SEQUENTIAL TRIGON 6 ♫ Custom Sounds 50 presets ► AMBIENT EXPLORATION SOUND BANK

video upload by Synth Cloud

"▬▬▬ Download Link ▬▬▬▬
🚀 AMBIENT EXPLORATION SOUND BANK: https://www.synthonia.com/marketplace...
🚀 SEQUENTIAL SOUND BANKS: https://www.synthonia.com/marketplace...
📩 Mail: info@synthonia.com

Ambient Exploration – Patch Pack for Sequential Trigon-6

Overview
Ambient Exploration is a collection of 50 custom patches for the Sequential Trigon-6, designed to highlight the instrument’s warm analog tone and versatile modulation engine.
The pack ranges from lush cinematic pads to sharp leads, hypnotic arps, and solid basslines. It is aimed at producers, composers, and sound designers looking to expand their Trigon-6 with inspiring new sounds.

Suitable for genres such as synthwave, cinematic scoring, ambient, techno, and progressive electronic music, Analog Exploration provides a diverse palette of textures to spark creativity.

Content:
50 original patches in .syx format
Balanced mix of categories:
Leads – expressive, cutting, melodic
Pads & Atmospheres – lush, evolving, dreamy
Arps & Sequences – rhythmic, pulsing, hypnotic
Basslines – deep, punchy, analog weight
Experimental / FX – edgy and unusual tones

CLICK FOR MORE »

Jupiter 4 : Ring Modulator : Spring Reverb : Sound Exploration with the Warm Audio Ringer Bringer

video upload by Luke Million

"Ever wondered what a Jupiter-4 sounds like through a Ring Modulator and a Spring Reverb?

Well I did and made some cool, fun sounds ranging from subtle to outrageous.

The Roland Jupiter-4 is connected to a Warm Audio Ringer Bringer, an Echo Fix Spring Reverb and that passes through a Franklin Audio DI-20 before hitting my Universal Audio Apollo Twin.

This video is part of my Sunday Sessions Series where I create improvised Jams that will form the basis for future tracks."

This appears to be the first post to feature the Warm Audio Ringer Bringer. Some info below.

"REVIVING AN AVANT-GARDE PEDAL FOR MUSIC’S TRAILBLAZERS

From light Lo-Fi modulation all the way to the piercing sound of infinity ring-modulation, the Warm Audio RingerBringer accurately recreates the ultimate all-analog ring modulation effect used for experimental tones. Like the original, loved by artists like Jeff Beck, Radiohead, Omar Rodríguez-López, Trent Reznor, and many more, RingerBringer delivers the original distinct set of controls, extensive in/out options, and rich sonic textures to inspire boundless sonic experimentation.

DON’T JUST PLAY, CREATE

The ideal platform for the sonic tinkerer, RingerBringer inspires you to generate layered frequencies and harmonics, explore a wide range of sonic possibilities for guitar, bass, synthesizers & beyond, and design your own sounds from the ground up. Extensive controls including LFO, MOD, FREQ (FREQUENCY) & RATE open up sonic possibilities that range from subtle overdriven textures all the way to wobbling, warped leads soaked in texture and tone. RingerBringer is 100% analog and sports premium components including hand-selected op-amps and transistors. RingerBringer is no emulation or 'patch', instead it delivers true-to-spec performance of the boutique, analog original."

Coloray performs 'Tonight' with the 3rd Wave 8M and 24M synths

video upload by Groove Synthesis

"Berlin-based electronic artist Coloray takes the new 3rd Wave 8M desktop synthesizer for a spin alongside the flagship 24M in this live performance of his original song 'Tonight.' Learn more about the 3rd Wave 8M: https://www.groovesynthesis.com

Watch as Coloray sculpts sounds in real-time using both synths controlled by Ableton Live, creating layers of wavetable textures and analog warmth without any overdubs.

The 3rd Wave 8M brings the complete synthesis engine to a compact desktop format with 8 voices, bi-timbral operation, and the same premium analog filters that define Groove’s 3rd Wave character. At $1,999, the 8M makes the distinctive 3rd Wave sound accessible to a broader range of musicians while maintaining patch compatibility with the 24-voice models.

In this performance, Coloray sequences multiple synth parts on the 24M (taking advantage of its 4-part multitimbral capabilities) while the 8M handles the driving bassline. Throughout the song, he uses the performance controls to shape filter sweeps and envelope responses, demonstrating the intuitive real-time control that makes the 3rd Wave series so expressive. The vocals feature live vocoder processing, with drums and vocal samples provided by Ableton playback tracks.

Coloray (Raynor De Groot) is the boundary-pushing electronic artist known for his genre-defying approach that draws from ambient, EBM, techno, house, and disco. His tracks have topped Beatport charts and earned support from Four Tet, Dixon, Solomun, and Pete Tong. His innovative 'Future Static' audiovisual concept and virtual reality experiences showcase his commitment to pushing creative boundaries."

Roger Linn: The King of Drum Machines

video upload by Jack Pearson

"This is the story of Roger Linn, a guitarist from Los Angeles whose innovative sample based drum machines changed the sound of music forever.

Special thanks to Roger himself for featuring my video in the September Linnstrument newsletter (https://myemail.constantcontact.com/L...) and on his website (https://www.rogerlinndesign.com).

I first learned about Roger a few years ago while making a film called “The History of Sampling in Music” [below]. While I didn’t know anything about Roger at the time, I was astounded to learn that he had created both the LinnDrum and the MPC, which shaped the punchy robotic drums of 80s pop music and the grungy experimental grooves of 90s hip-hop respectively. I did a quick bit of research about him for my video, but didn’t really dig much deeper than that… However, a few months ago I decided to rewatch my old project, which reignited my interest in Roger’s story and gave me the idea for this video.

Like my previous project, I’d initially planned to write a script and do a voice-over, but after discovering the assortment of recorded interviews that Roger has already appeared in, I realised that I could just chop them up and have Roger tell his own story. I thought 'hey that sounds pretty cool, how hard could it be?'

Well, let’s just say I’m probably never going to do something like this again. I did enjoy making this and I am proud of it, but if I had just done a voice-over not only would it have been easier to make, but I also could’ve included a lot information without it feeling incredibly clunky. The initial cut was about 26 minutes, but I cut out loads of stuff for the sake of pacing and trying to stick to narrative beats. Roger is a fascinating guy with a lot of great anecdotes though, so if you enjoyed this video then I highly recommend you seek out some of the podcasts/interviews he’s done over the years.

I planned on making all the music for this film myself, but decided it would be better to use music that relates to Roger in some way (for example, he co-wrote 'Promises' by Eric Clapton and 'Quittin’ Time' by Mary Chapin Carpenter, and first used the LM-1 Drum Computer on the Leon Russell album 'Life & Love' which featured the track 'One More Love Song'.) I salvaged one of these demo tracks for the credits, but you can listen it and a few more scrapped tracks here:

Jack Pearson · RL:TKODM (Credits Music + Demos)

Since you’ve read this far, here’s a few bonus Roger facts that got cut out of the video:

The LM-1 was featured on the best selling album of all time - 'Thriller' by Micheal Jackson, as well as other early 80s hits like 'Maneater' by Hall & Oates, 'Valerie' by Steve Winwood, and for some reason - the original 1983 Thomas the Tank Engine theme song.

Roger hired his friend, a professional session drummer called Art Wood, to record most of the sounds on the LM-1. They set up the kit in Roger’s closet, recording each of the drums one at a time… then called it a day. Given the popularity of the songs featuring these recordings - Art Wood is technically one of most prominently featured drummers of all time.

And here's two bonus facts about this video:

The title 'The King of Drum Machines' is a quote from the father of MIDI - Dave Smith, when he spoke about Roger and the Tempest drum machine (which they built together) on a Sweetwater panel in 2015. [below]

This video was released on Roger’s 70th birthday.

I hope you enjoy it!" The History of Sampling in Music (2022)

video upload by Jack Pearson

The Inventors of Synth (Roger Linn, Dave Smith & Tom Oberheim) - Sweetwater Gearfest 2015

video upload by Sweetwater

"Join Mitch Gallagher as he moderates 'The Inventors of Synth' panel discussion at Gearfest '15. Featuring industry icons Dave Smith, Tom Oberheim, and Roger Linn discussing their thoughts on the past, present, and future of analog synthesizers and controllers.

Legendary synth designer and Grammy-winner Dave Smith was the founder of Sequential Circuits in the mid-'70s. His Prophet-5, the world's first fully programmable polyphonic synth, was the first musical instrument with an embedded microprocessor. Dave is also known as the driving force behind the development of the MIDI specification. He has continued to innovate, and recently unveiled his latest synth creation, the Sequential Prophet-6.

A pioneer of the synth and MIDI world, Tom Oberheim co-designed the Synthesizer Expansion Module (SEM), a device that allowed musicians to simultaneously combine live playing and sequenced playback - a concept that pre-dated the MIDI revolution. In 1981, he, along with Roland's Ikutaro Kakehashi and Sequential's Dave Smith, developed the MIDI spec, which changed the course of modern music. Tom recently re-released his famed Two Voice synth.

Technical Grammy award-winner Roger Linn invented the LM-1 Drum Computer (the first sample-based drum machine) in 1979. He later designed the Akai MPC60, which combined a sampling drum machine with a real-time MIDI sequencer. His guitar effects unit, AdrenaLinn, has been used on hit recordings by John Mayer and Red Hot Chili Peppers. In 2014 he released the LinnStrument, an expressive MIDI performance controller."

NINA Patterns by Protovolt: Analog Motorized Poly Synth by Melbourne Instruments

video upload by Melbourne Instruments

"Synth lord Protovolt has created a bank of patterns for NINA's Multi-Track Sequencer. Protovolt's Pattern Bank will take you to a cyborg sci-fi thriller in which you are evading a deranged robot, drawing inspiration from the great exploitation movies of the 1980s. With a contemporary twist, each of these patterns has all the sound characteristics of vintage analog synths. Set your coordinates to the future, grab your protective gear and motorcycle helmet, and get ready for a wild ride! All sounds and patterns in this video were created solely using NINA.

Grab the Protovolt NINA Pattern Bank here: https://www.melbourneinstruments.com/...

ABOUT NINA:
Unlock a standalone groovebox for beatmakers, producers, performers and sound designers with NINA's Multi-Track Sequencer. A groovebox for dynamic and expressive performance anywhere - studio or stage. Great for generating quick new ideas or work some amazing complexity into your music. This is all powered by NINA's raw analog oscillators, ladder filter and wavetable oscillator. Not forgetting the revolutionary motorized knobs that snap to life for hands-on, tactile interactive control, now you can feel your sound. Whether you’re crafting beats or complex melodic patterns, this next-gen groovebox workflow unlocks a completely new way to create.

Key Features of the Multi-Track Sequencer:
• 4-Tracks—up to 64 steps with independent length per track, for polyrhythmic sequencing.
• Per-step Automation—front panel parameters can be locked per step.
• Polyphonic Sequencing — up to 12 voices available spread across 4 tracks.
• 64 Noise types — percussive hits, metallic textures, buzzes and digital percussion.
• Motorized Automation— you can see the front panel move, turn automation on/off.
• Time-based features —shuffle, micro-timing, clock multiplication, variable gate lengths, and probability.
• Perform patterns—recall and chain up to 16 patterns.
• Internal Storage for more than 4,000 patterns.
• Save a pattern with all sound and sequencer data in save into a single file.
• Standalone operation— no other gear required. Of course NINA works well with other gear too!
• New features include: timing quantization, clear notes and clear steps.

ABOUT PROTOVOLT:
Protovolt is a sound designer, and composer known for his high-energy videos showcasing his original music, spot-on classic covers, and meticulous sound design. As a child of the ’80s, his work draws heavily from the vibrant entertainment and pop culture of the time. His music and sound design bridges nostalgia and innovation, creating a sonic world that feels both timeless and futuristic."

Can BabyAudio Tekno Rumble? 🔥 5 Things to Love + 3 I Wish It Had

video upload by Solidtrax

"Can it? Well, let’s find out in this video. I #demo one of my factory presets for ‪@BABYAudio-official‬ Tekno, called 'Get Tekno To Rumble.'

I also share 5 things I love about the plugin and 3 features I’d love to see in a future update.

Get #BabyAudio #Tekno here: https://babyaud.io/tekno - Intro offer available.

Get quality custom #sounds and read reviews at: https://www.solidtrax.nl"

Tekno - Baby Audio - Official Tutorial

video upload by Baby Audio





PRODUCE DRUMS WITHOUT SAMPLES
Stop browsing for the perfect sample and create your own infectious electronic drum sounds instead – with total control.

Tekno offers 18 fully synthesized drum engines, spanning kicks, snares, clap, hats, percussion and more. Craft unique drum kits full of punch and analog flavor to suit any musical genre.

Use MIDI to sequence Tekno directly. Or simply drag and drop your sounds into any DAW or folder for external sequencing.

NEXT-GENERATION DRUM SYNTHESIS
To build Tekno we teamed up with Jatin Chowdhury, one of the leading engineers in analog circuit modeling. Our goal was to create a modern spiritual successor to the legendary drum machines of the 20th century. Not an emulation, but more.

Tekno stands on the shoulders of classic drum machines but hits deeper and harder. It utilizes a combination of circuit-modeling and cutting edge DSP to deliver the punchiest synthesized drums ever put in a plugin.

DEEP TWEAKING OR FAST INSPIRATION
Click the ‘Gear’ icons next to any synth voice or FX section to unlock deep calibration and circuit-bending options.

Or hit the onboard ‘Dice’ icons to let Tekno’s smart random-algorithm generate all-new drums with every click.

You can also start from the 73 global presets and 1314 individual voice presets by leading sound designers such as Richard Devine, Mr. Bill, Virtual Riot and Yoad Nevo.

Adamsynths Warthog Modular Synth with Total Recall is Here

video uploads by Adamsynths

Playlist:

1. Adamsynths™ Warthog – Modular Music Miniatures

In this video, we present a series of short musical sketches, each created entirely with the Adamsynths™ Warthog modular synthesizer.

🎹 These compact compositions – each under a minute – showcase the expressive potential of Warthog patches in a musical context.

Adamsynths™ Warthog – where a patch is not just a moment, but a memory you can share.

Chapters
00:00 – Monkey – Rhythmic Pulse & Synced VCOs
00:29 – Bowland – Rhythmic Pulse & Synced VCOs
01:05 – Interstellar – The Magpie Lead
01:21 – Color TV - Keep calm and enjoy the Warthog

2. Adamsynths™ Warthog – Real Time Snapshot Switching & Morphing

In this video, we showcase two key features of the Total Recall system in the Adamsynths™ Warthog modular synthesizer: Snapshot and Snapshot Morph.

🎛️ Snapshots are switched with incredible speed in real time. Using the Mood Wheels, snapshots can be morphed into one another with refined transitions. This allows patches to continuously transform, generating new sonic textures through the movement of the control wheel.

⏱️ Chapters
00:00 – Spooky – Restless Modulation
00:31 – Lost in Matrix 1 – Groovy Break Bassline 1
01:08 – Lost in Matrix 2 – Groovy Break Bassline 2
01:46 – Jono's Organ - Celestial Drift
02:21 – Lost in Matrix 3 – Groovy Break Bassline 3

3. Adamsynths™ Warthog - Atmospheric Patches

🎧 In this video, we showcase a selection of patches from the Adamsynths™ Warthog modular synthesizer.

Expect:
🌌 Atmospheric textures
🐗 Analog basses
🔮 Modulated soundscapes

⏱️ Chapters
00:00 – Sacrifice Sequence – Audio Modulated VCF
00:47 – Horse – Pulse! Drive! Hypnosis!
01:26 – Low Pass Flight Object – Low-rate VCO, Morphing, Modulation
02:00 – Orbit – Talking Bass Moovement
02:32 – Rate & Cut - The Mating Call of Hogzilla alias Trufflorex

Press Release Follows:


Your Awaited Companion Has Arrived: Adamsynths™ Warthog, the first analog modular synthesizer with TOTAL RECALL Now Available for Pre-Order at Early-Bird Price

CLICK FOR MORE »

Circuit Bent Feedback Generator / Video Synth / Video processor by LoFi Future

video upload by LoFiFuture

"A rough and ready demo of this one off feedback generator I built a while back using a fancy-schmancy Silicon Image iScan Pro!

Availible to order here: https://lofifuturestore.square.site/p...

This unit is capable of producing some insanely intricate and evolving feedback loops on its own and it can also be used as a video processor to colourise and glitch out composite video signals for some very 80s looking posterized visuals.

The interface is simple, the upper part housing the built in preview screen also has directional controls and an illuminated zoom button for controlling the position of the image on screen.

The main control surface features:
-3 oversized 45mm knobs for controlling the Red, Green and Blue levels
-5 small knobs that control brightness, contrast, saturation, hue and sharpness
-6 toggle switches for triggering circuit bends that are wired into the Silicon Image iScan board for some glitch effects!

The unit features a 12V power input a composite output (PAL and NTSC) and a switchable composite input (so you can switch from feedback loop mode to video processor mode without rewiring anything)"



"This feedback generator / video synth is based on a very nice Silicon Image iScan composite to VGA scaler that features analog potentiometers to control brightness, contrast, saturation, hue and sharpness. This is something I have not been able to find on another model of composite to VGA converter and they seem fairly hard to come by.

This unit is capable of producing some insanely intricate and evolving feedback loops on its own and it can also be used as a video processor to colourise and glitch out composite video signals for some very 80s looking posterized visuals.

The interface is simple, the upper part housing the built in preview screen also has directional controls and an illuminated zoom button for controlling the position of the image on screen.

The main control surface features:
-3 oversized 45mm knobs for controlling the Red, Green and Blue levels
-5 small knobs that control brightness, contrast, saturation, hue and sharpness
-6 toggle switches for triggering circuit bends that are wired into the Silicon Image iScan board for some glitch effects!

The unit features a 12V power input a composite output and a switchable composite input (so you can switch from feedback loop mode to video processor mode without rewiring anything)

The enclosure is entirely 3D printed using olive green PETG.

Specifications:
PAL and NTSC composite video out
12V Power Input (power supply included)
Built in 4" preview monitor
Dimensions - 22 x 15 x 8cm"

CLICK FOR MORE »

NOVATION MININOVA / ULTRANOVA ♫ 48 Custom Sounds ► AMBIENT EXPLORATION V1

video upload by Synth Cloud

"▬▬▬ Download Link ▬▬▬▬
🚀 AMBIENT EXPLORATION V1: https://www.synthonia.com/marketplace...
📩 Mail: info@synthonia.com

Ambient Exploration V1 – Patch Collection for Novation Ultranova / Mininova

Ambient Exploration V1 is a complete sound pack of 48 custom-designed patches for the Novation Ultranova / Mininova.
This collection has been carefully programmed to explore the full potential of the synth, offering a wide spectrum of sounds that blend atmosphere, movement and expressiveness.

Inside you’ll find lush pads, textured soundscapes, evolving arpeggios and sequences, dreamlike keys and chords, as well as expressive leads and synth tones. Each patch has been shaped with a focus on musical usability, providing both instant playability and room for personal expression through performance controls.

The sound design is oriented toward creating depth and emotion, making Ambient Exploration V1 a versatile toolset for ambient music, film scoring, downtempo, electronic productions, and experimental projects. Whether you are building vast soundscapes, adding subtle harmonic layers, or searching for inspiring lead sounds, this pack is designed to enrich your creative process."

CLICK FOR MORE »

Back at it again- Live looping in the studio 2025 and an Interview with MR TUNA Music

video upload by MR TUNA Music

"My friends I am sorry to leave you hanging all summer with no jams, but its a beautiful sunny world out there and I've got to be out IN IT! So in the meantime I have a few jams backlogged that have **never before been released** and expect some weird b-sides that I was too embarrassed to post when I had content to spare !

Anyways- lots going on here, we got some Hydrasynth deluxe, classic analog pads from the JX-8P... and lots of super pump-jumping with the MX-1 sidechaining and doing some beat effects. Jupiter-80 muted trumpet is the funnest sound in the world.

Stay a while, and listen!"

---

And an interview with MR TUNA Music by Ivan Trajkovic aka dejayiwan editor and journalist (and sometimes producer and DJ):

Q: Have computers and DAWs, in a sense, destroyed creativity – why do we have so many “DAWless” setups today?

A: I think a really big part of it is a desire to get away from 'the screen'. Staring at a computer all day for work, clicking away on a mouse and keyboard can become exhausting after a long day, and to break away from the rigidity and comforts of software simply makes it more fun.... and thats a really big part of why I do what I do. There is some minor advantage to the near-unbeatable quality of analog circuitry you cant quite replicate working purely within a DAW, but that point is being made more and more moot by incredible emulations and virtual analog softsynths.

Q: Today we have apps like BandLab that are complete studios on a phone – have we reached “peak technology”?

A: It staggers me to think about what the future might hold now that music production can be with someone anywhere anytime so long as they have their phones. You can literally be on the bus making a hit track with your thumb. That’s crazy. But I don’t think it’s peak.... Tech is always moving and it doesnt stop for anyone... AI is going to be the next big thing whether we like it or not and we need to find a way to keep in check so we're still doing the creating and imagining and the technology is just an extension of that.

Q: Why are new producers so mesmerized with 80s synths and samplers, even though they’re obsolete tech?

A: Things were built differently. Things were built for professionals. Instruments had a quality of sound and build that is still unmatched today. Some of my gear is 40+ years old and sounds better than the stuff from 2025 thats trying its best to emulate it all today. Why dont we build synths like that anymore? Because its all about money and the manufacturers want to make as much of it as possible while spending the least amount.

Q: With so much new electronic music today, how can anyone “find” an audience?

A: Maybe it's lame to say, but the best path is to be authentic to yourself. When i started finally sharing my music it was more of a personal diary than something i was using to 'get famous' or 'find an audience', but by being true to what I wanted and my own personal vision (and having trust in that over some time), people started to see what I was doing and it all came together. People connect with personality, but it's obvious when you're not being yourself... not just tracks. Its routine to say because its true: be consistent, put your stuff out there. The internet is huge — your crowd is out there, just waiting to stumble onto your page at 3AM.

Q: You have one of the most interesting studios – what was the idea behind its creation?

A: My studio was built with one idea in mind... live looping. When I started dreaming up how I *wanted* to make music there wasnt even the right tools to do it properly.... sequencers were still fairly limited and there wasnt a lot of people in the live-looping jam space. I was really discovering it all and making it work on my own. It all came together with the introduction of the Squarp Pyramid sequencer--- what it allowed me to do, the freedom it allowed me to create with... it was the breakthrough piece of gear I needed to bring everything together and start building and building... and BUILDING. I love the music I get to create, but I am more proud of my studio as a form of art in the beauty of it's function and how it's designed to jam with friends, than I ever have been of the music that I create in it.

Q: What’s the future of electronic music – maybe apps and DAWs in virtual reality?

A: The virtual space is here to stay and it will only get more and more indistinguishable from the real world.... We might be already living in that simulation, but like I said earlier I think the real future is going to be (for better or for worse) in AI production techniques, editing, and complete song production. We're already at the point where AI can create a song for us instantly with our own voices, but how long will it be before AI is doing our chores and boring tasks so that we are free to be creative and put our energy into real art rather than the opposite world we live in now! AI should save us from the hard stuff and let us work on the 'fun stuff', the worthy stuff, the music stuff!

Hyper Arpeggio | Roland JP-8080

video upload by Akihiko Matsumoto



"Roland JP-8000/8080 | A Convergence of Sonic History and Future Innovation

Greetings, fellow sonic architects.

In the relentless pursuit of unparalleled sound, we often find ourselves drawn to the very essence of what makes a waveform resonate with unique character. It is within this spirit of exploration that we wish to share a recent development, an evolution in the very fabric of digital sound design.

Before we delve deeper into the intricacies, allow us to present the coordinates for this journey:

Explore the evolution: JP-8000 - 8080 (Sample Pack) ver.3.5: https://akihikomatsumoto.sellfy.store...

The Genesis of Texture: Reimagining Digital Warmth

For decades, the digital realm has strived to replicate the organic nuances of analog synthesis. Yet, a select few instruments from a pivotal era achieved a distinct warmth, a "softness" that modern software often struggles to emulate. This unique sonic signature, characterized by a rounded edge in its harmonic contours, defines a particular epoch of electronic music. It is a sound that transcends mere emulation, rooted in the very architecture of its digital modeling.

Consider the foundational elements of electronic music: the driving pulse, the atmospheric expanse, the melodic narrative. Each requires a specific textural quality to truly captivate. Our ongoing research and development in this domain have led to a significant refinement of a collection dedicated to these very principles. This material is meticulously curated for beatmakers operating within the intricate landscapes of Neo Trance, Future Garage, Wave, Hardwave, and Witch House, where the precise articulation of sound is paramount.

An Unveiling: Hyper Arpeggio and Beyond"

Our latest iteration, designated as version 3.5, introduces a novel element that pushes the boundaries of rhythmic and atmospheric integration: the Hyper Arpeggio. These are not merely sequences; they are high-velocity, BPM-agnostic drones, meticulously crafted to emphasize the distinct, almost liquid phrasing inherent to the original sound source. This particular characteristic, a unique "rounded edge" in its articulation, is a direct consequence of the original hardware's design, a feature that remains remarkably difficult to replicate with contemporary synthesis methods. It is a testament to the enduring legacy of instruments like the Roland JP-8000 and JP-8080, progenitors of the legendary Super Saw, whose influence continues to shape the sonic landscape.

CLICK FOR MORE »

Future Retro Vectra Prototype with Black/Gold Faceplate SN 0001

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"One of only 2 known Vectras with an early Black/Gold faceplate which was never put into production. No Black Gold keyboards were ever made as far as I know. These were prototypes. This unit is fully working with all mods and upgrades including a firmware upgrade to version 2. Includes box, packing, manuals, and Universal power supply. The other known unit has purple heartwood endcaps and ALSO features a 001 serial number. These are the only units like this known to exist. Will be double boxed for safe delivery worldwide.

The Vectra is a unique hybrid synthesizer with a flexible architecture that allows many different forms of synthesis to be realized. It’s the best of both worlds… The Vectra utilizes digital oscillators, ring modulators, noise sources, vector mixer, LFO’s, complex envelopes, and modulation routings providing many capabilities that would be very difficult to produce with analog circuitry alone. This allows for accurate tuning, repeatability of complex patches, and patch storage. The Vectra also provides a multi-mode analog filter, VCA, and final output, as these provide the best sonic qualities."

CLICK FOR MORE »

Yamaha CS50 & CS60 Polyphonic Synthesizer Brochures

Note: Auction links are affiliate links for which the site may be compensated.



CS50 via this eBay listing

"Yamaha CS50 Analog Polyphonic Synthesizer Brochure. BROCHURE ONLY. 8 glossy pages, full color, fold out. Very Good to Excellent condition. Vintage original, no punch holes, no writing, no highlights, no stains, does have music store stamps, USED. Time keeps on slipping into the future."

CS60 via this eBay listing

"Yamaha CS60 Analog Polyphonic Synthesizer brochure. BROCHURE ONLY. 8 glossy pages, full color, fold out. Very Good to Excellent condition. Vintage original, no punch holes, no writing, no highlights, no stains, no stamps, USED. Time keeps on slipping into the future."

CLICK FOR MORE »

Synapse Audio Legend - "Future Dimension" Soundset (50 presets)

video upload by LFOstore

"Unleash the full potential of Synapse Audio Legend with "Future Dimension"— this soundset transforms Legend into a time-traveling instrument, useful at home scoring a retro-futuristic thriller or crafting modern electronic anthems. The sounds are crafted by OttO K. Schwarz - a well-known sound designer worked with Access Music (Virus Ti), Modal Electronics, Native Instruments, etc. This visionary 50-preset collection masterfully blends vintage analog character with bold, futuristic textures equally capable of evoking classic electronic nostalgia and pioneering cutting-edge sonic landscapes.

Legend is an analog modeled software synth which is uniquely positioned for use in modern film scoring and music production applications. Within this expansive library, you'll discover meticulously crafted presets spanning lush cinematic pads, hypnotic arpeggios, weighty basses, expressive leads, and dynamic sequences – all designed to inspire your next production. Presets has been optimized for deep musical expression through comprehensive modulation wheel, velocity and aftertouch assignments, giving you real-time control over evolving textures.

Perfect for electronic producers crafting the next wave of synthwave or ambient music, and sound designers exploring the boundaries of analog modeling. Whether scoring sci-fi epics, producing electronic anthems, or performing live, these presets deliver instant inspiration with professional polish. «Future Dimension» doesn't just recreate history – it invites you to rewrite it!

Please find the soundset here - https://ottolfo.sellfy.store/software"

Novation SUMMIT // A 2025 Synth from 2019... and beyond!!

video upload by Starsky Carr

"Sonically we're in control iykyk :) .... Coming out of Leftfield - was the market ready for the Novation SUMMIT and PEAK FPGA oscillators back in 2018? Did we really understand what they were? .. digital .. yes, but not as we knew it, not old school tech type of digital.

Get my SUMMIT and Peak Patches here:
Vintage Classics https://www.starskycarr.com/patches/p...
Oberheim https://www.starskycarr.com/patches/p...

Clocking at 24MHz these were something new. Bringing out a hybrid when everyone was going analog crazy was a brave move, but one that's still paying dividends.

Building on ideas from vintage classics, it seems to have come from the future... well ahead of it's time - it's always been a 2025 synth but was originally released in 2019.

AND - it's packed full of features...

In this I look at some of the more overlooked features, and the flexibility.In my previous demos i've showed how it can emulate the functions of loads of classic synths, so in this i take it a little further. Looking at binaural mode, complex modulation, 3 distortions, dual filter modes and wavetables.

... and a big thanks to ‪@AlexBallMusic‬ for his cameo :)"

Cheerful Electronics OPL Studio - First Contact

video upload by j bowman

"🎵 Welcome to Cheerful Electronics OPL Studio - First Contact! 🎛️ In this sound design experiment, we dive deep into the world of FM synthesis using the powerful OPL Studio, exploring retro sounds inspired by classic OPL3 chips. Whether you're a fan of chip music, vintage FM synths, or curious about pushing the limits of sound design, this video is your perfect starting point.

Get ready for rich, textured tones and quirky sonic explorations as we showcase the raw potential of OPL Studio. This first contact session covers live tweaking, patch creation, and modulation — perfect for anyone diving into retro synth workflows or looking for viral FM synthesis content.

If you're into chiptune, retro game soundtracks, or nostalgic hardware-driven music, you'll feel right at home. Watch now and get inspired to experiment with your own OPL3-based synths and plugins!"



via Cheerful Electronics

OPL Studio is the ultimate OPL2 / OPL3 synthesizer! It gives you almost limitless control over what you can do with the OPL3 synthesizer chip.

Features of OPL Studio

OPL Studio has a long list of features. To name a bunch of them:

Integrated patch editor to edit predefined instruments and create your own
Load and save instrument banks from popular formats such as *.BNK, *.SB, *.O3, ect.

Patch linking to layer up to 4 instrument patches for even more complex sounds
Polyphonic sequence editor to create up to 32 drum and 32 melody sequences
Quad sequencer to live play up to four sequences

Composer module that lets you create complete songs from your sequences
Midi channel mixer

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Octave Plateau Voyetra Eight Synthesizer FULLY RESTORED

Note: Auction links are affiliate links for which the site may be compensated.

via this eBay listing

Additional Tone Tweakers Listings

"Like nearly all the high end vintage analog synths we sell, this item has been METICULOUSLY disassembled, cleaned inside and out, FULLY serviced by professionals who’ve been servicing and selling vintage synths for more than the last 3 decades, and systematically tested multiple times over a long period to ensure it’s working exactly as it should. No BS. No ebay surprises. We’re perfectionists and don’t cut corners. Although this instrument came to us in relatively good shape, we want our items to be better than the rest and invested *many* hours of tech time plus parts costs to fully overhaul this unit so it would be clean, working like new again and as reliable as possible for its next owner. This was a serious investment of time, love, and money, and was definitely worth the effort and is of course reflected in the higher than usual price. If you’re looking for a great sounding example of this model that works just like it should without needing to invest hundreds or thousands of dollars in tech fees and waiting from weeks to years, this one should make you very happy.

We’re happy to announce we’ve got another meticulously refurbished Voyetra Eight with keyboard ready for sale. This unit took us approximately 76 hours of skilled vintage synth tech time plus parts costs to get it up to our high standards.

This work included not just getting everything working perfectly, but also applying custom modifications to make tuning better than it was when it left the factory, as well as taking future-proofing measures that other sellers don’t do, but that will hopefully keep this one running well a lot longer than lesser examples you may find.

After 76+ hours of restoration by our very experienced V8 expert and our focus on perfection rather than cost, you won't find a better one."

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Mike Dean, StarPowerDrummer & 2 Vintage Moog Modulars

video upload by Anthony Marinelli Music

"No script. No presets. Just raw vintage synth power!

Join me for an explosive, 100% spontaneous synth jam featuring Mike Dean and powerhouse drummer Russell Holzman (@starpowerdrummer) performing on some of the most iconic vintage synths ever made - unlike anything you’ve seen

We’re firing up legends like the Moog IIIc ('The Plantasia Moog'), Moog Model 55, Oberheim Eight Voice SEM, Roland Jupiter-8, and the Minimoog—all dialed in and recorded live.

Turn up your speakers and witness what happens in real time when three artists meet in a room full of classic analog instruments

Special Thank You to Rob Rosen @RosenSound for supplying the most awesome Moog Model 55 & explosive Oberheim Eight Voice SEM!

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ARP Avatar Monophonic Analog Synthesizer (Modified) w/ Road Case

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

Additional SYNTH CITY Listings

"1970s ARP Avatar synthesizer. This particular unit was just overhauled in-house and converted to an Odyssey module (no longer a guitar synth) with modifications. Ready for patching and serious studio-use! Please read..."

Service notes:

-Replaced filter capacitors and all tantalum capacitors on +/- voltage rails
-Replaced tantalum capacitors on VCF module (4075)
-Disassembled all faders, cleaned and lubricated, replaced (5) damaged carbon strips
-Cleaned and calibrated

MODIFICATIONS:
1/8" (8) CV outputs for- VCO1 Ramp,VCO1 SQ, VCO2 Ramp, VCO2 SQ, LFO SINE, LFO SQ. ADSR. AR
1/8" (6) CV inputs for- VCO1 FM, VCO1 PWM, VCO2 FM, VCO2 PWM, INPUT (mixer), VCF FREQ
Gooseneck Lamp

***Guitar section non-functional; bad frequency to voltage converter module "E".
Still contains all the PCBs and parts for future restoration!"

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Cherry AudioODC 2800 - Sound Bank '79

video upload by Polydata

"Straight from the Polydata laboratory: a sound bank for the new Cherry Audio ODC 2800. Inspired by the circuits of the vintage ARP Odyssey synths, this plug-in takes those original designs further with expanded features and functionality. Sound Bank '79 was created to highlight the raw tone of this synth and bring out as much analog tone as possible.

A bank of 45 patches with a wide array of sounds and timbres, both monophonic and polyphonic.

Sound Bank '79 is a series of vintage tones for different synths and plug-ins, so look out for future releases. Recorded completely dry with no external effects or processing.

Store Link:
polydata.bigcartel.com"