"Sample Builder lets you load up to 4GB of your own samples into the wavestate (4,000 mono samples or 2,000 stereo)! Sample Builder also includes basic tools for editing start points and loops. Arrange the samples across the keyboard to create Multisamples for the wavestate. Group Multisamples into Banks. Sample Builder is available as a free download for MacOS and Windows here:
0:00 Introduction 0:30 Prepare .wav Samples 0:58 Import .wav Samples Into Multisample 1:12 Edit Mutisamples 1:36 One Shot vs. Loop 2:36 Key Zone 3:21 Save Multisample 4:19 Bank 5:12 Save Bank 4:48 Transfer Samples to wavestate (Save Bank first) 5:32 User Samples in wavestate 6:19 User Category Shortcut 6:52 Playing Demo 7:47 Closing"
wavestate 2.0 Updates:
Support for User Samples
Express yourself in your own unique voice. Import up to 4 GB of your own Multi-samples into the wavestate via the new Sample Builder application for Mac and Windows. Use your samples in Wave Sequences or as single Multi-samples, just like the factory Multi-samples.
Editor/Librarian
Get the big picture. The Editor/Librarian acts as a second front panel for the wavestate. Realtime display of modulated parameter values and Wave Sequences gives you instant feedback on your creations. Copy and paste sounds, envelopes, LFOs, filter settings, and more. Dive deep into Effects with access to all internal parameters and create your own Effects Presets.
User-requested improvements
You asked, we listened. The new Performance-level Hold feature (via SHIFT-ARP) keeps notes or chords playing, leaving your hands free for moving knobs or playing other instruments. Fit to Scale lets you constrain the Pitch Lane’s output to a specific scale and key—especially useful when playing polyphonically.
Get to your sounds faster. Select Categories for Performances, Programs, Multi-samples, Wave Sequences, and Lanes directly from buttons 1-16. The new “User” Category lets you mark your own sounds, and dual Categories mean that a sound can be assigned to both “User” and “Strings” (for example).
Explore Vector Synthesis
The new Curve parameter lets you control the way that Vector Volume crossfades between points. For maximum volume, use Loud (the original wavestate behavior); for more gentle crossfades, use Smooth (the original Wavestation behavior).
Even more refinements
New gain-scaling options bring out the tonal range of the MS-20 and Polysix filters, and user interface improvements streamline your sound design.
wavestate software 2.0, the Editor/Librarian, and Sample Builder are available to all current wavestate owners as free downloads from korg.com.
"Digital Fiction features 115 melodic presets, diving deep into Absynth’s synthesis with a wide variety of soundscapes, pads, main leads, digital keys, polyleads and more...
Dreamers Suite focuses on Soundscapes, Pads, Atmospheres and many other "Dreamy" sounds! A curated selection of 50 melodies aimed at sound designers, cinematic compositions, ambient music, electronica and many other calmer electronic subgenres.
Intro Offers:
Digital Fiction -> 35% Off At checkout use code "fiction" at checkout. Only 10€
Dreamers Suite -> 35% Off At checkout use code "dreamer" at checkout. Only 10€
Both Offers Available until 18 September, Don't Miss Out!"
Listing translation via Google:
"You are bidding on an MS 2600 NG series 009 - a very, very good (ingenious) rare arp 2600 clone with extended features (NG stands for NEW generation) - the condition of the ms 2600 ng is good - the specially developed keyboard or keyboard is as good as new (once unpacked, connected and tested) - the developer or builder hr. matthias beese has practically built all his heart and soul and know-how into these devices - the result is a hammer device with a hammer sound and an infinite number of features (wavetables, sequencers, connection options, etc etc, etc. ,
also thanks to the keyboards specially developed for the synth .....
Of course, this is a self-made system, i.e. DIY. the keyboard was completely set up by mr. matthias beese himself, the synth by a trained electronics technician.
if you are looking for something special, far from the mainstream, you will get your money's worth here.
To list all the features here would be too much of a good thing. if you are interested, please go to the homepage of the developer hr.matthias beese.
here you can call up the individual components, structure, list of features and much more.
Here you are bidding on the synth and the associated keyboard and associated accessories (power supply).
Further information, sound samples (you tube or org. homepage), links including an interview with the developer can also be found on the amazona.de homepage.
if you have serious questions or offers please email .... on request I can send more pictures (interior, etc.)
since private sale no liability or guarantee.
Since the system is determined to be over 40 kilos and very difficult to pack or send, only self-collection.
In addition, it makes sense to take a look at or (test) the whole thing yourself. :-)
purchase price amount is to be paid when picking up (do not offer any further payment options)
details under:
"This synth is in mint condition and comes with the original manual and box. There are no issues with this synth and it works like new. The panel version is 1.1 and the OS is Version 2.02. This is a custom color combination!
This is a true analog 8 voice synthesizer with 2 analog oscillators per voice AND two Ramp Controlled Generators that work a lot like wavetable generators / samplers. This synth features a fully configurable analog filter and you can get just about anything out of it from Minimoog to 303 style sounds. This synth features analog envelopes too! The routing system interface is very robust and is reminiscent of an Oberheim Xpander. The robust routing system allows a massive amount of unique combinations! Yes, it's got multitimbral features, multipatching, advanced MIDI features, etc."
"SQ80 V is Ensoniq’s classic ‘80s Cross-Wave synth reborn, weaving hybrid lo-fi character, complex industrial textures, and thousands of unique waveform combinations into a quick-fire softsynth enhanced for modern production. Digital synthesis unraveled.
SQ80 V strikes the perfect balance between ‘80s cult classic and modern production workhorse with character.
To achieve this, we added hundreds more waveforms and retrofitted its architecture with a number of extra creative features - without compromising its distinct retro charm.
The arpeggiator
Introducing an arpeggiator to SQ80 V’s curious sound equips it for easy performance and melody creation. A classic component with the familiar controls, including arp direction, sync, octave range, and hold. Just turn it on and enjoy free-flowing lo-fi sounds that fit right into your mix.
Unison
SQ80 V offers up to 16-voice polyphony - twice that of the original hardware instrument - but we couldn’t resist adding an 8-voice unison option. Stack up those oscillators for enormous basses, gritty percussion, and ultra-dense lead sounds.
Dispersion
When it comes to classic synths and keyboards, the true charm often lies in the details. We went a step further than emulating the SQ80’s sound and interface by introducing dispersion - meaning subtle variations and inconsistencies in the behavior of its emulated circuitry. No two notes will ever be exactly the same, bringing a truly unmatched organic sound.
Envelopes expanded
To further shape the attack, duration, and evolution of your sounds, we upgraded SQ80 V with 2 additional envelope modes: DADSR and MSEG. The former adds a delay stage to the traditional ADSR for staggered strikes and interesting rhythmic patterns. The latter is a fully-customizable looping function generator for painting envelopes your own way.
The Mod Mixer
Combine any 2 modulation sources, from envelopes to keyboard controls, to distort, mangle, and refract your patches in interesting and unexpected ways. With 6 different modes of modulation mixing, the combination possibilities are enormous - as are the potential sonic results.
MPE compatibility
SQ80 V supports MPE-compatible controllers for an advanced expressivity experience. Create dynamic performance patches and textures that can respond in numerous ways to a single keystroke."
"We take a close look at the new SQ80 V from Arturia, which recreates the look and sound of Ensoniq's Cross Wave synthesizers, the ESQ-1, SQ-80, and VFX. We explore the main "hardware" panel, look in detail and voice and sound design features, and share a few of the factory presets.
00:31 History the Ensoniq SQ-80
01:15 The Main "Hardware" Interface
03:57 Synthesizer features (Oscillators, Filters, Modulators)
16:09 Effects panel
18:45 Factory Presets"
"Great news from Arturia: a brand new synth is added to their VST Collection. Ensoniq’s classic ‘80s Cross-Wave synth - SQ80 V.
I was glad to tweak it and walk through some factory presets. It's a very deep and a nice sounding plugin."
📺 Presets for Arturia Synths: https://bit.ly/3sAlSVk
Arturia SQ-80 V Synth Demo Song of my Presets for the factory SoundBank.
video upload by
"Hi everyone,
I was lucky enough to be part of the sound-designer team for the new Arturia synth plug-in, the Sq-80 V , here is a little demo i made with some of the presets i created for the sound bank factory included in the synthesizer. For this "Techno" demo I used 13 instances of the synth plus few wav sounds for the drums (kick, snare hh and ride) on my DAW (Cubase from Steinberg) , of course I didn't use any other synths or effects other than a little compression and eq to fine tune the mix and a touch of mastering (also because Mix and mastering is part of my daily job 😉 )
I really liked it when Arturia told me about the Sq80v, having used them in the 90's I really love them and I'm a bit nostagic of the sound of the first hybrid polyphonic synthesizers that mix the coldness and the hardness of the digital oscillators and the warmth of the analog filters. I'm also a big fan of the number of modulations available, the 4 envelopes with 4 bipolar stages, the 3 lfo's and the modulation mixer are a dream for sound designers, without forgetting the Arturia touch with the super simple and hyper inspiring macro management.
Voila :)
Leonard de Leonard"
@Arturia SQ-80v - a software Ensoniq SQ-80 - guided tour and sound demo
"@Arturia SQ-80v - a software Ensoniq SQ-80 - guided tour and sound demo Another Arturia software synth... another great synth to play with. Like all the Arturia soft synth, the SQ80v is a great recreation of a classic (in this case digital ) synth. They do not limit themselves with the limits of the original. They add an easy to use UI for the Synthesis section and extras: Arpeggiator, Unison mode, expanded envelopes, dispersion, mod matrix and MPE. Using the 8 bit 5503 DOC chip, the original SQ80 was capable of unique organic digital character that is still sought out today.
optx by Boredbrain Music: Overview and Demo
video upload by Matt Lowery
Update: new videos added below.
"Come check out optx- a new ADAT Eurorack module that connects your modular synth to your computer.
In this video I give a brief overview of the module, and a few use cases for how I use it in my studio. I'm a huge fan of what Boredbrain has put together here, and can wholeheartedly recommend the module for those who like working with Eurorack in the DAW."
injectr by Boredbrain Music: Overview and Demo
"Injectr makes it super simple to bring guitar (or any other ¼ inch instrument) into your modular system for processing, and also to derive useful control voltage from your signal via its envelope follower and gate generator.
In this video, I give a brief overview of the module, and then demonstrate its incredible musical value. I really love this thing."
eqx5 by Boredbrain Music: Overview and Demo
"This is eqx5, by Boredbrain music. Eqx5 is a five band equalizer, offering 12 decibels of boost or cut per frequency band, at a slope of 6 db/oct. It features stereo input and output, a handy summing output, as well as control over the master volume level and stereo image.
Eqx5 offers cv control over parameter on the module, and allows the artist to push into deeply creative territory by sending control rate or audio rate modulation into some or all of its cv inputs."
"New from Boredbrain: the Injectr an instrument interface for eurorack and the EQx5 a 5-band stereo equalizer. Two incredibly powerful tools for sound shaping and creation.
Gear / modules used:
Gretsch electric guitar, Thermae - Chase Bliss Audio, Arturia Microfreak, Injectr, EQx5, Rings, Data Bender - Qu-Bit Electronix, FX Aid XL - Happy Nerding, Instruo - ochd, Intellijel Buff Mult, Monsoon. Happy Nerding OUT.
The two video clips of the falls/cliff with forest and the salmon run were shot by my friend while in B.C. Canada. All other videos were captured by me and were not found online."
"OPTX offers 8 analogue inputs and outputs to and from ADAT. It could be a perfect way of expanding your audio interface into your modular for audio and CV shenanigans provided you have ADAT ports. Want to know more? Then watch this video.
I'll be using Bitwig Studio running on a Microsoft Surface Pro and an Arturia Audiofuse to show what the OPTX can do.
Index - 0:00 Intro - 0:00 Patch breakdown - 6:39 Back to basics - 13:26 Bitwig CV output - 14:23 Getting sound back into Bitwig - 18:51 Modulating from Bitwig - 19:46 This is awesome - 23:05 Sequencing modular from Bitwig - 25:00 Triggering drum modules with the Bitwig Drum Machine - 31:30 Adding software effects over the modular - 36:57 Multitrack recording - 38:30 Modulating synths in Bitwig from your modular - 42:14 PolyGrid to modular - 45:49 Conclusions - 45:49"
"Here is the brandnew Waldorf M Wavetable Synthesizer with analog filters and stereo VCA and much more to explore..."
"Sound demo for our brandnew Waldorf M Wavetable Synthesizer - no external effects and processing was used."
Waldorf M - Wavetable Synthesizer - Live Looping Ambient Session
video upload by
"This is the Waldorf M - Wavetable Synthesizer. In this track I used Ableton to live-loop four patches.
I will release more videos with the M, if you have any questions or want me to show a feature of the synth please let me know in the comments.
It is an honor to be part of the Waldorf beta testing team, I have been working with the synth for the last months and am very happy to finally show you what I have been doing with it. The factory library contains some of my own sounds, watch out for "MSt" when you test it at a shop or at home!"
"With M, we are musically returning to our roots by bringing back classic Microwave and ‘modern’ Microwave II tone generation as a new-generation classic hybrid wavetable synthesizer with an analogue lowpass 24 dB/Oct VCF — SSI
2144 Improved Ladder Type — with resonance and analogue saturation feature, true stereo analogue VCA with panning option, and much more to explore in a desktop-friendly form factor featuring a wide range of unique sounds. Plentiful presets — totalling 2,048 sound programs (divided into 16 banks, each with 128 sounds) — professionally programmed by world- renowned sound designers also include all of the classic Microwave sound sets, such as MW1 Factory Sound Set, MW1 Soundpool 1-5, the fat-sounding Analogue and Bassco, as well as PPG Wave 2.3 sounds cleverly converted for the original Microwave. Moreover, it also features freshly-programmed sounds utilising M’s myriad new features — from true hard Sync (when working in its Modern Microwave II/XT mode) to the ARP (arpeggiator) and MIDI-syncable global LFO (Low Frequency Oscillator).
But beating at M’s musical heart as an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER — as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage — are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control). Consequently, there is no hard Sync or ring modulation available in the Classic Microwave I mode, where 16-bit wavetables are bit-reduced to 8-bit and a 240 kHz non-anti-aliased sample rate is offered, whereas the Modern Microwave II/XT mode offers a 40 kHz sample rate with band-limited wavetables, although both oscillators — OSC 1 and OSC 2 — offer the same panel parameters.
Two LFOs are generating a periodic waveform with adjustable frequency Rate and Shape that can be used for modulation purposes, are also always at hand. However, unlike other Waldorf synthesizers, there is no modulation matrix in M. Making a conscious design decision to set up M’s modulation facilities directly on the corresponding display page, to paying tribute to the 1989-vintage Microwave.
Back in the here and now, M takes performance to a whole new level, thanks to that advanced ARP with 16 preset patterns, chord mode, and an ability to synchronise to MIDI clock. Furthermore, four programmable ENVELOPES allow adventurous users to manipulate sound parameters via rate or timed modulations.
Musically making a connection to the outside world is important to any synthesizer, so M offers six (rear panel-positioned) stereo analogue outputs — arranged as MAIN OUT (L/Mono and R) and AUX OUT (A, B, C, and D), the latter of which can be used to route each of the four Multi (multitimbral) parts to different outputs, if desired; a stereo headphone output (with an associated Volume knob in addition to the topside Master Volume knob); 5-pin MIDI IN, OUT, and THRU DIN connectors, complimented by a USB 2.0 MIDI port (for computer connection to transmit and receive MIDI data); an SD Card slot (for updating M’s firmware, importing/saving sound patches, and importing/saving M-specific data, such as user wavetables); and — last but not least — a Kensington® compatible security lock slot."
