Tiptop Z8000 + Sequential Switch Videos by Station 252

Tiptop Z8000 + Sequential Switch part 1 from Station 252 on Vimeo.

"I new about the existence of sequential switches for a long time and recently finally had a chance to try it out. I was so impressed with the results that I bought two Doepfer A-151 Quad Sequential Switches. Those little gems are an amazing addition to Tiptop Z8000 sequencer

This video is the first patch I came up with.

Z8000 - 4 vertical 4 step sequencers are connected to the first A-151, they share the same clock and are simultaneously reset to 3 steps by the Tiptop Trigger Riot. The output of the sequential switch is connected to Tiptop QuantiZer which in turn is driving Z3000 oscillator.

Circadian Rhythms - channels 5-8 are connected to the second A-151, the output of which is driving a pair of Z4000 VC ADSRs for The VCA and Filter FM.

The Sequential switches are reset to 8 step by the Circadian Rhythms.

The voice is quite simple: Z3000 sine wave > Tiptop Fold Processor (fold is modulated by a sine wave doepfer LFO and the offset is modulated by the horizontal 16 step sequence from Z8000 slewed by Make Noise Math) > Z2040

The bass drum is Tiptop BD808

http://tiptopaudio.com/z8000/

http://www.doepfer.de/a151.htm"

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4DSOUND: CIRCADIAN - Interactive Sound Performances at TodaysArt Festival The Hague, NL

Not specifically a synth event, but some of you might be interested in this. If you are unfamiliar with 4DSOUND, see this previous post featuring a couple of videos from Ableton. Also filing this one in the Art Installations channel. The following is the official press release on the event. You'll find the event site here.

"4DSOUND: CIRCADIAN
PREMIERE AT TODAYSART FESTIVAL IN THE HAGUE, NL 24-27th SEPTEMBER 2015
AT THE ELECTRICITEITSFABRIEK
4DSOUND unveils a new 24-hour programme of interactive spatial sound performances featuring Lisa Park, Marco Donnarumma, Kazuya Nagaya, Oscar Mulero, the overnight A/V meditation proj- ect Noqturnl by John Connell and Florence To, and more to be announced...
• 4DSOUND: Circadian investigates how spatial listening influences conscious states through- out the day and night
• Performances explore how to physically connect the listener with the surrounding space through movement, bio-physical media and psycho-acoustic stimulation
• Program features sound and movement workshops, immersive sonic meditation, participa- tive spatial performances, overnight collective dreamstate and an opening conference

4DSOUND is a laboratory and cultural collective exploring Spatial Sound as a medium. Since 2008, it has developed an innovative Spatial Sound technology that has significantly improved and ex- panded the possibilities to create, perform and experience sound spatially. 4DSOUND is a fully omnidirectional sound environment, where the listener can appreciate Spatial Sound images in a virtually unlimited spatial continuum. Sound can move infinitely distant or intimately close to the listener: it moves around, as well as above, beneath, in between or right through them.
A 4DSOUND environment allows for a natural reproduction of sound sources in a spatial environ- ment. The loudspeakers are completely transparent: instead of listening to speakers, one is listening to space.
Over the last two years 4DSOUND has developed a following through its acclaimed Artist Residency series and showcases at festivals such as Berlin Atonal and ADE, developing work with artists such as Vladislav Delay, Dasha Rush, Pantha du Prince, Murcof, Biosphere and the experimental imprint Raster-Noton. 4DSOUND has also given lectures and talks on the applications and implications of Spatial Sound at interdisciplinary festivals and symposiums such as CTM Berlin, IX Symposium Montreal and Gaudeamus Music Festival.


4DSOUND is at the forefront of researching and demonstrating how Spatial Sound is becoming intertwined with a broader cultural movement that propagates self-awareness, social cohesion and sustainability. Spatial Sound is at the heart of a development leading to an Ecology of Listening – influencing the quality of the listening environment to enhance our mental and physical state.

Inspired by the circadian rhythms that govern our wake-sleep cycle, the 4DSOUND: Circadian programme will investigate how spatial sound influences our states of consciousness over a 24- hour period, by exploring new ways to physically connect the listener with the surrounding space. Through a series of interactive spatial sound performances, workshops and talks, 4DSOUND seeks to embody the range of conscious states of the listener throughout the day, encouraging height- ened awareness of environment, mind-body connection, personal insight, creative expression, empathic sensitivity and social interaction.

Premiering at TodaysArt 2015, the festival for contemporary art and music in The Hague, Nether- lands, 4DSOUND: Circadian presents interdisciplinary work from a diverse set of artists - all created exclusively with and for 4DSOUND.

New York-based artist Lisa Park has developed a series of performances using biosensors (brain- wave and heart-rate devices) as a vehicle for manifesting her inner states. Lisa’s recent works “Eunoia” and “Eunoia II” involved using a commercial brainwave (EEG) headset as a self-moni- toring tool to measure her physical and psychological states. These performances obtained re- al-time feedback of her emotional reactions- an investigation into a new form of expression and trans-sensory experience by visually and audibly reflecting her inner states into tangible forms.
For 4DSOUND: Circadian, Lisa will engage with participants in a new interactive performance that works with spatialised sound derived from neurofeedback, participant interaction and manipulation of physical space to explore boundaries of intimacy, fear and social connection.

Marco Donnarumma is a performance artist, sound artist, musician and writer whose work in the last six years has focused on how to configure human bodies and machines through sound. He uses biotechnologies, software algorithms and body sensors to create intensely physical perfor- mances, concerts and live installations. For 4DSOUND: Circadian, he will invite visitors to take part in a communal, visceral experience of sound and light. Using the Xth Sense, his biowearable musi- cal instrument, vibrations from the visitors' bodies will be turned into physical sonic constructions that will grow and fall apart through time, space and frequency: a total space of networked bodies.

Robert Jan Liethoff is a Berlin-based actor, dramaturgist and voice movement teacher. His work draws on aspects of voice physiology as a departure point for the development of sound-oriented bodywork. He is fascinated by the body’s own intelligence: his compositions often begin from the concept of a raw, or formless space-state, from where they begin to move towards clearer specif- ic forms and structures. Robert will host a sound and movement class and lecture for 4DSOUND: Circadian inviting participants to explore a ‘physical’ listening practice, investigating how we per- ceive sound composition: what the body considers a ‘healthy’ sound texture, our ability to perceive sound internally as well as externally, and the influence this has on our spatial awareness- of space both internal and external, and the sense of physical self that emerges from this understanding.
Kazuya Nagaya is a Japanese artist who creates immersive, ritualised compositions through the use of bronze bells, gongs and singing bowls. Since releasing his first album ‘Utsuho’ in 1999, he has composed music for a range of projects, ranging from collaborations with Tibetan Buddhist monks to a remix for Plastikman. His performance for 4DSOUND will be a sonic immersion working with gong and beat tones tuned to specific frequencies, to induce deep meditative state.

Techno Is Space is an experimental project exploring the spatial forms and energetic movements within techno. 4DSOUND will showcase succesful performances from our recent Artist Residency series in Amsterdam that integrate wearable tactile bass technology from SubPac with 4DSOUND’s spatial system. Veteran Spanish DJ and producer Oscar Mulero will perform a highly charged spa- tial reworking of his acclaimed album ‘Muscle and Mind’ on Pole Group, while Berlin-based duo Cassegrain delve further into the spatially sensitive psycho-techno of their powerful recent LP ‘Centres of Distraction’ on Prologue.

Visual artist and art director Florence To creates light installations using the identity of first space, then sound, exploring the emotional depth of the audience’s perception. Her work with visual space translates how organized elements in architecture can create either tension or harmony in consideration of motion and adaption through live performance. Florence will collaborate with sound designer and 4DSOUND’s Creative Director, John Connell to present Noqturnl, an overnight audiovisual meditation exploring collective dreamstate. Noqturnl will take listeners through a series of ‘rooms’ as they drift between waking and dreaming states. Conveyed through shifting sound- scapes, these rooms contain individual dream scenarios with distinct environments and moods, encounters and interactions. Beginning with a short meditation, Noqturnl offers participants the chance for self-reflection, processing of memories and perceived mental and physical blockages and, ultimately, a dialogue with non-ordinary states of self-awareness at a deeper level."

Tiptop Audio Circadian Rhythm

Published on Mar 28, 2017 Perfect Circuit Audio

"The Tiptop Circadian Rhythm is triggering the ALM Dinky's Taiko, Audio Damage Boomtschak, SSF Entity, and Mannequins Just Friends for drums. The bass and melodies are sequenced by the Malekko Varigate 8 which is clocked by the Circadian. The Make Noise DPO and Verbos Complex Oscillator are used for those sounds. All is being mixed in the Intellijel Linix and then routed to the Make Noise Erbe Verb.

The Tiptop Audio ‘Circadian Rhythms’ is a complex grid sequencer module moving modular synthesizer technology another step forward by gluing all the pieces of a system together. Each module or voice can now be programmed to play straight from an intelligent, eight-channel, 512-step master trigger sequencer made for composers looking to make music on the modular. Building on the sequencing concept of step programing, multi-channel patterns of musical phrases can be repeated, looped, chained, muted and manipulated on the fly in real-time, and most importantly, all of this is done through a simple, clearly labeled interface. Using an array of multicolor illuminated buttons and innovative grid views the Circadian Rhythms provides a highly functional live performance sequencer with a beautiful glowing appearance of the programmed music that will look amazing on stage for both performer and crowd. As a master controller, the heart of the modular synthesizer, Circadian Rhythms generates high precision clock and reset signals for all the other sequencers and devices in the system to align with and can also act as a high precision bridge for DAW synchronization.

Available here: https://www.perfectcircuitaudio.com/t..."

MATRIXSYNTH members get a %10 discount at Perfect Circuit Audio!

Tiptop Audio - D'N'B

Published on Jan 29, 2020 Tiptop .Audio

"In this patch, there are two Circadian Rhythms.

The output of channel 1, on the first Circadian, controls the clock of the second Circadian, like a clock divider.

By changing the clock (bpm) in a track, we can switch the genre of music.

The second Circadian controls the Tiptop drum elements (BD909, HATS909, HATS808, SD909, SD808) the Z4000 envelopes, and the Z8000 cv sequencer that controls all the CV parameters.

The Tiptop Audio FX modules (ECHOZ, ZVERB, Z5000 and ZDSP), add delay and echoes, giving a sense of space.
Enjoy!"

Circadian Rhythms

Circadian Rhythms from Tiptop Audio on Vimeo.

http://www.tiptopaudio.com
http://www.angleproject.net

Video shot & edited by: Angle
Soundtrack written and produced by: Angle
Thanks to: Samuel Scapigliati, Tenax (Florence)

The Circadian Rhythms is moving modular synthesizer technology another step forward by gluing all the pieces of a system together. Each module or voice can now be programmed to play straight from an intelligent, eight-channel, 512-step master trigger sequencer made for composers looking to make music on the modular. Building on the sequencing concept of step programing multi-channel patterns of musical phrases can be repeated, looped, chained, muted and manipulated on the fly in real-time, and most importantly, all of this is done through a simple, clearly labeled interface. Using an array of multicolor illuminated buttons and innovative grid views provides a highly functional live performance sequencer with a beautiful glowing appearance of the programmed music that will look amazing on stage for both performer and crowd. As a master controller, the heart of the modular synthesizer, Circadian Rhythms generates high precision clock and reset signals for all the other sequencers and devices in the system to align with and can also act as a high precision bridge for DAW synchronization.

Tiptop Circadian Rhythms sequencer eurorack beats & bass

Published on May 7, 2015 bigcitymusic

"The Tiptop Audio Circadian Rhythms sequencer is sequencing the Sputnik Oscillator, Tiptop Audio Marimba 808 and Mutable Instruments Peaks set to drum mode (kick/snare). The Clock/Reset Out is controlling the Intellijel Metropolis. The Metropolis pitch CV is modulating the Sputnik Oscillator (time modified by the 4ms QCD). A trigger channel from the Circadian Rhythms is being used as a pulse for the Sputnik West Coast Random source stored quantized voltages which is FM’ing the Intellijel Korgasmatron II (filtering the oscillator). White Noise from the Wet Coast Random Source is modulating the FM input of the oscillator. The oscillator is routed into Max/MSP for delay modulation. The oscillator is multed out into the Pittsburgh Phase Shifter. Both oscillator signals are sent into the Sputnik Quad/VCF VCA where the Circadian Rhythms is triggering both channels of the Intellijel Dual ADSR which is enveloping the VCA CV inputs. All sounds are summed in the Sputnik 6-Channel Stereo Mixer.

http://bigcitymusic.com/tiptop-circad..."

A Circadian Rhythms composition features Valhalla Z-DSP Shimmer

A Circadian Rhythms composition features Valhalla Z-DSP Shimmer from Tiptop Audio on Vimeo.

"Description of patch:

Left case has two Circadian Rhythms in Syncbus mode, driving everything in that system, including all the drums and the hi voice. The hi voice is a one Z3000 goes into a Z2040 and then into the Feedback inputs on the Z-DSP. the Drums are mixed in the MIXZ and the output is going to the Z-DSP In 1 and 2, and also to the external mixer mono in. So basically the Z-DSP gets both the Hi pitch voice and the drums at its inputs. The Z-DSP uses a prototype of the new Shimmer card from Sean Costello at Valhalla DSP. This makes everything lush and full and is a beautiful new set of algorithms. On the right case two Z3000 are mixed and FM one each other, they go into the Z2040 which is controlled by a Z4000 Envelope, the audio from the Z2040 goes into the Z-DSP running the Dragonfly Delay program 2 for a nice big stereo image. The Z8000 in the left case provide pitch for all voices, the Circadian Rhythms in the right case provide sequencing for the voice in the right case.

The Bass drum is made by mixing both the BD808 and BD909 together in an external mixer.

Everything is recorded stereo in to a DAW using the amazing Apogee Symphony, no editing or any effects in the DAW."

Joseph Fraioli - Waveguiding | Circadian Rhythms | DRONE RES4

Waveguiding from Joseph Fraioli on Vimeo.

"no computers or external hardware were used in this performance :)

patch basics:

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Circadian Rhythms

Circadian Rhythms from Joseph Fraioli on Vimeo.

"a patch focused around the tiptop audio circadian rhythms (CR) as the heart of the system that provides the main clock source and triggers for events.

the programming was done on all 8 channels of the CR in 2x32 mode. fills are set to 16th note. mutes, fills and additional programming are performed on the fly.

patch basics:

CR ch 1: main kick
sound source is the blue lantern BDv4 going through the modcan frequency shifter.

CR ch 2: snare
sound source is the make noise mysteryon who’s pitch is being modulated by the mod can quad lfo who’s synced to the CR main clock output. the output was split into a separate VCA who’s being opened by the sound machines light plane and sent to the mungo d0 with macro machines storage strip. the storage strip is being sequenced by the CR main clock output.

CR ch 3: closed hat
sound source here is the SSF quantum rainbow blue noise.

CR ch 4: open hat
sound source is the SSF quantum rainbow white noise though the intellijel µfold and then a bit of delay from the synth tech e580.

CR ch 5: glass percussion as well as delayed bass and end melodic thing
glass percussion sound source is the noise engineering BI. pitch modulation from the tiptop z8000. delayed bass is an intellijel dixie square run through the cwejman res-4 and.end melodic thing is the harvestman piston honda MKII.

CR ch 6: chord bursts
this is the intellijel/cylonix shapeshifter in sequence mode then run thorough the qu-bit electronic RT60 reverb.

CR ch 7: tonal accents
sound source is braids in meta mode. also being sequenced by the CR and pith modulated by the tiptop z8000.

CR ch 8: sub kick
sound source is the tiptop audio BD808.

acidy bass: trigger source for the acidy bass is the intellijel metropolis that is synced to the CR via the clock output. sound source is the intellijel rubicon thats being FMed by a DIXIE sine, then put through the cwejman MMF1 in low pass.

tonal drones: trigger source here is the divided output of the intellijel metropolis into two make noise pressure points that have been micro tonally tuned. the sound sources here are synth tech e350 and make noise DPO that share a common mutable instruments peaks ADSR. the sounds are then processed through the serge resonant equalizer and tiptop audio zdsp with halls of valhalla reverb card.

hi plucked melody in mid section: this is the qu bit nebulae playing back a sample of mutable instruments braids in PLUK mode playing a melody sequenced on metropolis then fed to the mungo d0. the nebulae is then processed through flame FX6 reverb.


no computers or external hardware were used in this performance :)"

DUAL CIRCADIAN RHYTHMS IN DUB

DUAL CIRCADIAN RHYTHMS IN DUB from Station 252 on Vimeo.

"First patch with a second Tiptop Audio Circadian Rhythms in the system.

Playing with three regular Tiptop ONEs and one TG-ONE, Tiptop 808 and 909 drum modules

CIrcadians sequence

Tiptop ONE #1 - Bass (pitch changes played live from MN Pressure Points)

Tiptop ONE #2 - DOTS Hat

Tiptop ONE #3 - V-HAUS Chord sample

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Metasonix D-2000, Tiptop Circadian Rhythms eurorack

Published on May 1, 2015 bigcitymusic

"Tiptop Circadian Rhythms is triggering the Metasonix D-2000 (hats, oscillators) and Mutable Instruments Peaks (kick, snare). The D-2000 Pitch drum 2 is routed through the Intellijel Korgasmatron II. The D-2000 Pitch Drum 3 is routed to the Korgasmatron FM2 input. Circadian Rhythms is clocking the Intellijel Metropolis where the pitch CV is modulating D-2000 Pitch drum 2. The Korgasmatron output is run into the Audio Damage Reverb module. The Metropolis gate output is triggering the Sputnik West Cost Random Source stored random voltage input. The output of the store random voltage is routed to the D-2000 Pitched Drum 3 pitch cv input. All drum sounds are routed and mixed through the Sputnik 6-Channel Stereo Mixer."

Tiptop tips: Z8000 as analog memory for ONE

Published on Dec 6, 2017 Tiptop .Audio

"In this patch we use the Circadian to send a trigger to the four sequencers on the Z8000, I'm using Trig8 button on the Circadian as a manual trigger source. Each of the Z8000 1/2/3/4 sequencers send CV out to a ONE sample player, the ONEs are set to VC-File switching. So with each trigger hit on the Circadian the Z8000 step forward sending new CV value to the four ONEs making them load a new set of sounds, four new sounds with each step progress of the Z8000. This is a simple trick that is very useful in making a drastic change, making a progress in a modular song patch."

DUAL CIRCADIAN DIRTY SWING RHYTHMS

DUAL CIRCADIAN DIRTY SWING RHYTHMS from Station 252 on Vimeo.

"Dual Circadian Rhythms. This is a modified version of the patch from the previous two videos. With a second CR I have enough trigger outs for my intended live system. In this version I changed some of the clock channels and distribution, modified the patch quite a bit actually. The patch is not even complete as I run out of long cables and couldn't connect Z8000 (to be clocked from the Trigger Riot and used as a modulation sequencer)

My main goal is to make the system as comfortable and easy to play as possible without compromising sound and music. The main sound sources were carefully chosen over the years, a lot of modules were discarded as unsuitable. what remained is the core: Tiptop Audio drum modules, all of them. I find them great for the purpose and it is very rare that I even like other drum modules and even less use them in the studio and even less live. At the moment I occasionally use the new MFB Bass522 bass drum - it is a very good alternative to the 808 / 909 bass drums and it fits nicely into the rest of the 808/909 sound. Tiptop BD808 is still my main bass drum. Tiptop 808 / 909 drum system is enforced with 4 Tiptop ONEs (one of them being TG-ONE), two loosely divided between percussion and hi hat sounds sounds, one is playing chords and TG-ONE is playing all sorts of Throbbing Gristle samples - surprisingly in the video TG-ONE plays the long dub chord sound...

After playing live for some time we've decided to split our duties, so each of us can concentrate on what he/she does best, so while Jessica is playing all the analog (modular) synths, I concentrate on drums and sampled sounds.

Recently I also added Piston Honda mk2 for a very rare time when I really want to add something other than drums or samples to what I'm hearing at the moment (I'm talking pure live improvisation) and so: I am not going to play live all those sounds at the same time, I am going to add either chords OR long TG samples OR Piston Honda to what Jessy is playing, maximum two but never three sounds simultaneously. This video is actually a test of patch, proof of concept if you will, I test ergonomics, ease of use patch logistics and of coarse sound. As I use the same sound sources during the whole live set (we tend to play longer and longer sets) I need to find a good way to process those sounds. I'm very happy with the fx, samples, percussion and bass drums. Hats on the other hand... I'm getting bored of running them through a Roland Demora, Erica Fusion Delay is also not a very good match for the hats. For Piston Honda I need to try another patch as well. But I will give both another try to be sure.

www.zv-k.com"

TipTop Audio Circadian Rhythm - basic operation principals

Published on Oct 8, 2014 ZV_K

"the upcoming Circadian Rhythm gate and trigger sequencer from TipTop Audio. basic operation principals

bass: z3000mk2 - Z2040 LPF / VCA - controlled by two Z4000 envelope - Z-DSP with Valhalla reverb card
sequenced by Circadian Rhythm - rhythmic pattern, Z8000 clocked by Trigger Riot - notes pattern

BD: BD808
Maracas: MA808
both sequenced by CR"

DUAL CIRCADIAN TECHNO RHYTHMS

DUAL CIRCADIAN TECHNO RHYTHMS from Station 252 on Vimeo.

"The second run of the same patch (as in this video: [here] but with different samples on the four ONEs) with a second Tiptop Audio Circadian Rhythms in the system.

Playing with three regular Tiptop ONEs and one TG-ONE, Tiptop 808 and 909 drum modules

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Meta Demora - Demo 002

Published on Aug 20, 2015 Owen Canivet

"Braids Meta Vs Roland Demora
Patch using the meta mode in braids as main sound source and outputting to Roland Demora.
QCD is master clock, different clock measures fed to Macro Machines Dynamic Destiny and stepped through in random mode then output sent to clock Modcan Touch Sequencer and Tiptop Circadian Rhythm, and Demora sync finally also used to clock sync time on Modcan Dual Delay. Clock measures stacked and used to sync Modcan Quad LFO, Make Noise Wogglebug and SSF Ultra Random.

Wogglebug stepped output activates braids Meta mode, various random modulation on braids and split output to one channel of Make noise optomix for percussive hits and also to Roland Demora. Quad LFO modulates Demora feedback and width. Demora has custom patch with clock syncing and modulated 12db filter. Bypass switch is also activated by triggers to cut off and gate effect. Finally Demora Output is put through Eventide Space.

Pad is Intellijel Shapeshifter in chord mode put through Mutable clouds. Randomly modulated for interest then passed through ADDAC 601 fixed filter bank. Bands are pinged with triggered envelopes and LFO’s from Quad LFO. Finally output to Modcan Dual delay.

Percussion is Mutable Peaks kick (x2) sequenced by Circadian Rhythm, SSF Quantum Rainbow white Noise Hats. Snare created on ALM Dinky’s Taiko with noise envelope randomly opened with attenuated trigger from Circadian Rhythm. Two Channels from Modcan Touch Sequencer controls pitch for Braids and Clouds .

All Euro except for Eventide Space Mixed Eq’d and panned on Soundcraft mixer into Logic. Live muting and fading. Vintage warmer strapped on master bus to glue it all together :) "

Circadian Rhythms switching through Shimmer algorithms on the Z-DSP

Circadian Rhythms switching through Shimmer algorithms on the Z-DSP from Tiptop Audio on Vimeo.

"A short demo of the Circadian Rhythms switching through the Z-DSP programs running the new Valhalla Shimmer card."

ZV_K - LIVE MODULAR MUSIC

ZV_K - LIVE MODULAR MUSIC from Station 252 on Vimeo.

"We had to recalibrate all of our 5 Z3000s. This video is little jam we had to test the tuning. Now its perfect!

Chords: Toppobrillo Quantimator > 3x Z3000 > R*S Serge Variable Slope VCF (Hi Pass) > Tiptop Audio Z2040 LoPass VCF/VCA (controlled by a pair of Z4000s) > Z°DSP running Hydra Card
sequenced by Circadian Rhythms and Pressure Points (manual transpose)

Bass: 2x Z3000 > Tiptop Audio Fold Processor > Z2040
sequenced by Verbos Multistage running through Tiptop Audio QuantiZer (manual transpose)

Drums: Tiptop Audio BD808, MA808, Hats808, SNR 808, RS808. Acidlab 8LMHT (808 toms clone)
BD and hats sequenced by Circadian Rhythms, SNR808 and RS808 by the Knights Gallop, Acidlab Toms by Lunch Codes.

All clocking is done by the Circadian Rhythms and the Trigger Riot

FX: Z°DSP reverb (Halls Of Valhalla)
Chronoblob delay running through Z2040 (feedback) and WMD hi pass (output) - that hissy dust )
Erbe-Verb: low level metallic voice like whooshes"

DUAL CIRCADIAN RHYTHMS IV

DUAL CIRCADIAN RHYTHMS IV from Station 252 on Vimeo.

"this is the final version of my big live patch. before going into the patch details I just wanted to say that this patch turned out to be an overkill for live use but ironically was great to play in the studio. Its just way too complex for being playable live, so I'm going to slim it down, patch research will follow in the form of short patch videos, meanwhile...

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Circadian Rhythms Black Version

video by Tiptop .Audio

"In this video we demo additional features of the Circadian Rhythms, ZOOM mode, Richard Devin’s D Mode, and variable Gate lengths."