How He Played Live Techno on a Modular Synth — Built Around the Vhikk X

video upload by SynthDad

"I rebuilt my live rig around one module, the Forge TME Vhikk X, and this is the whole setup explained.

I go through every module in the case, what it does in the set, and why it's in there. There's a lot of playing in this one — I wanted you to hear each part in context rather than take my word for it, so most of the talking happens over a running patch.

The Vhikk X is the newest module and the one I'm still learning. It usually gets demoed as a drone voice, which isn't what I do, so I've been pushing it somewhere else. I cover what works, what doesn't, and whether it earns 24HP in a case I have to carry to a gig.

If you're putting together a rig you actually want to play in front of people, rather than one that only works at home, this should be useful."

Technos Acxel VST3 from DenverSynthLabs

video upload by manmade madman

"I always lusted after a Technos Acxel from 1984, but they didn't really exist. There were only about 4 ever made and those barely made it into public view. But there were pictures of them, and I had my imagination. So, 30 years later, I made it myself, and then I made it better.

Now available at: store.denversynth.com"

"AXCEL

Every partial, hand-drawn.
Modeled after the Technos Acxel — a Quebec-built additive synthesizer from 1986-1992, with somewhere between 30 and 40 units ever made. Two engine slots share one wave bank, one Grapher, and one mod bus: Slot A is the Acxel's additive and sinusoidal resynthesis engine, Slot B is a wavetable machine, and you can run either or both at once.

AXCEL plugin GUI

- Acxel-accurate additive engine: up to 32 partials per voice, each independently addressable on the Grapher for amplitude, phase, and detune

CLICK FOR MORE »

INFIDEL low fidelity DIY modular synth from DenverSynthLabs

video upload by manmade madman

"INFIDEL shown here put through its paces.
This is an intentionally non-musical demo to show the power and sound of INFIDEL. It gets loud. If you don't like it, good.
The point is, you've never heard a VST sound like this, ever.
What we make hasn't existed before.
So, stop chasing other people's sound, and make something that's your very own for a change.
With roughly 1/3rd of the available modules shown here, you can tweak until morning.
Just make sure you get some sleep sometimes!

store.denversynth.com"



"INFIDEL is a full modular synth built around one idea: every module runs its own cheap sign-magnitude DAC, at its own sample rate and bit depth, so the whole rack can sound exactly as broken as you want it to — on purpose. You don't have to earn that sound with a soldering iron or a twenty-minute boot sequence. Hit INIT FULL and you've got a working 47-module, 81-cable patch across four buses — lead, drone, texture, drums — before you've turned a single knob. Hit EZ on any module and it rolls a new setting that's checked to never go silent. Cables snap to the nearest free jack, drop onto an existing cable to insert a module inline, or swap one module for another while keeping every cable that matches by name. It's fast to get a sound out of, and it stays deep — a 53-module library and KEY-locked lo-fi clocking mean there's always one more place to take it.

- 53 user modules across Sources, Filters, Effects, Drums, Utilities and Logic — including an 8-model VCF BANK (CS-80, IR3109, SSM2044, CEM3320, SSM2040, STEINER, EMS DIODE, WASP) and effects ported from SpringBoy, BucketBoy, Thermion and Ironwall

- Every module runs its own cheap lo-fi DAC — RATE 1–32 kHz, BITS 2–16 — and KEY locks a module's clock to the last note played, so the grit tracks pitch instead of just buzzing underneath it

CLICK FOR MORE »

Prophecy Emulator Profligacy by Joe Landers - The Prodigy's Synth as a Plugin? - Ableton VST3 Test

video upload by WAVEWORX-SOUNDS

Prophetic Steps at 3:06.

"This distorted acid lead is not a sample: Profligacy emulates the Korg Prophecy, the synth behind that Prodigy sound.I tested the plugin by Joe Landers in Ableton Live. CPU usage stays at just 5–8%.In this video: The Prodigy-style sounds, the automation behind them, and more presets.

🎹 What you'll get in this video:

• Profligacy: a free, open-source Korg Prophecy emulator
• CPU test in Ableton Live: 5–8% usage
• Prodigy-style acid leads and their automation
• More presets demos
• Honest limits: ROM required, alpha status, monophonic

⚠️ What you need to know:

• You need your own ROM of the original firmware. It is not included, and I don't provide or link it.
• The plugin is an early alpha version, so bugs are possible.

🎯 Free Manual:
https://waveworxsounds.gumroad.com/l/...

🛒 More racks, templates and sounds for Ableton Live: https://waveworxsounds.gumroad.com

🔗 Profligacy on GitHub:
https://github.com/joelanders/profligacy

⏱️ KAPITEL / CHAPTERS

0:00 Intro 0:23 Demo 0:33 Automation 1:02 CPU Load 1:44 Preset 1 2:08 Preset 2 2:52 Preset 3 3:06 Preset 4 3:50 Preset 5 4:11 Preset 6 5:12 Preset 7 5:41 Outro"

Also see Korg Prophecy emulation playing a couple patches from Prodigy's Fat of the Land

Ziggurat Sequencing

video upload by John Schussler

"The Ziggurat from Acid Rain is sold as a quantizer, but it has a sequencer built into it that actually is pretty nice to have around. You can't edit the sequence, so once it's in it's in, but you can make really long sequences, and you can do it for 4 voices at a time.

Plus you can transpose the root of individual channels or all channels at once, which gets fun. And if you want to give up one of the channels you can use channel 4 (or whichever) as your harmony sequence and move the others around.

This is just a short demo to show it doing its thing as a sequencer.

VCOs: Beehive/Plaits, Pony VCO, MiG VCO. Envelope: Zadar

0:00 Intro
0:20 Basic demo
5:30 Zadar as root"

The Crow Hill Company Announces Availability of Utterly Terrifying CHILDREN’S CHOIR

Utterly Terrifying Choir - WALKTHROUGH video upload by CROW HILL

Press release follows:


The Crow Hill Company announces availability of CHILDREN’S CHOIR, crafting terrifying sounds from school-age children to deliver broad spectrum of timbral possibilities

EDINBURGH, UK: The Crow Hill Company is proud to announce availability of CHILDREN’S CHOIR — crafting terrifying sounds from a school-age troupe of boys singing with just the right amount of ‘beautiful menace’ and an ability to be creative while working with the Edinburgh-based enterprise in support of delivering an instrument based around an expertly curated sample-set with a broad range of timbral possibilities designed by media composers with other media composers in mind — as of September 21…

Asked about the task of crafting CHILDREN’S CHOIR, The Crow Hill Company co-founder and media composer Christian Henson has his tongue not entirely out of his creative cheek in response, resurrecting the famous showbiz warning usually credited to American comedian W.C. Fields, effectively, by way of opening: “Never work with animals and children! So what’s this going to be like? Getting kids to be slightly demonic, evil, scary… they love it! And they totally seem to get making it so pretty that it’s scary. So we thought we’d try and nurture that spirit in a children’s choir library designed particularly for media composers — people who write for film, TV, and computer games. Why are these guys going to be wanting to use a children’s choir? Maybe there’s something set in a boarding school, maybe there’s something slightly choral and religious, but, more times than not, something unsettling is needed, and that’s where we’ve gone with this one. There are limits to how long children should be asked to perform. So, we thought we’d use the time thoughtfully, curating a selection of singing styles that capture this spirit. As opposed to giving you yet another library with ‘AAs’, ‘EEs’, ‘Ahs’, ‘Ohs’, and ‘MMs’, etcetera, AHOH, OHEH [and many more singing styles are available using the EXPRESSION wheel]. There’s some lovely WAVERING stuff where the pitch centres change. They sound great and scary when you cluster up, but on their own — or just a couple of notes — they have all sorts of childlike menace. There’s terrifying RISES and FALLS. And we’ve got a whole bunch of SHORT [singing styles].

CLICK FOR MORE »

Oberheim Teo5 “Cinamatique” Preset (Violins in my Mind)creating an Instrumental using Step Sequencer

video upload by Maria Calfa-DePaul

"This synth is quickly become one of my favorites. I think if I had to sell all of them, I definitely would keep this one. It is just got such an incredible sound. It feels like an instrument not a synthesizer. Don’t know if that makes any sense but it feels so real feels like you can do so many different types of music with it and I’m enjoying having it and going back to it. I can’t play everything all at once so I like to give my synthesizer and Instruments a little bit of love whenever I can And in this track, I use the preset Cinematique and I use the step sequencer with some rest to kinda get it to the tempo that I wanted and it seemed to work really well. I really felt like this could be background music or used for scarring a movie. You know I mean, I love the sound of the synthesizer and I hope it comes through and I hope you felt relaxed and enjoyed watching it."

Why isn't anyone talking about this beauty?

video upload by Synth Codex

"A no-talking sound demo of a music instrument that really surprised me. I'm talking about the Organelle S2 by Critter & Guitari, a tiny instrument that can be almost anything. One minute it's a synth, the next it's a sampler, a drum machine, a looper, or a strange effects processor. It doesn't feel like a normal synth, and it's not trying to be one. That's what makes this instrument unique and so fun to play.

I hope this video gives you a feel for what the Organelle S2 can do. Sometimes the best way to make music is to play around and have fun!"

Timestamps: 00:00 Quick roundup 00:26 Reeds 01:30 CZ 03:06 Genny HRando FX13 03:37 Analog Style 04:41 Cini 05:43 Drummy 06:25 4WaveFM 06:50 Genny 1 08:32 Beats and Pieces 09:08 FunFX 09:33 CZZ Multi 10:20 Waterfall 2.0 11:25 Polybeat HRando FX13 12:03 Lead HQ 12:34 Thery Scary 13:17 Special Organ

Gear used: ► Critter & Guitari Organelle S2 ► Korg ESX-1 Groovebox ► t.c. electronic M300 Effects Processor

Korg 03R/W - SynthCorner Presets (Sounds Only)

video upload by wolfgang S vukan

"Korg 03R/W - SynthCorner Presets (Sounds Only)

If you like these sounds, you can buy the complete 03R/W SysEx bank from me with all 80 presets for 10 Euros (contact me at: vukansto at gmail dot com).

So, this is an old KORG ROMpler from 1991, a cut-down version of the flagship 01R/W. The 03R/W has less sample ROM (5 MB vs. 6 MB on the 01R/W) and lacks the Waveshaping and Emphasis features. Korg named this digital synthesis engine AI2, which stands for Advanced Integrated Synthesis (second generation). The first AI generation was featured in the M1 and T series.

Actually, I planned to sell this 03R/W, but now I'm not so sure. It reminds me of some mystic, dark sounds I created on the T2ex that I sold a decade ago. Now, I have those similar sounds in a compact 1U rack unit.

Recorded directly form 03r/W audio output to Tascam DR05x recorder (24bit / 48 khz)

Korg 03R/W specifications:
32 polyphonic (16 poly in dual Osc mode presets)
8 parts multitimbral (16 parts in General MIDI mode)
255 multi samples (5mb ROM of 16bit samples)
Single or dual oscilator structure per program/preset
Digital low-pass filter (VDF) per oscillator
2x digital effects processor (reverb, delay, chorus, distortion, etc.)
229 programs-presets (100 RAM + 129 ROM GM) and 100 multi combinations
PCM and RAM data cards expansions
4 analog audio outputs"

Elektron Machinedrum & Monomachine Emulations Come to Software

Elektron MD + MM emulations playing 2008 Autechre Echoplex sysexes

video upload by Joe Landers

"Thank you to ios for the very detailed Reaper project with all the program changes and automations: https://watmm-archive.com/t/96054/2#c...

Thank you to The Usual Suspects for the gearmulator project.

For the Machinedrum and Monomachine emulations, see my fork of gearmulator here: https://github.com/joelanders/gearmul...

There's a Discord server here: / discord

Please note I'm not affiliated with TUS, so please don't ask for support on their Discord :)

Thank you to all of my tireless alpha testers on Discord :)

Thank you to Elektron for decades of cool gear :)
Thank you to Autechre for the music :)"

CLICK FOR MORE »

Korg Prophecy emulation playing a couple patches from Prodigy's Fat of the Land

video upload by Joe Landers

B52: 303 Growler
B00: Space Adventure

https://github.com/joelanders/profligacy

CLICK FOR MORE »

How Solidtrax Built a Synth Track Using Martinic Prodigy Alone

video upload by Solidtrax

"An unedited look inside the production process.

While composing a few demo tracks for Insurgent Circuits for ‪@MartinicCom‬ Prodigy, I decided to make a screen recording of one of the tracks while I was creating it: Prodigy Pulse.

At the end, you’ll hear the finished result. I don’t usually record my production sessions, so this is a rare behind-the-scenes look at how I put a track together. Hopefully, you’ll pick up a thing or two along the way.

https://martinic.com/prodigy
https://solidtrax.nl/product/insurgen..."

A very musical RANDOM8 patch you should try

video upload by mylarmelodies

"Here's how to make RANDOM8 produce repeating notes (where the SAME NOTES repeat each time!), M185 style. You need a VCA & two channels of RANDOM8. This will also work on a Turing Machine/other random modules! THIS PATCH IS ALSO A RANDOM GATE PATCH - I don't show this, but you could trigger drum modules probabilistically with it! 👉 / mylarmelodies 🙌

Bonus Tip: I have been asked a lot whether RANDOM8 could generate gates - This patch achieves that, so you could also use the output of the VCA and feed it to percussion modules, or your voices, etc.

MORE INFO ON THIS
▶︎ Find a written explainer (and the VCV Rack patch mentioned!) in the manual (search for the word 'loopable'): https://docs.google.com/document/d/10...
▶︎ Modulargrid Patch Diagram: https://modulargrid.net/e/patches/vie...
▶︎ Official RANDOM8 page: https://www.befaco.org/random8/

CHAPTERS
00:00 Why this is needed
00:54 The Patch (Step By Step)
02:45 Decoupling Repeats and Melody!
03:45 Finding Musical Magic"

Dirtywave MX (Single Device Demo)

video upload by Dirtywave

"Since the previous video introducing the MX (below), the most asked question has been about if the looper can be used to mix a single device. MX supports up to 24 seconds of stereo looping, so hopefully this answers it.

For this demonstration, we're using only a GBA running @ForsFM FMS."

M8 Tracker Discord Meetup #31 (Version 6.2)

video upload by Dirtywave

0:00:00 Going over firmware v6.2.0 (again)
0:01:28 Song Backups
0:02:24 WAVsynth Triangle Scan
0:04:05 ModFX
0:05:28 Reverb Shimmer
0:06:00 OTT (Over The Top Multiband Compressor)
0:12:05 Line-In Gate
0:14:35 M8 Model:02 Orders (Sept 8th, 2025)
0:15:10 M8C iOS App
0:16:20 Chat Q&A Time

CLICK FOR MORE »

Synth Camp (AKA Knobcon 14) 2026!

video upload by Musical Miscellany & More

"NOTE: this entire video was shot, edited, and posted at the show from my iOS device.

I had an amazing time at Knobcon 14 (2026) in Chicago. There were more people there this year than I’ve seen since before the pandemic. I had so much fun playing with gear, watching live performances, meeting new people, and catching up with old friends. I tried hard to capture the feel of Knobcon in this video. Enjoy.

Learn more about Knobcon here: https://knobcon.com

Friday - 0:00
Saturday - 2:17
Sunday - 8:30

Music Credits
……………………
Gradient Glide by Alvin Risk ‪@AlvinRisk‬
Better Than Chocolate by Driftmob Orchestra • Better Than Chocolate - Driftmob Orchestra...
Can’t Stop Me by Alex Goose • Can’t stop me by Alex goose
It’s a Trip! by Joywave ‪@Joywave‬
Fade to You by Alvin Risk ‪@AlvinRisk‬

Buy Me a Coffee: https://buymeacoffee.com/musicalmisce...
Join my Discord Community: / discord"

Groove Synthesis 3rd Wave Firmware 2.0 - Shimmer Reverb & Spectral Wavetables

video upload by Scott's Synth Stuff

Also see Sound Design BEAST! 3rd Wave 8M gets New Firmware

"The Groove Synthesis 3rd Wave just picked up two firmware updates (2.0 and 2.0C) while I was off hiking amongst the Sequoias — so let's install them and dig into what's new.

The headline is the new shimmer reverb, and it is gorgeous. It blooms, it tracks the note you're playing, and the Pitch Amount parameter lets you set the interval it shimmers up in — set it to 12 for octaves, 4 for thirds, whatever fits the key. It's also a Mod Matrix destination, so you can ride it with aftertouch. I'll show you exactly that.

We also look at the rebuilt Make Waves wavetable creation with its new Spectral mode — sampling sounds from a Leviathan and turning them into wavetables, then comparing Spectral against the classic Pitch-On method side by side. The results genuinely surprised me.

In this video:

What's new in 3rd Wave firmware 2.0 and 2.0C
Step-by-step firmware install (USB drive method)
Shimmer reverb walkthrough: pitch amount, bloom speed, HF damping, pre-delay, feedback
Routing shimmer to aftertouch via the Mod Matrix
New Spectral mode in Make Waves vs. classic Pitch-On — real audio comparisons
SysEx support for the upcoming official 3rd Wave editor
Per-part NRPNs, un-smoothed envelope retrigger (hello, clicks), and the WAV header import bug fix
The CPU limits on shimmer: which parts can share it, and why the 3rd Wave 8M doesn't care

The 3rd Wave is still one of the best sounding synths I've ever played — 24 voices, 24 real analog filters, and a UI so well laid out it barely needs an editor. Huge credit to Groove Synthesis for continuing to support it."

0:00 Intro
0:38 Where I've Been
1:22 What's In Firmware 2.0?
5:58 Installing New Firmware
8:00 Shimmer Reverb
9:58 Shimmer Reverb Pitch
11:35 Modulating Reverb Pitch
14:59 Spectral Wavetable Import
17:02 Different Sound Import
18:46 Another Different Sound
22:13 Plucky FM Sound Import
25:15 Pitch vs Spectral

Classic vibes and analog mojo in 6 drum modules from GRB Instruments

video upload by bajjjan records

"6 New GRB Instruments drums for eurorack.
The modular analog drum machine with a classic vibes is almost ready!
There are 11 patterns/jams in this video."

GRB Basic Kick & GRB Hi-Hat || Modular DEMO

video upload by bajjjan records

CYMBAL

Sound is synthesized by a system of oscillators based on Schmitt triggers, that recreates the classic, complex sound of an analog cymbal. The sound is synthesized by a system of oscillators based on Schmitt triggers, operating at different frequencies. The mixing of these signals creates the rich, chaotic, and metallic spectrum.

You have direct control over the resulting texture. The TUNE knob shifts the overall frequency range of the metallic noise, while DECAY sets the length of the sound's wash and sizzle. The TONE control further shapes the character of the ringing, allowing you to fine-tune the brightness and timbre. This combination of controls lets you sculpt everything from a short, bright metallic click to a long, decaying noise.

For dynamic performance, the module features an ACC input (0V to +5V) to modulate the accent level and is triggered via the standard GATE input (+5V to +12V). The final, complex cymbal sound is available at the OUT jack.

CLICK FOR MORE »

A Private Virtual Roland D-70 for Linux! | Sound Demo

video upload by PixelWings

"I’ve always loved vintage Roland synthesizers and wanted a D‑70, but concerns about dealing with the dreaded maintenance nightmares the D-70 is known for kept me from buying one. Eventually, I decided to make my own software recreation: D‑70v.

This is a private, completely unofficial hobby project running on Linux, created for the pleasure of exploring and playing the wonderful D‑70 sounds. The GUI interface was drawn from scratch in GIMP, inspired by the original keyboard’s front panel, with functional buttons, sliders and a data wheel. The aim was to recreate not just the sound, but the experience of operating the instrument -but optimized for a computer screen as well as being able of running on an absolute potato. The core application is approximately 450 KB, excluding the required ROM data, and CPU usage is extremely low.

This video brings together a selection of my favorite D‑70 factory patches. I spent some time playing through the factory bank and later edited my favorite moments into this demonstration. It is simply an opportunity to enjoy the sounds and share my excitement about bringing this instrument into software. All instrument sounds and effects heard in this demonstration are generated by D‑70v itself. No external synthesizers or effects were used; the clips were simply selected, edited and faded together.

This is not an official Roland product and is not affiliated with or endorsed by Roland. It is purely a demonstration, not a software release. The project uses original Roland ROM data, and I am keeping it private. Neither the software nor the ROM data is being distributed, so please don’t request a copy.

Above all, this is a celebration of the D‑70 and an era of digital synthesis that I love. I adore vintage Roland, especially their legacy of late 80s and early 90s instruments, from the pro range to the "DTM" products. I hope you enjoy the demo, and please excuse my lack of playing skills."

Bad Gear - FINALLY!!!

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. People of the the 90s weren’t exactly spoiled for choice when it came to hands-on virtual analog polys: the iconic supersaw, the nordic ice bath, the range that still sounds better than 90% of today’s synths and the one even Uli Behringer wouldn’t touch with a ten foot pole.

Today, however, we are FINALLY going to talk about the 1997 Yamaha AN1x and it is beyond me why it took me so long."

Sequential Fourm - He bought the Sequential Fourm, for the wrong reasons, and you may want to too!

video upload by kgbirmingham media

Don't miss the videos below. Also see Sequential Fourm - The Non Prophet Presets by kgbirmingham media.

"I traded in my Roland MC-707 for a Sequential Fourm. And, I did it for all the wrong reasons!
This video is different than my usual music videos. I needed a synth that was simple to use, could be a Polyphonic Aftertouch Controller for my ASM Hydrasynth and horror of all horror had MiniKeys.
So, this is why I bought the Sequential Fourm and why you may want to too!
Enjoy!
For the Techies
There’s not much to say about the tech. I recorded the narration directly into a Zoom R4 and transferred it to my DAW - Fender Studio Pro 8.
The background music is five tracks all created on the Sequential Fourm using Factory Presets.
The signal chain is fairly straightforward: MC-707, into a pair of SSL SixChannels, into a Drawmer MQ-2 EQ/Compressor/Saturator, into a Lindell 77X Compressor and into an Allen&Heath ZEDi10 Interface/Mixer.
Processing was limited to Waves L1 Limiter, Beyerdynamic Headphone Lab and UADx Manley Variable Mu Compressor. No Reverb. No Delay. Do Effects at All.
Everything was recorded through an Allen&Heath ZEDi10 and into Fender Studio Pro 8.
Video:
Fujifilm X-T3 camera with Fujifilm 10-24mm lens and an iPhone SE and iPhone 17.
The final video was edited in DaVinci Resolve.
Recording and monitoring was through an Allen&Heath ZEDi10 with Beyerdynamic DT990 Pro and Beyerdynamic Headphone Lab.
©2026 kgbirmingham media"

Sequential Fourm - For All The Wrong Reasons - The Song!

video upload by kgbirmingham media

"Sequential Fourm – For All The Wrong Reasons – The Song!
When I shot my Sequential Fourm video 'For All The Wrong Reasons' I created a background music track using only the Sequential Fourm for that video.
It is short, but I like it, so I put it together with some video on a misty day from Marie Curtis Park.
Enjoy!
For the Techies
The background music is five tracks all created on the Sequential Fourm using Factory Presets:
1 - A New Legend, 44 - Ryan Reverse, 69 - Sin Cussion, 72 - PluckyArp, 42 - Mini Prophet
The signal chain is fairly straightforward: MC-707, into a pair of SSL SixChannels, into a Drawmer MQ-2 EQ/Compressor/Saturator, into a Lindell 77X Compressor and into an Allen&Heath ZEDi10 Interface/Mixer.
Processing was limited to a: Waves L1 Limiter, Beyerdynamic Headphone Lab and UADx Manley Variable Mu Compressor. No Reverb. No Delay. Do Effects at All.
Everything was recorded through an Allen&Heath ZEDi10 and into Fender Studio Pro 8.
Video: iPhone 17.
The final video was edited in DaVinci Resolve.
Recording and monitoring was through an Allen&Heath ZEDi10 with Beyerdynamic DT990 Pro and Beyerdynamic Headphone Lab.
©2026 kgbirmingham media"

Sequential Fourm Creating Chaos

video upload by kgbirmingham media

"Sequential Fourm – Creating Chaos
This is a 'Making Of' type video. I just recently purchased a Sequential Fourm and I wanted to create a 'Song' using only Fourm Presets. So, I created six tracks, using six Fourm Presets. I ran the Fourm through a TC Electronic Plethora (Chorus, Delay, Reverb) and played around with the Filter, Noise, ARP and Amp Envelope.
I put “Song” into quotes, because it is rather cacophonous. Anyway, I like the variations of tone, structure and noises!
Enjoy!
For the Techies
There’s not much to say about the tech. I recorded the narration directly into my DAW - Fender Studio Pro 8. I used an AKG 414B microphone running through an ART TransX Preamp into an Allen&Heath ZEDi10 Interface/Mixer.
I recorded six tracks all created on the Sequential Fourm using Factory Presets.
The signal chain is fairly straightforward: Fourm, into TC Electronic Plethora X3 (stereo output), into a pair of SSL SixChannels, into a Drawmer MQ-2 EQ/Compressor/Saturator, into a Lindell 77X Compressor and into an Allen&Heath ZEDi10 Interface/Mixer and recorded in stereo directly into my DAW (Fender Studio Pro).
Processing was limited to Waves L1 Limiter, Beyerdynamic Headphone Lab and UADx Manley Variable Mu Compressor. No Reverb. No Delay. Do Effects in the DAW
Everything was recorded through an Allen&Heath ZEDi10 and into Fender Studio Pro 8.
Video:
Fujifilm X-T3 camera with Fujifilm 10-24mm lens and iPhone 17. And, OBS studio for the screen shot.
The final video was edited in DaVinci Resolve.
Recording and monitoring was through an Allen&Heath ZEDi10 with Beyerdynamic DT990 Pro and Beyerdynamic Headphone Lab.
©2026 kgbirmingham media"