Moog DFAM+Labyrinth 50 Combo Patches + Samples. Sound Demo

video upload by Anton Anru

"🥁 'Modular Impulse' is a collection of 50 combo patches for the semi-modular analog synthesizers Moog DFAM and Labyrinth.
The soundset focuses on rhythmic and dynamic sound design, as both synthesizers are naturally oriented toward punchy, percussive tones.
🧿 The collection includes basses, plucks, bleeps, drums, leads, and FXs.
There is a wide range of sound colors inside the pack: massive and gentle, aggressive and soft, bright and dull, melodic and inharmonic tones, as well as straight and polymetric patterns.

📦 The patches are available here: https://antonanru.sellfy.store/p/dfam...

🎛 The main idea behind the soundset is a high level of interconnection, rather than simply syncing the synths with independent timbres (individual patch collections for DFAM and Labyrinth are also available on my website).
In this patchbook, the timbres of the synths are tightly intertwined and cannot exist separately:

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Alisa 1377 - Raw Sound Demo

video upload by LFOstore

"#alisa #1377 #alisa1377 #synth #demo
Rare USSR synthesizer restored by Alex Taber!

It was made in USSR in 1985 at Luberetskiy Military Radioplant "Rodina" near Moscow.

ALISA synthesizers were made especially for experimental electronic music, creating of sound effects in soviet cinema and scientific acoustic researches. This unique instrument has warm, aggressive and absolutely original analog sound!

The synthesizer has 1 OSC with 4 wave forms, ADSR , filter, various modulations, vibrato and portamento effects.

OSCILLATOR: tune; octave +1/+2; portamento; wave forms: triangle, saw, square, odd harmonics; frequency modulation (for all 4 waveforms); impulse-width modulation (for square wave form) with impulse width and depth controls; harmonics (for odd harmonics wave form). You can use individual OSC waveforms (triangle, saw, square, odd harmonics) or mix them together to get unique sounds!

LFO: on/off modulation switch, two waveforms (triangle, square), modulation rate, modulation rate coarse switch - 1Hz/10Hz.

FILTER: cutoff, resonance, vibrato (filter modulation), ADSR, switch between filter control- keyboard or contour OSC (ADSR). The synths filter due to it`s original architecture can be used as additional oscillator when filter`s resonance knob in self-oscillaltion position and it sounds really weird and interesting!

AMPLIFIER: ADSR, main volume, on/off synthesizer."

Våld Labs Tresse: a multiengine synthesizer based on Plaits, for desktop.

video upload by Våld Labs

This one was sent my way via Meska who had the following to say: "It's 'basicaly' a standalone MI Plait with 3voice and extended oscilator models."

Video description follows:

"Tresse — 3-voice polyphonic desktop synth, 38 engines

Hey all,

Been working on this for a while and it's finally at a point where I want to share it.

*Tresse* is a standalone polyphonic synthesizer built around Mutable Instruments' Plaits DSP code, running on an ESP32-S3 with a custom PCB. Three voices of polyphony, 38 synthesis engines, USB, DIN/TRS and Bluetooth MIDI, and perhaps Ableton Link and our upcoming stack (VMB) Våld Modular Bus, expected to ship this summer, and which will a new wireless comms protocol with negligible latency, auto discovery and machine mesh capabilities (to be released soon).
Also enough knobs and encoders to actually play the thing without menu-diving, and a battery for when you're bored outside of your studio.

*The core idea:* take the full Plaits engine library — all 24 algorithms — and make it polyphonic in a self-contained hardware instrument. Then keep going and add 14 more custom engines on top.
There are hundreds of options similar to this in modular systems and i thought why not bring all these god-level creative tools to bedroom, desktop producers who don't have the money or the space (or will) to mingle in the modular space, and bring them one contained box with all they need.

What's inside

*ESP32-S3* doing all the DSP across both cores (voices 0+1 on Core 1, voice 2 on Core 0, parallel render)
**PCM5102A DAC**, 24-bit output, 32kHz sample rate
*4 pots + 4 rotary encoders* through CD74HC4067 mux and MCP23017 I2C expander
*OLED display* (128×64) for patch info, engine select, preset browsing
*USB MIDI + BLE MIDI* — works with everything, no adapter needed for wireless
Custom PCB, all through-hole friendly

38 engines

The first 24 are straight from Plaits — East Coast, Phase Distortion, all three DX7 variants, Terrain, String/Chords, Chiptune, Wavetable, Speech, Swarm, Particle, the Rings modes, the three drum engines, etc.

Then 14 custom engines built from scratch:

*Karplus-Strong* — proper physical string modeling with excitation morphing (noise → impulse → tonal)
*ByteBeat* — 8 classic formulas with pitch-tracked rate, gets wild
*CZ Phase Distortion* — Casio CZ-style, three distortion shapes
*Supersaw* — up to 7 detuned saws with PWM, the obvious one but it needed to exist
*Formant* — vowel synthesis with 3 bandpass resonators, gender shift control
*2-Op FM* — clean FM with 13 ratios and operator feedback
*Wavefolder* — sine/tri/saw/square source into a proper folder with bias
*Noise Drums* — SVF-based with pitch envelope, covers kicks through metallic hits
*Modal Resonator* — 8 tuned bandpass partials, morphs from harmonic → bell → bar inharmonicity, with a bowed excitation mode
*Sympathetic Strings* — 3 coupled Karplus delay lines with controllable coupling and interval ratios
*Comb Resonator* — 4 parallel comb filters with spread control
*Drawbars* — organ-style additive with 8 Hammond-ratio partials
*Complex Oscillator* — FM into wavefolder, Buchla-adjacent territory
*Grain Noise* — granular noise with smoothing, good for textures and pads

Controls

Three parameter layers accessible via toggle buttons:

*Normal* — Timbre, Morph, Harmonics, Color on pots; Attack, Decay, FM, LFO Depth on encoders
*MOD* — Fold, Detune, Ring Mod, Chorus on pots; LFO destination/shape/speed/sync on encoders
*SHIFT* — Filter Cutoff/Reso/Env/Type on pots; Portamento, Octave, Vibrato depth/speed on encoders

Hold both buttons → engine select overlay. Double-tap MOD → system menu (randomizer, MIDI config, play mode). Double-tap SHIFT → preset browser across three banks (own patches, generated, branches).

Play modes: Poly, Mono, and chord modes (Major, Minor, 7th, Sus4, Power, Octave).

The randomizer is one of my favorite things — it generates random patches with procedural names (stuff like "Velvet Moth" or "Iron Shard"), you scroll through them with the encoder, and save the ones you like to a generated preset bank. 512 slots each for generated and branch presets, 128 for your own.

What it sounds like

Honestly covers a lot of ground. The Plaits engines already span everything from classic analog to FM to physical modeling to noise, and the custom engines fill in some gaps I wanted — proper supersaw, real Karplus-Strong, the modal/sympathetic stuff for metallic and evolving tones, and the ByteBeat engine for when you want to go full chaos. The global FX chain (filter, wavefolder, ring mod, chorus) ties everything together.

The project should be available from April 2026, in kit or assembled units! Price to be discolsed once i have the final FINAL prototype, but shouldn't hurt the wallet.

This is a *Våld Labs* project from Lisbon Portugal. Much more to come.

Would love to hear what people think, and happy to answer questions about the build or the DSP. Be aware that this is a pretty advenced prototype, but still a prototype"

https://valdlabs.com

Note they also have the Consequencer pictured left but no additional info aside from the following on it yet.

"A portable, desktop-first sequencer with modular DNA — built for the art of shaping chaos."

CubuSynth also has a Consequencer announced back in 2024, but they appear to be unrelated.

Syncussion SY-1 dark ambient driven by the Midicake Arp (no talk)

video upload by Richard DeHove

"I toyed for some time with the idea of titling this video: "To a Mouse, on Turning Her Up in Her Nest With the Plough". Which is the title of the 1785 poem by Robert Burns. Supposedly Burns was ploughing his field in Scotland when he accidently destroyed a mouse nest; was full of remorse for 'little Mousie' who now faced a disastrous Winter; and composed this rather lengthy poem while standing in the field.

It contains the verse:

But, Mousie, thou art no thy lane,
In proving foresight may be vain;
The best-laid schemes o' mice an' men
Gang aft agley,
An' lea'e us nought but grief an' pain,
For promis'd joy!

The key line of which has been popularized as "The best laid plans of mice and men often go astray". Which, it can finally be revealed, was my resigned feeling when rendering this video, and which led to the impulse for the silly title. In the end I decided against this title assuming algorithms don't appreciate obtuse connections by mood.

The plan was to string together a good half dozen Arp-driven Syncussion noodles with long stretches of blather about the Midicake Arp settings. After putting most of that together the only part I really enjoyed was one of the darker pieces, so that's the video. At least I learned a little about Robert Burns. It's worth another few minutes of your time to read something of his life, it's fascinating.

Here the Syncussion is in Mode 2 which means the pitch is controlled via MIDI. At times the Arp is also modulating the only other available MIDI parameter which is decay. The two leftside Arp channels control the left-side Syncussion voice; and the two right channels of the Arp control the right voice.

A pedal I bought used many months ago 'Gallows in the Morning' is on the left channel, and a delay on the right. Gallows is a drive and reverb combo pedal. Meh. The reverb is OK but the drive is pretty gutless and has an odd crackle to it. Mode B I never used because it just sucked the entire bottom end away. But it looks good, has a big light, and a nice gloomy name.

In other news I recently had to endure a few days here without my Fab Knocker. Lord, what an agony. So my thanks again to my loyal handful of Patrons. I detest ads.

In reaching this far I thankyou, it's good we can share these little interludes of irrelevancy.

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/ My other channel "IntraCosmos" of long-play dark ambient textures: / @intracosmos"

Echograin Tranzwave 2 Software Synthesizer Inspired by the Ensoniq Fizmo

video uploads by Echograin


video upload by AMAZONA Music Mag



via Echograin

Introducing Tranzwave, a powerful wavetable Synthesizer, inspired by an unsung hero from the late 90’s: The Ensoniq Fizmo.

The flexible modulation engine, coupled with creative editing and randomization features, simplifies the creation of new, innovative sounds. Tranzwave brings all the wavetables from the Fizmo into the modern age for new creative explorations. With its user-friendly interface, Tranzwave provides complete control over wavetable and effect controls, making the creation of new sounds both fun and easy.

Tranzwave – A Tribute to Fizmo’s DNA

In the late 1990s Ensoniq pioneered “Transwaves”, a unique form of wavetable synthesis notably featured in their Fizmo synthesizer. Unlike earlier forms of wavetable synthesis, which could sometimes produce more static or stepped sounds, Ensoniq’s technology facilitated fluid transitions between different waveforms within a wavetable.
This innovation led to the creation of evolving, dynamic soundscapes. Ensoniq’s approach allowed for a more seamless and organic morphing of sounds, enabling musicians to craft rich, textured audio experiences that changed over time. This method offered a fresh and novel way to explore sonic possibilities, distinguishing it from the more digital and discrete transitions of previous wavetable synthesizers like the PPG Wave. Although the Ensoniq Fizmo, which utilized Transwaves, did not achieve widespread fame, its distinctive approach to wavetable synthesis marked a significant development in the evolution of electronic sound and influenced modern synthesis techniques.

Tranzwave brings this older, unique wavetable concept, known as Transwaves, into the modern era of music production. By sampling each frame of these Transwaves, Tranzwave offers a rich and dynamic sonic palette that captures the essence of these early digital synthesizers. It’s akin to having a vast library of colors and shades at your disposal, offering endless possibilities for creating new and innovative sounds.

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Hotone Verbera Convolution Reverb + Synthesizer Demo

video upload by HotoneAudio

"Step into a universe of lush, immersive soundscapes with the Hotone Verbera. In this video, we explore unique presets paired with expressive IRs, showcasing how Verbera transforms a synthesizer’s tone into a cinematic journey. From deep ambient washes to rhythmic, pulsing reverbs, discover the power of convolution and algorithmic reverb in one compact pedal.

Featured Presets & IRs:
00:07 - 001 - Verbera / IR: Space VAB Sd
00:41 - 024 – Multi Universe / IR: Time Slip
01:18 - 028 – Disco Elysiumt / IR: Ping Pong Fun
02:10 - 062 - Flap Wings / IR: Rain Field

Perfect for synth players, guitarists, and sonic explorers alike."



Ever imagined your sound echoing through a sold-out stadium? Or reverberating off the metallic walls of a NASA spacecraft hangar? What if your guitar fell into a cosmic white hole… or drifted through the vaulted ceilings of a centuries-old cathedral?

Welcome to Verbera — where imagination meets reality. This is not your typical software convolution plugin. Verbera is a standalone, hardware-based convolution reverb pedal — with Instant IR loading, stunning tweakability, and boundless sonic range. Whether you’re recreating iconic spaces, vintage hardware, or crafting otherworldly reverbs never heard before, Verbera gives musicians and engineers a powerful new tool for both live and studio setups.

Step Into Iconic Spaces and Classic Gear with a Single Click
Verbera ships with 120 world-class impulse responses (IRs) — captured in breathtaking detail from legendary spaces like symphony halls, European cathedrals, even aerospace facilities. You’ll also find IRs modeled after classic studio gear like spring and plate reverbs. Massive or intimate, modern or retro — Verbera brings those sonic environments directly under your feet.

Reverbs from Another Dimension
Verbera isn’t just about realism — it’s about reinvention. Beyond the meticulously captured IRs, you’ll find a curated library of original Hotone-crafted IRs that stretch the limits of your imagination. Think sci-fi-inspired synth atmospheres, time-warping delay trails, shimmering textures pulled straight from a “white hole” in space. These are not your standard reverbs — they’re creative catalysts designed to inspire your next masterpiece.

Dual Reverb Engine for Deep-Dimensional Sound Design
At the heart of Verbera is a dual-engine design. On one side: the IR convolution engine, capturing the nuanced reflections of real spaces and gear. On the other: XR, a finely tuned algorithmic reverb that brings surreal, hyper-dimensional ambiance to your sound. Layer them. Shape them. And with a single tap, freeze the XR reverb to create endlessly evolving textures and ambient pads.

Cutting-Edge Convolution Tech, Instant IR loading
Powered by Hotone’s proprietary low-latency convolution engine, Verbera delivers studio-grade reverb tails — up to 10 seconds stereo or 20 seconds mono — without skipping a beat. Switch IRs on the fly with zero audio dropout. This is next-gen performance that blows past traditional limitations.

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CG-Products XR 22VCO, Delay 1022, Peak + Hold, sound.report (Short explanation + 15 Min sounds only)

video upload by The Green Man(TGM) + sound.report by Heiner Kruse

https://www.cg-products.de/module/

XR22 VCO FT
VCO with Ring Modulation Input and FSK (Frequency Shift Keying)

Amplitude Modulation (AM) Input
Ring modulation
CV controllable sine/triangle volume
Advanced waveform generation by AM
Rgb-LED for optical control
FSK (Frequency Shift Keying)
Pulse and ramp generation
Switching between two different frequency CVs
Advanced waveform generation by FSK
LFO-, Bass-, High- Mode
Switchable Sync-Mode (from Rev.6)

The XR22 VCO FT is a VCO with amplitude modulation option – which can be used for volume control, or ring modulation of the oscillator’s sine/triangle output. The AM-input signal is added to a DC-voltage adjustable by knob ‘Gain’ (between ca. +/-5V) and the sum voltage is being internally multiplied with the sinewave/trianglewave The result is an oscillator amplitude depending on the ‘Gain’-DC plus AM-input signal. The applied AM-input signal can be mixed to the VCO output signal (modulated or unmodulated) too – a kind of ‘dry/wet’ control with the mix provided on the sine/triangle output. With no AM-input, the XR22 VCO FT behaves like a normal sinewave/triangle VCO, then its volume is controlled by knob ‘Gain’. Whereas with the knob ‘Gain’ in center position, the oscillator tone is becoming almost muted, and the input signal on ‘AM in’ controls the amplitude of the wave completely; thus the VCO can be used as a ring modulator.

The FSK (frequency shift keying) option provides two internally switchable different oscillator frequencies F1 and F2; each controllable by the two big-sized knobs (and their respective fine-tuning knobs and CV inputs). Switching between F1 and F2 can be done manually or by a logic signal (e.g. a gate signal) applied on input ‘FSK in‘. Further, it is possible to use the XR22 VCO FT‘s squarewave output for FSK switching. This will result in ramp or sawtooth (on the sine/triangle output) and pulse (on the squarewave output) waveforms. The falling and rising edges of the of the sine/triangle signal and the duty-cycle of the squarewave output are independently adjustable, and/or controllable via CVs of F1 and F2.

Furthermore, there is a switch for linking F1 to F2. In this case, the ratio between F1 and F2 is remaining the same, independently from the frequency, and ensuring properly 1V/oct. CV tracking.

A switch allowes to enable ‘sync mode’: An applied trigger will restart the wave always at the same point, useful for synced LFO applications and more.

For optical control, the XR22VCO FT has a full-color LED for AM visualization and a 2-color LED for FSK control.

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L-Fusion Electronics Introduces Analog Kicks 808+909 Eurorack Module

video upload by LFusion Electronics

"Updated demo video showcasing L-Fusion Modular Analog Kicks Eurorack module with walkthrough through all the parameters, also tips how to get most of it using filtering and EQ. For best listening experience use studio headphones/speakers that can handle the low end.

Module is available on Reverb.

808 kick generates softer more boomy kick sound while 909 outputs more aggressive punchy kick often used for making techno. Built using modern components – Audio grade Burr-Brown OpAmps, low noise transistors as well as quality capacitors including legendary WIMA German ones where larger values are needed - module provides two clean analog sound outputs with dynamic range of over 90dB.

808 kick is based on T-Shape resonator, often used in Electro/Acid tracks. It has decay, pitch and tone knobs. The circuit has been modified for longer maximum decay.

909 kick is more complex, it generates more aggressive punchy kick sound often used making techno, its core is based on integrated triangle shape oscillator. This kick drum can be controlled with original attack, decay, tune, tune decay potentiometers. Original 909 circuit has been improved for longer maximum decay, we have also integrated extra potentiometers for soft clipping distortion and fast decaying attack noise control."



"Introducing new kick drum module with famous 909 and 808 base kick drums based on on original discrete transistor circuits. 808 kick generates softer more boomy kick sound while 909 outputs more aggressive punchy kick often used for making techno. Built using modern components – Audio grade Burr-Brown Opamps, low noise transistors as well as quality capacitors including legendary WIMA German ones where larger values are needed - module provides two clean analog sound outputs with dynamic range of over 90dB.

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Creativity | Episode 01 | How to develop your own 'modules' by patching

video upload by Cinematic Laboratory

"In this kick-off episode about 'creativity' I'll revisit the concept of one of my 'imaginary dream modules', the reverse FX processor. I can't teach you creativity, but I can share my creative process.

I've been thinking about this concept for years, and trying all kinds of combinations to recreate the sounds I am looking for. It's impossible to do in real time, because these FX are created on sounds that didn't happen yet (at least not to the people listening).

It's easy to do in post, but you'll need to go through a recipe. You'd record a sound, reverse it, add FX, re-record the result, and reverse it again. I found another way to cook this recipe with two Morphagenes and I am now able to integrate it in a live patch. I need to start/stop recordings and control sound-on-sound for best results, so it's very hard to automate. Manual tweaking works best.

It's an outcome of a creative process. I have this idea and I am slowly getting closer by not letting it go, trying different things and learn from failures (which aren't failures but babysteps). Dead ends are actually U-turns. I've been thinking about learning to code for the Versio platform so I could make a 'Reversio' firmware myself, but I don't think that's going to happen because I'll need to learn C++ coding. And even then, it will not sound like two Morphagenes with an FX chain in between.

The funny thing is, I finally figured out how to do it while making this video. At the very end. So just before posting I ordered a second Mimeophon. I don't think I've ever seen a video about a dual Mime. To be continued, and happy patching! Let me know in the comments if you ever gave this a try with anything that can loop and reverse. Instruo Lubadh can also do it, but it would be in mono. I also tried reversed impulse response files, but it can never emerge before the original sound. Nothing can :). So don't let that stop you. When you're walking a long and winding road, you can see a distant future."

L-Fusion Analog Kicks Eurorack module demo

video upload by LFusion Electronics

"Demo video showcasing L-Fusion Modular Analog Kicks module with walkthrough through all the parameters, also tips how to get most of it using filtering and EQ. For best listening experience use studio headphones/speakers that can handle the low end.

Module is available on Reverb.

808 kick generates softer more boomy kick sound while 909 outputs more aggressive punchy kick often used for making techno. Built using modern components – Audio grade Burr-Brown OpAmps, low noise transistors as well as quality capacitors including legendary WIMA German ones where larger values are needed - module provides two clean analog sound outputs with dynamic range of over 90dB.

808 section outputs classic boomy kick based on T-Shape resonator, often used in Electro/Acid tracks. It has decay, pitch and tone knobs. The circuit has been modified for longer maximum decay.

909 kick is more complex, it generates more aggressive punchy kick sound often used making techno, its core is based on integrated triangle shape oscillator. This kick drum can be controlled with original attack, decay, tune, tune decay potentiometers. Original 909 circuit has been improved for longer maximum decay, we have also integrated extra potentiometers for soft clipping distortion and fast decaying attack noise control."

CLICK FOR MORE »

Astral Synthesizer : Make Music with Probability!!

video upload by Astral Synthesizer

CLICK FOR MORE »

Tela – Modal Synthesizer

video upload by Fors

Tela – Walkthrough

video upload by Fors

https://fors.fm/tela

"Tela orchestrates a vast array of resonant peaks, intertwined to form a critical mass of sound. It models nothing – it's a synthesizer for the here and now, to discover and create anew.

In a careful balance of depth and immediacy, Tela explores the inherent character and capabilities of modal synthesis. Like a practical joke, Tela bends a myriad of partials into perfect symmetrical waveforms only for them to dissolve into otherworldly timbres and textures mere seconds later. There are no rules.

Modal synthesis
Imagine hitting a thin piece of metal, a piece of glass or the membrane of a drum– the material vibrates and rings out with its inherent timbre, affected by the motion of the impact and the strength of the hit. This is the basis of what modal synthesis recreates.

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Free electric harmonium sample plugin (Elektrisk Salmesykkel)

video upload by Benjamin Dehli

via Dehli Musikk in the comments of this post for the original hardware Yamaha L-20D.

via Pianobook

Elektrisk Salmesykkel

A Yamaha L-20D electric harmonium / reed organ with some added features

This sample library includes 2 presets, the regular preset “ElektriskSalmesykkel” (best in most cases) and the looped preset “ElektriskSalmesykkel (Looped)”. For the regular version, each sample are approximately 16 seconds long. For the looped version, to achieve the best possible loop point, some of the loops are short and some are longer. Some of the loops will however have some minor artifacts. For best audio quality, you should always use the regular version. And only if you have notes held for more than 16 seconds, use the the looped version.

USER INTERFACE
The user interface offers precise control over every aspect of the instrument and effects.
Explore parameters to refine your sound, including control over the wind supply, reeds, tremulant, mechanical noise and reverb.

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Isotonik Studios Reel World Tape Rack for Ableton

video upload by Impulse Control

https://isotonikstudios.com/product/reel-world-by-soundoracle/

"Dive into Reel World, the ultimate Ableton FX rack where a single click releases infinite, authentic tape presets. Experience the true essence of vintage cassette and reel-to-reel tape sounds, complete with their unique quirks and movements."

SOUND DEMO - Reel World for Ableton Live by SoundOracle

video upload by Isotonik Studios

Press release follows:

"Step into the realm of warm, vintage tones with the Reel World Tape Emulation Rack for Ableton. Fifteen macro knobs and an innovative random button unlock a universe of endless, authentic tape presets.

Meticulously designed for Ableton Live, Reel World ensures fluid creativity and precision control. Embrace the golden age of tape sound—every track, a journey through classic audio nostalgia, now endlessly customizable at your fingertips.

Discover, save, and sculpt your signature sound: Reel World is where timeless character meets modern production.

What is Reel World?
Reel World is an Ableton effect rack crafted to authentically replicate the characteristics and soundscapes of cassette and reel-to-reel tapes from different eras and machines. It empowers users with detailed control over their sound’s texture, including color, dropouts, tape noise, compression, and saturation for a truly customized audio experience.

What’s included in the Reel World Tape Emulation Rack?
Reel World includes 14 macro knobs that allow for detailed customization of tape sounds. It also features constantly modulating parameters under the hood to realistically mimic the sounds and mechanics of tapes. The rack comes with expertly crafted presets, and you can save your own. A random button generates infinite and unlimited tape presets.

What makes Reel World unique
Reel World is not just an emulation; it’s a creative tool. The macro knobs on the effect rack enable you to craft the exact sound you want, from subtle saturation to extreme degradation. The random button and the ability to save your own presets add to the endless creative possibilities.

Can I save my own presets in Reel World?
Yes, you can create and save your own presets in Reel World. After creating a new preset or modifying an existing one, you should resave the entire Reel World rack to keep these changes permanently.

What are the system requirements for Reel World?
Reel World requires Ableton Live 11.3.4 or higher.

Does the Reel World rack come with presets already?
Yes, Reel World comes with premade presets to get you started quickly.

What are the key features of Reel World?
Reel World’s key features include 14 macro knobs for precise control over various tape characteristics, offering infinite variations and possibilities.

COMPATIBILITY: Ableton Live 11.3.4 or higher
OS COMPATIBILITY: Mac & Windows
Min. Requirements: Ableton Live 11.3.4
PRICE: £32.00 INC VAT"

https://isotonikstudios.com/product/reel-world-by-soundoracle/

Free Stylophone sample plugin (StyloPoly)

video upload by Benjamin Dehli

Chapters:
00:00 Stylophone 1
00:05 Stylophone 1 Vibrato
00:09 Stylophone 2
00:12 Stylophone 2 Vibrato
00:16 Stylophone 3
00:20 Stylophone 3 Vibrato
00:24 Default
01:02 Dirty StolyPoly
02:01 Piano
02:25 Harp
03:12 Harpsichord
03:40 Clavinet
04:20 Pad
05:58 Strings
07:22 Combo Organ
08:24 Flutes
08:43 Bright
09:13 Space Oboe

"StyloPoly is a free sample library for Decent Sampler featuring the Dubreq Stylophone S-1 with some added features. All the sounds in the video are from a single instance of the plugin.

User Interface:
The user interface offers precise control over every aspect of the instrument and effects.
Explore parameters to refine your sound, including control over the audio mixer, envelope, pitch modulation with LFOs, high pass and low pass filters, velocity/dynamics, speaker simulator, and the immersive effects of echo and reverb.

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Free string synthesizer sample plugin (Strykebrett)

video upload by Benjamin Dehli

"A free sample library for Decent Sampler featuring the Hohner / Logan String Melody II with some added features. All the sounds in the video are from a single instance of the plugin with no additional plugins or effects added.

User Interface:
The user interface offers precise control over every aspect of the instrument and effects.
Explore parameters to refine your sound, including control over the six drawbars, envelope, amplitude modulation with LFOs, highpass and lowpass filters, velocity/dynamics, oscillator drifting, and the immersive effects of ensemble, phaser, echo and reverb.

- Mixer (Bass / Treble):
Unleash the power of the six drawbars to shape your tone with precision. Each drawbar controls the amplitude of a specific octave or sound, offering you unparalleled control over the instrument's harmonic richness.

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Analogue Solutions Leipzig-k, Telemark-k, & Impulse Control No Talk Demos

Analogue Solutions Leipzig-k (no talk) Demos

video uploads by lemorgue

Synth: Analogue Solutions Leipzig-k
Drums: Ableton Live Kit
DAW: Ableton Live 11

Analogue Solutions Telemark-k (no talk) Demos

video uploads by lemorgue

Synth: Analogue Solutions Telemark-k
Drums: Ableton Live Kit
DAW: Ableton Live 10

sktch-203: Analogue Solutions Impulse Control #1 (no talk)

video upload by lemorgue

Synth: Analogue Solutions Impulse Control
Drums: Ableton Live 707 Kit
DAW: Ableton Live 11

Waldorf Introduces Iridium Core - Smaller Quantum / Iridium Based Desktop Synthesizer

video upload by WaldorfMusicChannel

"Iridium Core" introduced by Panic Girl

video upload by WaldorfMusicChannel

JakoJako about integrating the new "Iridium Core" into her modular setup

video upload by WaldorfMusicChannel

Iridium Core - Sound Demo

video upload by WaldorfMusicChannel







The Core

Iridium Core provides the core synthesis engine of the Quantum / Iridium platform. It is the heart of Waldorf's most advanced hardware-based synthesis. The essence of forward-looking sound. The Core.

Sonic Explorer

Iridium Core contains 5 synthesis engines: Wavetable, Multi- & Granular-Sampling, Waveform, Kernel FM and Resonator. Combined with a broad selection of digital filter and processing options Iridium Core lets you explore a huge sonic universe of electronic sound. Iridium Core's intuitive and easy graphical interface helps you to keep your flow of creativity.

Wave Traveller

The compact form factor makes Iridium Core an ideal companion to travel with you to all your sonic explorations and performances. It fits well into laptop size bags and in carry on-baggage it leaves enough space to all your other devices you need for your performances.

Driven by Inspiration

Iridium Core comes with a huge collection of more than 1700 factory presets and samples to drive your sonic Wanderlust. Get inspired what the broad and diverse array of sound designers have created to fuel your musical endeavours.

Team Player

Iridium Core integrates into various live performance and studio setups. Its connects with your modular synths, drum machines, sequencers and computers. The compact form factor fits well into your tabletop or space limited setups.

Family Member

Iridium Core shares the same software platform like Quantum, Iridium Desktop & Iridium Keyboard. All instruments are powered by the Waldorf synthesiser OS and will receive joint updates. Thus, the whole family participates from future enhancements and developments.


Press Release follows:

Waldorf genuinely gets right to the heart of its Iridium synthesizer product line by introducing Iridium Core as small form factor variant

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NAMM 2023 - Astral - Fast Convolution Probabilistic Synthesizer

video upload by sonicstate

"Sonic State met with Arash from Astral at NAMM 2023, where he showcased their new software synthesizer, also called Astral. The synthesizer is based on probability and allows users to sequence their own samples in a probabilistic way. The software has different probability functions for various sound parameters, which users can automate as per their requirements. The software creates a continuous frequency space, meaning users don't have to use specific notes to make music, but can use any frequency in between. Arash demonstrated loading a water sound into the synthesizer turning it into a three-dimensional ambient unified random process, which can be used to create music.

Astral's new software synthesizer is a fast convolution probabilistic synthesizer that takes users' input and creates a unique sound texture. The software has about 30,000 parameters and seven different panels, making it a standalone software rather than a plugin. Users can control the impulse response in any way they want, apply different mathematical functions, and effects like FM, AM, and spectral inversion.

Price: 279 USD

raidigit.com"

Delicate Tension

video upload by Igor Vasiliev

"Saxophone improvisation with BeatCutter & SpaceFields apps (iOS, macOS, AUv3).
Bass clarinet and Soprano saxophone by Hubert-Jan Hubeek, a saxophone or multi reed instrumentalist from Amsterdam, http://xofoon.nl
The background and abstractions were generated from the original saxophone and clarinet track by BeatCutter app and also partially processed by SpaceFields app with using external impulse response (IR) file for natural space reverberation.
IR file for the SpaceFields app recorded by Henry Lowengard at Widow Jane Mine, Rosendale, New York, https://www.centuryhouse.org

BeatCutter, https://apps.apple.com/app/beatcutter...
BeatCutter is an experimental multi-channel application for slicing and recombining sound based on rhythm. In the center of the application is a matrix of sample cells with smoothly reconfigurable recording, playback and control busses. This application is best for those who would like to experiment with large audio files or live instruments, creating chaotic constructions and patterns from sliced rhythm-driven samples.

SpaceFields, https://apps.apple.com/app/spacefield...
Loop-based mangler effect for creating slowly changing rhythmic sound structures in a deep reverb space from any external signal. Great for experimenting and designing ambient and noise backgrounds with rhythmic elements.

Apps site: https://motion-soundscape.blogspot.com

The video uses photo of paintings by Wassily Kandinsky, Wikimedia Commons (CC0). https://wikipedia.org/wiki/Wassily_Ka..."