Roland RS-505 49-Key Paraphonic Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

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Embrace of nothing | Sequential Prophet 10, Prophet 12, Nord Drum 2, and Toraiz Squid downtempo

video upload by MIDERA

"I finally scanned in over 7700 photos of my parents and their lives. It was so nice to see them again, happy, exploring. Somewhere in there it all changed, but they still looked and seemed happy. So many times I'd see a photo and just stare at it for a few minutes, as though I'd been hit by something. Like seeing them arrive at their first motel on their honeymoon. Or seeing photos from the 70s and then the 00s when they went to the same cabin. It was clearly a world that just hung so close to me, but I never saw it. By the time I could get to know them in this capacity - they were both gone.

Now that I have my studio back - I can finally start writing music again. I pulled out the Cirklon. As you can see, I didn't use the Cirklon here. My goodness that thing just antagonizes me at every turn. I know I need to give it more time, but after two days using it, I put it away and within an hour, I had something I was enjoying making and playing.

Toraiz Squid: Sequencing
Prophet 12: Bells
Prophet 10: Pads
Nord Drum 2: Drums"

"More than just an audio interface": Bitwig launches its first hardware product at NAMM 2025

video upload by MusicRadar Tech

"German DAW-maker Bitwig has revealed its very first hardware product - Bitwig Connect 4/12. Ostensibly a 4-in and 12-out CV and MIDI-enabled audio interface, Bitwig states that its debut hardware product is 'far more than just an audio interface'… We caught up with them at NAMM 2025 to find out more."

Introducing Bitwig Connect 4/12

video uploads by Bitwig

via Bitwig

Bitwig Connect 4/12

More Than An Audio Interface
Bitwig Connect 4/12 is a class-compliant, 4‑in/12‑out CV- and MIDI‑enabled audio interface with monitor- and DAW-control functionalities and a unique Bitwig Mode.

Your Ultimate Studio Sidekick
Connect is a three-in-one audio/MIDI interface, monitor and DAW controller. Six mode buttons allow its 360°, touch-sensitive dial to adjust interface parameters or control software. It can set input gain, regulate the volume levels for two sets of monitors and your headphones, or even move the playhead and control any Bitwig Studio parameter with exceptional resolution.

The front panel gives you immediate visual feedback, with accurate input and output meters and a ring of 32 RGB LEDs around the dial to visualize parameter values and automation data. Plus, gain settings are accessible and saved within Bitwig Studio, so you can pick up right where you left off next time you open it.

CV Connects the Best of Both Worlds
With two DC-coupled inputs and four outputs easily accessible via 3.5 mm minijacks directly on the front panel, Connect is a superior choice for musicians with CV-enabled hardware. That means it goes both ways: To external devices from Bitwig Studio or other programs, and from hardware sequencers and modulation signals into the software realm.

Thanks to factory calibration, Connect plays pitch-perfect and without offset with Bitwig Studio right out of the box. And since jacks can also be used for audio signals, they can act as additional ins and outs for line-level signals, making them useful to all types of users.

Bring Bitwig Studio to Life
Connect's unique Bitwig Mode puts Bitwig Studio at your fingertips with DAW controller functionalities. Seamless integration makes writing automation, fine-tuning settings, and navigating the timeline in Bitwig Studio with Connect's main dial intuitive and precise. Get quick access to any control with the high-resolution dial by hovering over it with your cursor, and lock a selected parameter to Connect by double-tapping. The LED ring indicates its current task by matching the color of the parameter or track in Bitwig Studio so you'll never get lost.

You can find additional details at https://www.bitwig.com/connect/

Generative Beats Using Real Yamaha Chips: ARCANE

video upload by SPHERICAL SOUND SOCIETY

"ARCANE is a generative synth that lies somewhere between a synth, a sequencer and a drum machine, depending on how you interact with it.

It is based on an authentic Yamaha YM2413 FM chip; the one used in some arcade coin ops, MSX and in the japanese version of the Sega Master System.

You can order it here:
https://www.tindie.com/products/jc204...

To control it it has 6 potentiometers and 3 buttons. The pots are:

-TEMPO. It controls the tempo/speed.

-BASE REGISTER. It determines if the machine is more musical or glichy. Better left it around 3 o'clock position for more musical results. Turning it to the center and left side produces more noisy/glitchy and chaotic outputs. You have been prevented!

-INTENSITY. The higher this pot, the more amount of notes and percusions sounding. This is a very playable way of alter the generative composition by transitioning between the simple and complex sound patterns.

-SEQUENCE. It let you browse between sequences. Turn it to select random patterns.

-DISPERSION. the higher this pot, the most registers that we are writing on the chip, so the sequences get more complex and chaotic. This and intensity are a very playable pair and both are related. Once you tuned something that you like, try to do variations playing this pot and INTENSITY one.

-COMBINATION. It multiplex, demultiplex and recombines sequences, keeping the output related but always fresh and different. At minimun it produces a 16 step sequence. At maximun it produces a 8 steps sequence. Between is where the magic happens, and it recombines and produce generative patterns via bitshifting and logic operations of the sequences.

It has 3 buttons, Left, Right and Reset. Reset is located in the arduino and is self explanatory. If you have been playing in the BASE REG pot center/left side and it has turned too chaotic or noisy, just put BASE REG pot around 3 o'clock and press reset. It will come back to more musical landscapes.

Left and Right buttons are to be determined as the firmware is still in development.

It has Clock In and Clock Out so you can synch it with external gear. To accept external clock set TEMPO pot at minimun."

Insights In Sound - Tom Oberheim, Inventor/Synthesizer Pioneer - Part Two S17 E2

video upload by Get It In Writing

"Part Two of our in-depth conversation with the legendary Tom Oberheim."

Part One here

Insights In Sound - Tom Oberheim, Inventor/Synthesizer Pioneer

video upload by Get It In Writing

"He's one of the founding fathers of electronic instruments, a legendary name in synthesizer history, and a most humble and unassuming genius. We sat down with Tom Oberheim to learn about his personal history, and that of the company that bears his name. Part One of our two-part interview."

Part Two here

Instruō - tràigh [Signature Edition]

video upload by Instruō

Update: DivKid video added below.

"Hello!
Jason here.
Thank you for watching this video :)

This Signature Edition limited re-release of the tràigh low-pass filter module is available for purchase direct from Etsy:
https://www.etsy.com/uk/listing/18233...

I am producing a limited batch which will be available for purchase while stock lasts.

This revised module was developed as a creative side project over the past month or two as a means of dealing with the unfortunate situation of having a very large pet greyhound with a relatively large diagnosis of cancer.
Winston was confirmed to have a stage 2 soft cell sarcoma earlier this year. He underwent a surgery on September 24th during which the tumour was successfully removed. (He has recovered very well and quickly!)
Due to the location of the sarcoma there is a high likelihood of cancer cells remaining at a microscopic level. If left unchecked they will likely return as a tumour with a chance of metastasising.
Winston began a 4 week treatment of radiotherapy on November 4th.
As of writing this we are now past the half way point and he is responding very well with no significant side effects presenting.
Each treatment requires full general anaesthetic, so I have a very dopey boy every Monday, Wednesday and Friday for the entire month of November.
The vets do provide him with some roast chicken each session when he wakes up. So he seems quite happy with his current unusual routine.

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Craig Knudsen plays the Yamaha Genos2 - Sessions from The Gallery

video upload by Kraft Music

"Great bundle deals on Genos2:
https://kraftmusic.com/collections/ya...

Craig Knudsen plays the Yamaha Genos2 arranger workstation in The Gallery at Kraft Music.

Yamaha Genos2 represents the leading edge in Yamaha Keyboard technology in content and hardware. It's the foundation on which future Yamaha keyboards will be built. If you've ever dreamed of playing your favorite songs, writing new music, or arranging professionally produced tracks, Genos2 is the most comprehensive tool in your arsenal. Genos2 gives passionate DIY musicians seeking perfection the highest quality Voice & Style content with unmatched real-time control for entertaining and performing.

Get more for your money with an exclusive Yamaha Genos2 bundle from Kraft Music. These package deals include the accessories you'll need to get the most out of your new synth, all for one low price. If you have any questions, please contact us. Our knowledgeable sales advisors will be happy to assist in choosing the bundle that's right for you!"

Introducing Roland AIRA Compact P-6 Creative Sampler

video upload by RolandChannel

"The P-6 Creative Sampler joins the AIRA Compact gang, packing legendary Roland sampling technology into a compact, user-friendly gadget. Seamlessly blending classic sampling techniques with granular sound design, the instrument features a built-in mic and advanced sequencer in a lightweight, rechargeable package. With a versatile stash of hands-on FX and intuitive controls, the P-6 delivers unparalleled portable sampling power.

Watch Dustin Good dive into the depth of features and connectivity within this mini roving recorder:
00:00 Intro
01:43 Layout
02:05 Sampling Settings
02:41 Sampling Examples
03:46 Chop
04:05 Step Sampling
04:46 Granular
05:39 Pattern Sequencer
06:47 FX
07:24 Resampling
07:56 Connectivity/AIRA Compact Series"

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Yamaha Genos2 Arranger Workstation - All Playing, No Talking

video upload by Kraft Music

"Great bundle deals on Genos2:
https://kraftmusic.com/collections/ya...

Adam Berzowski jams on the Yamaha Geno2 arranger workstation, showing a variety of sounds and styles.

Yamaha Genos2 represents the leading edge in Yamaha Keyboard technology in content and hardware. It's the foundation on which future Yamaha keyboards will be built. If you've ever dreamed of playing your favorite songs, writing new music, or arranging professionally produced tracks, Genos2 is the most comprehensive tool in your arsenal. Genos2 gives passionate DIY musicians seeking perfection the highest quality Voice & Style content with unmatched real-time control for entertaining and performing.

Get more for your money with an exclusive Yamaha Genos2 bundle from Kraft Music. These package deals include the accessories you'll need to get the most out of your new synth, all for one low price. If you have any questions, please contact us. Our knowledgeable sales advisors will be happy to assist in choosing the bundle that's right for you!"

Midicake Arp and The One Finger Jam (no talk)

video upload by Richard DeHove

"Something's wrong if you're making music but not having fun. It should all be fun. But writing good, coherent, interesting and long patterns is difficult (for me) and often liable not to be much fun. The usual path is to make a good 16-step pattern, copy it, add some variations, and bump to 32 steps. Then what about little fills and other bits? Now you're talking about "song mode" and other mathematical duties.

So the idea here was: Let's use the Arp to create long patterns, then hit record on the DB-01 and just feed in the result. I did try that and it worked a treat. But as an alternative you can just manually "play" the entire thing on the Arp - which is what I did here.

It took a bit of practice to get the timing right and I wouldn't want to be playing the entire "song" to a live audience with one finger unless there were a few other things running to cover in case of a mistake. Of course in the studio no one can hear you scream after five errors in a row.

Live-playing the DB-01s like this you lose various programmable goodness like the pitch envelopes, filter mod and accents; but on the flipside you can use portamento on the sequence (although I didn't here) and can use the Arp to set and vary the gate lengths. For example the top DB-01 is playing the high blippy theme on the Arp channel 3 and the longer three-note bass prod on channel 4. It can seemingly produce two sounds almost simultaneously because channel 3 has a short gate and high octave, while channel 4 has a long gate and low octave.

When you think about it that is pretty amazing work for an arpeggiator! It's like instant program change on a synth with no programs.

In this piece all the music is coming from the two DB-01s, with a drum track added afterwards in the DAW. I chopped it up a little to make a 90-second jam (instead of the 8-minute director's cut) but it is essentially live-played. There are no DAW effects, no extra layers or EQ.

After all this intricate fun it seems to me that calling the Midicake Arp an "arp" is monstrously understated. I see it more like your synths are big dumb blue-ribbon bovines standing around in a field and the Arp is a supercharged border collie begging to chase them through a Marine bootcamp obstacle course. Make those machines sweat! They cost enough.

Lots of downloads for supporters on Patreon: / richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Ensoniq ESQ-1 soundscape II - Moonwatchers

video upload by MIDERA

"I still can't get over how good that Kawai SX-240 was... that filter sounded so good. I keep looking through my library of synths and wonder 'can this one get there?' And the answer here was: no. The ESQ has very 'steppy' behavior in the LFOs and envelopes, not very smooth. It does its own thing (well, I might add). It's different. It's good. It's unique. I do enjoy it.

This was one of the hardest videos to make - I was so tired working on it that I almost fell asleep writing it and trying to sync up the video to the audio! I thought it was all correct and I uploaded it and the audio was still not synced up properly! Went back and had to do it again. Sigh... Well, I think it's ok now.

Eventide Blackhole VST used for reverb"

The "slot machine" method of random writing with the DB-01

video upload by Richard DeHove

"Slot machines (AKA pokies and speilautomat) supposedly get a lot of their appeal through the fast cycle of anticipation and reward. And if you don't get the reward you wanted then you can instantly run the cycle again. Wins are reinforced by pretty lights and little tunes.

Well, that sounds a lot like small-chunk randomization with the DB-01: Quick randomizations of a few steps and with instant rewards. Except you won't be broke at the end.

I'm always trying to find fun ways to write patterns and this method is, imo, one of the best. Although it's specific to the DB-01 you could just as easily take a MIDI-Out feed and power other machines.

I also think it's very interesting to see the actual process people use to write patterns. If you've got a favorite method please share it in the comments.

0:00 The idea
0:49 Full random?
1:24 The usual way
2:29 Little chunks
4:55 More chunks
7:50 16-steps
8:52 Example 2
15:01 Example 3

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Introducing Vongon: Replay // Polyphonic Synth & Muti-Mode Arpeggiator

video upload by MAS Distro

Update: new demos added below.

"Join us as we embark on a sonic journey with Replay, a new polyphonic synthesizer and multi-mode arpeggiator from Vongon. First up we test its prowess in the realm of synthwave - spoiler alert: it excels! In the latter half, we delve into the interface and its versatile capabilities complete with an immersive sound exploration, unleashing the arpeggiator and tweaking various parameters for a mesmerizing experience. Video and music production crafted by DeadMidi.

Gear Used:
Vongon Replay Polyphonic Synth/Arpeggiator
Vongon Polyphrase Stereo Echo
Vongon Ultrasheer Stereo Pitch Vibrato & Reverb"

Vongon Replay!

video upload by Fireghosting

"Replay is a six-voice polyphonic synthesiser and a little window into synth heaven. Lush pads, tiny plinks, snappy arpeggios, warbling melodies, resonant filters with midi connectivity and a sleek web interface!"

Vongon Replay Virtual Analog Synth | Overview + Exploration

video upload by Sarah Belle Reid

"A demo and walkthrough of the new polysynth Replay, by Vongon. Replay is a 6-voice polyphonic synthesizer with a compact form factor that takes inspiration from classic poly synths from the 1980s, like the Roland Juno series + the Korg Polysix.

This video includes an overview of what Replay is and how it works, along with a number of sound examples demonstrating Replay on its own and in combination with FX pedals, to create a wide range of sounds from classic synth leads, pads, and arpeggios to more experimental textures and noisy sound worlds."

TIMESTAMPS:
00:00 Intro
02:45 Replay Overview & Tour
17:03 Musical Demo
19:09 Filter Experiments on Replay
23:50 Exploring the Arpeggiator
28:00 Combining Replay with FX

Vongon Replay: This synth rules!

video upload by Matt Lowery

"Today we take the beautiful Replay by Vongon out for a spin and also have a conversation about synthesis basics in honor of my five year synth-a-versary. Vongon really hit it out of the park with this instrument and--whether it's your first synth or your 10th-- there's a lot here to love."

VONGON REPLAY Polyphonic Synth & Arpeggiator | Can I write a synth-pop track with it?!

video upload by Ambient Endeavors

"Man, I just love gear that makes you approach writing differently. That reminds you how fun it can be to find new sounds and feels, explore new ways of composing. And today, the new Vongon Electronics REPLAY is doing that for me - a super fun, approachable, compact polyphonic synth and arpeggiator."

via Perfect Circuit

"The Replay is the first synthesizer offering from boutique pedal designers Vongon, offering a six-voice virtual analog sound engine with multi-mode arpeggiator. Inspired by beloved keyboard synths of the early 80s like the Roland Juno and Korg Polysix, the Replay faithfully delivers warm and lush vintage timbres in a compact package that drips with modern aesthetics and utility. In Replay, Vongon has struck an impressive balance between scope of features, user experience, and overall sound quality. The result is an instrument that sounds wonderfully rich and nostalgia-laden, with an interface that is easy to understand - perfectly approachable for a beginning synthesist, yet deep enough to inspire veteran wigglers to explore the edges of its capabilities.

Replay's front panel is incredibly straightforward, with simple controls for its primary functions conveniently accessible. Additional options are selected via the "secret menu" alt functions. At the heart of Replay's sound engine are multiple selectable waveforms for its primary oscillator, with ramp, square, triangle, and sine modes. Noise amount, pulse width modulation, and LFO pitch modulation offer further timbral manipulations before passing to the four-pole, low-pass filter. Highly resonant and warm, the filter includes modulation depth controls from the primary envelope, keyboard tracking, and the LFO. The VCA features options for maximum amplitude and modulation source. An organic and responsive ADSR envelope and the on-board LFO round out this straightforward voice, with flexible modulation routing options between the main controls and alt functions.

The multimode arpeggiator on the Replay opens up a variety of fun and engaging options for controlling the synthesizer voice. Latch and keyed modes, in addition to the three poly modes available on the alt functions, offer a variety of ways for creating snappy and spiraling arpeggios and fuzzy, morphing pads. Up/Down, order, and random modes provide further ways to organize pitch material. The alt functions allow the LFO to be clocked by the ARP speed, creating rhythmically modulated phrases that are a joy to get lost in.

All in all, the Vongon Replay delivers a premium virtual analog experience that feels streamlined and purpose-built for getting beautiful analog sounds quickly. With plenty of depth in sound color and just the right amount of tricks up its sleeve to keep you immersed in music making rather than menu diving, the Replay is sure to become a go-to instrument for lush pads and other classic synth timbres. Its physical design is beautifully simple, and the responsive feel of its Cherry MX keys invite playful interaction that is hard to put down. Of course, the Replay is a lovely source for running through Vongon pedals, creating an instant synthwave or soundtrack machine paired with an Ultrasheer or Polyphrase. If you're needing a straightforward synth with limitless sonic charm, the Vongon Replay is a wonderful choice.

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Priming PCMCIA SRAM Cards for the Korg Wavestation SR & 01/W Series Synths

The following, in via Neil Hetrick, is a more detailed update to this earlier post. via Neil: "I wanted to post this information regarding use of PCMCIA SRAM cards with the Korg Wavestation SR (and presumably also with the Korg 01/W series) in case it proves helpful for others trying to use custom waveform data with their synth.

It turns out that the synth requires that the PC Card be dual-mode, auto-switching 8-bit/16-bit. Currently-available (in 2023) PCMCIA SRAM cards are all single-mode, 16-bit only or 8-bit only, due to a specific chip no longer being available. After having trouble with a modern, 16-bit-only SRAM card, I received a tip-off from a kind fellow at Voice Crystal (they used to make custom soundware for many vintage Korg synths of that era) suggesting that the auto-switching functionality may be an important factor in getting a card to work with the synth. I subsequently found some forum info online relating a similar issue with PCMCIA cards in the Alesis Andromeda: About the 8-bit/16-bit dual-mode PCMCIA SRAM cards

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EZBOT: How I Use The Octatrack For Techno At A Live Show

video upload by EZBOT

"In this video I share a live example of how I use the Ocatatrack as a performance mixer at a live show. The Techno Template is a prebuilt FX template I made using the Octatrack's effects. In this video share a full song that I wrote live on YouTube using the input of several viewers.

Video of me writing this music live:"

Techno From Scratch, Dial Up That Rumble Bass!

video upload by EZBOT

"We're about to embark on an exciting journey as we craft techno music entirely from scratch. Our creative arsenal includes the Octatrack MK2, Digitakt, Digitone, and Syntakt, all working in harmony to produce some mind-bending sounds.

What adds an extra layer of magic to our performance today is my newest Octatrack template "Techno Performance Mixer 1.0.1," the latest addition to my Patreon offerings and soon to be available on Ko-Fi. This performance template for the Octatrack not only provides master clocking, 8 bar auto-modulated effects, 8 bar loops, and many other features that will undoubtedly take our music to the next level.

Our journey begins with a rumbling foundation, achieved through a unique resampling technique. We'll also be diving into an intriguing side-chain ducking trick, which I shared with you all last week. It's going to be an immersive and educational experience, so let's get started and delve into the world of techno creation.

Get 10% Modbang cables with code: EZBOT23
SHOP HERE: https://www.modbang.com/modbang-shop

Get the Techno Performance Template among all my other templates and sound designs from patreon.com/ezbot"

TMP-2-04 Vintage Synth TV Series from Benge

video upload by Memetune Studio

00:00 Opening Titles
00:32 Introduction
01:22 Little Black Boxes
07:49 Switched On Cybersynths
14:55 Synthesiser Club
18:30 Commercial Break
21:52 Patching Today
35:05 Video Lab
40:34 Outro

////////////////////////////////////////////////////////

Episode four of the second series of the TV program from Benge, made at his Memetune Electronic Music Studio

The series explores his passion for vintage synthesiser instruments and studio gear and how he uses it on his productions and collaborations

////////////////////////////////////////////////////////

It is divided into the following sections:

LITTLE BLACK BOXES - A look at some classic rack mount synths of the 80s and 90s

SWITCHED ON - This second series looks at a type of synthesis based around the ideas of Cybernetics, which Benge calls CYBERSYNTHESIS

SYNTHESISER CLUB - A short musical demonstration of a synthesiser classic or three

COMMERCIAL BREAK - Some shameless Memetune shilling

PATCHING TODAY - A deep-dive into vintage modular systems and how to set up a patch on them, starting from scratch

VIDEO LAB - A look at old video equipment and how to create experimental visuals

////////////////////////////////////////////////////////

In THIS episode:

LITTLE BLACK BOXES - The Casio VZ10M Phase Distortion synth from 1988

SWITCHED ON CYBERSYNTHS - Euclidean Rhythms. We get the abacus out and do some maths in this episode, trying to work out Euclid’s infamous algorithm

SYNTHESISER CLUB - Today, its Club Yamaha!

COMMERCIAL BREAK - Benge’s latest album The View from Vega, released on the DiN label; FORMS SERIES albums on Bandcamp; Polyrythmic Electronica vinyl from the Systems of Objects label; Memetune merchandise - T-Shirts, Tote Bags and Badges

PATCHING TODAY - on the Paia 4700, made in Oklahoma City in 1974. Is this the WORST modular system ever made? Maybe, maybe not!

VIDEO LAB - In this episode - a look at vintage video cameras, and why the Three Tube system rules


////////////////////////////////////////////////////////

LINKS:

The View from Vega album: https://dinrecords.bandcamp.com/album...

Polyrythmic Electronica vinyl / Systems of Objects: https://systemofobjects.bandcamp.com/...

Benge's Studio Blog: http://myblogitsfullofstars.blogspot.com

Memetune Studio Instagram: https://www.instagram.com/memetunestu...

Benge FORMS / Memetune Merch on Bandcamp: https://zackdagoba.bandcamp.com


////////////////////////////////////////////////////////

The MemeTune Programme Credits:
Everything in this video was created by B D Edwards (Benge)
All music, design, writing, filming and production completed at Memetune Studios, UK, 2023

Original 1971 ARP Soloist Model 2700 ex Dennis P. Colin

Note: Auction links are affiliate links for which the site may be compensated.
video upload by Synthchaser

via this auction

Some pics of the inside bits below.

Pics and video for that one captured below.

CLICK FOR MORE »

When Every Track Has A Different Step Length // Writing An Electronica Beat

video upload by EZBOT

"In this stream, we are going to use a different track scale length to write a track from scratch using the Digitakt, Digitone, Syntakt, and the Octatrack MK2.

I love teaching the Elektron workflow (among other gear) so please don't hesitate to step up your game with 1-on-1 online lessons, plus you get to keep an HD recording afterwards. It's a load of fun: https://ezbot.live

Get the NEW Ultimate Octatrack FX Template 1.1.3 and The Ultimate Octatrack Template 2FF template here with continuous updates: https://www.patreon.com/ezbot and here if you want a one-time download: https://www/ko-fi.com/ezbot

Get the Elektron Riser'd here: https://www.modbang.com/modbang-shop/..."

Com Truise Writing Lab w/ Soundfly

Soundfly wrote in to let us know they are offering a Writing Lab w/ Com Truise featuring music production including synths and drum machines. You can find a few Soundfly videos featuring Com Truise in previous posts here.

Details on the new writing lab follow:

"Soundfly has teamed up with synthwave artist Com Truise to host his first ever month-long learning cohort, with weekly Zoom calls, projects, discussions, feedback and more, in an intimate group environment.

It’s like a small, in-depth, graduate-level college seminar — you’ll get nerdy about warbling synths, retro-sounding drum machines, and how to mix them together to create songs that transport listeners to other worlds — guided and led by Seth Haley.

This writing lab runs from May 29 to June 30, 2023.


Are you ready? Sign up before May 12 to benefit from a pre-sale discount of $200 off using the promo code: PRESALE"

You can find additoinal details at Soundfly