NAMM: SSL 2260 Modulation Orgy

Follow-up to this post where you'll find a video. The following is the official press release.

"Synthetic Sound Labs has just released its first Euro rack format module, the Model 2260 Modulation Orgy, further expanding its line of 5U format synthesizer modules. This flexible new 16 HP width module contains a unique Low Frequency Oscillator (LFO) that offers unmatched modulation flexibility.

LFOs are typically used by analog music synthesists in conjunction with other analog sound producing devices for creating slow, undulating rhythms and sound patterns.

The 2260 features both manual and external voltage control over LFO Tempo (speed), tempo Multiplier, Waveform and Waveform Distortion. A total of eight Waveforms are produced, including Sawtooth, Ramp, Rectangle, Triangle, Sine, Sweep, Lumps and Random. All these (except Random) may be modified using the Wave Distort controls to vary waveform duty cycles. Independent output jacks provide both normal and inverted LFO phases.

A unique feature allows the 2260 to synchronize to precise multiples of the musical beat permitting timed vibratos, tremolos, and clocking of external sequencers and sample & hold type devices. Synchronization is accomplished by manually operating a front panel button, or supplying external clock pulses via the external Sync input. Multiple 2260s may also be cascaded to provide complex polyrhythmic modulation patterns, which is aided by use of the Clock output jack.

The basic LFO Tempo (frequency) is adjustable from approximately 0.05Hz (a 20 second cycle) and 12.8Hz. However, in conjunction with the Multiplier, this range is extended from 0.025Hz (a 40-second cycle) to over 50Hz in six overlapping tempo multiplication factors, ranging from 0.5 (1/2 note) to 4.0 (sixteenth note).

The external Level CV input responds linearly and is normalled internally to +5V so that with no input, the 2260 outputs are at maximum. This convenient input can frequently save a separate VCA when doing voltage controlled modulation depth.

A panel LED displays the LFO output rate. Knobs are conveniently placed to allow ample room for manual adjustment. Top quality 1/8” jacks permit smooth, effortless patching.

Quality, solder masked, fiberglass-epoxy printed circuit boards and meticulous hand-crafted assembly assure years of trouble-free service.

Synthetic Sound Labs has been in the analog synthesizer business since 1973. The 2260 is the first Euro rack module and the sixth in SSL’s continuing line of new analog synthesizer modules.

Pricing is $250 US and availability is off-the-shelf from SSL and Distributors Worldwide.

2260 Specifications at a glance:
Model 2260 Tap Tempo LFO
Function Flexible Low Frequency Oscillator (LFO)
Tempo Adjust .05 Hz to >50 Hz (approx)
Tempo Multipliers Six (0.5, 1, 1.5, 2, 3, 4; overlapping) – Manual & voltage controlled
Waveforms Saw, Ramp, Square, Triangle, Sine, Sweep, Lump and Random – Manual & Voltage controlled
Wave Distortion 10% to 90% (approx, except Random) - Manual & Voltage controlled
Inputs Tempo CV, Multiplier CV, Waveform CV, Distort CV, Sync, Level CV. 0 to +5V nominal. 1/8” Phone jacks. 100k impedance.
Outputs Clock (0 to +5 digital), LFO voltage (10V P-P; +/-5V). 1K impedance. 1/8” Phone jacks.
Panel Indicators LFO Rate – Red LEDs
Panel High quality 0.062” aluminum. Durable black Metalphoto finish with natural aluminum and copper graphics. Complimentary Brass colored knobs.
Power Euro rack standard 16 pin keyed header.

+5VDC @ 14ma, +15vdc @ 16ma, -15vdc 18ma
Size 5.0” H x ~3.25” W x ~1.25” D (16 HP). Skiff ready.

Currently available SSL Modules:
Model Function
1020 Steiner Voltage Controlled Multi-Purpose Filter (MU)
1250 Quad Low Frequency Oscillator (MU)
1260 Tap Tempo Low Frequency Oscillator (MU)
1310 Voltage Controlled Digital Delay (MU)"

http://steamsynth.com/

Synthetic Sound Labs Announces Soleil String Synth Pod & Modulation Orgy 2.0

Details on each follow. Check with the dealers on the right for availability.

TABLE-TOP MIDI STRING SYNTH POD ANNOUNCED

Inspired by the early vintage synths of the ‘70s such as the Elka Rhapsody and ARP Solina, the Soleil POD is a tiny low-cost Lo-Fi MIDI String Synth table-top box.

Capable of playing 4 paraphonic notes with 2 oscillator ranks per note. Waveforms are continuously variable from thick sawtooth thru variable pulse widths for more reedy sounds. The second rank is detunable for lush pads and honky-tonk riffs.

The Soleil contains built-in modulation / vibrato LFO, the depth of which can be controlled by MIDI. Attack and release envelope times are individually adjustable and share a single VCA making this a “paraphonic” instrument. A gate output jack allows convenient triggering of external effects and synth equipment, and its state is displayed by an LED.

MIDI is input via a 3.5mm TRS Type “A” jack, and responds to keyboard running status as well as pitch bend and modulation. An LED MIDI displays MIDI activity.

MIDI channel defaults to channel 1 but can be easily reset to other channels using a unique sequence from your controller keyboard at power-up, which is retained in non- volatile memory.

A fine tune control allows accurate tuning to other instruments, and an output volume control is provided. MIDI, Gate Out and Audio Out are standard 3.5mm (1/8”) jacks.


Power is supplied from a user provided +8 to +18 VDC 2.1mm coaxial jack, center positive power source, and draws extremely low current.

Quality, solder masked, fiberglass-epoxy printed circuit boards and meticulous hand- crafted assembly assure years of trouble-free service.

Synthetic Sound Labs has been in the analog synthesizer business since 1973. The Soleil Pod is the newest in SSL’s continuing line of outstanding analog synthesizer devices.

Pricing is $179.95 US and is available off-the-shelf from SSL and Distributors Worldwide.

UPDATED LFO MODULE ANNOUNCED

Just over 10 years after the release of its popular original 2260 Modulation Orgy LFO, Synthetic Sound Labs have recently released an updated and improved version.

The new 2261 Modulation Orgy has completely reimagined firmware that includes improvements such as waveform morphing and random wave slew. The new module width is now only 8 HP (half the width of its 16 HP predecessor) and is available with either black or silver faced panels.

DETAILS

The 2261 Modulation Orgy is a unique Low Frequency Oscillator (LFO) that offers unmatched modulation flexibility. It features both manual and external voltage control over LFO Tempo (speed), tempo Multiplier, Waveform and Waveform Distortion.

Eight Waveforms are produced, including Sawtooth, Ramp, Rectangle, Triangle, Sine, Sweep, Lumps and Random with morphing between adjacent waves. Waveforms may be further modified using the Wave Distort controls.

A front panel button or external Sync input allow synchronization to precise multiples of the musical beat permitting timed vibratos, tremolos, and clocking of external sequencers and sample & hold type devices. Multiple 2261s may also be cascaded to provide complex polyrhythmic modulation patterns, which is aided by use of the Clock output jack. The Clock output also serves as a powerful input clock multiplier.

In conjunction with the Multiplier controls, LFO Tempo (frequency) is adjustable from approximately 0.1Hz to about 50Hz in six overlapping tempo ranges.

The external Level CV input responds linearly and is normalled internally to +5V so that with no input, the 2261 outputs are at maximum. This convenient input can frequently save a separate VCA when doing voltage-controlled modulation depth.


A panel LED / push button shows the LFO output rate. Knobs are conveniently placed and top quality 1/8” jacks permit smooth, effortless patching.

Quality, solder masked, fiberglass-epoxy printed circuit boards and meticulous hand- crafted assembly assure years of trouble-free service.

Synthetic Sound Labs has been in the analog synthesizer business since 1973. The 2261 is the newest in SSL’s continuing line of outstanding analog synthesizer modules.

Pricing is $250 US and is available off-the-shelf from SSL and Distributors Worldwide. Silver panel – Model 2261S. Black panel – Model 2261B

New SSL Serge Dual Slope Generator in MU Format

"SERGE DUAL SLOPE GENERATOR IN MU FORMAT ANNOUNCED

Synthetic Sound Labs has just released the flexible 1240 Dual Slope Generator (DSG) - a long awaited addition to the MU world - designed in close collaboration with the legendary Serge Tcherepnin.

The 1240 DSG is the ultimate patch-programmable control voltage generator. A Serge Slope Generator is a slew limited unity gain voltage follower whose positive and negative slew rates are voltage controllable. It has an extremely wide range covering sub-sonic to high audio rates. Trigger inputs and pulse / gate outputs extend the slewing functions for use as a voltage controlled (VC) LFO, envelope generator and a variable pulse delay mono-stable functions.

One VC responds roughly exponentially, and two additional VC inputs are routed to individual Rise and Fall slope attenuverters for maximum flexibility and convenience. This newly updated circuit now includes temperature compensation to help eliminate drifting. The linearity and accuracy of the slews allow them to be used for exacting applications such as portamento functions.

The 1240 has two identical slope generators (A & B) - each of which can be set to self- trigger (Loop), or even to trigger each other for some wild modulation and audio
effects. It also has two auxiliary outputs which provide an output that is the greater of A

& B (PEAK), and another that is the lesser of A & B (TROUGH). These are interesting and go far beyond normal summing / mixing.
Among the many functions the 1240 DSG can perform are (x2):
• VC Transient / Envelope Generator - simply started by trigger or gate at TRIG IN.
• VC LFO - The rates are controlled by the Rise and Fall Rate knobs and inputs, and
the slopes controlled from LOG thru Linear to Exponential.
• VC Timing Pulse / Gate generator.
• VC Portamento with separate controls for rise and fall rates, and slopes.
• Envelope Follower (Detector) - The VC decay rate allows the response to be
moved from positive to negative peak detection.
• VC Pulse Delay (Monostable).
• Sub-Harmonic Series Generator. A trapezoidal wave-shape is generated for
sonorous, smooth sounds.
• Audio Generator with variable symmetry and a range into kilohertz regions.
• Non-Linear Low-Pass Filter. The VC slew limiting can progressively turn a sawtooth
wave into a triangle and many variations between. Thus a slope generator can be used as a very interesting low-fidelity VCF.

SSL uses quality fiberglass-epoxy printed circuit boards, precision automated robotics and meticulous hand-crafted assembly assure years of trouble-free service.

Synthetic Sound Labs has been in the analog synthesizer business since 1973. The 1240 is yet another in SSL’s growing line of new synthesizer modules. Proudly made in the USA.

Pricing is $495 US. Available directly from SSL and through NoiseBug, Pomona, CA."

SSL Double-Deka VCO

Note: Auction links are affiliate links for which the site may be compensated.
via this auction

"Voltage Controlled Oscillator (VCO) for MU format modular synthesizer.

This module is one of just a few dozen out there, made in small batches by boutique MU Modular manufacturer SSL. Based on the Ian Fritz design, this module provide two 10-step waveforms to be defined which may be selected from via voltage controlled mix knob or discreet output.

In low frequency mode it can even be used to generate rhythmic pulses.

Below is a copy/past of the SSL product page which describes this product in detail...

'Innovator and designer extraordinaire Ian Fritz has teamed up with Synthetic Sound Labs to bring you one of the most useful and flexible VCOs on the market - the SSL 1130 Double Deka VCO.

The Double Deka is a stable, wide range 1V/Octave VCO with incredible sonic versatility. Imagine "drawing" a 10 stage waveform using lighted front panel sliders. Now imagine two of these separate waveforms, each with a precisely stepped 6 octave range control that can also be externally voltage controlled. In addition, using a built in knob or external control voltage, you can cross-fade between the two waveforms. Add to this, two unique new types of sync, a funky digital ring modulator (DRM) type input, plus separate linear and exponential FM inputs, and you begin to see (and hear) the possibilities.

This unique VCO consists of an ultrasonic oscillator core followed by a parallel pair of waveform generators. Each waveform generator consists of a voltage controlled multi-octave divider, followed by circuitry to generate a 10-step waveform using a set of 10 slider potentiometers. Also included are a novel synchronization circuit with two different operating modes and a built-in "digital ring modulator" (DRM) for producing a wide variety of synchronized and anharmonic sounds. The oscillator core is highly stable (better than 20 ppm/K ) and features wide-range, accurate tracking (better than 0.05% over fifteen octaves). The variable waveform generator provides fine control over an enormous range of available timbres. The high frequency output of the "core" oscillator is provided for use in driving other frequency dividers.

CLICK FOR MORE »

SYNTHETIC SOUND LABS SEGWENCER 2520 MODULAR EURORACK SYNTHESIZER MODULE

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The SSL 2520 Segwencer™ Euro module is indeed in a class of its own. The name derives from the audio term “segue” (fading from one sound to another), and the synth term “sequence” (moving from one point / sound to another), and once combined, there is a synergy that blasts these concepts into a totally new way of morphing sounds, textures and even control voltages.

Before we go any further, a bit of explanation is probably in order. If you know a bit about pipe organ history, you know that a "crescendo" pedal is not a simple volume control. Pipe organs can control volume by opening and closing louvers in front of the pipes (called “swell”), but can’t really control brightness / timbre. A crescendo can add the perception of brightness and impact by adding more “ranks”. This is typically done with a separate pedal that the artist moves forward to bring in brighter and louder sounds. On a pipe organ, the mechanics of this are fairly straight-forward but technically complex. As the artist goes from soft to loud with the crescendo pedal, several “switches” are sequentially engaged. Each successive switch causes a new pipe rank to sound, therefore it becomes increasingly fuller with each stage of the crescendo pedal.

So, what is the SSL Segwencer? In a typical Voltage Controlled studio environment, a control voltage is fed to the “Depth” input which (through an on-board attenuator) controls which of the four Segwencer channels is active based on the input voltage. Each channel of the Segwencer has a separate built in VCA (DC coupled!) input and output, as well as a comvenient Mix output that can frequently save a mixer.

By this description, you might think that the Segwencer harshly “switches” from channel to channel – which is not in itself a bad thing. Here is where the Segwencer really shines.

The Segwencer has a “Width” panel control that literally softens the progressive transitions between the channels. So YOU have complete control over the transition of the “switch” point between the channels, and the “softness” of how that channel switches. Really cool!

Obviously, using a voltage pedal could emulate the actions of a crescendo pedal, but how about feeding the Depth input with an envelope generator? What about an LFO, or even keyboard velocity voltages. And since the VCAs are DC coupled, imagine possibilities of Segwencing control voltages, or even CVs AND audio in the same segwence? The combinations are staggering.

Imagine taking each basic waveform from a VCO into each input of the Segwencer and having the Segwencer smoothly blend the waves? Or how about a sine wave into channel “A” out to a audio mixer, an LFO into channel “B” out to the VCOs CV input, and a wavefolded sine into channel “C” out to the audio mixer? Result: Sine, to FM modulated sine, to distorted sine.

The VCA inputs are conveniently normallized, so - How about a voltage controlled quad panner with each output going to a separate speaker? Or maybe three or four VCOs in a musical chord (or dischord if that floats your boat), each into a separate Segwencer input, with the Segwencer “Mix” output as audio? Result: Think about it.

You'll probably find youself using at least one Segwencer for just about every patch!

Controls
- Width
- Depth CV Amount
- Peaks / Slope selection switch

Inputs
- 4 DC Coupled Linear VCAs
- Depth CV

Outputs
- 4 DC Coupled Linear VCAs
- 1 DC Coupled Mix output

Indicators
- 4 Channel Activity LEDs (Blue)

Power
+15V at..ma, -15V at..ma, 16pin Eurorack header.

Size
Width - 10HP
Depth - 45mm (1.75") behind panel"

Synthetic Sound Labs Tap Tempo LFO - Model 1260

More info on the Synthetic Soundlabs Tap Templo LFO previously posted here.

"The SSL 1260 Tap Tempo LFO is a special module indeed. You can set the LFO frequency by tapping the TAP button, supplying a periodic gate to the SYNC input, or by changing the Tempo CV. You can build tap tempo effects vibratos and tremelos, tap tempo controlled drum machines or tap tempo sequencer clocks. Or use it the other way around - control the 1260 tempo with a sequencer! You can even use multiple 1260s to create polyrhythmic LFOs using the built-in Multiplier ratios. Awesome possibilities!

The 1260 can produce 8 waveforms, including a random (sample & hold) wave.

All the waveforms except the random wave can be altered by the wave distortion CV.

t also includes a tempo multiplier. This is combined with the tapped tempo to allow the LFO frequency to be set at a multiple of the tapped rate. The available multipliers are 0.5, 1, 1.5, 2, 3, and 4. This allows half- and double-time, and triplet times.

The LFO tempo, multiplier, waveform selection, wave distortion, and output level are all voltage-controlled using 0 to +5V. Negative voltages are are permitted, but may sometimes cause unexpected results.

The LEVEL CV input responds linearly to 0 to +5V and is normalled to +5V so that with no input, the 1260 outputs are at maximum. This convenient input can frequently save a separate VCA when doing voltage controlled modulation depth.

The SYNC input can accept clock pulses from other equipment, which allows the 1260 to be syncronized to other devices. A CLOCK OUT which can be used to drive other equipment, allowing a tap-tempo controlled clock for an analog sequencer or drum machine, for example. A phase reset on the first tap to the tap tempo input allows you to keep the LFO on the beat with a single tap. All waveforms reset to the top of the waveform.

CAVEATS - In that the 1260 waveforms are produced digitally, it should be noted that some amount of anti-aliasing effects occur at fastest rates. Although normally imperceptable in the majority of cases, very small steps may be heard at extremely slow rates and wide control swings. Due to minor component variations, Multiplier and Waveform switching points may not precisely line up with panel graphics. These are normal.

In all, we think you'll find the 1260 Tap Tempo LFO to be the most fun you've ever had with a LFO!

Controls
- Tempo, Multiplier, Waveform, Wave Distort External CV Amount
- Tempo, Multiplier, Waveform, Wave Distort Initial Setting
- Tap Button: Manual Rate Setting
Inputs
- Tempo, Multiplier, Waveform, Wave Distort, Level CV: 0 to +5V.
- Sync: Logic ~1.2V threshold
Outputs
- Clock (CLK): Rate - Logic 0 to +5V
- +Out / -Out: LFO Outputs (Normal and inverted, respectively) - +/-5V (10V P-P)
Indicators
- Tempo LED: Rate Setting

Frequency Range
0.025Hz to 50Hz

Power
+5V@..ma, +15V@..ma, -15V@..ma, Synthesizers.com 6 pin Molex standard.

Size
Width - Two Moog Units (MU)
Depth - 2.75" behind panel

(Due to continual product improvements, specifications are subject to change without notice.)

Availability
In stock!

Price
$265 USD (plus shipping)"

Synthetic Sound Labs on eBay

Synthesizers.com SSL 22 Space Portable Modular Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The cabinet is outfitted with a qps1 power supply and the following modules:

q137 Power
q174 MIDI interface
q124 multiples
q106 oscillator
Synthetic Sound Labs VCO1 oscillator
q112 4 channel mixer
2x 1u blind panels
q109 Envelope Generator
Synthetic Sound Labs VC Envelope
q107 State Variable Filter
2x q108 Voltage Controlled Amplifier
Synthetic Sound Labs 5-pulser (waveshaper / ring modulator)
DIY reamp module (using specs from: here) And built by Phil P. from MegaOhm audio.

Basically, a nice compact two voice system with five slots for expansion. Everything to get started wiggling."

The Eternal Now

video upload by davidryle

"American Format (5U) modular synthesizer performance in real time to a stereo track in Cubase.
For an atonal wash I used the Dove Audio Waveplane and WTF vco's through an Oakley Sound Systems Ring Modulator. I then sent it through A dotcom Q150 transistor ladder filter and a Lower West Side Studio Multimode Filter/Resonator and on to a fixed filter bank and a Frequency Central Stasis Leak digital delay. This drone wash comes in at the final section and ending.
The opening reed sound and accompanying organ sounds were derived from the Synthetic Sound Labs/Mutable Instruments (Braids) Woven Spirits module.
The initial reed sound is from the AUX output of the Woven Spirits through an SSL/Ian Fritz 5 Pulser and Oakley Sound Systems State Variable Filter. The filter is stepped with a random S&H from JNP Electronics.
The secondary organ chord sound is the Main direct output of the Woven Spirits in Chord mode. The combination of both elements are sent to an Electro-Harmonix Grand Canyon in DMM mode. Feedback is applied as needed for the drone sustain throughout the piece.
The bass line comes in next with a pair of STG Soundlabs Oscillators through a Dove Audio D502 Multimode filter in -24dB LP mode. The pitch voltage is from the upper Q960 step sequencer. It's timing is from a Catgirl Synth Master Divider, clocked from a custom Dual LFO/Analog Shift Register of Ken Stone (Catgirl Synth) design. An additional tap from the STG oscillator through a Corsynth C103 Frequency Divider/Multiplier module for a sub-octave feed.
The melodic line blended into the latter section is from a pair of Q106 dotcom vco's which are pitch controlled by the lower Q960 sequencer. Each vco pitch is from a separate row of the Q960. The Q960's shift timing is from the CGS Master Divider module. The output is routed through an Empress Reverb pedal in Blue Ghost mode. Panning is from the LWSS/Yusynth Panning Mixer.
All pitch quantitization is through a Moon Modular 565 series setup.
Additional voltage modulation to the Woven Spirits module are from the STG Soundlabs voltage mini stores, and vaious LFO's etc. Timing for the additional sequencers is also managed by the Moster Divider."

Synthetic Sound Labs Segwencer IV Model1520

Note: Auction links are affiliate links for which the site may be compensated.
via this auction

Full description here: http://steamsynth.com/m_SegwencerIV.aspx"

"The SSL Segwencer IV™ module is indeed in a class of its own. The name derives from the audio term “segue” (fading from one sound to another), and the synth term “sequence” (moving from one point / sound to another), and once combined, there is a synergy that blasts these concepts into a totally new way of morphing sounds, textures and even control voltages.

Before we go any further, a bit of explanation is probably in order. If you know a bit about pipe organ history, you know that a "crescendo" pedal is not a simple volume control. Pipe organs can control volume by opening and closing louvers in front of the pipes (called “swell”), but can’t really control brightness / timbre. A crescendo can add the perception of brightness and impact by adding more “ranks”. This is typically done with a separate pedal that the artist moves forward to bring in brighter and louder sounds. On a pipe organ, the mechanics of this are fairly straight-forward but technically complex. As the artist goes from soft to loud with the crescendo pedal, several “switches” are sequentially engaged. Each successive switch causes a new pipe rank to sound, therefore it becomes increasingly fuller with each stage of the crescendo pedal.

So, what is the SSL Segwencer? In a typical Voltage Controlled studio environment, a control voltage is fed to the “Depth” input which (through an on-board attenuator) controls which of the four Segwencer channels is active based on the input voltage. Each channel of the Segwencer has a separate built in VCA (DC coupled!) input and output, as well as a comvenient Mix output that can frequently save a mixer..."

Serge controlled by Bleep Labs Thingamakit and Delfy Creations SS-1

Serge controlled by Bleep Labs Thingamakit

YouTube via JargMarbin
"Demonstration of Serge analog modular synthesizer controlled by 4-ledicle Bleep Labs Thingamakit. The video looks terrible because the light was so low. At least all the blinking lights show up."
"The audio from the Thingamakit's audio out jack ( mine is 1/8" ) was piped into into the Serge's Preamp Detector section, which supplies two outputs - one jack provides amplified audio and the other a DC voltage correlated to the power of the sound wave. The audio part was split to a comparator and an EQ followed by 3 filters that fedback into each other in a complicated way. I tappled one audio signal from the EQ and 4 from the filter network. The DC voltage from the envelope detector of the Preamp Detector section went through the same comparator as the audio signal, and this comparison provided triggers powering pulse division and activating sample-and-holds and envelopes which modulated the filters and VCA's. This patch was origionally made to control the Serge using my Delfy Creations Super SS-1 but the battery died, so I made the vid using my regular SS-1 instead. I was going to build a seperate patch for the Thingamakit but I liked what I heard when I tried the same one so I posted the video! I'll still probably made a new patch for the Thingamakit because it is visually impressive and the pulsating rhythmics it creates are very useful for controlling the Serge. I'll let you know when I do. I hope that explanation was what you were looking for, let me know if you have any questions. Also please add me to your mailing list so I can be notified of any new creations you have for sale, and check out my website http://jargmarbin.com."

Serge controlled by Delfy Creations SS-1

YouTube via JargMarbin
"Another addition to my experimental Serge series. Serge analog modular synthesizer controlled by Delfy Creations SS-1."

Behind The Drums Ep 15 - Flashdance "Maniac" - Michael Sembello Linndrum

video upload by Controlled Voltage Sound Labs

"An in depth look at the making of Michael Sembello's number one hit 'Maniac,' from the Flashdance movie soundtrack. Video includes a re-cretion of the drum beat using a Linndrum."

Drum Processing
Kick - Teletronix LA-2A (No Reverb)
Snare + Tamb - Teletronix LA-2A + Lexicon 224 (Plate Setting)
Cowbell - Teletronix LA-2A (No Reverb)
Clap - AMS Reverb (Non Lin Short decay)
Stick - Teletronix LA-2A (No Reverb)
Hat - Teletronix LA-2A + Lexicon 224 (Room Setting)

Behind The Drums Ep 13 - Berlin "Take My Breath Away" Linndrum with Yamaha DX7

video upload by Controlled Voltage Sound Labs

Additional Behind The Drums episodes

"An in depth look at the making of Berlin's international number one hit, 'Take My Breath Away.' Video includes a re-creation of the drum beat using a Linndrum and bass line using a Yamaha DX7."

Drum Processing...
Kick - Teletronix LA-2A + AMS Reverb
Snare - Teletronix LA-2A + AMS Reverb
Hat - Teletronix LA-2A + Lexicon 224
Conga - Teletronix LA-2A + Lexicon 224
Tambourine - Teletronix LA-2A + Lexicon 224

Behind The Drums Ep 10 - Madonna "Into The Groove" Oberheim DMX

video upload by Controlled Voltage Sound Labs

Additional Behind The Drums episodes

"An in depth look at the making of Madonna's best selling song of all time 'Into the Groove.' Episode includes a remake of the beat using an Oberheim DMX along with a Roland TR 727 to incorporate percussion elements heard in the Shep Pettibone remix.

Drum Processing...
Hat - Teletronix LA-2A + Lexicon 224
Kick - Teletronix LA-2A
Snare - Teletronix LA-2A + AMS non linear
Clap - Teletronix LA-2A + AMS non linear

Roland TR 626
All percussion - Teletronix LA-2A +Lexicon 224 Hall Setting
Timbale - AMS DMX 1/8 delay

INSTAGRAM - @CVsoundlabs"

Behind The Drums Ep 14 - Tom Petty "Don't Come Around Here No More" Oberheim DMX

video upload by Controlled Voltage Sound Labs

"An in depth look at the making of Tom Petty's "Don't Come Around Here No More." Video includes a re-creation of the drum beat using an Oberheim DMX drum machine.

Join us on Patreon! - / cvsoundlabs
INSTAGRAM - @CVSoundLabs

Drum Processing...
Kick - Teletronix LA-2A + Lexicon 224
Snare - Teletronix LA-2A + AMS Reverb
Hat + Cabasa - Teletronix LA-2A + Lexicon 224
Toms - Teletronix LA-2A + AMS DMX Delay + AMS Reverb"

Behind The Drums Ep 07 - Dead Or Alive "You Spin Me Round (Like A Record)" Linn 9000

video upload by Controlled Voltage Sound Labs

Additional Behind The Drums episodes

"An in depth look at the making of Dead Or Alive's international hit "You Spin Me Round (Like A Record)." Episode includes a remake of the beat using the Linn 9000 drum machine, and takes a look at the creative process of legendary hitmakers Stock, Aitken, and Waterman."

Behind The Drums Ep 11 - New Order "Blue Monday" Oberheim DMX

video upload by Controlled Voltage Sound Labs

"An in depth look at the making of New Order's best selling single of all time 'Blue Monday.' Episode includes a remake of the drum beat using an Oberheim DMX drum machine."

Drum Processing
Hat - Teletronix LA-2A + Lexicon 224 Hall Setting
Snare - Teletronix LA-2A + Lexicon 224
Clap - Teletronix LA-2A + Lexicon 224 Plate Setting
Kick - Teletronix LA-2A + Lexicon Hall Setting

Five Famous Oberheim DMX Patterns (Hip Hop Edition)

video upload by Controlled Voltage Sound Labs

"Programming 5 famous patterns on the Oberheim DMX drum machine. An homage to the early pioneers of hip hop.

Grandmaster Flash - 'The Message'
Davy DMX - 'One For The Treble (Fresh)'
Slick Rick - 'Children's Story'
Kurtis Blow - 'AJ Meets Davy DMX'
Slick Rick - 'Mona Lisa'

Processing
Teletronix LA-2A + Lexicon 224

INSTAGRAM - ​@CVsoundlabs"

Behind The Drums Ep 12 - Pat Benatar "Love Is A Battlefield" Linndrum

video upload by Controlled Voltage Sound Labs

Additional Behind The Drums episodes

"An in depth look at the making of Pat Benatar's highest charting hit 'Love Is A Battlefield.' Episode includes a remake of the beat using a Linndrum."

Drum Processing
Hat - Teletronix LA-2A + Lexicon 224
Cabasa - Teletronix LA-2A + Lexicon 224
Kick - Teletronix LA-2A (No Reverb)
Snare - Teletronix LA-2A + AMS RMX Verb
Toms - Teletronix LA-2A + Lexicon 224

Behind The Drums

video uploads by Controlled Voltage Sound Labs

Additional Behind The Drums episodes

Playlist:

1. Behind The Drums - Tears For Fears "Shout" Linndrum with Drumulator Digirock Eproms

A deep dive into how the drums were made on Tears For Fears' hit single "Shout." Video includes a recreation of the beat using a Linndrum with the Digidrums "Digi Rock Drums" and 3 alternate eproms made by Linn Electronics. Drums are processed through Teletronix LA-2A compressor + AMS Reverb.

2. Behind The Drums Ep 02 - Billy Idol "Eyes Without A Face" Linndrum

An in depth look at the making of Billy Idol's "Eyes Without A Face." Video includes a recreation of the drum beat using a Linndrum with all stock sounds. Drums are processed through Teletronix LA-2A compressor + AMS Reverb.

3. Behind The Drums Ep 03 - Madonna "Holiday" Oberheim DMX

An in depth look at the making of Madonna's "Holiday." Video includes a recreation of the drum beat using an Oberheim DMX and live cowbell.

Drum Processing...
Hat, Cowbell, Tamborine - Teletronix LA-2A + Lexicon 224 Hall Setting
Snare and Clap - Teletronix LA-2A + Lexicon 224 Short Gate Setting
Kick - Teletronix LA-2A (No Reverb)

4. Behind The Drums Ep 04 - Wham! "Everything She Wants" Linndrum

An in depth look at the making of Wham's "Everything She Wants." Video includes a recreation of the drum beat using a Linndrum.

Drum processing...
Kick, Snare, Clap - Teletronix LA-2A + Lexicon 224 Plate
Congas, Toms, Cowbell - Teletronix LA-2A + Lexicon 224 Plate
Hat, Cabasa, Tamborine - Teletronix LA-2A + Lexicon 224 Hall

Behind The Drums Ep 06 - A-ha "Take On Me" Linndrum with Yamaha DX7

video upload by Controlled Voltage Sound Labs

Additional Behind The Drums episodes

"An in depth look at the making of A-ha's international hit 'Take On Me.' Video includes a re-creation of the drum beat using a Linndrum and Yamaha DX7."