MATRIXSYNTH

Korg electribe 2 (electribe sampler) 1-bar techno jam

Published on Sep 21, 2017 ghostradioshow

"Yeah this is my new gear......enjoy ;)"

The Fusionbox freaks up the Drumbrute

Published on Sep 21, 2017 Kablehead

"The Fusionbox from Erica Synths is a wild and moody machine.
In this Video you can hear it processing a drum beat.
It also sounds very nice on synths and can be used as a phaser, flanger and chorus."

Pastime & 3 Modules #24: Maths, Rings, Peaks

Published on Sep 13, 2017 Comparative Irrelevance

"A patch for the patient.

***

A fairly simple self-playing setup using Brain Seed for sequencing, and Rings/Clouds for the sounds. The 'strumming' motion is created with Maths.

I love how the tempo/density of notes is completely self-regulated, and creates variations that are only evident over a longer period of time. This is done by using a slow, random S&H from Noise Tools to regulate Maths' cycle rate and to occasionally let Brain Seed select new notes when the S&H signal passes above the ReSeed threshold. The number of notes in a given phrase depends on how long the ReSeed is "open" and how fast Maths is strumming while it is.

Repeated notes and negative voltages equal silence. In this patch I'm deliberately allowing quite long pauses to arise between phrases in the lower range of intensity, so this one's not for the impatient. :)

The only thing I'm manually controlling during this recording is the µScale, where I'm changing the available notes every 10-20 minutes, or so. And a very minor tweaking of Rings' structure/dampening towards the end."

Published on Sep 21, 2017 Comparative Irrelevance

"Taking a page out of the Pastime video I posted a little over a week ago. Let's have a closer look at making strumming triggers with Maths.

Patch notes:

I'm using Maths' envelope functions and their respective gate outputs to create phrases consisting of a series of rapid triggers (a "strum").

Maths' channel 4 is cycling with a medium long rise and fall time, and the EOC gate output is active as long as the envelope is rising. Let's call each active gate a "phrase trigger". In other words it outputs a phrase trigger that last as long as the rise time with pauses between the phrases that are as long as the fall time. Now, that fall time is modulated by a slow random signal from Peaks' channel 1 (in LFO mode), which means that the pauses between phrases will be of random duration.

Maths channel 1 outputs the "strum triggers". It receives the phrase trigger from channel 4 to its cycle input, and with short rise and fall times the EOR output then starts spitting out rapid strums for the duration of the phrase. However, the fall time is being controlled by the channel 4 envelope, which is rising throughout the phrase. This means that the fall time increases, effectively slowing down the strum triggers. They start out fast, and gradually slow down a little over the course of each phrase.

Now that we have our strum triggers, let's feed those into Peaks' channel 2 which is in four-step sequencer mode. Each trigger advances the sequence by one step, and the sequence is fed into Rings' V/Oct input. Since each strum will – more or less – cycle through the entire sequence, the result is more like a strummed chord than a melody. I have Rings set to maximum polyphony to allow the notes to sound simultaneously.

Finally, I'm also using the random signal from Peaks' channel 1 to modulate Rings' dampening. As the signal gets higher the pause between phrase triggers gets longer and Rings' notes will also sustain for longer, and vice versa: more frequent phrases = shorter, dampened notes. Since Rings is in the "alternate red mode", the dampening parameter also adds reverb, which results in a strange, unreal atmosphere when modulated.

Thanks for watching!"

Wave Box Overview - Dynamic Dual Waveshaper - AudioThing

Published on Sep 21, 2017 audiothing

"Get this plugin here: https://www.audiothing.net/effects/wa...

Wave Box is a dynamic dual waveshaper plugin that can be used for both symmetrical and asymmetrical distortion. Wave Box features two separate waveshapers that can be mixed together while being modulated by 2 LFOs and 1 Envelope Follower."

Arturia beatstep - fluid audio F5 sound ambient

Published on Sep 20, 2017 Kyros Official Channel

"Ciao a tutti ragazzi...
In questo video andremo a vedere come fare una piccola performance live ambient music usando pochi strumenti sequenziati dal beatstep ARTURIA . Vi invito a lasciare un bel like se il video vi è piaciuto e se avete domande da fare su altra strumentazione non esitate a commentare. Buona visione !!!!!"

Googlish:

"Hello all guys ...
In this video we will see how to make a small live ambient music performance using a few instruments sequenced by beatstep ARTURIA. I invite you to leave a pretty like if the video you liked and if you have any questions on other instrumentation do not hesitate to comment. Good vision !!!!!"

The synth appears to be Sunrizer.

Spotted on discchord.

Modal Electronics 002 R Analog/Hybrid 8 Voice Synthesizer Sound Module

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X0xb0x / Xoxbox TB-303 Analog Synthesizer with 11 Atomic Mods

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1975 Electronic Music Circuits - Modular Analog Synthesizer Design

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"This fascinating book covers everything you need to know to design and troubleshoot analog synthesizers, including information on SSM and Curtis (CEM) synthesizer chips. A definite must-have for the analog synth enthusiast, filled with schematics and technical information. Overall, the book is in excellent condition. Ex-libris. Hardcover, 223 pages. Copyright 1975."

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Metasonix KV-100 Multi Effect System The Assblaster Tube Synth Effect SN 111

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"From the dark raunchy minds of Metasonix comes The KV-100 Assblaster. When it comes to loud and wicked sounds, Metasonix are our champions. If you wanna REALLY spice up any audio signal, run it through an Assblaster and you'll be shot into an array of fuzzy madness that will crush the most abstract sounds. We wish we were twisted enough to explain what this pedal does exactly so heres the information from Metasonix site:

"The Metasonix KV-100 is not called the "Assblaster" for nothing. We've taken all of our knowledge of extreme vacuum-tube audio processing and combined it into a single convenient, easy-to-use package. Inevitably, the end of the TM series will cause shit-eating, ass-fisting guitar players to whine about how "underappreciated" they are. So, we're feeding them a foot-long fecal sandwich of audio penis.

It's complete with disgusting and juvenile cartoon art by Dave Lovelace, of Retarded Animal Babies fame.

The KV-100 contains the following:

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