"This sounds like something Silver Apples might have done, or a delivery truck backing up. The Wiard 300 system is part of the synthesizer collection at Noisebug in Pomona, CA. I found it even more confounding than expected."
"Adam gives us a quick rundown of the three new eurorack modules for direct multi-channel audio. DB25, TRS, and IO provide direct output to the Xcelon mixer and XP3 channel expander, but also pair up together to give any system a multitude of balanced audio outputs."
Update: press release follows:
ASHLAND, VA, USA: interesting I/O and utility device specialist Boredbrain Music is proud to expand its Xcelon true stereo voltage-controlled Eurorack mixer’s creative capabilities by announcing availability of DB25, TRS, and IO — introduced as the latest additions to its Direct Multi-Channel Series of modules that interconnect to provide a multitude of audio outputs for expanding Eurorack systems — as of May 7…
As a 24-channel D-SUB direct output module occupying only 8HP of Eurorack space, DB25 can interface with its new-found IO sibling — to provide 24 balanced audio outputs — and/or the modular mixing powerhouse that is Xcelon — already available as a 48HP-wide, critically acclaimed, all-analogue, six-channel stereo audio mixer module made for Eurorack modular systems, its interface designed for immediate hands-on control and visual feedback while also allowing for extensive CV (Control Voltage) connectivity and expandability, enabling operation as a powerful mixing tool for both performance and production purposes — to provide 12 stereo direct outputs. On the front of DB25 are three 25-pin D-SUB connectors, each output offering eight channels of balanced line-level audio. As such, the — 1-8, 9-16, and 17-24 — channel numbers next to each of those D-SUB connectors correspond to the four — INPUT 1-6, 7-12, 13-18, and 19-24 — ports at the rear, each of which accept signals from compatible Boredbrain Music modules using the supplied 8-pin ribbon cables. Connected to IO, those ports accept groups of six individual input signals. Similarly, when connected to Xcelon or Xcelon XP3 (https://boredbrainmusic.com/product/xcelon-xp3/) — the latter already available as a 22HP-wide, three-channel stereo expander module for its bigger brother — those ports accept three stereo mixer channels for direct output, and can be mixed and matched in any order, while both pre- and post-fader direct outputs for a bank of Xcelon channels can be used simultaneously.
The TRS 12-channel direct output module, meanwhile, can also interface with its new-found IO sibling to provide 12 balanced audio outputs (or up to 24 balanced audio outputs if using two TRS modules). Indeed, its 8HP-wide front panel features 12 TRS jacks, each outputting balanced line-level audio signals, while the — OUT 1 through to OUT 12 — channel numbers above them correspond to those on the two — INPUT 1-6 and 7-12 — ports at the rear, each of which accept signals from compatible Boredbrain Music modules using the supplied 8-pin ribbon cables. Connect TRS to IO and those ports accept groups of six individual input signals. Similarly, connect it to Xcelon or Xcelon XP3 and those ports also accept banks of three stereo mixer channels for direct output. And, again, those ports can be mixed and matched in any order, while both pre- and post-fader direct outputs for a bank of Xcelon channels can be used simultaneously.
As a 30-channel direct input/output module, IO can be used as signal inputs for its new-found DB25 and TRS siblings, or, alternatively, to provide Xcelon with up to 15 stereo direct (Eurorack level) outputs. On the front of this 8HP-wide module are 27 3.5mm jacks — 1 through to 24 being mono, while 25/26, 27/28, and 29/30 are stereo — serving as either inputs or outputs, depending on how the rear ports are connected. Correspondingly, five — IN/OUT 1-6, 7-12, 13-18, 19-24, and 25-30 — connection ports on IO’s rear can each send or receive six signals to or from compatible Boredbrain Music modules using the supplied 8-pin ribbon cables. Connect those ports to DB25 or TRS and IO’s jacks act as signal inputs for those modules; alternatively, connect to Xcelon or Xcelon XP3 — pre- or post-fader, or both — and those jacks act as Eurorack-level direct outputs for the stereo mixer channels. Connections to those ports can be mixed and matched in any order, with compatible modules connecting to any of the ports.
Anyone attending SUPERBOOTH24, May 16-18, FEZ-Berlin, Germany is invited to swing by Booth Z060 where Boredbrain Music will be exhibiting its new DB25, TRS, and IO modules alongside its entire Eurorack range, as well as offering comprehensive Xcelon demos — and a warm welcome, of course, to all.
Mike Pinder was the keyboard player and a founding member of The Moody Blues. Prior to that he worked on the manufacturing of the first Mellotrons in the UK. According to mellotronics.com, "Streetly Electronics are the original UK manufacturer of mellotrons and world experts in the instrument."
"Between 1962-63 Pinder worked for 18 months as an engineer at Streetly Electronics, in Streetly, Birmingham, a factory manufacturing the first models of Mellotron in the UK.
In May 1964 Pinder left Streetly Electronics to co-found The Moody Blues with Ray Thomas, Denny Laine, Clint Warwick and Graeme Edge."
His impact becomes clear when you read the following from Music of the Daze:
"This from my friend Nicklas Barker, guitarist, singer and composer from Swedish proggers Anekdoten. He is also a connoisseur of the Mellotron:
'Very sad, imagine if he had not started working at the Mellotron factory and done something else before joining The Moody Blues and introducing the glorious Mellotron string sound to a wider audience through Nights in White Satin. What would have happened then? No King Crimson? He was also friends with John Lennon and introduced the Mellotron to him. No Strawberry Fields? Mike Pinder was the first, and the impact of his use of the Mellotron changed music history. He was also the greatest Mellotron player ever. Just listen to Out and In from To Our Children’s Children’s Children. He was the wizard of the astral orchestra.'"
"Mike Pinder describes how the mellotron works in the fabulous 'Live at Isle of Wight Festival (1970)' You really should buy this DVD, it's not only a great documentary but a wonderful concert film as well. The sound is surprisingly good, you will enjoy it."
"Here's the Moody's live on French TV. You can really see/hear what Mike Pinder contributed to the sound of that band. Without him and the MK 2, they would have just been another guitar band. It's startling how much they sounded like the records live!"
The Moody Blues - Full Concert - French TV Special 1968 (Remastered)
"Audio and Video Remastered by BrunoSamppa - Support me on KO-FI http://ko-fi.com/brunosamppa
CHAVE PIX: brunovideopix@gmail.com
1. Tuesday Afternoon 00:01
2. Nights in White Satin 04:54
3. Legend of a Mind (Part 3) 09:36
4. Bye Bye Bird 12:42
5. Fly Me High 17:33
6. I've Got a Dream 24:12
7. A Beautiful Dream 27:36
8. Don't Let Me Be Misunderstood 31:49
9. Peak Hour 35:18
10. Nights in White Satin (Reprise) 41:38"
"This video demonstrates 7 performances from Mini Mogue...Our brand new, soon to be released collection of performances, programs and a custom sample bank for the complete family of Wavestate synthesizers. This collection includes a custom sample bank as well as 50+ performances and 114 programs. This page will be updated when the final product is released so check back here or pay us a visit at the link below.
"This video demonstrates a number of performances from Mini Mogue...Our brand new, soon to be released collection of performances, programs and a custom sample bank for the complete family of Wavestate synthesizers. This collection includes a custom sample bank as well as 50+ performances and 114+ programs. This page will be updated when the final product is released so check back here or pay us a visit at the link below.
Playlist:
Auto Rhythmica for the Korg Wavestate: Timpani Bombs Demo
Auto Rhythmica for the Korg Wavestate: Strictly Taboo Demo
Auto Rhythmica for the Korg Wavestate: Heavy Levee Demo
"These videos demonstrate our new drum and percussion performances from 'Auto Rhythmica'. Our (soon to be released) brand new bank of drum and percussion sequences for the complete Korg Wavestate lineup!
You might ask yourself, 'What am I looking at?' when watching these video demonstrations. Sorry, we tried to make the mod knob actions easy to see and hear in these videos. The mod knob automation lanes are labeled but you may need to view these videos in full screen mode to make them easier on the eyes. The videos demonstrate just a few of the mod knob modulations, each performance has more under the hood than we could possibly demonstrate in 90 or so seconds. As always, absolutely no talking!!!
"An audio spectrum analyser displays the frequency and level of the outgoing signal. The OLED screen offers very fine resolution and good detail rendition.
The small size of the screen is compensated for by a beautifully crafted optical magnifier, which gives this module a distinct appearance and an incredible look.
The audio spectrum analyser offers 10 different viewing programs selectable via a front-panel button.
- 4 output levels: Direct, -5dB, -10dB, -15dB - 10 display programmes - 6.35 jack output - High-quality optical element - Oled screen - Requires 5V supply from powerbus
Availability : second half of 2024 through SynTesla.com
"This is a holy grail synth. Truly the heart of early Gary Numan/Tubeway Army's sound. This was Moog's first attempt at a proper polyphonic synth. It is a real classic! Two oscillators per voice, a stunning filter, and an unrivaled warmth are the key to the Polymoog's lasting mystique. These rarely come around, so take advantage of this opportunity! In very good condition, tested and found to be functioning as it should. Comes with the original foot pedals."
Free Synth - Vintage by Behringer (No Talking) video upload by Elektronick Musick
"Stand on the Shoulders of Giants
Get classic subtractive synthesis and retro sounding filters with the Behringer VINTAGE PLUGIN! Download this completely free plugin today (yes, you read that right) and help the Playing for Change Foundation who support music education.
Legendary Tone
The VINTAGE is packed with all the features you need to effortlessly get those lush, classic synth tones that made the 70s and 80s roar or you can also create your own wild patches! And when we say “all the features” we mean it. Sine, square, saw, and noise waveforms Lowpass, bandpass, highpass, and notch modes Dual LFO with controls for rate, attack delay and retrig
Synthesizer engine based on meticulous modelling of the analog circuitry of legendary vintage synthesizers Carefully crafted UI for intuitive sound sculpting and vast sonic possibilities Two high-quality oscillators with hard sync function and selectable waveform: sine, square, saw, noise and sub-oscillator Pulse width modulation of square wave oscillator Two versatile filters featuring 12/24 dB switchable lowpass, bandpass, highpass, notch and formant modes, plus selectable drive curves for lush harmonic saturation Filter ADSR controls are easily accessible on the main UI and a flexible routing scheme allows for serial or parallel filtering Noise generator with Color knob controlling low pass cut-off Following the filters two amplitude modules allows for panning and levelling with controllable ADSR envelope Powerful dual LFO to modulate Oscillator, Filters and Amplifiers. The two LFOs have separate controls for rate, attack, delay, retrig and waveform, which encompass triangle, sine, random and square wave with pulse width control"
Oscillator 2
Oscillator 1>2 Cross Mod w/ ammount knob?
Frequency knob
16' 8' 4' 2' Octave Range switch
Triangle to Sawtooth shape knob
Pulsewidth knob w/ PWM input
Wave Mix - mod input for the waveshapes or additional waveforms? Note the five marks.
Mixer Section with Sliders for:
OSC 1
RING MOD
OSC 2
MOD OSC
NOISE
OVERLOAD
KEBOARD Tracking on right for the filter?
ARPEGGIATOR
Two new images. Note the five slider caps match above.
"A free improvisation with the LEPLOOP, recording through the OP-Z into a laptop, and using a little bit of reverb from the OP-Z. What a brilliant instrument."
"A live jam with the LEPLOOP and a great tape delay pedal- The T-Rex Replicator. I love the weird harmony the LEPLOOP is doing, which of course I will never be able to create ever again. OH WELL! Fun, anyway."
"A harsh and funky take of an additive Oscillator.
Pile up multiplications of your frequency to get a lo-fi-retro wall of squared sound!
You get six doubled frequency pulses, or octaves, with common PWM and volume control for each of them.
The output of each is cascaded to the next one, so you can either have one output with all frequencies or break the chain and get several sums and modulate each independently!"
"Here we have what Befaco say is "a harsh and funky take on an additive oscillator" as it has individual harmonics or partials and VCAs to modulate them. However the idea of harmonics here is replaced with 6 octaves of square waves. It's an analog design with a triangle core oscillator that through frequency doublers give 6 octaves to work with, each turned into squares that respond to PWM. An onboard mixer allows for blending these squares, you can break out into new tones with self patching, or make multi-layered wide frequency spanning voices from the individual outs."
*TIMING INDEX // CHAPTERS* 00:00 Hello & patch previews 01:10 Feature run down 02:44 Raw sound demo 03:43 Polymetric percussive octave riffs! (my favourite thing) 06:05 Self patched additive synth style sounds 08:13 Huge stereo drones 10:11 PWM at audiorate - tearing additive octaves 11:51 Exploring sync tones + upper octave overtones 13:42 Sub octaves, not just higher octaves 16:01 Noisy FM percussion 18:09 Randomised additives - modulating octave blends per note 19:24 Alarms, pacman & phone chirps - Octaves VCO as a modulator
"Hohner String Synth from late 70s made by Italian company Elex who made other string synths for Farfisa, Logan and whoever else asked them to build a model. if they asked real nice.
This thing is in awesome shape and sounds like a poor man’s ARP String Ensemble/Eminent Solina. Much closer to the functionality and sound of an Elka Rhapsody 490 but I think the ensemble modulation sounds thicker. The lowest F# not working when just using cello sound. Could be a case of reseating one of the socketed ICs. Your basic divide-down synth. The power supply has been recapped and some other cap replacements. I added a mod so you can dial in or remove the ensemble modulation. Gives another sound set for some combo organ type vibrato-less sounds. Separate power supply/swell pedal.
With the power supply/vol pedal, this is kind of heavy so would prefer to meet somewhere in the Atlanta area. Of course I offer shipping as well for a flat rate.
Run this gal thru some phaser and start working on that horror movie soundtrack or Klaus Schulze-inspired kozmik voyages. Very easy to work on but you wont need to do anything to enjoy immediately."
"Join us as we embark on a sonic journey with Replay, a new polyphonic synthesizer and multi-mode arpeggiator from Vongon. First up we test its prowess in the realm of synthwave - spoiler alert: it excels! In the latter half, we delve into the interface and its versatile capabilities complete with an immersive sound exploration, unleashing the arpeggiator and tweaking various parameters for a mesmerizing experience. Video and music production crafted by DeadMidi.
"Replay is a six-voice polyphonic synthesiser and a little window into synth heaven.
Lush pads, tiny plinks, snappy arpeggios, warbling melodies, resonant filters with midi connectivity and a sleek web interface!"
Vongon Replay Virtual Analog Synth | Overview + Exploration
"A demo and walkthrough of the new polysynth Replay, by Vongon. Replay is a 6-voice polyphonic synthesizer with a compact form factor that takes inspiration from classic poly synths from the 1980s, like the Roland Juno series + the Korg Polysix.
This video includes an overview of what Replay is and how it works, along with a number of sound examples demonstrating Replay on its own and in combination with FX pedals, to create a wide range of sounds from classic synth leads, pads, and arpeggios to more experimental textures and noisy sound worlds."
TIMESTAMPS:
00:00 Intro
02:45 Replay Overview & Tour
17:03 Musical Demo
19:09 Filter Experiments on Replay
23:50 Exploring the Arpeggiator
28:00 Combining Replay with FX
"Today we take the beautiful Replay by Vongon out for a spin and also have a conversation about synthesis basics in honor of my five year synth-a-versary. Vongon really hit it out of the park with this instrument and--whether it's your first synth or your 10th-- there's a lot here to love."
VONGON REPLAY Polyphonic Synth & Arpeggiator | Can I write a synth-pop track with it?!
"Man, I just love gear that makes you approach writing differently. That reminds you how fun it can be to find new sounds and feels, explore new ways of composing. And today, the new Vongon Electronics REPLAY is doing that for me - a super fun, approachable, compact polyphonic synth and arpeggiator."
"The Replay is the first synthesizer offering from boutique pedal designers Vongon, offering a six-voice virtual analog sound engine with multi-mode arpeggiator. Inspired by beloved keyboard synths of the early 80s like the Roland Juno and Korg Polysix, the Replay faithfully delivers warm and lush vintage timbres in a compact package that drips with modern aesthetics and utility. In Replay, Vongon has struck an impressive balance between scope of features, user experience, and overall sound quality. The result is an instrument that sounds wonderfully rich and nostalgia-laden, with an interface that is easy to understand - perfectly approachable for a beginning synthesist, yet deep enough to inspire veteran wigglers to explore the edges of its capabilities.
Replay's front panel is incredibly straightforward, with simple controls for its primary functions conveniently accessible. Additional options are selected via the "secret menu" alt functions. At the heart of Replay's sound engine are multiple selectable waveforms for its primary oscillator, with ramp, square, triangle, and sine modes. Noise amount, pulse width modulation, and LFO pitch modulation offer further timbral manipulations before passing to the four-pole, low-pass filter. Highly resonant and warm, the filter includes modulation depth controls from the primary envelope, keyboard tracking, and the LFO. The VCA features options for maximum amplitude and modulation source. An organic and responsive ADSR envelope and the on-board LFO round out this straightforward voice, with flexible modulation routing options between the main controls and alt functions.
The multimode arpeggiator on the Replay opens up a variety of fun and engaging options for controlling the synthesizer voice. Latch and keyed modes, in addition to the three poly modes available on the alt functions, offer a variety of ways for creating snappy and spiraling arpeggios and fuzzy, morphing pads. Up/Down, order, and random modes provide further ways to organize pitch material. The alt functions allow the LFO to be clocked by the ARP speed, creating rhythmically modulated phrases that are a joy to get lost in.
All in all, the Vongon Replay delivers a premium virtual analog experience that feels streamlined and purpose-built for getting beautiful analog sounds quickly. With plenty of depth in sound color and just the right amount of tricks up its sleeve to keep you immersed in music making rather than menu diving, the Replay is sure to become a go-to instrument for lush pads and other classic synth timbres. Its physical design is beautifully simple, and the responsive feel of its Cherry MX keys invite playful interaction that is hard to put down. Of course, the Replay is a lovely source for running through Vongon pedals, creating an instant synthwave or soundtrack machine paired with an Ultrasheer or Polyphrase. If you're needing a straightforward synth with limitless sonic charm, the Vongon Replay is a wonderful choice.
