A Demo of mods driving the TastyChips Integral dual convolver pedal

video upload by ParadisoModular

"As I recently finished modifying my 'Integral' dual convolver pedal by TastyChips (https://www.tastychips.nl/) to accept control from multiple external CVs and gates, here's a quick demo video. After a few minutes of showing the Integral's front panel being driven by my external CVs, I switch to showing more detail on my mods and the patch that runs it. This patch also gave me a chance to explore my TipTop Matrix Sequencer, where you dial in 16 pitches from which you can extract 10 sequences that traverse the note matrix in different ways. I crossfade periodically between these 10 lines driving different tone sources (reversing them occasionally to give a bit of variety) - this provides a dynamic and harmonically-rich base upon which to run the Convolver, which produces all of the effects that you hear.

My mods let me turn essentially all of the knobs with external voltages (I also have a gate input for the 'shift' button so I can get at the secondary functions of these knobs too), and indeed, I do that here. All of the knobs are being turned constantly by different LFOs. This pedal sports two convolvers - the panel's knobs affect the one that's displayed, but also I provide a periodic pulse to the 'select' knob (which I gated in the pedal so it doesn't hit when 'shift' is active to avoid going into a menu), which toggles control to the other convolver. So this patch, simple as it is, spans a lot of sonic space...

The Integral is a wonderful box - it sports two convolver chains, and you can select from circa 100 different impulse responses (plus add your own via a USB stick). Convolution is a general operation that spans across reverb, echo, filtering, etc. - you essentially inherit the character of the chosen impulse in the driving waveform. It's not a real-time operation in principle (the convolution integral for each sample goes across the entire impulse) although there are ways of speeding and breaking the operation up to approach real time (plus this pedal allows you to window the integration over the stored impulse). It's a very deep pedal - and in using it, I saw right away how turning several of the knobs at once can get you to interesting modulations and textures while they are moving (the expression input gives access to only one parameter - I use it now for the convolution cross-fade, as I couldn't get to that input with my mods). TastyChips used to make a Eurorack module giving some of this flexibility, but it only included one convolver. The Integral pedal has 2 and is a current product, hence reinforcing my decision to acquire one and essentially 'turn' it into a versatile synth module.

My sequences here are a bit major-key/unsophisticated (all notes have to work potentially on top of each other and in whatever sequence it picks), and the pedal occasionally gets briefly into strange territory - hence this demo only hints at where this beast can go (every impulse response has a different character too). And turning all of the knobs can occasionally push it into instability - I will probably use fewer when I take it out for a real spin. More coming with this one in future patches, but in the interim, here's this trial demo..."

Hocket using ONE SYNTH

video upload by Hazel Mills

"Just me playing a synth, with love. The enjoyment of which is helped by this 'round robin' or 'hocket' technique that is allows, resulting in such expression and personality. If you wanted to see part one or this, where I hook up 3 of my synths to a Hocket plug-in and create a giant hive mind of synths, pop here - • Synths collaborate better than humans . [below]

More stuff and sample/sound packs on my Patreon - / hazelmills

Big love x"

Synths collaborate better than humans

video upload by Hazel Mills

Passive Bandpass Filters Are GOATED | AudioThing Octaves

video upload by HAINBACH and AudioThing

"Passive bandpass filters are an obsession of mine, so it was just a question of time until AudioThing and me would make a plugin of the special subset called octave filters. Octaves is out on now: https://www.audiothing.net/effects/Oc...

My Music: http://hainbach.bandcamp.com"

"Hainbach’s Bandpass Filter

Octaves is our latest collaboration with Berlin-based composer and YouTuber Hainbach. It is a filter plugin designed to take apart the audio spectrum in spreads of octaves, allowing for unique and enchanting spectral sound design effects. Octaves gives you a retro-scientific approach to sound that echoes the timeless productions created in the BBC Radiophonic workshop or the WDR Studio für Elektronische Musik by the Avantgarde masters, and modern places like Willem Twee, Strøm, and Hainbach’s own laboratory.

Octaves is available for macOS, Windows, and Linux (VST2, VST3, AU, AAX, CLAP).
It’s also available on the App Store for iOS and iPadOS (AUv3 and Standalone).

CLICK FOR MORE »

A Tiny Techno Modular using Disting NT: Suggested Systems 9

video upload by mylarmelodies

"The good folks behind Expert Sleepers hired me to make a video showing the Disting NT doing something interesting - but what that was, was up to me. I figured the NT should be able to power an entire small live system, replacing a boatload of modules in one. And I thought about how James Holden blends computers & analogue filters in his work. And so I built a live system that does just that. Here's it working, how it works, the challenges I had, and the solutions. NOTE: YOU CAN DOWNLOAD THIS DISTING NT PATCH BELOW FOR FREE"

CLICK FOR MORE »

Foltek Mescaline and POM 400 Part 2: Will it Techno?

video upload by Infin-D

"The patch here is basically the same as the last video, but I increased the tempo on the Mescaline trigger sequencer, tightened up the envelopes on the POM 400, and routed some modulation from the POM sample & hold to the Mescaline percussion voices. The sawtooth oscillator on the POM once again provides a dissonant, chirpy counterpoint.

All audio from the Mescaline is routed through the POM, gets some compression and reverb from the Zoom MS70 cdr+, and delay from the Korg NTS-1.

Recorded live on the Zoom L6, audio normalized in Audacity."

Foltek Mescaline and POM 400: Melodic Modular Magic

video upload by Infin-D

"The Folktek Mescaline lives up to its name, it reliably takes me to magical, trippy places. It's biggest weakness is the 'Channel' module, which generates rich polyphonic tones, but lacks envelope control, so basically it's a melodic drone. Enter the Teenage Engineering POM 400, with its dual envelope generators and VCA's. Now I can route the Mescaline voices through it, and triggered by its sequencer clock I can get nice snappy, plucky melodies- modular magic.

The Mescaline melodies and percussion are accompanied by the POM saw wave oscillator, outgoing audio gets some compression and reverb from the Zoom MS70 cdr+, and delay from the Korg NTS-1.

Recorded live on the Zoom L6, audio normalized in Audacity.

Vintage Infindibulum on Bandcamp:
https://thisco.bandcamp.com/album/inf..."

TR1000 New Skin debut - New Project Premier

video upload by Teddy Rock Steady

A clearer view of the TR-808 skin for the TR-1000 featured in this previous post. This one was spotted and sent in via M Me.

From the video:

"sample chop preview, new project premiere track featuring the voice of one of the most influential and inspirational speakers of our time, Shahid Bolsen
Get TR1000 skinz https://synthskinz.com
Shout out to Synth Skinz"

Blue Monday/New Order (Circuit Tracks Revision)

video upload by Guinan

"Almost! It's another Monday, so what could be more apt than todays 1983 New Order classic, Blue Monday.

As per usual this is ALL Novation Circuit Tracks playing live from the audio outs direct into my Zoom L6 recorder. No extra synths/no effects/no extra edits.

This is a revision of a version I did about 12 months ago. There is a lot going on in this track so I've squeezed a bit extra out of the groovebox in using some short melodic samples in place of drum sounds on 3 pads.

I'd initially dug it out to get me started on an Ableton Move version of the track and with some polished up samples and a little bit of editing I thought it was worth a revision.

More details for synth nerds,

BPM 131
I originally programmed the top arpeggio line on the Circuit Tracks quickly realising I was going to run out of voices. I sampled the riff and stuck it on a pad and played it back as a pattern and saved myself a voice, I couldn't get a bass synth sound that would double up as the main synth and as 'Peter Hook'. Instead I played a short Spaghetti Western style bass guitar riff through a spring reverb in my best impression of Hooky and sampled it on the Circuit Rhythm. I then transferred this onto one of the drum sample pads and put it on Drum 4 as another pattern, finally there is a choir sample the band played on an old Emulator. I simply copied the same source they used ( Kraftwerk's track, 'Uranium') and made a loop on another one of the drum pads, turning it into a 3rd pattern for Drum 4."

One-Bit Delay, a new plugin by Infinite Digits, inspired by the PT2399 delay chip

video upload by infinitedigits

https://onebitdelay.com

"Introducing the One-Bit Delay plugin - a VST/AU inspired by the one-bit sampling delay circuits from the 90's. it is my love letter to the classic delay chips like the PT2399 and M50195P.

this plugin uses a one-bit stream at its core. like the classic chips, this plugin uses delta-sigma modulation to manage noise above the audio band (though the plugin has a configurable sample rate to change the noise level!). also the One-Bit Delay plugin has demodulation filters tuned to the PT2399, and the harmonic distortion is modeled and closely follows the change in resistance applied to the internal oscillator (like the PT2399).

thank you all who continue to support me, I'm truly grateful - your support is allowing me to continue to crystalize musical artifacts."

Monomachine sequence through DIY gong speaker

video upload by copenhagennoiselab

"This was an experiment I made. A few years back I made a DIY gong speaker and amp - using a cheap gong gong, a salvaged akai reel to reel case and a class D amplifier. I wanted to play around with it this week - so I brought it out of storage together with an Elektron Monomachine. I made a simple 4 bar pattern based mainly on me liking the sound produced. I shared an image of the setup on the swedish 99musik forum - and was asked for a sound sample. Here it is. The dry output can be heard at the end."

Fieldtone Weaver Eurorack // The Happy Accidents Module // Full walkthrough and patches

video upload by Lesjamusic

Pedal version previously featured here.

"The Fieldtone Weaver is a two-second sampler with a single knob, no undo, and no going back. Now it's in eurorack.

Weaver captures two seconds of audio - via the built-in microphone or audio input - and instantly randomises it into evolving loops, rhythms, and textures. Every turn of the knob generates a completely new variation. Nothing saves, nothing recalls. It's the ultimate happy accidents machine.
The modular version adds individual level control for three loop elements, trigger outputs that double as a random rhythm generator, a pitch switch, clock sync, and CV control - which works differently to what you might expect. I go into detail on all of this.

🔗 LINKS
Fieldtone Instruments: https://fieldtone.uk
Soundgas interview with Hugh Jones: • The Gas Club, Episode 1 - Hugh Jones, Fiel... [below]

⏱️ TIMESTAMPS
0:00 - Intro
01:56 - Panel walkthrough
15:27 - Synth patch
16:25 - Weaving my voice!
17:04 - Granular textures, duet with Bunker Archaeology
18:21 - While my guitar gently weaves
20:42 - Claps and finger clicks on the contact mic
22:30 - CV controlled synth washes
23:06 - Pacifica weaves
24:36 - FInal thoughts and a closing Plaits patch.

#eurorack #modularsynth #fieldtone #weaver #sampler #looper #modularsynthesizer

Disclaimer: Fieldtone sent me this module for the video. They did not pay for this video and had no editorial control over the content."

The Gas Club, Episode 1 - Hugh Jones, Fieldtone Instruments.

video upload by Soundgas

"Welcome to our new series, The Gas Club. Where we meet people who make things - be that music, recording devices, or instruments.

In the first episode Tony meets Hugh Jones of Fieldtone Instruments at the Soundgas HQ to explore the history of Fieldtone's celebration creations. They take a deep dive into Hugh's journey from musician/engineer to designer/builder of the Box of Uncertainty, The Weaver one knob handheld sampler and brand new Weaver Module plus a sneak peak at what to expect next from Fieldtone in 2026.

Tony and Hugh discuss the joy of sonic adventure and gear designed to produce happy accidents and the experiences of bringing new creations to the world."

A few pics and details on Weaver Eurorack:


Weaver Modular from Fieldtone is a Eurorack format version of the highly in demand Weaver handheld sampler that featured in music tech tastemaker Andrew Huang’s year round up as his Favourite Desktop FX module of 2024. The modular edition builds on the functionality of the original by adding a variety of additional control.

The Weaver is no ordinary audio sampler, it is a meditation on impermanence and chance. With a single, enigmatic knob, it embraces randomness as an artistic principle, reconfiguring two-second sound bites into hypnotic loops and evolving textures. There is no undo button, no way back once a sound is captured; the Weaver insists that you move forward, shaping the unpredictable into rhythm or texture with nothing more than a twist of the wrist or control voltage change.

New functionality on the device includes separate level controls of different elements of the loop, as well as 3 x trigger outputs which turns the device into a random rhythm generator for which you don't even need to be using the sampling capabilities. You can trigger the Recording start via CV, allowing you to keep replacing the sample whilst the loop continuously plays - something that works beautifully with acoustic sound sources such as guitar or voice, as well as electronics. A switch has also been added to select between Random or Root note sympathetic pitch playback.

Features:

Single-knob audio sampler focussed on randomness and exploration

Capture sound via built-in microphone or input jack

Fixed two-second sample time

No undo function, every knob movement generates a new loop

External sync via Clock input

Stereo output on separate L&R sockets with rich spatial movement

Separate level controls for 3 different elements of the loop

3 x gate outputs for triggering other sources

Toggle to switch between Texture and Rhythm modes

Toggle to switch between Root or Random pitch

Gate/trigger input to control Recording start

Gate/trigger input to control Weaver knob

Can be used as random rhythm generator without needing to use the sampler

Available Colours:

Forest Green (orange LED)

Dusty Pink (purple LED)

Black (pink LED)

Dimensions:

10hp

Ships by the end of March

ROLAND P-6 vs. THE LIMITS ❄️ UK Garage Train Jam | Jamuary 2026

video upload by jAUF BezDebat

"Pushing the Roland Aira Compact P-6 to the absolute edge while rolling through a snowy winter landscape. No more excuses about 'limited gear'—we’re mashing up the constraints and turning them into features. Seen?

[The Session] This is a high-speed UK Garage & Bassline session recorded live on a train. The P-6 might be small, but we’re squeezing every bit of juice out of its sample memory using custom hacks and workflow tricks.

Pay attention to the Ragga MC commentary—I’m shouting out technical specs, signal flow, and P-6 shortcuts instead of the usual hype. Watch the snowy window for lyrics and keep an eye on the screen for text-based tips on how to master the P-6 live.

[Workflow Secrets]

The 'Kit' Strategy: Prepare your samples as a kit so you can slice them and have more control. This way, you can access any part of the riddim and even combine multiple kits inna one beat.

Bank Management: Set strict rules for which sample types go into each bank. This allows you to mute banks live and keep the session flowin' smooth.

Old School Logic: Actually, it’s nuh ridiculous, seen? Short sample time was a typical limitation inna UK Garage origins because of the gear capabilities back inna di day. We’re just bringing that energy to the P-6.

[Gear & Community] Special thanks to the brands and family keeping the inspiration high:

Hardware: Roland Aira Compact P-6

[Join the Family] If you’re a P-6 head or just love gear-torture sessions, hit that Like and Subscribe. Tell me in the comments: What’s the one P-6 limitation that drives you crazy? Let’s find a hack for it!

Upfull vibes and happy Jamuary! 🎹❄️"

Luxembourg's Forgotten Electro-Monster: BME Rattlesnake

video upload by HAINBACH

"The BME Rattlesnake has haunted me for decades: Ever since I discovered its crispy claps on a magazine cover disc, I wanted to play with it IRL. When I got my hands on it, I was not disappointed: the Rattlesnake surprised with me with a heavy sound beyond the samples I knew. I was curious about its history, so I did a deep dive on BME. Check out my Patreon for a big sample pack: / hainbach

My Music: http://hainbach.bandcamp.com"

Small Town Boy/Bronski Beat (Circuit Tracks version)

video upload by Guinan

"Feeling a bit of 80’s nostalgia ('Stranger Things' anyone?) I thought the time had finally come to try and give this classic electro-pop anthem the Circuit Tracks treatment. Released in 1984 (40+ years!) it’s too easy to forget how ground-breaking the song (and it’s subject) was in the political climate of the Eighties.

The song itself is a simple but almost perfect pop song. It was programmed on an MC-202 Microcomposer and is reputed to have started life as an electronic disco version of the Sex Pistol’s 'Pretty Vacant'!

Yamaha DX7 is used heavily on the track (notably the presets ‘Harp1’ and ‘Bass1’), and additional Sequential Pro-One, Memorymoog and Linn drums. I managed to simplify the arrangement to program everything and the vocals into a single Novation Circuit Tracks. Everything you hear is being played and recorded live from the Tracks.

I'm pleased at how close to the spirit of the original I managed to get this time. I hope you enjoy the track and it brings back some memories for you too."

"More details for synth nerds
BPM 135
I don’t own a DX7 (sadly!) but the closest thing I have is emulation. The repeated ‘Harp1’ DX7 line (and the ‘Marimba’ break) was sequenced on the Tracks MIDI 1 and sampled as 4-bar loops from the internal MicroDEXED emulator in an M-Vave SMK-37 Pro keyboard. Each sample was then triggered (like a drum sound) at the required point in the song using the Drum 3 track.

CLICK FOR MORE »

KIVIAK WoFi - "Fierceful Sequential Machines"

video upload by Alba Ecstasy

"Hi! The team from KIVIAK Instruments sent me the WoFi right before the Christmas.
And since then, there hasn't been a day that I haven't played the WoFi!

I’m not mastering it at it’s very best, yet! - but this sampler has a HUGE POTENTIAL!

From the very first day I sampled my voice, my kids' singing, my synths, ambiental noises and anything you can think of!

Diving into the samples with the Waveform Viewer, using the Touch Stripe or the Texturer’s buttons, to create new interesting sounds and modulate them with the LFO, to obtain either an industrial, harsh sounds or a sound with vintage lo-fi vibe.

Here’s a sample from my Sequential PRO 3, using it to create a Berlin School sequence on my own style with a vintage vibe, and playing over it - by using the SOLO function - a plucky/organ lead, both the sequence and the lead using the same sample.

I’m passing through the sampling MACHINES and the Playback Modes and tweaking some functions.

I added some delay and reverb, and during the playing (made in post processing) I’m bypassing them for a raw sound."

More to come, next days!

Questions?! Please ask!

❤️AE

0:00 Allez-y!
0:30 Playback Modes
0:50 Machines
1:30 Ext. Delay & Reverb
1:40 SOLO function
3:15 Texturer
4:40 RAW
5:40 Back to ext. effects
6:30 Messing with the Playback Modes and the Machines
8:20 À Bientôt!"

Roland MKS-100 | The first Roland sampler module (and very few knows about it)

video upload by Espen Kraft

"The Roland MKS-100 from 1986. The Module version of the S-10 with a few minor differences, among them the Midi Mono mode. Sampling time and memory is the same on the S-10, MKS-100 and S-220 (the third and last sampling module in this early series)
Four memory slots (ABCD) with a total sampling time of 4,4 seconds at 30Khz. (8,8 sec @ 15Khz). The S-10, MKS-100 and S-220 all used the Quick Disk (QD) system to load and save sounds.

Check out my Roland S-10, MKS-100,S-220 sample library here: • Roland S-10 Sample Pack | Download now! [video below]

Big thanks to Anders Enger Jensen for lending me the MKS-100 for this video.

Some references say the MKS-100 is from 1987, but Roland made these in 1986 through to the end of the 80s."

Roland S-10 Sample Pack | Download now!
video upload by Espen Kraft

"A brand new sample pack for the Roland S-10, MKS-100 and S-220.
51 different samples taken from my vintage collection of synths and drum machines.
These are QD image files so you have to have a QD floppy emulator installed in your S-10 to use these.
Price is $15USD or €15Euros if you prefer that currency. Send me an email if you're interested. I only sell these through email. You'll find my email in the "about" here on my channel.
All the sounds heard in the demo video are coming from this pack. External reverb is on some of the samples in the video.

I think the Roland 12-bit S-samplers from the 80s has a special sound to them. If you have a S-10/MKS-100/S-220 and you just want some new cool sounds for it then this pack might be for you. These sounds can not be found anywhere else. They're all made by me one way or the other."

Suiko ST-20 + Chase Bliss Reverse Mode C // DAY 4 #jamuary2026

video upload by Dexba

"I love everything about this combo, from the colors to the subtle lo-fi nature of the sound (I am using the halved sample rate on the RMC).
I also like the Suiko for its limited sound palette and the fixed, exotic (to me) scales, which force me to find my way around them or within them or both.
I hope you'll like it! 🧡

This time, no affiliate links, because the Suiko hasn't been in production for the past 40 years, and the Chase Bliss pedal is also not in production ;)

#jamuary #chasebliss #suiko"

Wavetable Synths A-Go-Go: 1010Music Fireball, Pigments 7, and Ultra.Audio Ultra!

video upload by Keith Crosley

"It's a trifecta of new (and new-to-me) wavetable synthesizers! Your old pal Keith got a 1010music nanobox Fireball synth for Christmas, so of course I made a new wavetable collection for it. Let's take a look and listen! Also, we'll talk about Arturia Pigments 7, and look at the crazy wavetable features of a new super-synth, ultra.audio's... Ultra! Also, I talk about "Microwaved" wavetables, sample fukkery, show off one of my Lego minifigures, and introduce you to my new favorite band. It's like show-and-tell for grown-ups who refuse to grow up! So grab your micro SD card, stick it in the slot, and join for a WAVETABLE-SYNTH-A-GO-GO episode of your favorite talky synthesizer content show!"

"Get my new KRC Fireball Collection -- 2000+ wavetables for 1010music Fireball, Bento, and other wavetable synths that support Serum-style .wav wavetables -- just $10!: https://www.wavetables.lol"

CHAPTERS:
00:00:00 Intro, wavetables.lol, KRC Mathwaves
00:00:40 1010music nanobox Fireball hardware wavetable mini-synth
00:23:52 Arturia Pigments 7 software wavetable synth
00:35:17 ultra.audio Ultra VST3/standalone wavetable super-synth

Hexdrums: First Noodle (No talk, no drive)

video upload by Richard DeHove

"You want easy? Hexdrums is easy. The sounds are whatever the knobs are on. There are no hidden extra sound controls. The sequencer is wonderfully straightforward yet has the options to create long and complex passages on a single pattern.

This is my first pattern with Hexdrums and I created it to learn the options, so it contains a little bit of everything. Voices 1, 3 and 6 run for 24 steps; most of the others are 16 or 64; there's shuffle on voices 3 and 4; and about half the steps on voice 4 have some microtiming. Many voices use the 'play once in 4' or similar settings applied to various steps and I activated the option for those to affect the last time around rather than the first. Various voices also have accents on different steps. I replaced the cymbal samples with my own samples which is what you hear on voices 9 and 10.

I used the individual outs on the back to send the snare to the Echolocator and the low boom sample on voice 9 to the Nightverb. MIDI out on the Hexdrums controls the Echolocator clock. By that stage it was all feeling full so I didn't want to artificially squeeze in the hats so I left them for next time. Many people like to immediately apply loads of drive to the sound. I love drive, saturation, dirt, gain and distortion. But there's none here. Another thing for next time. Likewise only a tiny touch of compression. With me applying 'test amounts' of all these options, usually at random, it's a miracle it sounds as coherent as it does. Even so rolls and hits do appear at odd intervals, the result of the 24 vs 16 step interplay and the 1-in-4 steps.

Not surprisingly then I thought it best to leave the knobs alone and concentrate on muting parts to create this little demo. Obviously it's all a single take and has not been enhanced, edited or remixed in the DAW. Stupidly I had a loose cable going into the Echolocator which created a bit of hum which I did try to eliminate in the DAW.

My one sentence review so far: Hexdrums is incredibly easy to use with loads of effortless thump and a deep sequencer.

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

PATCH / STEREO 4 VOICE GENERATIVE CHORDS / Joranalogue Audio Design system

video upload by Joranalogue Audio Design

"'I had a blast creating this patch on a giant Joranalogue eurorack system. I implemented a lot of small tricks, let me write out the main ones down here...'—Simon


Kickdrum
---------------
Filter 8 is getting pinged by a clock pulse (generated with a looping Contour 1), routed through Warp 1. A second Contour 1 is used to modulate the frequency of Filter 8. A Step 8 being clocked with the same pulse from Contour 1 is modulating the exponent parameter on Warp 1 (controlling the amount of distortion/waveshaping). The pattern is 7 steps long. By adjusting the exp knob manually I have additional control over the distortion.

CLICK FOR MORE »

Introducing Absynth 6 – weird by design | Native Instruments

video upload by Native Instruments

"Absynth is back and better than ever. The legendary semi-modular synth built for evolving textures, immersive atmospheres, and expressive sound – now with new presets, a reimagined Mutator, Preset Explorer, surround sound and MPE support, plus much more."

And a few supporting member videos followed by the press release with images:

DATABROTH

video upload by DATABROTH

"Read my full review here: https://www.databroth.com/blog/absynt...
Join me December 12th at 9 AM PT in the Native Instruments discord as I live stream Absynth 6

check out my wavetables and presets at https://gumroad.com/databroth
join my Patreon https://www.patreon.com/databroth"

00:00 First Patch
01:21 Biolumin
02:21 Crystal Pad
03:14 Glitters
04:25 Refractions
05:41 Patch Six
06:33 Aetherized

Absynth 6 Review is Here: The King of Cloudy Pads Returns #absynth6 #absynth #nativeinstruments"

Ocean Swift / Faxi Nadu
video uploads by Ocean Swift / Faxi Nadu

Grab the Ocean Swift Absynth Collective for a huge expansion of over +780 presets! https://oceanswift.net/product/absynt...

Playlist:

1. Absynth 6 Review is Here: The King of Cloudy Pads Returns #absynth6 #absynth #nativeinstruments

"Native Instruments has finally released Absynth 6! In this exclusive first look review, we dive deep into the completely redesigned GUI, the new MPE capabilities, and the massive library of new presets Ocean Swift helped design.

After years of waiting, the legendary semi-modular synthesizer is back. As one of the external sound designers for this release, we've spent months exploring the new engine. In this video, we break down exactly what makes Absynth special and why the new UX modernization changes the game for sound designers and composers.

We cover everything from the new HD Mode and browsing workflow to the advanced envelope shapers that made Absynth famous - now easier to use than ever.

The King of Cloudy Pads Returns? Finally here!

#Absynth6 #absynth #NativeInstruments #SoundDesign #Synthesizer #MusicProduction #VSTPlugin #newgear

00:00:00 Absynth Is Back!
00:01:16 UX and UI Remake
00:03:15 Revamped Macros
00:04:22 MPE and PolyAT
00:06:22 New Synthesis
00:08:00 Browsing
00:08:27 New Presets
00:09:48 Get +780 Presets!
00:11:13 New Samples
00:13:10 In Love"

2. Absynth 6 - Design a Patch From Scratch | Layers, Clouds, Macros & Note FX #absynth6 #sounddesign

Along the way we explore the unique features that make Absynth special: working with all three layers, using per-layer envelopes, dialing in note-aware effects, assigning macros, shaping clouds and filters, and sprinkling in small tricks and workflow tidbits. By the end of the video you’ll have a clear understanding of how to approach your own Absynth 6 patch design - whether you’re after cloudy pads, moving textures or more experimental tones. If you’re just getting into Absynth 6 or want to go deeper than presets, this walkthrough will help you unlock the synth’s semi-modular possibilities and design your own signature sounds.

Press release follows:


Native Instruments makes things “Weird by Design” with the return of fan-favorite soft-synth Absynth 6

The semi-modular powerhouse, overhauled for a new generation of musicians, featuring full MPE polyphonic aftertouch, surround support and an AI-powered browser

CLICK FOR MORE »