"Yamaha CS70 Analog Polyphonic Synthesizer Brochure. BROCHURE ONLY. 4 glossy pages, full color, big photo of CS70 inside and on cover. Very Good to Excellent condition. Vintage original, no punch holes, no writing, no highlights, no stains. USED. Time keeps on slipping into the future."
"Here’s a fast, no-talk demo of SQUID-3 (SQ-3), the new synth by Acustica Audio. This video is all about listening: no voice-over, no explanations — just sounds and visuals so you can get a first impression of what this synth can do.
In this demo I’m simply showcasing a selection of patches and musical textures. I’m not going into technical details or deep sound-design features this time — think of this as a relaxed, musical overview rather than a tutorial.
If you’re curious about the engine, workflow, or a more in-depth breakdown, feel free to leave a comment and I may cover it in a future video. For now, just sit back and enjoy the sound."
SQUID-3 is a forward-thinking synthesizer born from Acustica’s groundbreaking MAREA series, available in VST3, AU, and AAX formats. Built to respond better than a real instrument, SQUID-3 gives you the speed to create instantly, and the depth to design without limits. It’s fluid, focused, and sonically honest.
This isn’t a vintage emulation, or a collection of pretty presets under reverb.
SQUID-3 fuses algorithmic modeling with advanced convolution, capturing the behavior of analog gear - better than gear does.
SQUID-3 is not another virtual synth.
It’s a new breed - designed to sound finished, even before the FX.
Every stage of its engine, from oscillator to output, was built to make raw synthesis sound like a mastered record.
SQUID-3 is available in two separate editions:
• the Standard (3-D, multi-page) edition, hardware-inspired interface with depth, lighting, and tactile realism for an immersive studio feel.
• a Flat (2-D version, single-page) edition, A clean, flat design optimized for speed, built for maximum graphic efficiency, where all controls are summarized on a single page"
"EML 101 brochure. Electronic Laboratories BROCHURE ONLY. Four pages. This is the very early $1,295 version to compete with other Iconic synthesizers. The EML 101 was the most function loaded analog synth in its price range. The brochure is in Fair condition due to punch holes and wear. No missing pages, intact, no writing, no highlights, no stains, no stamp. Time keeps on slipping into the future."
"This unit's been meticulously overhauled with future-proofing measures, sparing no expense, unlike the typically half-assed jobs done by most other techs/sellers (if they even bother to service theirs). The refurbishing process required 37 hours of skilled vintage synth tech labor, plus parts costs. This work is very time consuming and costly and is reflected in our price."
A Technology Preview Exploring AI, DIY Culture, and the Future of Music Creation
Los Angeles, November 11, 2025 — Roland Future Design Lab, the advanced technologies research group of Roland Corporation, announces Project LYDIA, an audio processing platform preview created in collaboration with Neutone, developers of next-generation AI tools for musicians and artists. Project LYDIA merges Neutone’s trainable AI software with Roland’s hardware expertise, using a Raspberry Pi 5 single-board computer to deliver a compact, stage-ready prototype that reimagines DIY innovation for a new generation.
Bridging AI and DIY Creativity
Roland’s legacy in DIY music creation began in 1981 with AMDEK (Analog Music Digital Electronic Kits), a line of build-it-yourself kits that encouraged musicians to experiment with technology. Today, Roland Future Design Lab revisits that spirit, asking how modern creators can explore sound through emerging AI tools.
AI for Sound Discovery and Exploration
Powered by Neutone’s Morpho technology, Project LYDIA, named after DIY and AI, uses “neural sampling” to learn the tonal qualities of any sound and apply it to another in real time, with the sonic results ranging from highly musical to exotic and surprising. The current Project LYDIA mockup houses a Raspberry Pi 5 computer running Neutone’s special version of Morpho alongside Roland’s latest ideas for a simple, tactile control panel. Audio I/O is currently managed via a USB-connected Roland Rubix interface, with future iterations aiming to fully integrate I/O for a completely self-contained device.
AI Innovation at Roland
Project LYDIA builds on Roland’s growing exploration of AI as a creative partner for musicians. In 2024, Roland and Universal Music Group (UMG) jointly introduced the Principles for Music Creation with AI, a framework outlining shared commitments to ethical and artist-centered innovation.
“Roland has taken a leadership role globally in practicing responsible development with AI for music creation,” said Paul McCabe, Senior Vice President of Research and Innovation at Roland. “Part of being responsible is getting input from creators on what they find useful, helpful, or inspiring, and what ideas may not be welcome in their workflows. Releasing Project LYDIA as a technology preview allows us to demonstrate possibilities, seek community input, optimize, and improve.”
Shaping the Future Together
Project LYDIA debuted at the Audio Developer Conference taking place November 10 through November 12 in Bristol, UK, inviting feedback from the creative community to guide future research in AI-driven music tools. Musicians and makers can share their thoughts and ideas via a short survey here.
To learn more about the inspiration and technology behind Project LYDIA, visit Roland’s feature story on Roland Future Design Lab.
"The Roland JX-3P is a powerful, versatile analog polysynth that blends vintage warmth with early digital control. This unit includes the essential PG-200 programmer (with cable) for full hands-on access to the synth’s architecture, bringing out the instrument’s real potential for sound design.
This example is in excellent condition, includes the original Roland cases specifically designed for the keyboard (hardshell carrying case with Roland logo) and the programmer (original vinyl slipcover with logo), and has been professionally converted to US voltage internally. Everything functions as it should, with a clean panel and smooth operation.
Key Features:
6-voice analog polyphony with 2 DCOs per voice Classic Roland chorus effect Oscillator sync, cross-mod, and LFO modulation Built-in 128-step sequencer Includes PG-200 programmer for real-time control MIDI input/output Condition Notes:
Converted to US voltage PG-200 and synth are both fully functional Cosmetic condition is excellent Original Roland case included The JX-3P was one of Roland’s first MIDI-equipped analog synths, used by artists like The Future Sound of London, Astral Projection, and Orbital. With the PG-200, it transforms from a preset machine into a true performance synth, with rich modulation, powerful sync tones, and that unmistakable Roland polish.
"Fire up the engine of your Korg Wavestate and ignite a time warp to the golden age of analog synths and neon-drenched aesthetics. "Synthwave" is a powerhouse collection of 40 performance-ready presets meticulously crafted for one purpose: to deliver the authentic, punchy, and nostalgic sound of the 1980s with a touch of a modern vision!
From the opening scene of a retro-futuristic thriller to the main title of your next synthwave anthem, this soundset is your all-access pass to the decade that defined electronic music. This collection is a complete production toolkit, featuring punchy basslines, driving drumloops, warm neon leads, lush keyboards, hypnotic sequences and analog-style pads!
'Synthwave' isn't just inspired by the past—it's built for the future of synthesis. Every preset leverages the Wavestate’s advanced wave sequencing, vector mixing, and motion control to create dynamic, evolving sounds that feel alive and authentically. All presets are modulation wheel - assigned. This soundset is perfect for synthwave & retrowave producers, film & game composers and every Wavestate owner ready to unlock the ultimate retro-futuristic experience!
"Very good condition, serviced by Rosen Sound, and includes a light-duty Tuff Case for easy transport!
Cosmetic notes: small chip in wood veneer edge under keybed, and the mod wheel shows a bit of wear. Both of these issues are shown in the images.
Released in 1981, the Korg Mono/Poly is known for its four VCOs, flexible modulation options, and unique mono/polyphonic switching, making it a versatile beast for both fat unison leads and unique, syncopated arpeggios. Its cross-modulation, oscillator sync, and deep routing options open the door to wild textures and sound design experimentation.
Specs & Highlights:
4 analog VCOs with independent tuning Mono, Poly, and Unison modes Crossmod, oscillator sync, and flexible LFO routing Built-in arpeggiator and chord memory Classic Korg 24dB/octave low-pass filter Full MIDI retrofit kits available (not included, but easily added) Used by artists like MGMT, Chromeo, and Jimmy Edgar, the Mono/Poly is a staple of vintage synth setups and prized for its unique voice architecture and beefy tone.
This unit was serviced by Rosen Sound, a trusted name in analog synth repair, so it’s running great and ready for action. Includes a Tuff Case (light-duty) to keep it safe during travel or storage.
30% of proceeds will benefit the Bob Moog Foundation, helping inspire future synth pioneers and preserve electronic music history."
"A rare vintage combo organ with that unmistakable Farfisa sound. Removable, fold-out bottom reveals fold-down legs (one or two screws missing but still functional) and hard-wired power cable. Cable connects to the external Farfisa F/AR unit which provides power and contains the spring reverb. This unit is functionally good but it could use some internal contact cleaning in a few areas. We coaxed some very usable tones out of it in the demo video! The case itself has been "well-loved," showing moderate surface scuffs from travel.
–
This is the Compact Duo CD/30, one of Farfisa’s higher-end models from the late ’60s; basically a two-manual version of the Compact with expanded voicing and richer tone-shaping options. A favorite among garage rockers, psych bands, and analog synth fans alike.
Features:
Two manuals (upper and lower keyboards) for split/layered playing Vibrato, tone boost, and percussion controls Bass and organ voices with classic Farfisa tabs Mark I version The Compact Duo was used extensively by Pink Floyd (Echoes, etc.); a favorite for its gritty tone and punchy presence on stage and in the studio.
30% of the sale supports the Bob Moog Foundation, preserving the legacy of electronic music and inspiring future generations."
"A rare find from Casio’s early pro line, the CT-6000 combines vintage charm with impressive flexibility. It’s got a warm, retro tone, full-size keys, and loads of hands-on control, including tone editing, auto-accompaniment, and analog-style sliders for shaping your sound. Great for beginners and collectors alike.
Highlights:
12-tone polyphony
20 editable preset tones (with manual mode for custom sounds)
Analog sliders for filter, envelope, and vibrato
Built-in rhythm and accompaniment
Built-in speakers; it’s a party in a box!
Full-size keys with a solid feel
30% of the sale will go to support the Bob Moog Foundation, helping preserve electronic music history and inspire future creators."
Auction to be held at Musician's Hall of Fame & Museum, Nashville, on November 19
An incredible collection of more than 450 artifacts from the life and career of Florian Schneider, co-founder of the pioneer electronic band Kraftwerk."
Pics and videos featuring some of the gear below, and his Lederhosen for good measure (thanks greg!).
Update: the post has been fully updated with all the synth related gear. This may just well be the longest post to be featured on the site. I wanted to capture all the pics for all of the details including notes, scuffs, and of course serial numbers. It's an interesting look into what he used, the condition he keped his gear, in some cases, how he actually used his gear. Note the phonetics on the keys of the Casio CZ-101 and DX-100. Note the Midi Switch Box with a built-in speaker? What's that about? Note the camouflage key strap on the Korg RK-100 Remote Keyboard. Did he pick it out himself or did the keytar just come with it? Note the repeat midi controllers and the MIDI saxaphones. Wind was his primary instrument. You'll find a ton of the acoustic gear he used in the other listings. This is a fascinating insight into both what and how he used his gear.
Side note: there is no affiliate compensation for this post. The note at the top automatically shows for all posts with the Auction label.
Rack Mount Sennheiser VSM-201 Vocoder
Starting Bid
$5,000
Estimate
$20,000 - $40,000 USD
A late 1970s Sennheiser VSM 201 Vocoder with no serial number from the personal studio and collection of Florian Schneider of Kraftwerk (see images). While it’s said that only a few dozen of these Vocoders were produced, a few examples made it into the hands of forward-thinking musical artists including Herbie Hancock, Daft Punk, and of course, Kraftwerk, who used a VSM-201 like this on their albums Man Machine (1978) and Computerworld (1981). The VSM-201 has an intelligible sound that has not yet been bested by modern gear. Includes power cable. This VSM-201 has been removed from its wooden enclosure (which bears the serial number plate) and modified with a metal rack mount casing, presumably for live use. Requires 240v, IEC power cable not included.
Dimensions: 19 x 9 x 9 inches
Category: Kraftwerk, Equipment
Provenance: PROVENANCE From the Estate of Florian Schneider
See if you can spot the Matrix-6 screen. I think that was accident. Capturing it for posterity. :)
"A towering icon of analog synthesis! Nicely restored, beautifully preserved, and built to tour or record for another lifetime.
This Oberheim Matrix-12 is in very good condition, has been restored by Rosensound, with some recent restorations performed by synth legend and former Oberheim engineer Marcus Ryle. It comes in a new, custom-built, heavy-duty flight case. It’s a US version, upgraded with a new control panel overlay from Sweet Discrete (UK) for a clean, sharp aesthetic. Everything functions beautifully; a truly top-shelf example of one of the most powerful analog polysynths ever built.
Cosmetic notes: the Sweet Discrete panel overlay LED registration is a bit off in a few places, so some LEDs look slightly off center (as shown in an included close-up image). Performance is not affected. The new overlay generally looks beautiful, but not strictly 10/10. There is also some stubborn tape residue on a few of the keys which can also be seen in the photos.
Details:
12 voices, each with 2 analog oscillators, multimode filter, and extensive routing Legendary 96-point modulation matrix; no menus, just raw power Velocity and pressure sensitivity, 5-stage envelopes, and complex LFOs Massive analog presence with surgical control US voltage model (no step-down needed) New road-ready flight case included, $600+ value Restored by Rosensound and Marcus Ryle, two of the most trusted names in analog synth servicing New Sweet Discrete panel overlay from the UK; clean, legible, and sharp Used by Hans Zimmer, Keith Emerson, Depeche Mode, Pet Shop Boys, and countless electronic pioneers, the Matrix-12 is the pinnacle of analog polyphonic design; often called “the last great analog monster.”
30% of this sale supports the Bob Moog Foundation, preserving the history of synthesis and inspiring future creators."
1. Yamaha | MODX M | Elevate Expression Everywhere - Official Overview
2. Yamaha | MODX M | Sound Demo - Hear the Future of Expression
"Discover the new Yamaha MODX M Series, a next-generation synthesizer that elevates sound, control, and creativity for musicians everywhere.
Building on the DNA of our flagship MONTAGE M, MODX M delivers expressive performance and a professional workflow in a compact, lightweight design. Built for stage, studio, and beyond.
🎹 Key Features:
• Three powerful engines: AN-X (vintage analog), FM-X (modern digital), AWM2 (realistic acoustic instruments)
• Motion Control Synthesis: Shape sound in real time with the Super Knob, Motion Sequences & Envelope Follower
• High-resolution control: Smooth faders, knobs, and key response for ultimate expression
• Expanded Softsynth Plugin (E.S.P.): A virtual version of MODX M for your DAW (available early 2026)
• Compact, portable design: Perfect for working musicians on the move
🎧 Designed to inspire, wherever your music takes you."
Yamaha MODX M Synthesizer w/ KRAFT Music
video uploads by Kraft Music
Playlist:
1. Yamaha MODX M Synthesizer - Advanced Tutorial with Blake Angelos
"Yamaha has taken the brains in its flagship synth Montage M, and put it in a much less expensive package. Here are the details and comparison to MODX+ and Montage M
Get plenty of multi-samples for it, and my In-Complete Book of Electronic Music Ideas, Tips and Tricks
► Patreon: / loopop"
The SUPERVEC is a heavily modified / circuit bent video FX processor with audio reactive capabilities.
It is based on the VEC1060 video processor / enhancer. The circuit board of the VEC1060 is completely stripped of any unnecessary components from its audio mixer section and corresponding connectors / faders are removed. Every one of the original potentiometers is fully disassembled, cleaned professionally and reassembled with some high quality silicone lubricant so they operated noise free and feel smooth. Lastly the power input and power regulation circuitry is modified to use a standard 12V switching power supply.
This processor is audio reactive via its built in microphone or via the 1/4" line input. There are 3 selectable decay speeds that result in smooth audio reactivity.
The unit features 12 circuit bent effects that can be combined for a seemingly endless amount of variation. With all of the effects off the unit retains all of its original functionality."
The TR-1000 is available now for $2,699.99. Check with dealers on the right for availability.
"The TR-1000’s analog engine features 16 of the most coveted circuits from the TR-808 and TR-909, faithfully recreated from the original designs with detailed engineering and carefully selected modern components. Alongside the TR-1000’s analog voices are powerful digital sounds driven by Roland’s latest advancements, including 21 circuit-bent TR-808 and TR-909 models built with Analog Circuit Behavior (ACB) technology, FM percussion, virtual analog tones, and a deep PCM library for sonic exploration and fresh textures."
Playlist:
1. Roland TR-1000 Rhythm Creator | Egyptian Lover Performance
2. Roland TR-1000 Rhythm Creator | Everything You Need to Know
User videos followed by hi-res pics and the press release:
Check with dealers on the right for availability. User video by Cinematic Laboratory further below.
PoliMATHS [MSRP: $459] is an eight-channel CV and Audio event generator for the New Universal Synthesizer System or any Eurorack modular synthesizer. It uses a single set of controls to generate complex functions at eight independent channel outputs. PoliMATHS’ functions are made up of two components: first, the well-known Rise-Fall envelope with variable Curve (familiar from the original MATHS and Function and 0-Coast Slope); and second, a variable-Shape Oscillation whose amplitude is controlled over time by the Rise-Fall envelopes. This oscillation can be either low frequency for the creation of complex control functions, or audio frequency for native generation of audio events/notes with optional tuned pitch control via 1v/oct control voltage. PoliMATHS also includes output headers for creating pre-patched connections to the control inputs of QXG.
PoliMATHS Part of the New Universal Synthesizer System Eight channel function generator with a single set of controls Create simple or complex functions Activate channels in many possible patterns using Channel Index, Round, and Parallel Modes Modulate parameters across channels with Spread or Modulation Dissemination Designed to work with MultiMod and QXG and future NUSS modules Chain to QXG for immediate eight channel amplitude control
The Quad Stereo Gate (QXG) [MSRP: $239] music synthesizer module is a Four Channel Stereo Low Pass Gate and Mixer. Like the DXG before it, the QXG utilizes a new low pass gate circuit that does not use vactrols. This circuit is 100% analog and its response was arrived at after many months tailoring it to meet or exceed the expectations that have been set by all the vactrol low pass gates that Make Noise has created over the years. Additionally the QXG adds a Vactrol button to select between a Slow, low-pass-gate-like response emulating the decay time of a vactrol (Vactrol button ON), and a Fast precision response that still maintains the gentle filtering characteristic (Vactrol button OFF). Fast response can be especially useful when patching QXG with complex and quickly-changing functions such as those generated by PoliMATHS with the OSC circuit in use. The QXG also includes a Stereo Sum Output with voltage controllable Stereo Spread to quickly route all four channels across the stereo field. Each channel also has an individual output that removes the channel from the Sum when patched. In addition, QXG includes signal and control input headers for creating pre-patched connections from the outputs of PoliMATHS and MultiMod.
Part of the New Universal Synthesizer System Four channel low pass gate Vactrol-free design for classic Low Pass Gate sounds Vactrol button to select Fast or Slow response Xpread parameter for spreading the four channels across the stereo field Summing stage with Stereo AUXiliary IN allows for chaining of multiple units, creating larger mixes Individual channels can be removed from Sum by patching to their respective outputs Designed to work with MultiMod and PoliMaths Chain two QXG units to a PoliMaths for immediate eight channel amplitude control
PoliMaths & QXG | How does it sound when you know nothing?
"Today MakeNoise has introduced PoliMaths and QXG. My dealer already had them in stock (!) and allowed me to buy them - under the strict condition to keep it a secret until after the official launch video. So I had the opportunity to make a video in one day, without access to any help from the manual or the MakeNoise launch video. Normally I'd do my homework first, but this opportunity is rare. Usually, I can intuitively figure out how a module works, but with PoliMaths, almost nothing is familiar, and what's familiar works differently. So I've probably been using a MonoMaths, but since I decided to get two, there's still a Poli vibe to it.
This is probably one of the worst videos I've made so far, but it's fun to patch in the blind with zero knowledge, and this was the only day I could record, edit and post it. So forgive me for being a MakeNoise groupie. I am biased, but I also think it's for a good reason. MakeNoise managed to make something extremely innovative. I'll make a proper video soon, and I'll figure out what to do with this one later."
"This is the iconic Roland MC-202 from the golden era of analog synths... and this one is in beautiful condition!
The MC-202 was part of the Detroit, Belgium and Dutch house scene in the late 80s, early 90s. It's therefore becoming a rare unit nowadays, most units you find on the market were HEAVY used during those decades. Plus way less units were produced comparing to it's two fraternal twin the SH-101.
The MC-202 is basically a SH-101 with tons of additional sequencing features, CV in/out options, double sync etc... and a display! Its a gorgeous unit and it's sounds are all instant house music.
Important things to consider buying this beautiful unit from us:
No discolouration or faded teint of the outer shell like most units have! Clean Battery compartment, most units had battery leaks in the past creating future problems on the boards, like also the case in many 606 and 303 units. Display like new, most units have faded/watery displays. No destructive devaluating mods have been done, no drilling in the case, etc."
Ambient Exploration – Patch Pack for Sequential Trigon-6
Overview Ambient Exploration is a collection of 50 custom patches for the Sequential Trigon-6, designed to highlight the instrument’s warm analog tone and versatile modulation engine. The pack ranges from lush cinematic pads to sharp leads, hypnotic arps, and solid basslines. It is aimed at producers, composers, and sound designers looking to expand their Trigon-6 with inspiring new sounds.
Suitable for genres such as synthwave, cinematic scoring, ambient, techno, and progressive electronic music, Analog Exploration provides a diverse palette of textures to spark creativity.
Content: 50 original patches in .syx format Balanced mix of categories: Leads – expressive, cutting, melodic Pads & Atmospheres – lush, evolving, dreamy Arps & Sequences – rhythmic, pulsing, hypnotic Basslines – deep, punchy, analog weight Experimental / FX – edgy and unusual tones
"Ever wondered what a Jupiter-4 sounds like through a Ring Modulator and a Spring Reverb?
Well I did and made some cool, fun sounds ranging from subtle to outrageous.
The Roland Jupiter-4 is connected to a Warm Audio Ringer Bringer, an Echo Fix Spring Reverb and that passes through a Franklin Audio DI-20 before hitting my Universal Audio Apollo Twin.
This video is part of my Sunday Sessions Series where I create improvised Jams that will form the basis for future tracks."
This appears to be the first post to feature the Warm Audio Ringer Bringer. Some info below.
"REVIVING AN AVANT-GARDE PEDAL FOR MUSIC’S TRAILBLAZERS
From light Lo-Fi modulation all the way to the piercing sound of infinity ring-modulation, the Warm Audio RingerBringer accurately recreates the ultimate all-analog ring modulation effect used for experimental tones. Like the original, loved by artists like Jeff Beck, Radiohead, Omar RodrÃguez-López, Trent Reznor, and many more, RingerBringer delivers the original distinct set of controls, extensive in/out options, and rich sonic textures to inspire boundless sonic experimentation.
DON’T JUST PLAY, CREATE
The ideal platform for the sonic tinkerer, RingerBringer inspires you to generate layered frequencies and harmonics, explore a wide range of sonic possibilities for guitar, bass, synthesizers & beyond, and design your own sounds from the ground up. Extensive controls including LFO, MOD, FREQ (FREQUENCY) & RATE open up sonic possibilities that range from subtle overdriven textures all the way to wobbling, warped leads soaked in texture and tone. RingerBringer is 100% analog and sports premium components including hand-selected op-amps and transistors. RingerBringer is no emulation or 'patch', instead it delivers true-to-spec performance of the boutique, analog original."
"Berlin-based electronic artist Coloray takes the new 3rd Wave 8M desktop synthesizer for a spin alongside the flagship 24M in this live performance of his original song 'Tonight.' Learn more about the 3rd Wave 8M: https://www.groovesynthesis.com
Watch as Coloray sculpts sounds in real-time using both synths controlled by Ableton Live, creating layers of wavetable textures and analog warmth without any overdubs.
The 3rd Wave 8M brings the complete synthesis engine to a compact desktop format with 8 voices, bi-timbral operation, and the same premium analog filters that define Groove’s 3rd Wave character. At $1,999, the 8M makes the distinctive 3rd Wave sound accessible to a broader range of musicians while maintaining patch compatibility with the 24-voice models.
In this performance, Coloray sequences multiple synth parts on the 24M (taking advantage of its 4-part multitimbral capabilities) while the 8M handles the driving bassline. Throughout the song, he uses the performance controls to shape filter sweeps and envelope responses, demonstrating the intuitive real-time control that makes the 3rd Wave series so expressive. The vocals feature live vocoder processing, with drums and vocal samples provided by Ableton playback tracks.
Coloray (Raynor De Groot) is the boundary-pushing electronic artist known for his genre-defying approach that draws from ambient, EBM, techno, house, and disco. His tracks have topped Beatport charts and earned support from Four Tet, Dixon, Solomun, and Pete Tong. His innovative 'Future Static' audiovisual concept and virtual reality experiences showcase his commitment to pushing creative boundaries."
This isn’t a vintage emulation, or a collection of pretty presets under reverb.
"Very good condition, serviced by Rosen Sound, and includes a light-duty Tuff Case for easy transport!
"A rare vintage combo organ with that unmistakable Farfisa sound. Removable, fold-out bottom reveals fold-down legs (one or two screws missing but still functional) and hard-wired power cable. Cable connects to the external Farfisa F/AR unit which provides power and contains the spring reverb. This unit is functionally good but it could use some internal contact cleaning in a few areas. We coaxed some very usable tones out of it in the demo video! The case itself has been "well-loved," showing moderate surface scuffs from travel.
"A rare find from Casio’s early pro line, the CT-6000 combines vintage charm with impressive flexibility. It’s got a warm, retro tone, full-size keys, and loads of hands-on control, including tone editing, auto-accompaniment, and analog-style sliders for shaping your sound. Great for beginners and collectors alike.
"A towering icon of analog synthesis! Nicely restored, beautifully preserved, and built to tour or record for another lifetime.
