DB-01 with Light pedal feedback - and JPTR FX Add Violence

video upload by Richard DeHove

"There's something very satisfying about the DB-01 and dark, deep drones. Maybe it's the Polivoks filter and that big knob.

In this setup the DB-01 is going into the Gamechanger Audio Light pedal in Feedback mode with everything cranked. From there into the JPTR FX Add Violence pedal and then into the Nemesis delay. This order seemed to work better than the Light pedal after the distortion. There's no audio processing in the DAW. Quotes come from a 1940s movie through the Valhalla delay.

The original noodle - which I was trying hard to keep short and sweet - was eight minutes, but how much grinding feedback drone is too much? So here we are at about four. In hindsight it would have been good to have something after the Light pedal that could more severely mess with the feedback tone. Next time :D

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Pigments | Prophet Rev2, Moog Grandmother, Jazz Bass, & Modular

video upload by Wake Rise Fall

"A score for that one part in the imaginary videogame I have in my head."

MFB Synth Pro Saw Pad filter variations + Dimension C Chorus

video upload by Əlәɔʇɹo ᴟuᴤiɔ

"Standard MFB Synth Pro sawtooth oscillator demonstration with variable filters (hipass 12 db/oct and lowpass 24 db/oct) in parallel mode. Plus a Waza Craft Dimension C stereo chorus pedal."

EXTREMELY RARE PPG 1002 for Tom + first ever shop tour!!!

video upload by foleytronics fx repair

"Here is a demo of the EXTREMELY RARE PPG 1002 for Tom. Plus a bonus first ever tour of the Foleytronics shop!!

For those that want to attempt to tune this synth, here is what worked for me:

The trimmer by the regulators is the CV offset; trim for 0v for the lowest key. This interacts with the CV v/oct, which is right above where the two shielded cables connect from the 20-pin keyboard connector. Trim this for 1v/oct, which can be measured at the switched oscillator CV input jack on the back of the instrument. Once these are set, you can move on.

The oscillators are tricky. They each have an initial frequency trim pot and a volt/octave trim pot. However, the initial frequency trimmer cannot be set willy nilly to A440 because their initial tuning frequency greatly affects the octave selection switches on the top panel. What I found to be most effective is to set the MASTER TUNE front panel pot to 0, the OCTAVE SLIDER to the left of the keyboard to the middle and then begin tuning. Note, every trim pot for each oscillator will affect the others for that oscillator so this is an exercise in extreme patience.

First, turn off keyboard control for OSC B and roughly center its front panel tuning pot; set its octave to +3 and put a folded piece of paper on middle C. You are now going to tune the octave selector for OSC A; this part is confusing as there is a trimmer to adjust the octave selection offset for BOTH oscillators, but only OSC B has an adjustment to “match” its octave selection with that of A. Thus, you have to use that trimmer to get OSC A perfect and then match B to A - the method that worked for me was to switch between octaves for OSC A and adjust the octave offset trimmer along with the initial frequency trim pot for A to get a perfect octave selection for OSC A over the OSC B drone.

After the OSC A octave adjustment, it’s time to adjust B’s octave adjustment. Set A to +3, and switch OSC B to +1; adjust for zero beating at the trimmer in the upper left corner of the board right at the edge of the PCB. Then, switch OSC B back to +3 and adjust its initial frequency for zero beating; repeat this until the octave selection is perfect for B.

Now, it’s time to adjust for V/octave for each oscillator. Sadly, this adjustment affects the octave center calibration we just did, so you’ll have to keep backtracking until it’s good. Adjust the V/octave trim pot for OSC A, which is directly to the left of the CV v/octave we did in the first step. You’ll now have to mess with the init. frequency for A along with the V/oct to get the oscillator to track correctly on the keyboard, but like I said earlier, you have now probably slightly messed up the octave selection so you will have to go back and do that again. Then, adjust the tuning of OSC A again and repeat this process until OSC A tracks perfectly and has good octave selection. I couldn’t really get the +4 octave to be perfect, but hey, it’s a prototype and is probably 50+ years old.

Now for OSC B; it’s very similar to A. Use the V/octave adjustment trimmer which is the lower left trim pot on the PCB along with the initial frequency trim pot to get B to track along the keyboard. Again, you’ll have to go back and adjust the octave selection, but that’s not as bad for B because its octave adjustment doesn’t mess up OSC A’s octave selection. At this point, you should be able to get OSC A and OSC B to track the keyboard and the octave selections should be there"

OLD MARTENOT WAVES SYNTHESIZER ( Pesquisa e História)

video upload by

"MAURICE MARTENOT

Nascido em Paris, ele é mais conhecido por sua invenção do Ondes (Waves) Martenot, um instrumento que ele percebeu pela primeira vez em 1928 e passou décadas aprimorando. Ele revelou um modelo microtonal em 1938.ESte é MONOFÔNICO (não produz acordes,mas pode ser arpejado com teclados)
Ele também foi responsável por ensinar a primeira geração de artistas Martenot, incluindo Karel Goeyvaerts, Jeanne Loriod, Georges Savaria, Gilles Tremblay e sua irmã Ginette Martenot.O próprio Martenot atuou como um 'ondista' com a Orquestra da Filadélfia sob o comando de Leopold Stokowski em 1930. A Feira Mundial de 1937 em Paris concedeu-lhe o "Le Grand Prix de l'Exposition Mondiale". Ele deu aulas no Conservatório de Paris durante os anos 1940."

1970s EMU vintage analog modular synthesizer catalogs

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via this auction

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"Two EMU modular system catalogs. One is an original from the 70s/80s and the other is a photocopy of an earlier one.

Both have pictures and specifications of the modules available for each system. Talks about the system and its functions, how to order etc."

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Meng Qi - Wing Pinger MInijack

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via NOISEBUG Reverb

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"COMES WITH A PROTECTIVE CARRYING CASE.Meng Qi Wing Pinger

The Wing Pinger from Meng Qi is an analog filter percussion desktop synth with internal feedback capabilities that can take you from gentle plucked tones to snarling feedback in an instant. The range of characters afforded by the Wing Pinger have to do with its shift register-based feedback FM routing, in which the output of each filter can modulate the cutoff of the other. Lest you think the Wing Pinger is a noisemaker and nothing more, the feedback FM can be dialed back to zero, giving you a playful, characterful dual filter-plucked modal resonator instrument to ping with the touch keyboard or even external audio. At sufficient resonance and feedback FM settings, the Wing Pinger can take on a life of its own, while touch control and robust MIDI and CV implementation make it versatile node in your setup regardless of its parameter settings. This version of the Wing Pinger comes with mini jacks for the CV I/O, making it a great companion for eurorack modular.

Wing Pinger Features

Dual filter/resonator instrument with internal feedback frequency modulation loop
Touch keyboard and finely tuned parameter ranges for expressive control
MIDI and CV I/O
Audio input and output"

Korg Opsix

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via Three Wave Music Reverb

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Yamaha CS-50 Synthesizer SN 2981

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via this auction

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Quasimidi QUASAR

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Clavia Nord Modular Rack Expanded SN 98070467 w/ Original Box

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Custom BLACK Korg microKORG S MK-1S w/ Built-In Speakers & Gig Bag

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"This is a Korg Microkorg S customized with factory black case & faceplate, black 3d printed side plates and vinyl-wrapped bottom plate. FACTORY SPEAKERS INSIDE!"

Note the back looks camoflauged.

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Brad Fiedel - Terminator Theme (cover by Kebu)

video upload by Kebu

"Here's my cover of Brad Fiedel's 'Terminator Theme'! The song is part of my new 'Synthesizer Legends - Volume 1' album, which is available now:
https://zyxdance.lnk.to/SynthesizerLe...

The album features a collection of cover tunes of famous and less well-known instrumental synthesizer gems from the eighties. Some of the songs on the album have been part of my live repertoire for many years already, while other songs are completely new arrangements. The last song on the album is a new arrangement: Brad Fiedel's legendary "Terminator Theme", as an extended version. The music was recorded using only analog synthesizers and analog drum machines.

Arranged, performed, recorded, mixed and mastered by Kebu / Sebastian Teir.

The video production was supported by Musiikin Edistämissäätiö, for which I'm truly grateful."

Stretching the Limits of Samples On The KO-II

video upload by Ricky Tinez

"The Teenage Engineering EP-133 KO-II can Alias Samples! Sampling sounds high pitch and then stretching them back down extremely far to get them back to a normal or a low pitch creates aliasing within samples, which is this amazing texture that I was able to get from my older MPCs, and it's a technique that has been widely used for a very long time. So can we do it on the new Teenage Engineering EP – 133? YES! You could also do this on the PO-33 pocket operator! I also pair the new KO-ii with my Digitakt so I don't run into the voice stealing issues I had in this video" [posted here]

00:00 What's Up!
00:44 Sampling The Chords
01:07 I Fixed The PO-II Record Button With a PO-32
02:15 Boy was I WRONG about this...
03:40 THIS IS HOW YOU PUSH SAMPLES FURTHER With Pitch
05:24 Sampling Some "Organic" Sounds
07:29 Accidentally coming up with a great idea
08:20 Sampling The Bass Sound
09:46 Bassline Time!
11:59 Sampling and Sequencing The Strings
13:34 Performance Effects Time!
14:18 This Filter Is Kind Of Hard To Control...
15:11 EP-133 Battery Life
16:30 Wait... Is My EP-133 Busted?!

Jeannie can Wavetable

video upload by Rolf Degen

Jeannie Polyhonic DIY Synthesizer
play Wavetable

OP-X PRO-3 released ! Semi-modular dream synth | Trailer | Tutorial

video upload by SonicProjects

Chapters:
00:00:00 Intro Trailer
00:02:12 Change Interface Size
00:02:20 Playing Factory Presets
00:29:20 Famous 80s Presets
00:34:10 Create Presets
00:39:00 Mark Favourites
00:40:38 Search Function
00:41:40 Modulation Matrix
00:46:34 Unison Note Priority
00:46:58 Modulation Effects
00:48:52 Voice Boards
00:50:17 Multimode Filter
00:57:55 Wheel Modes
01:01:21 Arpeggiator / MIDI Processor
01:06:06 Outro

https://www.sonicprojects.ch/opxpro3/

SonicProjects OP-X PRO-3 released! 12-voice semi-modular monster synth which fullfills virtually all requests and wishes from users collected over the recent years. The synth offers:

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Wiggler and TX-6 synth jam

video upload by Fluent Instruments

"Wiggler and TX-6 Jam

My #synthdiy Wiggler is a simple expressive monosynth, like a minimoog crossed with a wooden flute.

I discovered it plays really well with distortion. I only tried this because I found the distortion on the TX-6. The TX-6 also lets me pipe the audio into my phone and monitor it while recording!

The patch is a sawtooth wave with wiggle modulation thru a low pass filter with press modulation. There’s also a decay envelope to whack the filter.

#synthesizer #mpe #osmose"

See this post for another demo and overview. Note the YouTube name has switched from Sound Werkshop to Fluent Instruments.

"These Go To 11" // Remixing 'This is Spinal Tap' // Teenage Enginerring EP-133 KO-II

video upload by Yuri Wong

"Remixed on the @teenageengineering EP-133 KO II Sampler with Korg Nanokey Studio
Completed in Logic Pro
0:00 Making-of
2:45 Let's Jam
3:16 Full Song

Nigel Tufnel: The numbers all go to eleven. Look, right across the board, eleven, eleven, eleven and...
Marty DiBergi: Oh, I see. And most amps go up to ten?
Nigel Tufnel: Exactly.
Marty DiBergi: Does that mean it's louder? Is it any louder?
Nigel Tufnel: Well, it's one louder, isn't it? It's not ten. You see, most blokes, you know, will be playing at ten. You're on ten here, all the way up, all the way up, all the way up, you're on ten on your guitar. Where can you go from there? Where?
Marty DiBergi: I don't know.
Nigel Tufnel: Nowhere. Exactly. What we do is, if we need that extra push over the cliff, you know what we do?
Marty DiBergi: Put it up to eleven.
Nigel Tufnel: Eleven. Exactly. One louder.
Marty DiBergi: Why don't you just make ten louder and make ten be the top number and make that a little louder?
Nigel Tufnel: [pause] These go to eleven."

Wireless MIDI on the EP-133 KO-II?? (NO Computer Needed)

video upload by Yuri Wong

Five vintage keyboards: Casio, Yamaha, Amstrad, Realistic Concertmate

video upload by Alfonse

"Music: "Nightlight" (C) Copyright 2023 Alfonse
Download the track here: https://alfonse.bandcamp.com/album/ni...

Sounds used in the track:
Yamaha PSS-680 - Voice 34, 0.63, 1.63, 2.21, 3.21, 4.01, 5.00, 6.06, 7.67
Amstrad Fidelity CKX100 - E Guitar, Synth 2
Casio CT-320 - Elec Guitar layered with Synth Reed
Casio MT-400V - Elec Guitar with short filter envelope, Organ with Waw!
Realistic Concertmate 660 - Strings"

Ambient and fuzz sounds with Yamaha YC-25D and effects pedals

video upload by Benjamin Dehli

"Yamaha YC-25D combo organ with Shallow Water from@FairfieldCircuitry, PLASMA Pedal and LIGHT Pedal from@GamechangerAudio and CXM 1978 from @ChaseBlissAudio and @MerisUs.

Instrument:
- Yamaha YC-25D

Effects:
- Fairfield Circuitry Shallow Water
- Gamechanger Audio PLASMA Pedal
- Gamechanger Audio LIGHT Pedal.
- Chase Bliss Audio & Meris CXM 1978


00:00 Evolving Pad
04:13 Ambient Fuzz Bass
05:25 Fuzz Bass
06:44 Ambient Lead
09:47 Ambient Lead and Bass 1
11:34 Ambient Lead and Bass 2
12:58 Ambient Bass
14:09 Ambient Chords and Bass
15:58 Ambient Lead, Chords and Bass
18:11 Broken Fuzz Blues


Website: https://www.dehlimusikk.no"