Behind The Drums Ep 15 - Flashdance "Maniac" - Michael Sembello Linndrum

video upload by Controlled Voltage Sound Labs

"An in depth look at the making of Michael Sembello's number one hit 'Maniac,' from the Flashdance movie soundtrack. Video includes a re-cretion of the drum beat using a Linndrum."

Drum Processing
Kick - Teletronix LA-2A (No Reverb)
Snare + Tamb - Teletronix LA-2A + Lexicon 224 (Plate Setting)
Cowbell - Teletronix LA-2A (No Reverb)
Clap - AMS Reverb (Non Lin Short decay)
Stick - Teletronix LA-2A (No Reverb)
Hat - Teletronix LA-2A + Lexicon 224 (Room Setting)

Behind The Drums Ep 14 - Tom Petty "Don't Come Around Here No More" Oberheim DMX

video upload by Controlled Voltage Sound Labs

"An in depth look at the making of Tom Petty's "Don't Come Around Here No More." Video includes a re-creation of the drum beat using an Oberheim DMX drum machine.

Join us on Patreon! - / cvsoundlabs
INSTAGRAM - @CVSoundLabs

Drum Processing...
Kick - Teletronix LA-2A + Lexicon 224
Snare - Teletronix LA-2A + AMS Reverb
Hat + Cabasa - Teletronix LA-2A + Lexicon 224
Toms - Teletronix LA-2A + AMS DMX Delay + AMS Reverb"

Behind The Drums Ep 13 - Berlin "Take My Breath Away" Linndrum with Yamaha DX7

video upload by Controlled Voltage Sound Labs

Additional Behind The Drums episodes

"An in depth look at the making of Berlin's international number one hit, 'Take My Breath Away.' Video includes a re-creation of the drum beat using a Linndrum and bass line using a Yamaha DX7."

Drum Processing...
Kick - Teletronix LA-2A + AMS Reverb
Snare - Teletronix LA-2A + AMS Reverb
Hat - Teletronix LA-2A + Lexicon 224
Conga - Teletronix LA-2A + Lexicon 224
Tambourine - Teletronix LA-2A + Lexicon 224

Behind The Drums Ep 12 - Pat Benatar "Love Is A Battlefield" Linndrum

video upload by Controlled Voltage Sound Labs

Additional Behind The Drums episodes

"An in depth look at the making of Pat Benatar's highest charting hit 'Love Is A Battlefield.' Episode includes a remake of the beat using a Linndrum."

Drum Processing
Hat - Teletronix LA-2A + Lexicon 224
Cabasa - Teletronix LA-2A + Lexicon 224
Kick - Teletronix LA-2A (No Reverb)
Snare - Teletronix LA-2A + AMS RMX Verb
Toms - Teletronix LA-2A + Lexicon 224

Behind The Drums Ep 11 - New Order "Blue Monday" Oberheim DMX

video upload by Controlled Voltage Sound Labs

"An in depth look at the making of New Order's best selling single of all time 'Blue Monday.' Episode includes a remake of the drum beat using an Oberheim DMX drum machine."

Drum Processing
Hat - Teletronix LA-2A + Lexicon 224 Hall Setting
Snare - Teletronix LA-2A + Lexicon 224
Clap - Teletronix LA-2A + Lexicon 224 Plate Setting
Kick - Teletronix LA-2A + Lexicon Hall Setting

Behind The Drums Ep 10 - Madonna "Into The Groove" Oberheim DMX

video upload by Controlled Voltage Sound Labs

Additional Behind The Drums episodes

"An in depth look at the making of Madonna's best selling song of all time 'Into the Groove.' Episode includes a remake of the beat using an Oberheim DMX along with a Roland TR 727 to incorporate percussion elements heard in the Shep Pettibone remix.

Drum Processing...
Hat - Teletronix LA-2A + Lexicon 224
Kick - Teletronix LA-2A
Snare - Teletronix LA-2A + AMS non linear
Clap - Teletronix LA-2A + AMS non linear

Roland TR 626
All percussion - Teletronix LA-2A +Lexicon 224 Hall Setting
Timbale - AMS DMX 1/8 delay

INSTAGRAM - @CVsoundlabs"

Behind The Drums Ep 09 - Paula Abdul "Straight Up" Linn 9000

video upload by Controlled Voltage Sound Labs

Additional Behind The Drums episodes

"An in depth look at the making of Paula Abdul's hit single 'Straight Up.' Video includes a re-creation of the drum beat using a Linn 9000 with alternate sounds from an authentic 1980's era floppy disc collection.

Drum Processing...
Hat, Cabasa, Cowbell - Teletronix LA-2A + Lexicon 224 Room setting
Snare - Teletronix LA-2A + AMS short gate
Kick - Dry
Crash - Lexicon 224 Hall setting"

Behind The Drums Ep 08 - Tears For Fears "Everybody Wants To Rule The World" Linndrum with Fairlight

video upload by Controlled Voltage Sound Labs

Additional Behind The Drums episodes

"A deep dive into how the drums were made on Tears For Fears' hit single 'Everybody Wants To Rule The World.' Video includes a re-creation of the drum beat using a Linndrum with sounds from the Fairlight CMI.

Processing
Hi Hat + Cabasa - Teletronix LA-2A + Lexicon 224 Hall Setting
Kick - Teletronix LA-2A
Snare - Teletronix LA-2A + AMS Reverb Short Gate"

Behind The Drums Ep 07 - Dead Or Alive "You Spin Me Round (Like A Record)" Linn 9000

video upload by Controlled Voltage Sound Labs

Additional Behind The Drums episodes

"An in depth look at the making of Dead Or Alive's international hit "You Spin Me Round (Like A Record)." Episode includes a remake of the beat using the Linn 9000 drum machine, and takes a look at the creative process of legendary hitmakers Stock, Aitken, and Waterman."

Five Famous Oberheim DMX Patterns (Hip Hop Edition)

video upload by Controlled Voltage Sound Labs

"Programming 5 famous patterns on the Oberheim DMX drum machine. An homage to the early pioneers of hip hop.

Grandmaster Flash - 'The Message'
Davy DMX - 'One For The Treble (Fresh)'
Slick Rick - 'Children's Story'
Kurtis Blow - 'AJ Meets Davy DMX'
Slick Rick - 'Mona Lisa'

Processing
Teletronix LA-2A + Lexicon 224

INSTAGRAM - ​@CVsoundlabs"

Behind The Drums Ep 06 - A-ha "Take On Me" Linndrum with Yamaha DX7

video upload by Controlled Voltage Sound Labs

Additional Behind The Drums episodes

"An in depth look at the making of A-ha's international hit 'Take On Me.' Video includes a re-creation of the drum beat using a Linndrum and Yamaha DX7."

Behind The Drums Ep 05 - Cameo "Word Up" Linn 9000 with special guest Sammy Merendino

video upload by Controlled Voltage Sound Labs

Additional Behind The Drums episodes

"An in depth look at the making of Cameo's 'Word Up.' Video includes an interview with drum programmer Sammy Merendino and a recreation of the drum beat using a Linn 9000.

Follow Sammy on Instagram - @ Sammymerendino

Drum Processing...
Teletronix LA-2A compression on everything
No Reverb
Ping Pong delay on tambourine"

You can find episodes 1 through 4 here.

Behind The Drums

video uploads by Controlled Voltage Sound Labs

Additional Behind The Drums episodes

Playlist:

1. Behind The Drums - Tears For Fears "Shout" Linndrum with Drumulator Digirock Eproms

A deep dive into how the drums were made on Tears For Fears' hit single "Shout." Video includes a recreation of the beat using a Linndrum with the Digidrums "Digi Rock Drums" and 3 alternate eproms made by Linn Electronics. Drums are processed through Teletronix LA-2A compressor + AMS Reverb.

2. Behind The Drums Ep 02 - Billy Idol "Eyes Without A Face" Linndrum

An in depth look at the making of Billy Idol's "Eyes Without A Face." Video includes a recreation of the drum beat using a Linndrum with all stock sounds. Drums are processed through Teletronix LA-2A compressor + AMS Reverb.

3. Behind The Drums Ep 03 - Madonna "Holiday" Oberheim DMX

An in depth look at the making of Madonna's "Holiday." Video includes a recreation of the drum beat using an Oberheim DMX and live cowbell.

Drum Processing...
Hat, Cowbell, Tamborine - Teletronix LA-2A + Lexicon 224 Hall Setting
Snare and Clap - Teletronix LA-2A + Lexicon 224 Short Gate Setting
Kick - Teletronix LA-2A (No Reverb)

4. Behind The Drums Ep 04 - Wham! "Everything She Wants" Linndrum

An in depth look at the making of Wham's "Everything She Wants." Video includes a recreation of the drum beat using a Linndrum.

Drum processing...
Kick, Snare, Clap - Teletronix LA-2A + Lexicon 224 Plate
Congas, Toms, Cowbell - Teletronix LA-2A + Lexicon 224 Plate
Hat, Cabasa, Tamborine - Teletronix LA-2A + Lexicon 224 Hall

Machina Bristronica 2024

video uploads by sonicstate

Playlist:

1. Bristronica 24: MyVolts The Silent Alchemist Nears Shipping

We caught up with Caroline who gave us the latest update to the *Silent Alchemist*, a versatile power hub designed for musicians. Featuring five isolated USB-C outputs and a high-wattage sixth output capable of delivering 100 watts, the device can power a Mac with the remaining outputs providing 20 watts each. Its independent circuits ensure noise-free operation, catering to a variety of devices including the Dreadbox module and Sysmo slope generator.

The Silent Alchemist uses innovative step-up power tips to convert USB-C input to the correct voltage for various devices. There's also new feature: an uninterruptible power supply allowing seamless transition between wall and power bank sources. Also introduced were updated cables, such as silver candy cords and floating ring TRS to TS cables, expanding connection flexibility. The Silent Alchemist is expected to be available in December with a competitive pricing strategy.

More Info:
https://myvolts.com/

2. Bristronica 24: Circuit Happy ML2M Clock Sync module updates

At Bristronica 2024, we caught up with the creator of the *ML2M*, who introduced us to the latest version. The ML2M is a compact Eurorack module with Wi-Fi capabilities, allowing seamless synchronization with Ableton Live, Bitwig Studio, and iOS music apps using Ableton Link without the need for cables. It either connects to an existing network or creates its own, ensuring robust sync even in environments with unreliable Wi-Fi. The module, which retains its 2HP size, now features MIDI integration through TRS jacks. Users can access a web interface to configure each output for different clock divisions and reset triggers, making setup straightforward and flexible.

Alongside the ML2M, there's also the Missing Link Junior. This desktop version offers the same functionality but in a box format, complete with MIDI and CV clock outputs. Both products are now accessible, with a starting price of $250.

3. Bristronica 24: Archaea Exchange Patching Module

At Machina Bristronica 2024, we caught up with Arran from ‪@archaea_modular_synthesis‬ who presented the *Exchange Module*. This programmable patcher, a year in the making, evolved from its early prototype stage to a fully functional module. Arran explained how the Exchange can route synth voices via a beam controller and three exchange modules installed within the skiff, allowing for versatile patching. Operating like a matrix patchbay, it enables users to select inputs and outputs with the push of a button, create presets, and chain multiple modules for synchronized patching.

Communication between the modules occurs over the Eurorack power bus as well as over MIDI via the USB-C connection. The Exchange maintains analog integrity, ensuring there’s no conversion latency. The forthcoming release expected in late November 2024, includes a USB-driven editor for enhanced control capabilities.

CLICK FOR MORE »

The Eternal Now

video upload by davidryle

"American Format (5U) modular synthesizer performance in real time to a stereo track in Cubase.
For an atonal wash I used the Dove Audio Waveplane and WTF vco's through an Oakley Sound Systems Ring Modulator. I then sent it through A dotcom Q150 transistor ladder filter and a Lower West Side Studio Multimode Filter/Resonator and on to a fixed filter bank and a Frequency Central Stasis Leak digital delay. This drone wash comes in at the final section and ending.
The opening reed sound and accompanying organ sounds were derived from the Synthetic Sound Labs/Mutable Instruments (Braids) Woven Spirits module.
The initial reed sound is from the AUX output of the Woven Spirits through an SSL/Ian Fritz 5 Pulser and Oakley Sound Systems State Variable Filter. The filter is stepped with a random S&H from JNP Electronics.
The secondary organ chord sound is the Main direct output of the Woven Spirits in Chord mode. The combination of both elements are sent to an Electro-Harmonix Grand Canyon in DMM mode. Feedback is applied as needed for the drone sustain throughout the piece.
The bass line comes in next with a pair of STG Soundlabs Oscillators through a Dove Audio D502 Multimode filter in -24dB LP mode. The pitch voltage is from the upper Q960 step sequencer. It's timing is from a Catgirl Synth Master Divider, clocked from a custom Dual LFO/Analog Shift Register of Ken Stone (Catgirl Synth) design. An additional tap from the STG oscillator through a Corsynth C103 Frequency Divider/Multiplier module for a sub-octave feed.
The melodic line blended into the latter section is from a pair of Q106 dotcom vco's which are pitch controlled by the lower Q960 sequencer. Each vco pitch is from a separate row of the Q960. The Q960's shift timing is from the CGS Master Divider module. The output is routed through an Empress Reverb pedal in Blue Ghost mode. Panning is from the LWSS/Yusynth Panning Mixer.
All pitch quantitization is through a Moon Modular 565 series setup.
Additional voltage modulation to the Woven Spirits module are from the STG Soundlabs voltage mini stores, and vaious LFO's etc. Timing for the additional sequencers is also managed by the Moster Divider."

Synthetic Sound Labs Announces Soleil String Synth Pod & Modulation Orgy 2.0

Details on each follow. Check with the dealers on the right for availability.

TABLE-TOP MIDI STRING SYNTH POD ANNOUNCED

Inspired by the early vintage synths of the ‘70s such as the Elka Rhapsody and ARP Solina, the Soleil POD is a tiny low-cost Lo-Fi MIDI String Synth table-top box.

Capable of playing 4 paraphonic notes with 2 oscillator ranks per note. Waveforms are continuously variable from thick sawtooth thru variable pulse widths for more reedy sounds. The second rank is detunable for lush pads and honky-tonk riffs.

The Soleil contains built-in modulation / vibrato LFO, the depth of which can be controlled by MIDI. Attack and release envelope times are individually adjustable and share a single VCA making this a “paraphonic” instrument. A gate output jack allows convenient triggering of external effects and synth equipment, and its state is displayed by an LED.

MIDI is input via a 3.5mm TRS Type “A” jack, and responds to keyboard running status as well as pitch bend and modulation. An LED MIDI displays MIDI activity.

MIDI channel defaults to channel 1 but can be easily reset to other channels using a unique sequence from your controller keyboard at power-up, which is retained in non- volatile memory.

A fine tune control allows accurate tuning to other instruments, and an output volume control is provided. MIDI, Gate Out and Audio Out are standard 3.5mm (1/8”) jacks.


Power is supplied from a user provided +8 to +18 VDC 2.1mm coaxial jack, center positive power source, and draws extremely low current.

Quality, solder masked, fiberglass-epoxy printed circuit boards and meticulous hand- crafted assembly assure years of trouble-free service.

Synthetic Sound Labs has been in the analog synthesizer business since 1973. The Soleil Pod is the newest in SSL’s continuing line of outstanding analog synthesizer devices.

Pricing is $179.95 US and is available off-the-shelf from SSL and Distributors Worldwide.

UPDATED LFO MODULE ANNOUNCED

Just over 10 years after the release of its popular original 2260 Modulation Orgy LFO, Synthetic Sound Labs have recently released an updated and improved version.

The new 2261 Modulation Orgy has completely reimagined firmware that includes improvements such as waveform morphing and random wave slew. The new module width is now only 8 HP (half the width of its 16 HP predecessor) and is available with either black or silver faced panels.

DETAILS

The 2261 Modulation Orgy is a unique Low Frequency Oscillator (LFO) that offers unmatched modulation flexibility. It features both manual and external voltage control over LFO Tempo (speed), tempo Multiplier, Waveform and Waveform Distortion.

Eight Waveforms are produced, including Sawtooth, Ramp, Rectangle, Triangle, Sine, Sweep, Lumps and Random with morphing between adjacent waves. Waveforms may be further modified using the Wave Distort controls.

A front panel button or external Sync input allow synchronization to precise multiples of the musical beat permitting timed vibratos, tremolos, and clocking of external sequencers and sample & hold type devices. Multiple 2261s may also be cascaded to provide complex polyrhythmic modulation patterns, which is aided by use of the Clock output jack. The Clock output also serves as a powerful input clock multiplier.

In conjunction with the Multiplier controls, LFO Tempo (frequency) is adjustable from approximately 0.1Hz to about 50Hz in six overlapping tempo ranges.

The external Level CV input responds linearly and is normalled internally to +5V so that with no input, the 2261 outputs are at maximum. This convenient input can frequently save a separate VCA when doing voltage-controlled modulation depth.


A panel LED / push button shows the LFO output rate. Knobs are conveniently placed and top quality 1/8” jacks permit smooth, effortless patching.

Quality, solder masked, fiberglass-epoxy printed circuit boards and meticulous hand- crafted assembly assure years of trouble-free service.

Synthetic Sound Labs has been in the analog synthesizer business since 1973. The 2261 is the newest in SSL’s continuing line of outstanding analog synthesizer modules.

Pricing is $250 US and is available off-the-shelf from SSL and Distributors Worldwide. Silver panel – Model 2261S. Black panel – Model 2261B

New Synthetic Sound Labs SEGWENCER 2.0 – MODEL 2521 & V-GATES 2.0 – MODEL 2611

via @noisebug

https://www.noisebug.net

The SSL 2521 Segwencer™ 2.0 Euro module is an updated version of our popular 2520 with improved circuitry, simple panel graphics and only 8 HP width – and is indeed in a class of its own. The name derives from the audio term “segue” (fading from one sound to another), and the synth term “sequence” (moving from one point / sound to another), and once combined, there is a synergy that blasts these concepts into a totally new way of morphing sounds, textures and even control voltages.

V-GATES 2.0 – MODEL 2611 -

The SSL 2611 V-Gates 2.0 is an updated version of our popular 2610 with improved circuitry, simple panel graphics and only 8 HP width. It sports a powerful combination of features for your clocking and gating pleasure. In fact, there are well over 300 variations of gates, functions and modes. And many of these functions can be voltage controlled!

ANALOG KNOBS ON A DIGITAL GATE?
Absolutely! You bet! Although knobs might seem to make more sense for analog, with digital functions the knobs actually allow very versatile selections of what we call “Sub-Functions”. These sub-functions allow you to adjust how the gate outputs react with the input clock, among other things.

Dune Soundtrack The One Hans Zimmer Cover all analog synthesizers, Moog, ARP-2600, Soma Lyra-8, DFAM

video upload by EthanJamesMusic

"This is a synthwave cover of the soundtrack for The One by Hans Zimmer from the movie Dune. I wanted to see if it was possible to get somewhat close to the spirit of the music using only analog electronic synthesizers with guitar. I am using some Eurorack modular with a Buchla Easel Command and Soma Labs Lyra-8 to create the drone, while the Moog Grandmother is covering the low brass parts, and the ARP-2600 is covering the string (cello and bass) parts. I'm using the Moog DFAM to cover the low drum hits. Finally, I'm using the Sequential Circuits OB-6 to do the end high strings.

I hope you enjoy! This was a fun exercise in sound design and trying to get the spirit of the orchestra into an analog synth orchestra idea."

"If you enjoyed this, please consider supporting my Patreon: https://www.patreon.com/ethanjamesmusic

Patch Notes:

Eurorack modular:
Instruo CS-L: using final outputs of both oscillators to a Make Noise Optomix to filter some of the high frequencies. The symmetry of both oscillators is being randomized by fluctuating voltage from a Frap Tools Sapèl.
Random Source Serge New Timbral Oscillator saw output to Serge Variable Frequency VCF. Low pass output to mixer. Filter frequency is being modulated by a Zlob modular Diode Chaos, while Q gain is being modulated by a Make Noise Wogglebug stepped output.
Make Noise Morphagene has a guitar loop playing D, and I'm using the knobs to make things change. Audio to an After Later Audio Monsoon (Clouds clone).
Make Noise Erbeverb in feedback mode to mixer.
All Eurorack audio to an Eventide H9 pedal doing reverb.

Soma Labs Lya-8 is in full drone mode with Hold turned all the way up. Most oscillators tuned close to a D with some variation. Audio is going to a Make Noise X-Pan modulated by an Intellijel Quadrax.

Buchla 208c Easel Command is providing more pulse-like ambience with random voltage changing the timbre very quickly. Audio to Make Noise X-Pan.

Moog Grandmother normalled patch with very slow attack and decay that is also assigned to the filter.

Moog DFAM using a very long decay with the two oscillators tuned a half step apart. Oscillator 2 has very low volume, so it's mostly contributing the attack sound.

ARP-2600 normalled patch with moderate ADSR modulation of the filter.

Sequential Circuits OB-6 using a polysaw sound being controlled by the Novation Bassstation II."

Atomo Labs Introduces the MochikaX4

MochikaX4 Inspiration video by atomolab

"Hello World!!
We are proud to introduce the new version of our classic of all times. The AtomoSynth MOCHIKA X4.
It is a full analog synthesizer plus a 16 step digital sequencer. Like all its predecessors, the Mochika X4 has a huge organic analog sound, raw and sometimes aggressive character, thanks to its all discrete Voltage controlled oscillator, Noise generator and classic AtomoSynth vactrol filter, now with sub oscillator and PWM, flexible LFO and ADSR type Envelope generator.
The new 16 step sequencer features a high contrast OLED display and 8 rotary encoders with pushbuttons, now it is easier to see and edit in real time the global sequencer settings and all parameters of each step like pitch, repetitions number and gate-time/slide.
It also features a 64 slot non volatile memory to store you patterns.
External clock and midi synchronizable, also controllable by any external midi device (midi note on/off).
New 8 creative playing modes including: Normal/reverse, alternate, random, drunk, drone, step-trigger polyrhythm, one shot and midi control modes.
All parameters, patterns and modes are editable while playing giving you great flexibility to perform live, experiment and create.
The new MOCHIKA X4 is built with high quality components and now with high precision SMD technology, compact and beautiful clear acrylic case and fiberglass front panel. Designed, Assembled by hand, calibrated and tested in Lima - Peru."

CLICK FOR MORE »

New SSL Serge Dual Slope Generator in MU Format

"SERGE DUAL SLOPE GENERATOR IN MU FORMAT ANNOUNCED

Synthetic Sound Labs has just released the flexible 1240 Dual Slope Generator (DSG) - a long awaited addition to the MU world - designed in close collaboration with the legendary Serge Tcherepnin.

The 1240 DSG is the ultimate patch-programmable control voltage generator. A Serge Slope Generator is a slew limited unity gain voltage follower whose positive and negative slew rates are voltage controllable. It has an extremely wide range covering sub-sonic to high audio rates. Trigger inputs and pulse / gate outputs extend the slewing functions for use as a voltage controlled (VC) LFO, envelope generator and a variable pulse delay mono-stable functions.

One VC responds roughly exponentially, and two additional VC inputs are routed to individual Rise and Fall slope attenuverters for maximum flexibility and convenience. This newly updated circuit now includes temperature compensation to help eliminate drifting. The linearity and accuracy of the slews allow them to be used for exacting applications such as portamento functions.

The 1240 has two identical slope generators (A & B) - each of which can be set to self- trigger (Loop), or even to trigger each other for some wild modulation and audio
effects. It also has two auxiliary outputs which provide an output that is the greater of A

& B (PEAK), and another that is the lesser of A & B (TROUGH). These are interesting and go far beyond normal summing / mixing.
Among the many functions the 1240 DSG can perform are (x2):
• VC Transient / Envelope Generator - simply started by trigger or gate at TRIG IN.
• VC LFO - The rates are controlled by the Rise and Fall Rate knobs and inputs, and
the slopes controlled from LOG thru Linear to Exponential.
• VC Timing Pulse / Gate generator.
• VC Portamento with separate controls for rise and fall rates, and slopes.
• Envelope Follower (Detector) - The VC decay rate allows the response to be
moved from positive to negative peak detection.
• VC Pulse Delay (Monostable).
• Sub-Harmonic Series Generator. A trapezoidal wave-shape is generated for
sonorous, smooth sounds.
• Audio Generator with variable symmetry and a range into kilohertz regions.
• Non-Linear Low-Pass Filter. The VC slew limiting can progressively turn a sawtooth
wave into a triangle and many variations between. Thus a slope generator can be used as a very interesting low-fidelity VCF.

SSL uses quality fiberglass-epoxy printed circuit boards, precision automated robotics and meticulous hand-crafted assembly assure years of trouble-free service.

Synthetic Sound Labs has been in the analog synthesizer business since 1973. The 1240 is yet another in SSL’s growing line of new synthesizer modules. Proudly made in the USA.

Pricing is $495 US. Available directly from SSL and through NoiseBug, Pomona, CA."