 14th, 2024 - Pittsburgh, PA Pittsburgh Modular Synthesizers today announced Voltage Lab 2, a standalone dual oscillator analog synthesizer synthesis laboratory with a unique integrated touch-sensitive performance controller.
DRONES MAX is a WAVE TABLE SYNTHERSIZER for sustained sounds. It has three WAVE TABLE OSCs and two POLE FILTERs, which can be modulated by two LFOs. Powerful effects include stereo delay, reverb, and crusher with a wide range of parameters, allowing for a variety of expression from aggressive and intense sounds to beautiful cosmic harmonics.
WAVETABLE
Over 200 waveforms are recorded, and you can change them smoothly. Also, at the end of the knob is a sawtooth waveform, a sine waveform, and a frequency-varying noise generator. WAVETABLE has a mixture of waveforms that contain different harmonics, and when combined with an LFO, it can create the effect of gradually changing musical scales.
OSC MIX
You can set the volume ratio of the three oscillators.
NOSIE
Adds noise to the oscillator output.
FILTER
DRONES is equipped with a 2POLE low-pass filter with resonance. Turning the CUTOFF knob to the left attenuates the high notes, and when turned all the way, no sound is produced. Turning the RES knob to the right will cause a peak to occur at the pitch at the cutoff point.
LFO
DRONES has a built-in LFO that can output sine, sawtooth, square, and sampled and held random waveforms. The LFO knob sets the LFO frequency and waveform. Turning the knob to the right will speed up the frequency, and when it reaches the highest frequency, it will switch to the next waveform.
STEREO DELAY / REVERB
Equipped with stereo delay and reverb for drone sounds.
Feedback can be set to no attenuation, adding even more depth to the sound.
CRUSHER
By lowering the resolution of the sound, you can create harsher expressions.
"Sibilla v1.3 is here and brings in a new LFO setting mode in which you can modify the LFO waveforms affecting the internal stereophony and movement of harmonics and subharmonics.
What's new?
Entering the new LFO Settings Mode allows you to choose LFO waves other than the default and classic sinusoidal waveform such as: - Ramp Up; - Ramp Down; - Sine+Oct; - Sine+3rd;
In addition to this, a new Freeze Mode has been added to allow the user to freeze the stereophony movement to his favourite sweet spot for steady tones, ideal for arpeggios and melodies.
How to
You can get access to the LFO Settings Page by double-clicking the Boost button: the Boost LED will now start blinking to confirm this new mode has been entered. Now a single click on the center button allows to navigate through the different available option.
Each click lets you switch to the next option and cycle back to the first once the sixth and last mode (Freeze Mode) has been selected. While in LFO Settings Mode, all the other parameters of Sibilla are still working so that instant changes can be heard. Once you're done, double-click again the Boost button to exit the LFO Settings Page
Freeze Mode In this configuration the two LFO are freezed and so the stereophony of the module. The LFO knob and the LFO CV input now act as balancers and they can be used to scan across the freezed stereo spectrum."
"This is an extended version of the jam used for the official Basimilus Iteritas Alia demo. [posted here]
Our Ambassador to the Stars, Patrick O’Brien, features the BIA in this all-Noise Engineering case.
Triggers come from the Bin Seq, and CV modulation comes from the Mimetic Digitalis stepped sequencer. The Muta Jovis switches off/on the CV, going into the BIA's inputs throughout the patch. The BIA is then sent to Roucha Legio, our stereo filter, which is activated with the gate coming from one of the Horologic Solum channels into the Bypass input.
Manis provides a nice, bright melodic splash throughout the jam, and Virt Iter Legio provides stereo bass drone sounds.
The BIA is a parameterized digital drum voice with its roots in the analog world. At its heart, the BIA is a simple six-oscillator additive and FM synthesizer with waveform, harmonic spread, and envelope controls. An adjustable noise oscillator and an extreme take on a wavefolder round out its synthesis abilities. Its straightforward controls make sound design fun and performable: create sub-shaking kicks, snares, hats, and unique drum hits with just a few tweaks.
• A go-to for percussion synthesis
• Also excellent at leads and basses
• Additive/FM digital synth with root and inspiration in the analog world.
• CV over every parameter
• Dedicated envelope output
• Encoder tuning
Basimilus Iteritas Alia is the successor to the original Basimilus Iteritas Alter. It was developed to sound nearly identical, with added features and new firmware-swapping capabilities."
"The upgraded ACID engine is included in the CORAL 2.0 release, out now!
This is our take on the 303-style synth: a variable-shape virtual analog oscillator that seamlessly morphs from the classic Saw to Square and Pulse waveforms with dynamic PWM capabilities. There is one post-filter distortion and the edgy filter has been finely tuned for a gritty sound.
You can add accents via MIDI or via the AMP CV input. Morph controls the accent amount.
CONTROLS:
harm: controls the overdrive distortion
timbre: defines the oscillator waveform
morph: sets the accent amount
How to get glides?
- Use a pair of V/oct CV and Gate and send glides from your sequencer or change the pitch while gate is active.
- If using MIDI, create a MONO (1-voice) part and send legato notes (almost overlapping notes should also be enough to trigger a glide).
How to get accents?
- You can feed CV modulation to any of these (for example, the Vel or Mod outputs of a sequencer).
With MIDI, you can play with the velocity levels.
This new release adds a delay effect and other improvements 🙌🏻
"Here's your chance to own this rare historic synth. All knobs, keys, pots and wood-housing is original. Everything has been cleaned and everything is functioning. This thing produces beautifully warm bass and lead sounds. And the ring modulator will take you into some wild sci-fi territories too. Only major blemish is a chipped key (see last photo) key still is fully functional.
The Korg 770 is a monophonic analog synthesizer introduced by Korg in 1976. Based on the same circuitry as the two-VCO version of the Mini-Korg, the 770 offered a more conventional re-packaging, and some control improvements to make the synth more versatile.
VCO 1 offered five choices of waveform, with triangle, sawtooth, square, pulse, and a pulse-width-modulated (rate controlled by an LFO) pulse wave on tap, or an external input could be selected. The VCO included an octave select switch with six settings, including a 64' deep bass setting. VCO 2 produced only a sawtooth wave, or it could be ring modulated against VCO 2, or any of three varieties of noise could be selected. The tuning could be offset from VCO 1. A blend control allowed the user to select the mix of the two signal sources. Other controls at the right side of the panel allowed the user to apply an "auto bend", or vibrato controlled by a dedicated LFO separate from the main LFO. (There were no pitch or mod wheels.)
As technology has improved, it has become possible for manufacturers to produce
increasingly complex synthesizers. This has led to the creation of synths that trade off easeof-use for maximum sound design potential, spreading hundreds upon hundreds of options
and parameters throughout dizzying interfaces, full of tabs and menus. They provide oscillators
and filters with such immense algorithmic precision that any soul or character is stripped away
before it has a chance to flourish in the sound. Integrate is not like that.
Integrate has been designed with the goal of creating an old-school virtual analog that has
just as much personality as any of the classics, paired with a fantastic user interface that makes
exploring the sonic possibilities an effortless pleasure. It cannot do everything, but this is
intentional; limitations breed creativity. No longer will you spend hours scrolling through lists
of wavetables, paralyzed by the impossible task of deciding which is the best to use – a
question that has no right answer. Instead, Integrate has a simple two-page layout where
every parameter has been selected for its unique axis of inspiration. Every dial, slider and
button is waiting to delight you as you delve into a world of aural possibilities.
Many thanks to fdigl for providing me a NFR license for this plugin! Next video will feature some custom patches made by me.
"The old-school virtual analog synthesizer: reimagined and perfected, optimized for creativity. Integrate follows in the footsteps of the virtual analog classics we still love today, bringing together a straightforward user interface with an intricate and colorful sound engine."
"The old-school virtual analog synthesizer: reimagined and perfected.
A synthesizer optimized for creativity.
Integrate follows in the footsteps of the virtual analog classics we still love today, bringing together a straightforward user interface with an intricate and colorful sound engine.
Four mighty oscillators. The four main oscillators come equipped with a selection of 74 waveforms and a flexible noise generator. The traditional waveforms (sine, sawtooth, square and triangle) all have a specially chosen parameter that can be modulated, allowing you to creating evolving sounds. The noise generator has tweakable color, and it also supports key tracking for an effect reminiscent of early game consoles. Also featuring FM, RM and hard sync, there's a world of possibilities waiting to be unlocked in these oscillators. There's also a sub oscillator sporting three waveforms, ready to quickly beef up your patch.
Have it your way. Integrate lets you configure the character of the oscillators, giving you the power to shape the sound of your patches from the very start of the signal path.
Pick between the “Clean” rendering mode for a modern touch, or the “Digital” mode to add a gritty punch to your sound.
Make anything super. Oscillators A and B both sport a unison section, letting you turn a simple waveform into a 7 voice beast. Configure the detune and mix, or enable “Stereo” to spread the voices across the channels. You'll soon discover how much of a monster Integrate is at fat, anthemic sounds, perfect for mesmerizing listeners of any genre.
The latest technology. Integrate is available in the new CLAP plugin format, boasting advanced features like non-destructive polyphonic parameter modulation and note stacking. We're proud to join its community of developers who are pioneering the latest in audio technology.
Information, only when you need it. To keep the interface compact and free from distractions, Integrate keeps extra information about parameters neatly tucked away in popups that only show when you're interacting with the relevant controls.
Waveforms, envelopes, frequency spectrums all pop up as soon as you need them, and then instantly hide away once you're done with them.
Explore new territory. Integrate isn't an emulation of an existing synth. Instead, it's a brand new design, waiting for you to explore what it's capable of. Dive into a world of characterful oscillators, screaming filters, chaotic LFOs, and dreamy reverbs. There's bound to be something that'll captivate your imagination.
"Testing the system for Superbooth 24 - The new modules also feature a name change as the brand is slowly moving over to Tobinski. New modules due to be released this year are:
Sequencer - 2 banks of 8 voltage sliders, each bank referenced by 2 independent 8 step sequencers for a total 4 sequencers. Each sequencer features start and end loop points plus external clock inputs. The sequencer has 8 voltage outputs, 6 gate outputs plus transport controls for the internal clock.
Sequencer Expander - Adds a host of extra functions to control each of the 4 sequencers. Including CV over loop start and end points, gate length, step order and many more...
Dual LFOs - 2 LFOs with 16 waveform types. One LFO can be synced to a clock while the other resets to an incoming pulse, plus cv and cross-modulation options for all parameters.
Harmonic Timing Generator - Can be used as a Harmonic Oscillator or Harmonic LFO that can clock each the 4 sequencers in the Sequencer module. The module features multiplier inputs x2, x3, x5 and x7 to multiply the internal oscillator or external sources. It also has 3 outputs for the multiplied waveforms that can be CV or manually addressed using the pushbutton switches or pots.
Interpolating Scanner - Internally connected to the Harmonic Timing Generator and features not only an 8 input scanner with CV options but also has 8 VCAs that act separately from the scanner with their own outputs, plus mixer outputs for ODD, ALL and EVEN for both the scanner and VCAs to allow for stereo effects among other possibilities.
Dual LPG/VCA - 2 x LPG/VCAs in one 6hp module that combine the Dannysound MM VCA based on the classic Mini Moog VCA and also the classic Buchla LPG design (used throughout this clip!) so famous for it's acoustic tone.
Come say hello at Superbooth, I'll be in the Bungalow Dorf with some other great manufacturers!"
"Sequencer synced to malekko varigate 8 doing the drums and resetting the bass line coming from sequencer CH1. Voltage block is controlling the step order of sequencer CH3 that does the percussion sounds.
Percussion and bass sounds from the EN129 and Cali oscillators using Timbre and Dual LPG/VCA modules.
Drum compression using the Dynamics with some added noise to glue the drums together a bit."
"We are delighted to announce the release of Digitakt II - Send yourself to another sampling dimension, weaving splinters of sound in stereo, ripped from the moment and brought to your fingertips for marvelous audio manipulation and beat arraying. Preserve or distort reality as you so desire with 16 tracks ready for stereo or mono samples, or MIDI. Choose from several swappable filters for each track and utilize a wide assortment of effects and modulation, pull on massive processing power, and enough memory for a lifetime of samples. And with further tasty features like a Euclidean sequence generator, an extended 128 step sequencer, kits, trig modes, an extensive sample library, and a modular workflow to play with, your sonic-montage sculpting potential will know no beat-making bounds.
Digitakt II is available to purchase from the Elektron website or from retailers carrying the Elektron range of products. Pricing on elektron.se is 999 USD/1049 EUR."
"Digitakt II offers endless drum collage with 16 audio tracks all ready for stereo or mono samples or MIDI, swappable filters, 3 LFOs per track, a 128-step sequencer, expanded memory and power, and so much more. Here, Risa T talks through a bunch of the awesome features on offer, and takes us all on some sweet sonic escapades."
Review: DIGITAKT II vs OG Digitakt // Everything new in Digitakt 2 // Detailed tutorial
An electronic music synthesizer is disclosed in which the sound producing chain includes a voltage-controlled oscillator, band-pass filter, low-pass filter, and amplifier in which selected control currents are supplied to low impedance points within the synthesizer circuit from a resistor matrix.
The synthesizer produces sounds approximating different acoustic musical instruments or having different tonal qualities by the application of a predetermined voltage to one of fifteen input columns of the resistor matrix with selected other columns being grounded. The currents provided by the resistor matrix in combination with other externally generated currents control the center frequency and bandwidth of the band-pass filter, the cutoff frequency of the low-pass filter, the gain of the voltage-controlled amplifier, the time constants of transient contour currents used to control the filters and amplifier, and the waveform produced by the voltage-controlled oscillator.
Specialized keyboard, waveshaping, contour generating and modulating circuits are also provided."
"The Moog Sonic Six is a 2-VCO duophonic synthesizer with a built-in speaker and a 4-octave, 49-note (C-C) keyboard. Each VCO can output sawtooth, triangle, and rectangle (pulse/square) waveforms as well as 2 "waveform generators." A "quality" knob adjusts the width of the rectangular waveform. White or pink noise is also available. The Sonic Six can be set for 3 keyboard modes; high note priority, low note priority, or duophonic. The Sonic Six can also be set to an alternate tuning across the keyboard (different interval between octaves of the keyboard). Portamento rate is controlled by a knob. The envelope section features a basic envelope, with variable control for attack and decay and a switchable release (follows decay) and sustain. It had a single VCF, low-pass voltage controlled filter. Two multimode LFOs are available. Their speed is independently variable and can be controlled by the envelope."
