Dreadbox Erebus v3 & Source Audio Collider

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Roland SH101 & Source Audio Collider

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Sequential Prophet 6 & Source Audio Collider

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Sequential Pro3 & Source Audio Collider

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DSI Pro 2 & Source Audio Collider

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Sequential Pro 3 & Source Audio Nemesis

3rdStoreyChemist

Source Audio SA262 Ventris Dual Reverb

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NAMM 2020: Source Audio C4 Synth

Published on Jan 18, 2020 sonicstate

Source Audio C4 Synth posts

Novation Peak & Source Audio Nemesis

Published on Dec 25, 2019 3rdStoreyChemist

Ambient Sessions // Arturia MICROFREAK + Source Audio VENTRIS (in 3 parts)

Published on Nov 27, 2019 Genshi Media Group

Arturia MICROFREAK on Amazon | Source Audio VENTRIS on Amazon

"::| TO HEAR THE FULL RANGE OF FREQUENCIES, A GOOD PAIR OF HEADPHONES ARE HIGHLY RECOMMENDED |::

These were just some quick ambient noodlings I did with the Arturia Microfreak using original patches that I created. The Microfreak is paired with the Source Audio Ventris Dual Reverb."

Chroma Polaris | Cinematic soundscape

Published on Nov 7, 2019 MIDERA

Chroma Polaris
Source Audio Nemesis Delay
Eventide Blackhole

#cinematic #Polaris #pads

DSI Pro 2 & Source Audio Nemesis

Published on Oct 31, 2019 3rdStoreyChemist

C4 Synth Preview: Guitar & Bass Synthesizer

Published on Jun 14, 2019 sourceaudioeffects

"The C4 Synth unites all the sound construction tools of a classic Eurorack modular synthesizer and packages them in a compact and easy-to-use effects pedal for guitar or bass. It is essentially a modular synth in a box with unprecedented tracking abilities, lightning-fast response, and a vast universe of sound options.

The C4 Synth is scheduled for release in July 2019. This preview is a compilation video made up of Instagram posts created during the development of the pedal between the months of 1/19 to 6/19."


Tone Matching the C4 Synth with an Analog Modular Synthesizer Published on Aug 2, 2019 sourceaudioeffects

"Source Audio's Chief Scientist Bob Chidlaw takes us step-by-step through the process of creating a sound with a modular synthesizer and mimics the process with a C4 Synth effects pedal for guitar and bass. The C4's Neuro Desktop Editing was inspired by the sound creation tools a real analog synthesizer. The C4 is essentially a Eurorack modular synth in a stompbox.

Users can create and publish their own custom sounds with the Neuro Editor or simply download presets from the library of C4 User Presets created by the Source Audio team and the ever-growing C4 Synth user community."

via Source Audio

"The C4 Synth unites all the sound creation tools of a classic Eurorack modular synthesizer and packages them in a compact and easy-to-use effects pedal for guitar or bass. Out of the box the C4 offers six dynamic synth tones that range from vintage analog to the thoroughly modern. It is essentially a modular synth in a small pedal with unprecedented tracking abilities, lightning-fast response, and countless sound options. With the addition of the Neuro Desktop Editor (a free download for Mac and Windows machines) and Mobile App. (for iPhone and Android) it's easy to browse from the ever-growing library of highly-inspired presets created by the Source Audio crew and the expanding community of C4 enthusiasts."

Behringer Crave Sound Demo (no talking)

Published on Apr 10, 2019 Bonedo Synthesizers

"Behringer Crave Sound Demo (no talking) with Source Audio Ventris Reverb"

Roland JP8000 & Source Audio Nemesis Delay

Published on Jan 30, 2019 3rdStoreyChemist

Studio Electronics Boomstar 4075 & Source Audio Nemesis Delay

Published on Jan 17, 2019 3rdStoreyChemist

DSI Prophet Rev 2 & Source Audio Nemesis Delay

Published on Jan 4, 2019 3rdStoreyChemist

Pittsburgh Modular Lifeforms SV1 & Source Audio Nemesis Delay

Published on Jan 3, 2019 3rdStoreyChemist

Moog Grandmother & Source Audio Nemesis Delay

Published on Dec 31, 2018 3rdStoreyChemist

Ambient jam: Volca Bass + Ventris + Keystep + nanoKONTROL2 (2018-10-14)

Published on Oct 15, 2018 Slenterende Beer

"I've bought the Source Audio Ventris, an effects pedal that features two reverb / delay engines that can be combined, either in parallel or serial mode. This gear experiment is a deep dive into the features of the Ventris, in combination with the Volca Bass. Headphones recommended!

The basics of this setup are pretty simple: I program some slow arpeggios on the Keystep, which is played by the Volca Bass. The Bass has a slow and intense LFO on the cut-off, which produces the volume swells. The output of the Bass is then sent to the Ventris, and that's where the interesting stuff starts.

The Ventris has two effect engines running in serial mode. The first effect is called "offspring" and that's the cascading, modulated delay at the start of the video. This sound is then fed into the "shimmer" effect, which I introduce by increasing the "control 1" and "time" knob. The "time" knob also increases the delay feedback of the 'offspring' effect.

Each reverb / delay engine on the Ventris has its own set of parameters, but only part of them can be controlled from the pedal's interface. It becomes more restricted when using both reverb engines at the same time, because two of the knobs are then dedicated to controlling the dry/wet mix of the two engines. Live control of the other parameters, and for both engines at the same time, can be done using MIDI CC messages. I've configured the nanoKONTROL so that the first 4 sliders and knobs control parameters of effect A, and the second 4 control parameters of effect B. For example, the fifth knob controls the amount of shimmer of effect B, which is a parameter I tweak quite a lot in this video.

One hardware problem I had to solve: the nanoKONTROL only has a USB MIDI connector, but the Ventris requires a 5-pin MIDI plug. I don't currently own a hardware USB MIDI host (I'm considering the Retrokits RK-005), so I used my MacBook to achieve the MIDI routing. The nanoKONTROL is connected to my laptop, and so is the iConnectivity mio, which is in turn connected to the Ventris. By default MacOS does not support MIDI routing from one device to another, so I used the open source "MIDIrouter" app to achieve this (see link below).

The reason I decided to try the Ventris is because I'd like to see if it can replace my GFI System Specular Reverb V2. I love the sound of my Specular, but it only really does one sound (beautiful lush ambient epicness) and misses features that I'd like (e.g. 100% wet, control over pre-delay and modulation, MIDI clock sync for delay timings). I'm happy to say I can create a sound with the Ventris that is just as lush as the Specular, but with a lot more control and whole lot more extra features due to the possibility to use two reverb engines. (You can even use the Ventris' stereo inputs to feed it two different instruments, give them each their own reverb engine, and then configure it so that it is 'summed' into stereo again!) I feel like there's a lot more to discover with this device, even more so since you can download patches other people have created using its Neuro app.

Korg Volca Bass
Source Audio Ventris
Korg nanoKONTROL2
Arturia Keystep
iConnectivity mio

MIDIrouter: https://github.com/icaroferre/MIDIRouter

Video recorded with iPhone 7. Audio recorded with UFX1204 in "standalone" mode, recording directly to USB HDD.

You can stream our music from Spotify, Apple Music, Google Play and other streaming services, or download our music from Bandcamp: https://slenterendebeer.bandcamp.com"