Dave Smith Instruments Prophet 12 Desktop Module

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Rosen Sound Synth Demos & Restorations

Published on Jul 28, 2018 Rosen Sound

This one in via Soviet Space Child.

www.rosensound.com/rentals

Playlist:
1. Oberheim OB-X - Rosen Sound Demo

The OBX was the first major "answer" to the Prophet 5 synthesizer, and at least in our opinion, was the best answer anyone could've given.

The OB-X is based on the basic design of the (S)ynthesizer (E)xpander (M)odule also from Oberheim. Like the SEM, it features two discreet VCO's with saw and pulse, two envelopes, and the low pass section of the SEM filter. It also added noise, a release control, and cross modulation (similar to the Prophet's cross mod). The prophet's cross mod was a bit more dynamic, though. A flexible LFO section is also featured.

None the less, the OBX is in a species all of it's own in many ways. It's one of the very few mostly discreet programmable polyphonic synthesizers, and more than that spec, it sounds unique and absolutely marvelous.

Our unit features encore midi

Book your rental package with Rosen Sound and see the rest of our synth catalog at www.rosensound.com/rentals

2. Moog Minimoog - Rosen Sound Demo

3.SCI Prophet 5 - Rosen Sound Demo

In a lot of ways this needs no introduction. One of the most iconic poly synths ever made, and the first synth to offer true programmability with polyphonic architecture.

The Prophet 5 offers your basic amenities in a poly synth with 5 voices each with 2 VCO's, a low pass VCF, a VCA, two EG's, one LFO with multiple wave shapes available, with POLY MOD as the icing on the cake. This lets you make FM type sounds and is part of what makes the prophet 5 unique.

Our unit features factory midi

4. Oberheim Four Voice - Rosen Sound Demo

This in our opinion is one of the finest synthesizers ever made in terms of overall sound. The features are of course many and the synth as a whole is very flexible and powerful, but the sound it outputs is nothing short of mesmerizing.

The FVS features 4 Synthesizer Expander Modules (SEM) each representing a polyphonic voice. This means for one patch, each SEM must be setup identically. This may seem like too much, but it's actually a very enjoyable process that causes you to think different about the patch your making, the polarity of your modulation per voice, and subtle differences you can set.

The synth can also be used in a powerful unison mode, allowing each SEM to be adjusted separately for a crazy 4x dual oscillator synthesizer each with a multi mode filter to be fired at once.

Each SEM is as or more powerful than your standard mono synth, featuring 2 oscillators with saw and pulse each, PWM, FM, 1 LFO, two EG's, a bi-polar filter modulation control, and the sweetest Oberheim filter ever made featuring a bandpass filter and a sweepable LP-HP filter. These filters are special in the way that when the resonance is turned up, there is no loss of volume or low end.

Additionally, our FVS is an early model with no programmer (a feature loathed by many anyway). Instead, it features 2 dual mini sequencers with a common clock available. This means you can do 8-step 4 note poly sequencing between the four SEM's, or split the keyboard with one sequencer playing 1 SEM and 3 note chords on the other side of the keyboard.

Functionally, our FVS is very much in tune and has been stabilized to survive travel and tuning consistency. It is in tune as soon as it's turned on, and we provide a quick start guide for our rental customers to learn how to easily program and tune the machine.

Our FVS also features MIDI in via a modified YARN's module installed inside. This allows through basic midi and if desired (more complicated) midi scripts to play it polyphonically (default on boot), sequence each SEM assigned to a separate channel (enabling MPE), or played in Unison. All of these features can be harnessed by utilizing SYSEX or the Yarns editor, all which is provided on a thumb drive for rentals.

5. Moog Memorymoog - Rosen Sound Demo

To start, let's forget the internet-lore or an "unreliable" and "impossible to tune" machine. Our service shop is known worldwide for our work on Memorymoogs and stabilizing them for real production use.

Now, let's introduce you to (what we consider) the pinnacle of Moog synthesizers. With 3 oscillators + ladder filter per voice, flexible and intuitive modulation, and a knob per function, the Memorymoog is not a force to be reckoned with, and is in what we consider to be the top 3 best sounding synthesizers ever made.

From lush pads, 18 oscillator unison leads, heavy bass, and even gentle timbres, the memorymoog is sure to be a staple piece for your session in any genre on music. Plus it has everyones favorite feature: an arpeggiator!

Our rental memorymoog will arrive with an expression pedal and 12 custom patches (87-99) made by our resident in house programmer, Eli Goss. These 12 patches are the juice that will fuel modern productions to achieve sounds unobtainable by any other synth, with plugins not even worth a mention.

6. Oberheim OB8 - Rosen Sound Demo

One of our staple synths in the collection. The lore of the OB8 is that it's a less-exciting OBXa, however, with some choice mod's which we've done to ours, they are sonically identical.

The OB8 is one of the most flexible synthesizers available, which includes deep LFO routing from the front panel, and a PAGE 2 function that transforms every knob and button on the synth to do even deeper modulation, including quantized LFO's, musical "OBXA" style detuning, envelope routing, and more.

Additionally, our OB8 has been fitted with a Pratt & Read keybed, which brings the true feel of American poly synths to the experience, while also having the amenities provided by the B5 EPROM including factory midi.

7. Sequential Circuits Prophet 10 - Rosen Sound Demo

The Prophet 10 is more than just 2 Prophet 5's in one box; featuring an active EQ per voice, deeper modulation, and more performance capabilities with it's dual manuals and CV pedal inputs. This prophet 10 also features midi in and out.

8. Oberheim Four Voice Sequence

You could do an entire score with this #oberheimfourvoice. With quad poly sequencing and split modes the sky is the limit. Available for rent through us! Contact us for rates and availability. And yes, it has midi!

9. Prophet 5 Rev 3 Restoration

10. Juno 106 Multiboard removal

11. Juno 106 80017A Chip Failure - What To Check

In this video I go over a couple things to check not only to see if your 80017A chips are failing, but also other potential failures of the juno, including failure of one of the MC5534A dual DCO chip.

This video also applies to other models, such as the MKS 30, HS 60, GR 700 and some others.

If you would like Rosen Sound to service your Juno, please contact us at contact@rosensound.com

Dave Smith Instruments (DSI) Prophet 12 Module - Review/Walkthrough/Tutorial

Published on Mar 19, 2018 Snug Recording Co

"A look through the main features of the Dave Smith Instruments Prophet 12 Synthesizer Module. Let us know what you think!

We're just starting out creating some video content so apologies for the camera focus being a little out, we'll have that sorted for the next video - it's all a learning curve, huh?"

Use | Audio Plugiator Virtual Analog Sound Module

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"There's a noise when the delay effect is turned on (other effects work fine). Apart from that it works great and the sounds are really awesome. I've been using this with an external effects processor, so the lack of delay hasn't been a problem.

The Plugiator is basically the Creamware Minimax (Minimoog), Pro 12 (Prophet 6), Prodyssey (Prodigy), B4000 (Hammond B3) and four more modules all in one unit. It's very easy to work and has a great favourite preset function using the 10 buttons along the bottom.

It's in fantastic condition. The only cosmetic thing I feel I should point out is that the metal is quite soft and there is a slight ripple at the top left hand corner, but it's barely noticeable."

Weird regarding the noise as the Plugiator is software based.

CLICK FOR MORE »

Sequential Circuits Prophet T8 SN 000353 w/ Extras

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

via the seller: "I acquired this beauty, (restored by "Wine Country Sequential,") in 2003, making me the second user-owner. It never left my studio, except when I recently shipped it to (now) "Wine Country Productions" to service the electronics. During a thorough testing of the T8, I discovered something I never noticed during previous use--a very subtle shortening on decay and release times of 2 out of the 8 voices. That problem was resolved by replacing two IC chips. In addition, the mechanical keyboard was refurbished. I received the twice-restored T8 on 12-14-17. As a result of this overhaul, all keys are fully functional with no loud clacking sounds from hammers falling back on keys upon release. The keys trigger optical sensors instead of making physical contact, and are extraordinarily velocity sensitive for nuanced performance, and also have polyphonic aftertouch (a rare feature), with amplitude adjustment and 7 destinations--Frequency of Osc A & B, PW, Filter, Amp, LFO amount, and LFO frequency. The action is very similar to an acoustic piano. I haven't found another weighted keyboard synth or controller that compares. It mates very well with the (included) Roland P330 digital piano module, which contains variations of 3 grand piano sounds, harpsichord, clavi, 2 E. pianos (Rhodes), and vibraphone. The included T8 foot switch enables the programmable "2nd release" of the T8 sounds, and sustains the P330 via midi. You can also sequence and program change the P330 module from the T8's on-board sequencer."

CLICK FOR MORE »

Prophet '08 Bi-Timbral Soft Ethereal Pad

Published on Nov 4, 2017 Sacred Synthesis

"During this past summer in which I was blessed enough to borrow a DSI Prophet 12 synthesizer, I worked on creating a patch that was an imitation of a sound I had created on my Prophet '08 Keyboard-Module pair. It was a bi-timbral sound consisting of a soft flute coupled with a bright sparkly pair of tones in the upper register. The proper organ term would be "mixtures". While I was designing the patch on the Prophet 12, as is often the case, I took a bit of a turn and starting developing a variation on the original sound. Simply, I added random filter modulation to the mixtures and smoothed out the edges with a bit of Lag.

Now that I'm back working with my Prophet '08 pair, I decided to go full circle and see if I could re-create the Prophet 12 patch on the Prophet '08. This improvisation is the result. It's virtually the same sound, minus the smoothed edges on the Sample and Hold, since the Prophet '08 lacks the lag feature. As with the original Prophet 12 piece, the mixtures are slowly merged in during the middle of the improvisation.

I added a few melodies with a reed-like patch on the other Prophet '08, just to break up the monotony. This Improvisation is only an excuse to demonstrate the Prophet '08's version of the bi-timbral soft ethereal pad.

Instrumentation:
DSI Prophet '08 Keyboard (2)
DSI Prophet '08 Module

Bass:
DSI Evolver Desktop
Hammond XPK 200L Pedalboard

Effects:
Lexicon MX300
Alesis Nanoverb 2

Performed live and recorded directly to a Tascam CD-RW900 Mk II.

ALL MUSIC PROPERTY OF SACRED SYNTHESIS 2017"

Prophet '08 Soft Strings

Published on Oct 9, 2017 Sacred Synthesis

"I've been focusing on the Poly Evolvers for a full nine months now. I deliberately did so while the Prophet Rev2 fervor was at its height, and now that it's slowly passing, I thought I'd return to the Prophet '08.

Somewhat in imitation of the 'Soft Strings' piece I did on the Prophet 12, I thought I'd begin with the Prophet '08's version of the same patch. This sound uses the usual Keyboard-Module pairing and panning at the mixer for stereo breadth and depth. Only one keyboard was used, and every note is Prophet '08 except the bass, which is, as usual, the Evolver Desktop controlled by the Hammond Pedalboard.

By the way, the photographs used throughout this channel were all taken by my wife. These are the glorious local places that we weekly walk or hike in western Massachusetts. The present picture was taken just this afternoon, on a humid drizzly Columbus Day, as the remnants of the hurricane "Nate" passed through the area.

Instrumentation:
DSI Prophet '08 Keyboard
DSI Prophet '08 Module

Bass:
DSI Evolver Desktop
Hammond XPK 200L Pedalboard

External Effects:
Lexicon MX300 for reverb

Performed and mixed live and recorded directly to a Tascam CD-RW900 Mk II.

ALL MUSIC PROPERTY OF SACRED SYNTHESIS 2017"

Prophet 12 - Custom Patches 1 to 25 - geosynths.com

Published on Sep 4, 2017 GEOSynths

www.geosynths.com

"Had the chance to get hold of a used Prophet 12 Module and thought I'd put it to the test with the first 25 of my Patches...Including my Bladerunner sound that I do on everything! I wasn't going to bother getting a Prophet 12 as I was a bit of an Analogue Only type of guy, however I've completely changed my mind, since having the Novation Peak.

Anyway, have done Patches that are 'Analogue' in nature on the Prophet 12 Module and while it only has delays (I love FX) it is a very capable Synth. I'll probably get into more 'Digital' sounds in the next Batch."

Update:

CLICK FOR MORE »

Sequential Circuits Prophet 2002 Rackmount 12-bit Sampler SN 0465

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Pics of the inside below.

"The Prophet 2002 is a rack-mount MIDI module version of the famed Prophet 2000 keyboard. It features 8-voice polyphony, a 12-bit ADC/DAC, 8 analog Curtis Voltage Controlled Resonant Filters (VCFs), 8 analog ADSR's, up to 30 seconds of sample memory, and 3.5" floppy disk drive for storage.

The Prophet 2002 is a VERY rare piece of gear, and extremely hard to find in this excellent working and cosmetic condition.

The Sequential Circuits Prophet 2002 Digital Rack-mount Sampler is an awesome example of Dave Smith's early 80's design team. They had the skills to cram a TON of features and power elegantly into a small package.
This unit has been serviced and cleaned, and works perfectly, and sounds fantastic!
All the potentiometer knobs have been serviced, cleaned and lubricated.
The floppy disk drive has been cleaned, and fully tested to read and write reliably.
The ADC has been bias adjusted to ensure no DC offset when sampling. The inputs and outputs have all been cleaned and fully tested. The internal PSU capacitors have passed inspection.

This machine is 100% functional
This unit recently came to us from a studio storage facility, where it spent the last 20+ years boxed up awaiting the 12-bit sampler renaissance."

CLICK FOR MORE »

NAMM 2017: Shear Electronics Relic-6 - New Six Voice Discrete OB-X Based Analog Desktop Synthesizer

Published on Jan 22, 2017 sonicstate

Another sleeper surprise from NAMM. Note this is the first Shear Electronics post on the site. Jacob Brashears started working on the synth at the age of 15. The Relic-6 is based on the circuitry of the 1979 Oberheim OB-X. It has touch sensitive knobs with interactive display queues. Note the active light strip that runs through the middle of it as well as the lit colored labels. It has an all analog signal path with digital control voltage modulation (digital emulation of the Curtis 3310 envelop). You can actually adjust the spread between envelopes. Two VCOs feature a Saw and Pulse wave with various width, with sync. It has the original Oberheim 12db 2-pole lowpass filter with the ability to layer two sounds. It consists of 3000 transistors, an all glass front panel, hand crafted wood sides, and aluminum metal case. Retro future Star Trek look. They are targeting $3499 and hoping to ship this Summer. Currently they are planning to make five prototypes to get out there for testing and use.

Update: one more demo from Synth Anatomy:

NAMM 2017: Shear Electronics Relic-6 Analog Poly Synthesizer

Published on Jan 22, 2017 Synth Anatomy

Some additional info via http://shearelectronics.com

"Discrete analog extravagance.

Our voice card isn’t really dipped in solid gold. Aside from that, no expense was spared.


In our search for unparalleled sonic character, we looked to one of the most revered synthesizers ever made: The Oberheim OB-X.

We dusted off archived schematics of this 1979 behemoth and painstakingly recreated the entire signal path. Every single component of it.

Voltage-Controlled Oscillators.

Forget about DCOs, NCOs & PCM. There’s only one type of circuit that resonates with the freedom of a guitar string and the power of a live brass section.

Still, some VCOs are better than others. We’re using:
36 Resistors
12 Transistors
4 Capacitors
1 Diode
In each oscillator.

Excessive? Absolutely. But this old-school complexity creates a sonic depth that’s impossible to describe. Once you hear it, you'll never want to give it up.

Legendary State-Variable Filter.

First appearing in Oberheim’s groundbreaking SEM synth module, this voltage-controlled lowpass filter is arguably the greatest polysynth filter of all time.

The gentler 12dB/octave curve kept all the biting resonance of the 24dB Minimoog filter, but added more air and sizzle.

We built it the old-fashioned way, right down to a faithful Texas Instruments clone of the notoriously gritty RCA 3080 chip.

Back in 1974, the famous SEM filter required ultra-precise silver-mica capacitors to produce its signature resonance. Today, silver-mica capacitors have become ultra-rare. Of course, we used them anyway.

Scorching in Stereo. Old-school VCAs weren't always perfect, but they were never boring.

In the days before crystal-clear amplifier chips, subtle distortion used to color your sound whether you liked it or not.

On top of that, the earliest polysynths had knobs to manually pan individual voices for a striking three-dimensional effect.

After all the scorching texture of the oscillators and filter, our voice card’s output stage delivers the finishing blow.

And with two discrete VCAs for each voice, the stereo field is flexible, powerful, and programmable.

Envelopes with Curtis Curves.

The Curtis Electromusic CEM3310 Envelope Generator shaped control voltages for the Prophet-5, Memorymoog, and the entire Oberheim OB-series.

The original chip was discontinued in 1985, but we’ve examined authentic datasheets and recreated its distinctive curves with a 40 kHz output rate at 14-bit resolution.

The unique attack stage rose to 6.5 volts, but was truncated at 5 volts — not quite exponential, not quite linear.

Our emulation matches it perfectly.

Often, rise & fall times were glaringly inconsistent from one voice to the next.

Our ‘fatness’ parameter lets you dial up the vintage looseness when you want it, or stick with timing accuracy when you need it."

Yamaha TG33 SN HO01255

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The Yamaha TG33 is a 32-voice programmable synthesizer module featuring AWM and FM synthesis under vector control. Many automatic vector ("dynamic vector") patches are offered in the presets, but the vector control joystick on this module allows real time manipulation of vector level and detune, allowing the user a high degree of expression. There are two preset banks of sounds, plus an Internal and a Multi bank, and the option of adding RAM cards for even more patch storage.
The TG33 is a fairly compact synth, and can be set up as a desktop module, or mounted in a rack with the included rack ears. On the MIDI side, in, out and thru are offered. There are two sets of stereo outputs to add your own effects on mix-down, but the unit also includes 16 types of digital effects on board.

CLICK FOR MORE »

Dave Smith Instruments Introduces DSM03 Feedback Module

via Dave Smith Instruments

"Third Eurorack Module for Modular Systems Now Available from Acclaimed Synth Designer

San Francisco, CA—October 13, 2016—Dave Smith Instruments today introduced the DSM03 Feedback Module, their third offering for modular synthesizers. At the heart of the Eurorack-format module is a tuned feedback line with adjustable parameters for Amount and Tuning. It also features a newly-designed, resonant, low-pass filter for further signal processing. A noise source is also provided with Trigger In as well as Attack and Decay envelope controls to allow Karplus-Strong-type plucked string synthesis.

According to Dave Smith: “We adapted the feedback feature originally found in our Evolver, Pro 2, and Prophet 12 synths. The idea is that you have a tuned feedback loop that takes the audio output, runs it back through the filter, then through a delay line so you can perform Karplus-Strong synthesis—or just use it for mangling sounds.”
With regard to the filter, Smith added: “The 4-pole, resonant, lowpass filter is a new digital design, based partially on classic analog filters of the past, but with over-sampling and numerous tweaks in the signal path. There was no attempt to copy or duplicate a specific, existing filter. We simply wanted to provide a great-sounding design that works well both in the feedback context and as a stand-alone tone-shaping tool.”

The DSM03 module is a 10HP wide, standard Eurorack-format device with interconnections made using 3.5 mm phone jacks. A set of inputs allow individual voltage control of feedback amount, tuning, low-pass filter frequency, and filter resonance. The module provides one audio input and one audio output as well as an audio trigger input for the noise source. The digital filter’s signal path provides full 24-bit, 96 kHz resolution for superior audio fidelity.

Said Smith: “When it comes to designing our modules, we like to provide things that are slightly esoteric, but still fundamental to the Dave Smith sound. Tuned feedback has been a part of the tonal palette of our synthesizers since the Evolver, so we wanted modular users to have access to it, too. It offers a lot of really fun, creative possibilites.”

The DSM03 module is available now with a MAP of $275."

PROPHET 12 MODULE Part 5

Published on Sep 12, 2016 Chris White

"In this film, I wanted to see how the P12 would work as a drum machine. Or at least how useful it would be in creating beat elements. I've put some compression on this for a bit of glue."

All parts here.

DSI PROPHET 12 MODULE Part 4

Published on Jul 25, 2016

"Delving deeper into the oscillators and sub-oscillator."

All parts here.

Korg gadget live 13 'Circles & Squares' nanokontrol studio and launchcontrol

Published on Jul 12, 2016 Hank Astral

iTunes: KORG Gadget - KORG INC.

"slowly adding more midi controllers. Not too many though. Keep it simple.
Please subscribe/comment if you like this track

HOW I ARRANGE: After I've created a loop that I like I just launch/mute tracks and tweak parameters rather than consciously lay everything out. This way the whole process stays fun which for me is the key. I may do a more detailed tutorial on this.

With all the gear options out there I also like sticking with one program and Korg gadget is perfect for what I want to do. If you don't know what it is here is my own overview:

Korg gadget is a complete IPAD electronic music workstation - like a propellerhead's Reason for mobile.
To make music you just pick any of the following 'gadgets' from within the program and start composing:
Drum machines/Drum Samplers
London: drum sound module Gadget designed specifically for dance music but with the right FX can fit any style really. Has 8 Tracks.

Tokyo: 4 track analog-type drum sound module with lots of tweak potential. Sounds great with London.

Bilbao: One-shot sampler (up to 2 bar length samples but mainly aimed at drum hits) 16 tracks. Import your own sounds! Basic FX though

Abu Dhabi: 1 bar loop player. (Again import your own loops) Lots of glitch potential
.
Amsterdam: 4 slots for variety of drum hits and sound FX. Factory library only

Gladstone: 20 acoustic drum kits

Synths/pitched instruments
Chicago: think 303.

Kamata and Kingston: Chiptune

Darwin and Marseille: M1 and GM sound module

Glasgow: Synth strings and Triton sounds

Madrid: Real sounding acoustic and electric bass

Salzburg: Multi-sampled grand piano

Brussels & Miami: monophonic modern sounding bass/lead synths Can pump and bass wobble

Wolfsburg & Phoenix: Polyphonic synths (wolfsburg like a modern VST and phoenix like a prophet 5)

Berlin: Arp Odyssey

Dublin: Semi modular synth

Chiangmai: Bell type sounds

Helsinki: Absynth like ambient polyphonic synth

Montreal, Alexandria & Firenze: Real sounding electric piano and organs

Kiev: Vector synthesis.

Insert FX, comp and EQ on every track plus global reverb send. Independent MIDI channels on each track. IPAD AIR and above at least 20 tracks. Most of my songs use about 10.

best

hank"

Korg gadget track 12 with NanoKontrol studio

Published on Jul 8, 2016 Hank Astral

iTunes: KORG Gadget - KORG INC.

"Using the Nanokontrol studio to control the gadget mixer.

HOW I ARRANGE: After I've created a loop that I like I just launch/mute tracks and tweak parameters rather than consciously lay everything out. This way the whole process stays fun which for me is the key. I may do a more detailed tutorial on this.

With all the gear options out there I also like sticking with one program and Korg gadget is perfect for what I want to do. If you don't know what it is here is my own overview:

CLICK FOR MORE »

DSI PROPHET 12 MODULE Part 3

Published on May 20, 2016 Chris White

"Further exploration of the Prophet 12 Desktop from Dave Smith Instruments, a 12-voice hybrid digital/analog synthesiser module."

All parts here.

DSI PROPHET-12 MODULE Part2

Published on Mar 11, 2016 Chris White

"Further exploration of the Prophet 12 Desktop from Dave Smith Instruments, a 12-voice hybrid digital/analog synthesiser module."

http://www.davesmithinstruments.com/product/prophet-12-module-2/

Part 1 here.

Sequential PROPHET-12 MODULE Demos by Chris White

Published on Mar 1, 2016 Chris White

"An exploration of the Sequential Prophet 12 Desktop from Dave Smith Instruments, a 12-voice hybrid digital/analog synthesiser module.Further exploration of the Sequential Prophet-6 Module. The 6 Voice Polyphonic Analog Synthesiser from Dave Smith Instruments.

on https://twitter.com/chriswhite_HQ
on https://www.instagram.com/chris_white...
on on https://chriswhitestore.bandcamp.com"

http://www.davesmithinstruments.com/product/prophet-12-module-2/

DSI PROPHET-12 MODULE Part2

Published on Mar 11, 2016 Chris White

"Further exploration of the Prophet 12 Desktop from Dave Smith Instruments, a 12-voice hybrid digital/analog synthesiser module."

CLICK FOR MORE »

Dave Smith Instruments Prophet '08: Improvisation LXI

Published on Feb 12, 2016 Sacred Synthesis

"Another improvisation from the previous day's session, using the same brass patch. This piece is meant entirely to demonstrate the power of the Prophet '08 Keyboard and Module pair. This is how it sounds to "pull out all the stops".

Instrumentation:
DSI Prophet '08 Keyboard
DSI Prophet '08 Module
DSI Evolver Desktop
Hammond XPK 200L

Effects:
Lexicon MX300 reverb
Alesis Nanoverb 2 delay

Performed live and recorded directly to CD

All music property of Sacred SynthesisDescription"