"The Roland JX-3P is a powerful, versatile analog polysynth that blends vintage warmth with early digital control. This unit includes the essential PG-200 programmer (with cable) for full hands-on access to the synth’s architecture, bringing out the instrument’s real potential for sound design.
This example is in excellent condition, includes the original Roland cases specifically designed for the keyboard (hardshell carrying case with Roland logo) and the programmer (original vinyl slipcover with logo), and has been professionally converted to US voltage internally. Everything functions as it should, with a clean panel and smooth operation.
Key Features:
6-voice analog polyphony with 2 DCOs per voice Classic Roland chorus effect Oscillator sync, cross-mod, and LFO modulation Built-in 128-step sequencer Includes PG-200 programmer for real-time control MIDI input/output Condition Notes:
Converted to US voltage PG-200 and synth are both fully functional Cosmetic condition is excellent Original Roland case included The JX-3P was one of Roland’s first MIDI-equipped analog synths, used by artists like The Future Sound of London, Astral Projection, and Orbital. With the PG-200, it transforms from a preset machine into a true performance synth, with rich modulation, powerful sync tones, and that unmistakable Roland polish.
"Fire up the engine of your Korg Wavestate and ignite a time warp to the golden age of analog synths and neon-drenched aesthetics. "Synthwave" is a powerhouse collection of 40 performance-ready presets meticulously crafted for one purpose: to deliver the authentic, punchy, and nostalgic sound of the 1980s with a touch of a modern vision!
From the opening scene of a retro-futuristic thriller to the main title of your next synthwave anthem, this soundset is your all-access pass to the decade that defined electronic music. This collection is a complete production toolkit, featuring punchy basslines, driving drumloops, warm neon leads, lush keyboards, hypnotic sequences and analog-style pads!
'Synthwave' isn't just inspired by the past—it's built for the future of synthesis. Every preset leverages the Wavestate’s advanced wave sequencing, vector mixing, and motion control to create dynamic, evolving sounds that feel alive and authentically. All presets are modulation wheel - assigned. This soundset is perfect for synthwave & retrowave producers, film & game composers and every Wavestate owner ready to unlock the ultimate retro-futuristic experience!
"Very good condition, serviced by Rosen Sound, and includes a light-duty Tuff Case for easy transport!
Cosmetic notes: small chip in wood veneer edge under keybed, and the mod wheel shows a bit of wear. Both of these issues are shown in the images.
Released in 1981, the Korg Mono/Poly is known for its four VCOs, flexible modulation options, and unique mono/polyphonic switching, making it a versatile beast for both fat unison leads and unique, syncopated arpeggios. Its cross-modulation, oscillator sync, and deep routing options open the door to wild textures and sound design experimentation.
Specs & Highlights:
4 analog VCOs with independent tuning Mono, Poly, and Unison modes Crossmod, oscillator sync, and flexible LFO routing Built-in arpeggiator and chord memory Classic Korg 24dB/octave low-pass filter Full MIDI retrofit kits available (not included, but easily added) Used by artists like MGMT, Chromeo, and Jimmy Edgar, the Mono/Poly is a staple of vintage synth setups and prized for its unique voice architecture and beefy tone.
This unit was serviced by Rosen Sound, a trusted name in analog synth repair, so it’s running great and ready for action. Includes a Tuff Case (light-duty) to keep it safe during travel or storage.
30% of proceeds will benefit the Bob Moog Foundation, helping inspire future synth pioneers and preserve electronic music history."
"A rare vintage combo organ with that unmistakable Farfisa sound. Removable, fold-out bottom reveals fold-down legs (one or two screws missing but still functional) and hard-wired power cable. Cable connects to the external Farfisa F/AR unit which provides power and contains the spring reverb. This unit is functionally good but it could use some internal contact cleaning in a few areas. We coaxed some very usable tones out of it in the demo video! The case itself has been "well-loved," showing moderate surface scuffs from travel.
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This is the Compact Duo CD/30, one of Farfisa’s higher-end models from the late ’60s; basically a two-manual version of the Compact with expanded voicing and richer tone-shaping options. A favorite among garage rockers, psych bands, and analog synth fans alike.
Features:
Two manuals (upper and lower keyboards) for split/layered playing Vibrato, tone boost, and percussion controls Bass and organ voices with classic Farfisa tabs Mark I version The Compact Duo was used extensively by Pink Floyd (Echoes, etc.); a favorite for its gritty tone and punchy presence on stage and in the studio.
30% of the sale supports the Bob Moog Foundation, preserving the legacy of electronic music and inspiring future generations."
"A rare find from Casio’s early pro line, the CT-6000 combines vintage charm with impressive flexibility. It’s got a warm, retro tone, full-size keys, and loads of hands-on control, including tone editing, auto-accompaniment, and analog-style sliders for shaping your sound. Great for beginners and collectors alike.
Highlights:
12-tone polyphony
20 editable preset tones (with manual mode for custom sounds)
Analog sliders for filter, envelope, and vibrato
Built-in rhythm and accompaniment
Built-in speakers; it’s a party in a box!
Full-size keys with a solid feel
30% of the sale will go to support the Bob Moog Foundation, helping preserve electronic music history and inspire future creators."
Auction to be held at Musician's Hall of Fame & Museum, Nashville, on November 19
An incredible collection of more than 450 artifacts from the life and career of Florian Schneider, co-founder of the pioneer electronic band Kraftwerk."
Pics and videos featuring some of the gear below, and his Lederhosen for good measure (thanks greg!).
Update: the post has been fully updated with all the synth related gear. This may just well be the longest post to be featured on the site. I wanted to capture all the pics for all of the details including notes, scuffs, and of course serial numbers. It's an interesting look into what he used, the condition he keped his gear, in some cases, how he actually used his gear. Note the phonetics on the keys of the Casio CZ-101 and DX-100. Note the Midi Switch Box with a built-in speaker? What's that about? Note the camouflage key strap on the Korg RK-100 Remote Keyboard. Did he pick it out himself or did the keytar just come with it? Note the repeat midi controllers and the MIDI saxaphones. Wind was his primary instrument. You'll find a ton of the acoustic gear he used in the other listings. This is a fascinating insight into both what and how he used his gear.
Side note: there is no affiliate compensation for this post. The note at the top automatically shows for all posts with the Auction label.
Rack Mount Sennheiser VSM-201 Vocoder
Starting Bid
$5,000
Estimate
$20,000 - $40,000 USD
A late 1970s Sennheiser VSM 201 Vocoder with no serial number from the personal studio and collection of Florian Schneider of Kraftwerk (see images). While it’s said that only a few dozen of these Vocoders were produced, a few examples made it into the hands of forward-thinking musical artists including Herbie Hancock, Daft Punk, and of course, Kraftwerk, who used a VSM-201 like this on their albums Man Machine (1978) and Computerworld (1981). The VSM-201 has an intelligible sound that has not yet been bested by modern gear. Includes power cable. This VSM-201 has been removed from its wooden enclosure (which bears the serial number plate) and modified with a metal rack mount casing, presumably for live use. Requires 240v, IEC power cable not included.
Dimensions: 19 x 9 x 9 inches
Category: Kraftwerk, Equipment
Provenance: PROVENANCE From the Estate of Florian Schneider
See if you can spot the Matrix-6 screen. I think that was accident. Capturing it for posterity. :)
"A towering icon of analog synthesis! Nicely restored, beautifully preserved, and built to tour or record for another lifetime.
This Oberheim Matrix-12 is in very good condition, has been restored by Rosensound, with some recent restorations performed by synth legend and former Oberheim engineer Marcus Ryle. It comes in a new, custom-built, heavy-duty flight case. It’s a US version, upgraded with a new control panel overlay from Sweet Discrete (UK) for a clean, sharp aesthetic. Everything functions beautifully; a truly top-shelf example of one of the most powerful analog polysynths ever built.
Cosmetic notes: the Sweet Discrete panel overlay LED registration is a bit off in a few places, so some LEDs look slightly off center (as shown in an included close-up image). Performance is not affected. The new overlay generally looks beautiful, but not strictly 10/10. There is also some stubborn tape residue on a few of the keys which can also be seen in the photos.
Details:
12 voices, each with 2 analog oscillators, multimode filter, and extensive routing Legendary 96-point modulation matrix; no menus, just raw power Velocity and pressure sensitivity, 5-stage envelopes, and complex LFOs Massive analog presence with surgical control US voltage model (no step-down needed) New road-ready flight case included, $600+ value Restored by Rosensound and Marcus Ryle, two of the most trusted names in analog synth servicing New Sweet Discrete panel overlay from the UK; clean, legible, and sharp Used by Hans Zimmer, Keith Emerson, Depeche Mode, Pet Shop Boys, and countless electronic pioneers, the Matrix-12 is the pinnacle of analog polyphonic design; often called “the last great analog monster.”
30% of this sale supports the Bob Moog Foundation, preserving the history of synthesis and inspiring future creators."
1. Yamaha | MODX M | Elevate Expression Everywhere - Official Overview
2. Yamaha | MODX M | Sound Demo - Hear the Future of Expression
"Discover the new Yamaha MODX M Series, a next-generation synthesizer that elevates sound, control, and creativity for musicians everywhere.
Building on the DNA of our flagship MONTAGE M, MODX M delivers expressive performance and a professional workflow in a compact, lightweight design. Built for stage, studio, and beyond.
🎹 Key Features:
• Three powerful engines: AN-X (vintage analog), FM-X (modern digital), AWM2 (realistic acoustic instruments)
• Motion Control Synthesis: Shape sound in real time with the Super Knob, Motion Sequences & Envelope Follower
• High-resolution control: Smooth faders, knobs, and key response for ultimate expression
• Expanded Softsynth Plugin (E.S.P.): A virtual version of MODX M for your DAW (available early 2026)
• Compact, portable design: Perfect for working musicians on the move
🎧 Designed to inspire, wherever your music takes you."
Yamaha MODX M Synthesizer w/ KRAFT Music
video uploads by Kraft Music
Playlist:
1. Yamaha MODX M Synthesizer - Advanced Tutorial with Blake Angelos
"Yamaha has taken the brains in its flagship synth Montage M, and put it in a much less expensive package. Here are the details and comparison to MODX+ and Montage M
Get plenty of multi-samples for it, and my In-Complete Book of Electronic Music Ideas, Tips and Tricks
► Patreon: / loopop"
The SUPERVEC is a heavily modified / circuit bent video FX processor with audio reactive capabilities.
It is based on the VEC1060 video processor / enhancer. The circuit board of the VEC1060 is completely stripped of any unnecessary components from its audio mixer section and corresponding connectors / faders are removed. Every one of the original potentiometers is fully disassembled, cleaned professionally and reassembled with some high quality silicone lubricant so they operated noise free and feel smooth. Lastly the power input and power regulation circuitry is modified to use a standard 12V switching power supply.
This processor is audio reactive via its built in microphone or via the 1/4" line input. There are 3 selectable decay speeds that result in smooth audio reactivity.
The unit features 12 circuit bent effects that can be combined for a seemingly endless amount of variation. With all of the effects off the unit retains all of its original functionality."
The TR-1000 is available now for $2,699.99. Check with dealers on the right for availability.
"The TR-1000’s analog engine features 16 of the most coveted circuits from the TR-808 and TR-909, faithfully recreated from the original designs with detailed engineering and carefully selected modern components. Alongside the TR-1000’s analog voices are powerful digital sounds driven by Roland’s latest advancements, including 21 circuit-bent TR-808 and TR-909 models built with Analog Circuit Behavior (ACB) technology, FM percussion, virtual analog tones, and a deep PCM library for sonic exploration and fresh textures."
Playlist:
1. Roland TR-1000 Rhythm Creator | Egyptian Lover Performance
2. Roland TR-1000 Rhythm Creator | Everything You Need to Know
User videos followed by hi-res pics and the press release:
Check with dealers on the right for availability. User video by Cinematic Laboratory further below.
PoliMATHS [MSRP: $459] is an eight-channel CV and Audio event generator for the New Universal Synthesizer System or any Eurorack modular synthesizer. It uses a single set of controls to generate complex functions at eight independent channel outputs. PoliMATHS’ functions are made up of two components: first, the well-known Rise-Fall envelope with variable Curve (familiar from the original MATHS and Function and 0-Coast Slope); and second, a variable-Shape Oscillation whose amplitude is controlled over time by the Rise-Fall envelopes. This oscillation can be either low frequency for the creation of complex control functions, or audio frequency for native generation of audio events/notes with optional tuned pitch control via 1v/oct control voltage. PoliMATHS also includes output headers for creating pre-patched connections to the control inputs of QXG.
PoliMATHS Part of the New Universal Synthesizer System Eight channel function generator with a single set of controls Create simple or complex functions Activate channels in many possible patterns using Channel Index, Round, and Parallel Modes Modulate parameters across channels with Spread or Modulation Dissemination Designed to work with MultiMod and QXG and future NUSS modules Chain to QXG for immediate eight channel amplitude control
The Quad Stereo Gate (QXG) [MSRP: $239] music synthesizer module is a Four Channel Stereo Low Pass Gate and Mixer. Like the DXG before it, the QXG utilizes a new low pass gate circuit that does not use vactrols. This circuit is 100% analog and its response was arrived at after many months tailoring it to meet or exceed the expectations that have been set by all the vactrol low pass gates that Make Noise has created over the years. Additionally the QXG adds a Vactrol button to select between a Slow, low-pass-gate-like response emulating the decay time of a vactrol (Vactrol button ON), and a Fast precision response that still maintains the gentle filtering characteristic (Vactrol button OFF). Fast response can be especially useful when patching QXG with complex and quickly-changing functions such as those generated by PoliMATHS with the OSC circuit in use. The QXG also includes a Stereo Sum Output with voltage controllable Stereo Spread to quickly route all four channels across the stereo field. Each channel also has an individual output that removes the channel from the Sum when patched. In addition, QXG includes signal and control input headers for creating pre-patched connections from the outputs of PoliMATHS and MultiMod.
Part of the New Universal Synthesizer System Four channel low pass gate Vactrol-free design for classic Low Pass Gate sounds Vactrol button to select Fast or Slow response Xpread parameter for spreading the four channels across the stereo field Summing stage with Stereo AUXiliary IN allows for chaining of multiple units, creating larger mixes Individual channels can be removed from Sum by patching to their respective outputs Designed to work with MultiMod and PoliMaths Chain two QXG units to a PoliMaths for immediate eight channel amplitude control
PoliMaths & QXG | How does it sound when you know nothing?
"Today MakeNoise has introduced PoliMaths and QXG. My dealer already had them in stock (!) and allowed me to buy them - under the strict condition to keep it a secret until after the official launch video. So I had the opportunity to make a video in one day, without access to any help from the manual or the MakeNoise launch video. Normally I'd do my homework first, but this opportunity is rare. Usually, I can intuitively figure out how a module works, but with PoliMaths, almost nothing is familiar, and what's familiar works differently. So I've probably been using a MonoMaths, but since I decided to get two, there's still a Poli vibe to it.
This is probably one of the worst videos I've made so far, but it's fun to patch in the blind with zero knowledge, and this was the only day I could record, edit and post it. So forgive me for being a MakeNoise groupie. I am biased, but I also think it's for a good reason. MakeNoise managed to make something extremely innovative. I'll make a proper video soon, and I'll figure out what to do with this one later."
"This is the iconic Roland MC-202 from the golden era of analog synths... and this one is in beautiful condition!
The MC-202 was part of the Detroit, Belgium and Dutch house scene in the late 80s, early 90s. It's therefore becoming a rare unit nowadays, most units you find on the market were HEAVY used during those decades. Plus way less units were produced comparing to it's two fraternal twin the SH-101.
The MC-202 is basically a SH-101 with tons of additional sequencing features, CV in/out options, double sync etc... and a display! Its a gorgeous unit and it's sounds are all instant house music.
Important things to consider buying this beautiful unit from us:
No discolouration or faded teint of the outer shell like most units have! Clean Battery compartment, most units had battery leaks in the past creating future problems on the boards, like also the case in many 606 and 303 units. Display like new, most units have faded/watery displays. No destructive devaluating mods have been done, no drilling in the case, etc."
Ambient Exploration – Patch Pack for Sequential Trigon-6
Overview Ambient Exploration is a collection of 50 custom patches for the Sequential Trigon-6, designed to highlight the instrument’s warm analog tone and versatile modulation engine. The pack ranges from lush cinematic pads to sharp leads, hypnotic arps, and solid basslines. It is aimed at producers, composers, and sound designers looking to expand their Trigon-6 with inspiring new sounds.
Suitable for genres such as synthwave, cinematic scoring, ambient, techno, and progressive electronic music, Analog Exploration provides a diverse palette of textures to spark creativity.
Content: 50 original patches in .syx format Balanced mix of categories: Leads – expressive, cutting, melodic Pads & Atmospheres – lush, evolving, dreamy Arps & Sequences – rhythmic, pulsing, hypnotic Basslines – deep, punchy, analog weight Experimental / FX – edgy and unusual tones
"Ever wondered what a Jupiter-4 sounds like through a Ring Modulator and a Spring Reverb?
Well I did and made some cool, fun sounds ranging from subtle to outrageous.
The Roland Jupiter-4 is connected to a Warm Audio Ringer Bringer, an Echo Fix Spring Reverb and that passes through a Franklin Audio DI-20 before hitting my Universal Audio Apollo Twin.
This video is part of my Sunday Sessions Series where I create improvised Jams that will form the basis for future tracks."
This appears to be the first post to feature the Warm Audio Ringer Bringer. Some info below.
"REVIVING AN AVANT-GARDE PEDAL FOR MUSIC’S TRAILBLAZERS
From light Lo-Fi modulation all the way to the piercing sound of infinity ring-modulation, the Warm Audio RingerBringer accurately recreates the ultimate all-analog ring modulation effect used for experimental tones. Like the original, loved by artists like Jeff Beck, Radiohead, Omar Rodríguez-López, Trent Reznor, and many more, RingerBringer delivers the original distinct set of controls, extensive in/out options, and rich sonic textures to inspire boundless sonic experimentation.
DON’T JUST PLAY, CREATE
The ideal platform for the sonic tinkerer, RingerBringer inspires you to generate layered frequencies and harmonics, explore a wide range of sonic possibilities for guitar, bass, synthesizers & beyond, and design your own sounds from the ground up. Extensive controls including LFO, MOD, FREQ (FREQUENCY) & RATE open up sonic possibilities that range from subtle overdriven textures all the way to wobbling, warped leads soaked in texture and tone. RingerBringer is 100% analog and sports premium components including hand-selected op-amps and transistors. RingerBringer is no emulation or 'patch', instead it delivers true-to-spec performance of the boutique, analog original."
"Berlin-based electronic artist Coloray takes the new 3rd Wave 8M desktop synthesizer for a spin alongside the flagship 24M in this live performance of his original song 'Tonight.' Learn more about the 3rd Wave 8M: https://www.groovesynthesis.com
Watch as Coloray sculpts sounds in real-time using both synths controlled by Ableton Live, creating layers of wavetable textures and analog warmth without any overdubs.
The 3rd Wave 8M brings the complete synthesis engine to a compact desktop format with 8 voices, bi-timbral operation, and the same premium analog filters that define Groove’s 3rd Wave character. At $1,999, the 8M makes the distinctive 3rd Wave sound accessible to a broader range of musicians while maintaining patch compatibility with the 24-voice models.
In this performance, Coloray sequences multiple synth parts on the 24M (taking advantage of its 4-part multitimbral capabilities) while the 8M handles the driving bassline. Throughout the song, he uses the performance controls to shape filter sweeps and envelope responses, demonstrating the intuitive real-time control that makes the 3rd Wave series so expressive. The vocals feature live vocoder processing, with drums and vocal samples provided by Ableton playback tracks.
Coloray (Raynor De Groot) is the boundary-pushing electronic artist known for his genre-defying approach that draws from ambient, EBM, techno, house, and disco. His tracks have topped Beatport charts and earned support from Four Tet, Dixon, Solomun, and Pete Tong. His innovative 'Future Static' audiovisual concept and virtual reality experiences showcase his commitment to pushing creative boundaries."
I first learned about Roger a few years ago while making a film called “The History of Sampling in Music” [below]. While I didn’t know anything about Roger at the time, I was astounded to learn that he had created both the LinnDrum and the MPC, which shaped the punchy robotic drums of 80s pop music and the grungy experimental grooves of 90s hip-hop respectively. I did a quick bit of research about him for my video, but didn’t really dig much deeper than that… However, a few months ago I decided to rewatch my old project, which reignited my interest in Roger’s story and gave me the idea for this video.
Like my previous project, I’d initially planned to write a script and do a voice-over, but after discovering the assortment of recorded interviews that Roger has already appeared in, I realised that I could just chop them up and have Roger tell his own story. I thought 'hey that sounds pretty cool, how hard could it be?'
Well, let’s just say I’m probably never going to do something like this again. I did enjoy making this and I am proud of it, but if I had just done a voice-over not only would it have been easier to make, but I also could’ve included a lot information without it feeling incredibly clunky. The initial cut was about 26 minutes, but I cut out loads of stuff for the sake of pacing and trying to stick to narrative beats. Roger is a fascinating guy with a lot of great anecdotes though, so if you enjoyed this video then I highly recommend you seek out some of the podcasts/interviews he’s done over the years.
I planned on making all the music for this film myself, but decided it would be better to use music that relates to Roger in some way (for example, he co-wrote 'Promises' by Eric Clapton and 'Quittin’ Time' by Mary Chapin Carpenter, and first used the LM-1 Drum Computer on the Leon Russell album 'Life & Love' which featured the track 'One More Love Song'.) I salvaged one of these demo tracks for the credits, but you can listen it and a few more scrapped tracks here:
Since you’ve read this far, here’s a few bonus Roger facts that got cut out of the video:
The LM-1 was featured on the best selling album of all time - 'Thriller' by Micheal Jackson, as well as other early 80s hits like 'Maneater' by Hall & Oates, 'Valerie' by Steve Winwood, and for some reason - the original 1983 Thomas the Tank Engine theme song.
Roger hired his friend, a professional session drummer called Art Wood, to record most of the sounds on the LM-1. They set up the kit in Roger’s closet, recording each of the drums one at a time… then called it a day. Given the popularity of the songs featuring these recordings - Art Wood is technically one of most prominently featured drummers of all time.
And here's two bonus facts about this video:
The title 'The King of Drum Machines' is a quote from the father of MIDI - Dave Smith, when he spoke about Roger and the Tempest drum machine (which they built together) on a Sweetwater panel in 2015. [below]
This video was released on Roger’s 70th birthday.
I hope you enjoy it!"
The History of Sampling in Music (2022)
"Join Mitch Gallagher as he moderates 'The Inventors of Synth' panel discussion at Gearfest '15. Featuring industry icons Dave Smith, Tom Oberheim, and Roger Linn discussing their thoughts on the past, present, and future of analog synthesizers and controllers.
Legendary synth designer and Grammy-winner Dave Smith was the founder of Sequential Circuits in the mid-'70s. His Prophet-5, the world's first fully programmable polyphonic synth, was the first musical instrument with an embedded microprocessor. Dave is also known as the driving force behind the development of the MIDI specification. He has continued to innovate, and recently unveiled his latest synth creation, the Sequential Prophet-6.
A pioneer of the synth and MIDI world, Tom Oberheim co-designed the Synthesizer Expansion Module (SEM), a device that allowed musicians to simultaneously combine live playing and sequenced playback - a concept that pre-dated the MIDI revolution. In 1981, he, along with Roland's Ikutaro Kakehashi and Sequential's Dave Smith, developed the MIDI spec, which changed the course of modern music. Tom recently re-released his famed Two Voice synth.
Technical Grammy award-winner Roger Linn invented the LM-1 Drum Computer (the first sample-based drum machine) in 1979. He later designed the Akai MPC60, which combined a sampling drum machine with a real-time MIDI sequencer. His guitar effects unit, AdrenaLinn, has been used on hit recordings by John Mayer and Red Hot Chili Peppers. In 2014 he released the LinnStrument, an expressive MIDI performance controller."
"Synth lord Protovolt has created a bank of patterns for NINA's Multi-Track Sequencer. Protovolt's Pattern Bank will take you to a cyborg sci-fi thriller in which you are evading a deranged robot, drawing inspiration from the great exploitation movies of the 1980s. With a contemporary twist, each of these patterns has all the sound characteristics of vintage analog synths. Set your coordinates to the future, grab your protective gear and motorcycle helmet, and get ready for a wild ride! All sounds and patterns in this video were created solely using NINA.
ABOUT NINA: Unlock a standalone groovebox for beatmakers, producers, performers and sound designers with NINA's Multi-Track Sequencer. A groovebox for dynamic and expressive performance anywhere - studio or stage. Great for generating quick new ideas or work some amazing complexity into your music. This is all powered by NINA's raw analog oscillators, ladder filter and wavetable oscillator. Not forgetting the revolutionary motorized knobs that snap to life for hands-on, tactile interactive control, now you can feel your sound. Whether you’re crafting beats or complex melodic patterns, this next-gen groovebox workflow unlocks a completely new way to create.
Key Features of the Multi-Track Sequencer: • 4-Tracks—up to 64 steps with independent length per track, for polyrhythmic sequencing. • Per-step Automation—front panel parameters can be locked per step. • Polyphonic Sequencing — up to 12 voices available spread across 4 tracks. • 64 Noise types — percussive hits, metallic textures, buzzes and digital percussion. • Motorized Automation— you can see the front panel move, turn automation on/off. • Time-based features —shuffle, micro-timing, clock multiplication, variable gate lengths, and probability. • Perform patterns—recall and chain up to 16 patterns. • Internal Storage for more than 4,000 patterns. • Save a pattern with all sound and sequencer data in save into a single file. • Standalone operation— no other gear required. Of course NINA works well with other gear too! • New features include: timing quantization, clear notes and clear steps.
ABOUT PROTOVOLT: Protovolt is a sound designer, and composer known for his high-energy videos showcasing his original music, spot-on classic covers, and meticulous sound design. As a child of the ’80s, his work draws heavily from the vibrant entertainment and pop culture of the time. His music and sound design bridges nostalgia and innovation, creating a sonic world that feels both timeless and futuristic."
PRODUCE DRUMS WITHOUT SAMPLES Stop browsing for the perfect sample and create your own infectious electronic drum sounds instead – with total control.
Tekno offers 18 fully synthesized drum engines, spanning kicks, snares, clap, hats, percussion and more. Craft unique drum kits full of punch and analog flavor to suit any musical genre.
Use MIDI to sequence Tekno directly. Or simply drag and drop your sounds into any DAW or folder for external sequencing.
NEXT-GENERATION DRUM SYNTHESIS To build Tekno we teamed up with Jatin Chowdhury, one of the leading engineers in analog circuit modeling. Our goal was to create a modern spiritual successor to the legendary drum machines of the 20th century. Not an emulation, but more.
Tekno stands on the shoulders of classic drum machines but hits deeper and harder. It utilizes a combination of circuit-modeling and cutting edge DSP to deliver the punchiest synthesized drums ever put in a plugin.
DEEP TWEAKING OR FAST INSPIRATION Click the ‘Gear’ icons next to any synth voice or FX section to unlock deep calibration and circuit-bending options.
Or hit the onboard ‘Dice’ icons to let Tekno’s smart random-algorithm generate all-new drums with every click.
You can also start from the 73 global presets and 1314 individual voice presets by leading sound designers such as Richard Devine, Mr. Bill, Virtual Riot and Yoad Nevo.
In this video, we present a series of short musical sketches, each created entirely with the Adamsynths™ Warthog modular synthesizer.
🎹 These compact compositions – each under a minute – showcase the expressive potential of Warthog patches in a musical context.
Adamsynths™ Warthog – where a patch is not just a moment, but a memory you can share.
Chapters
00:00 – Monkey – Rhythmic Pulse & Synced VCOs
00:29 – Bowland – Rhythmic Pulse & Synced VCOs
01:05 – Interstellar – The Magpie Lead
01:21 – Color TV - Keep calm and enjoy the Warthog
2. Adamsynths™ Warthog – Real Time Snapshot Switching & Morphing
In this video, we showcase two key features of the Total Recall system in the
Adamsynths™ Warthog modular synthesizer: Snapshot and Snapshot Morph.
🎛️ Snapshots are switched with incredible speed in real time. Using the Mood Wheels, snapshots can be morphed into one another with refined transitions. This allows patches to continuously transform, generating new sonic textures through the movement of the control wheel.
⏱️ Chapters
00:00 – Spooky – Restless Modulation
00:31 – Lost in Matrix 1 – Groovy Break Bassline 1
01:08 – Lost in Matrix 2 – Groovy Break Bassline 2
01:46 – Jono's Organ - Celestial Drift
02:21 – Lost in Matrix 3 – Groovy Break Bassline 3
3. Adamsynths™ Warthog - Atmospheric Patches
🎧 In this video, we showcase a selection of patches from the Adamsynths™ Warthog modular synthesizer.
Expect:
🌌 Atmospheric textures
🐗 Analog basses
🔮 Modulated soundscapes
Your Awaited Companion Has Arrived: Adamsynths™ Warthog, the first analog modular synthesizer with TOTAL RECALL Now Available for Pre-Order at Early-Bird Price
This unit is capable of producing some insanely intricate and evolving feedback loops on its own and it can also be used as a video processor to colourise and glitch out composite video signals for some very 80s looking posterized visuals.
The interface is simple, the upper part housing the built in preview screen also has directional controls and an illuminated zoom button for controlling the position of the image on screen.
The main control surface features:
-3 oversized 45mm knobs for controlling the Red, Green and Blue levels
-5 small knobs that control brightness, contrast, saturation, hue and sharpness
-6 toggle switches for triggering circuit bends that are wired into the Silicon Image iScan board for some glitch effects!
The unit features a 12V power input a composite output (PAL and NTSC) and a switchable composite input (so you can switch from feedback loop mode to video processor mode without rewiring anything)"
"This feedback generator / video synth is based on a very nice Silicon Image iScan composite to VGA scaler that features analog potentiometers to control brightness, contrast, saturation, hue and sharpness. This is something I have not been able to find on another model of composite to VGA converter and they seem fairly hard to come by.
This unit is capable of producing some insanely intricate and evolving feedback loops on its own and it can also be used as a video processor to colourise and glitch out composite video signals for some very 80s looking posterized visuals.
The interface is simple, the upper part housing the built in preview screen also has directional controls and an illuminated zoom button for controlling the position of the image on screen.
The main control surface features: -3 oversized 45mm knobs for controlling the Red, Green and Blue levels -5 small knobs that control brightness, contrast, saturation, hue and sharpness -6 toggle switches for triggering circuit bends that are wired into the Silicon Image iScan board for some glitch effects!
The unit features a 12V power input a composite output and a switchable composite input (so you can switch from feedback loop mode to video processor mode without rewiring anything)
The enclosure is entirely 3D printed using olive green PETG.
Specifications: PAL and NTSC composite video out 12V Power Input (power supply included) Built in 4" preview monitor Dimensions - 22 x 15 x 8cm"
