MATRIXSYNTH: Search results for Impulse Control


Showing posts sorted by relevance for query Impulse Control. Sort by date Show all posts
Showing posts sorted by relevance for query Impulse Control. Sort by date Show all posts

Friday, December 09, 2016

New Pittsburgh Modular Impulse Filter Demo Video


Published on Dec 9, 2016 Pittsburgh Modular Synthesizers

"Organic and percussive, the Dynamic Impulse Filter utilizes an entirely new, all analog design to replicate the impact transients and vibrance of a percussion hit. The result is a versatile lowpass filter that sounds natural and energetic. The Dynamic Impulse Filter works in one of three modes, lopass filter with resonance, high quality VCA, and a combined mode that manages both harmonics and gain at the same time. The core of the filter uses a Sallen-Key topology to produce a smooth two pole filter that will self-oscillate at high resonance settings."


"Lifeforms Dynamic Impulse Filter

A New Species of Low Pass Gate

Organic and percussive, the Dynamic Impulse Filter utilizes an entirely new, all analog design to replicate the impact transients and vibrance of a percussion hit. The result is a versatile filter module that sounds natural and energetic.

We Love Vactrols Too...

The fruit of over two years of research and development, the Dynamic Impulse Filter evolves the lowpass gate into the present by retaining the sonic characteristics we love about vactrols while solving all the problems that come with it. The unique design of the Dynamic Impulse Filter replaces the vactrol with a modern analog circuit created to replicate and expand on the signature sound of the vactrol. The response time of the Dynamic Impulse Filter is not static like a vactrol; instead it is tunable allowing the response of the module to adapt to any musical context.

The suggested retail price for the Lifeforms Dynamic Impulse Filter is $229 and it begins shipping to authorized resellers December 16. More information is available at www.pittsburghmodular.com/lifeforms-dynamic-impulse-filter"

Thursday, October 12, 2023

Analogue Solutions Leipzig-k, Telemark-k, & Impulse Control No Talk Demos

Analogue Solutions Leipzig-k (no talk) Demos

video uploads by lemorgue

Synth: Analogue Solutions Leipzig-k
Drums: Ableton Live Kit
DAW: Ableton Live 11

Analogue Solutions Telemark-k (no talk) Demos

video uploads by lemorgue

Synth: Analogue Solutions Telemark-k
Drums: Ableton Live Kit
DAW: Ableton Live 10

sktch-203: Analogue Solutions Impulse Control #1 (no talk)

video upload by lemorgue

Synth: Analogue Solutions Impulse Control
Drums: Ableton Live 707 Kit
DAW: Ableton Live 11

Monday, April 29, 2013

Circuit Abbey Impulse Drive Waveshaper Eurorack Module

Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Perfect Circuit Audio (RSS)

"Harmonics galore! A wave multiplying signal processing module which produces thick CV-able harmonic fields.

The Impulse Drive crossfades any two input sources and drives three comparator engines that are then cross-modulated to create unheard of sonic palettes. Crossfading, along with each of the comparator engines are under full CV control for precise timbre navigation. Feed combinations of waves, control signals, or experimental sources such as drum machines into the Impulse Drive to generate swirling streams of alien landscapes!

You can crossfade between the two signal inputs manually or with a control voltage; the result will be then processed by three comparator units called GRID, each producing a pulse wave. The Bias parameter determines the switching threshold of the comparator and it can be set manually or with a voltage. Each GRID section modulates the next one thru a digital ring modulator and adds even more harmonics. The signals can be tapped at the various outputs.

The Impulse Drive has 3 sections of harmonic generation with CV control. Each section feeds into the next using Digital Ring Mod technology and produces increasingly complex harmonic fields.

The Impulse Drive can be run at LFO rates to produce gates at the outputs - allows for generating CV-able sequences.

Conceived and refined over a decade in the Circuit Abbey lab, the Impulse Drive will provide unique flavor to any studio.

Features

2 signal inputs (Injector)
1 Injector-Select CV input
3 CV inputs for the waveshaper units (Grid 1-3)
3 Outs
3 Exhaust Port Outs
MON output
Injector Select knob
Injector Level knob
Level and Bias knobs for each 3 grids
LED Indicators for each Out"

Sunday, March 21, 2010

Musikmesse: MFB MEGAZWERG and MICROZWERG

via mfberlin.de

"* semi-modular system with ten sections
* analogue VCO with analogue ring modulator
* 12dB/oct. multimode-filter
* built-in Digital Delay
* modulation-sequencer
* AHDSR-envelope with loop option
* MSRP: 480, - Euro

Although MEGAZWERG and its many useful functions are meant to serve as an expansion to MFB’s KRAFTZWERG or any analogue modular-system, MEGAZWERG also serves as an independent full-featured synthesizer. Its ten sections can be used individually or combined.

A brief overview to the sections of MEGAZWERG:

The oscillator offers triangle, saw tooth and rectangle waveform shapes. Its pitch can be set over an octave range using a trim-pot. Pitch is controlled by its CV-input using sequencers or keyboards. The output is prewired to the Y-input of the ring modulator, which is built analogue unlike the unit found in KRAFTZWERG. The ring modulator may also be used with two external signals.

The state-variable multimode-filter runs with 12dB slope per octave and offers Lo-, Hi- and Bandpass-modes as well as notch-filtering and resonance up to self-oscillation. Both, cutoff and resonance can be modulated using dedicated CV-inputs. In addition, a pitch-dependent cutoff-frequency control can be achieved using the key follow function. Key follow is prewired to key-CV respectively MIDI-pitch.

The envelope generator offers Attack, Hold, Decay, Sustain and Release stages. Besides its normal mode, the first three stages can also be looped with an active gate-signal, and then followed by the release stage. This section also contains a VCA that serves as CV-controllable audio-output for MEGAZWERG. The envelope is prewired to the CV-input of the VCA.

The onboard 12-bit-Digital-Delay does not only create echo-effects. Its read-out-speed can be varied over a two-octave-range manually or by CV. In addition, there is a freeze function that sets the effect signal to last endlessly. Send and return jacks are provided to insert any module into the delay’s feedback-path, just like a filter or a ring modulator.

The modulation-sequencer serves to create simple, adjustable rhythmic modulations of two, three or four steps in length. Each step has a dedicated control to set the according control voltage. The sequence tempo can be adjusted with the sequence or follow the clock-input.

The dual Glide section offers two independent delay/lag units with different characteristics. You may use these to smooth the steps of the modulation-sequence or create portamento glides.

Two attenuators are available in the Dual-Attenuator-Section. In excess of limiting audio- and control-signals, these units can also serve as CV-sources. With the input not being patched, the output sends a fixed control voltage of up to 8V. This can be used to increase the maximum speed of KRAFTZWERG’s LFO or set the VCO-pulse width to a constant value.

The mixer section offers three inputs, where only inputs 1 and 2 are variable in gain.

Two multiples allow doubling or tripling CV- or audio-signals. Essential, where one LFO needs to modular two or three targets.

The signal-path VCO-VCF-VCA as well as envelope control over the VCA is internally prewired, so that MEGAZWERG can be played immediately. All further routings are created using the patch jacks. These can be used or controlled by MEGAZWERG itself or any compatible external device.

MFB’s MEGAZWERG has the following dimensions: 310 x 165 x 38/72 mm.

External power supply included."

"* semi-modular analogue synthesizer
* dual oscillator, dual multimode-filter
* separate inputs/outputs for both filters
* 18 patch connections in signal chain
* two LFOs with „One Shot“-function
* CV/Gate and MIDI control
* MSRP: 320,- Euro

MICROZWERG not only bridges the gap between NANOZWERG and KRAFTZWERG. Due to its dual multimode-filter, it also offers an individual signal-path with specific sound potential. MICROZWERG’s numerous patch connections are simply inviting to be modulated by our flexible step-sequencer URZWERG or to interact with the multifunctional MEGAZWERG.

Individually operated and due to its dual oscillators and dual multimode-filter, MICROZWERG offers a lot more than typical analogue basses and lead sounds. Prepare yourself for some special timbres. The signal path and modulations are quickly reconfigured using a few patch chords with the result of an enormous boost in sonic variety. Combined with other members of MFB’s ZWERG synthesizer family or even a modular system, MICROZWERG’s possibilities grow further.

A brief overview to the sections of MICROZWERG:

Both oscillators offer triangle, saw tooth and rectangle waveform shapes. Where oscillator 1 also offers a needle impulse, VCO 2 has a built-in noise generator. VCO 2 can be detuned by plus minus one octave in reference to VCO 1. Both oscillators can also be synced, using a patch connection. In addition, the separate output of VCO 2 can be used to modulate the filter. Finally, ring modulation is possible in combination with MEGAZWERG, where the ring modulated output can be fed back into MICROZWERG.

The two state-variable multimode-filters run with 12dB slope per octave and offer lo-, hi- and bandpass-modes as well as notch-filtering. The filters are prewired in series to increase the slope when used in same operation mode. Here, the slope is variable because both cutoff-controls can be shifted against each other using the slope control. Combining a lo- and hipass-filter result in a variable band pass with adjustable bandwidth and individually controllable resonances. When preferred, a parallel routing is possible using a patch connection, too. In this case, MICROZWERG allows two separate shifted bandpass-filters, notch-filtering with variable bandwidth or a combination of bandpass-filter with followed lo- or hipass-filter. Resonance can reach up to self-oscillation for both filters. The cutoff-frequencies are manually controlled simultaneously or by envelopes. They can be shifted against each other using the space-control. Modulations by LFO or CV can address either filter 1 or both filters.

A simple patch from Key CV to the contour- or mod-input can achieve pitch-dependent cutoff-frequency control. Because both filters offer independent in- and outputs, MICROZWERG is also destined to be used as an effective dual-filter for external sound sources.

The ADSR envelope is internally prewired to control the filters’ cutoff-frequency. MEGAZWERG or any modular system can jump in via patch chords whenever a second envelope is needed.

The two LFO offers four waveform shapes each and a one-shot-function, where the selected waveform is played only once after a gate-trigger, thus imitating a simple envelope that might be used for pitch or VCA control. LFO 2 includes a sample & hold.

Internal modulation wirings offer LFO control over the filters’ cutoff as well as the oscillators’ pitch or VCO 2’s pulse width. LFO 2’s speed can be modulated by an external control voltage, allowing increasing or decreasing the speed by a factor of 30. Using this feature, MICROZWERG is capable of extreme slow and fast modulations.

The control signals of the envelope and both LFOs are available as CV-outputs and can therefore be used to control other functions of MICROZWERG as well as in other analogue synthesizers and modular systems.

The signal-path VCO 1/2-VCF 1/2-VCA as well as the common main modulations is internally prewired, so that MICROZWERG can be played immediately. All further routings are created using the patch jacks. These can be used or controlled by MICROZWERG itself or any compatible external device.

MICROZWERG can be controlled by MIDI from any compatible keyboard or DAW. Note commands are received as well as pitch-wheel (+/- 2 semitones) and modulation-wheel data, the latter controlling the filter’s cutoff frequency.

MFB’s MICROZWERG has the following dimensions: 175 x 125 x 38/72 mm.

External power supply included."

Also see:
MFB-URZWERG Full Details
MFB-NANOZWERG Full Details
and this post for more pics

Remember to click on the Musikmesse label for more announcements.

via Justin

Tuesday, December 13, 2016

KOMA's Field Kit launched on Kickstarter!



"After a year of development, testing and prototyping, KOMA Elektronik is proud to present the latest addition to the KOMA family: the KOMA Elektronik Field Kit! On Kickstarter now! The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electroacoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!

The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage. The Field Kit boasts 7 separate functional blocks all focussed on receiving or generating all types of signals. They are designed to operate together as a coherent electroacoustic workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals:

Four Channel Mixer
Envelope Follower
DC Interface
Analog Switch Interface
Analog Sensor Interface
AM/FM/SW Radio
Low Frequency Oscillator
You can easily interface the Field Kit with a Eurorack modular system. At the backside of the PCB you will find a power connector you can use to power the unit from your system. The total panel width is 36HP. You can buy the Field Kit as a finished unit or build one yourself with the DIY Version."



"All audio has been recorded straight from the Field Kit, using a DC Motor, Solenoid Motor, a DC powered fan, Roland TR-8 and Berlin's local radio station Antenne Brandenburg as audio sources."


Additional details via Kickstarter.

"The KOMA Field Kit

The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electroacoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!

The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage!

We have finished development of the Field Kit, are ready for production and we need your support to make it happen!

[Pictured:] The final Field Kit prototype, ready for production!

It's all about the things you connect to the The Field Kit! To get you started we decided to offer an Expansion Pack with a bunch of different sources that you can use and connect to create your own signature sounds.

Friday, March 14, 2014

MFB MICROZWERG MK II

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"MFB-MICROZWERG MKII

* semi-modular analogue synthesizer
* dual oscillator, dual multimode-filter
* separate inputs/outputs for both filters
* 18 patch connections in signal chain
* two LFOs with „One Shot“-function
* CV/Gate and MIDI control

MICROZWERG not only bridges the gap between NANOZWERG and KRAFTZWERG. Due to its dual multimode-filter, it also offers an individual signal-path with specific sound potential. MICROZWERG’s numerous patch connections are simply inviting to be modulated by our flexible step-sequencer URZWERG or to interact with the multifunctional MEGAZWERG.

Individually operated and due to its dual oscillators and dual multimode-filter, MICROZWERG offers a lot more than typical analogue basses and lead sounds. Prepare yourself for some special timbres. The signal path and modulations are quickly reconfigured using a few patch chords with the result of an enormous boost in sonic variety. Combined with other members of MFB’s ZWERG synthesizer family or even a modular system, MICROZWERG’s possibilities grow further.

A brief overview to the sections of MICROZWERG:

Both oscillators offer triangle, saw tooth and rectangle waveform shapes. Where oscillator 1 also offers a needle impulse, VCO 2 has a built-in noise generator. VCO 2 can be detuned by plus minus one octave in reference to VCO 1. Both oscillators can also be synced, using a patch connection. In addition, the separate output of VCO 2 can be used to modulate the filter. Finally, ring modulation is possible in combination with MEGAZWERG, where the ring modulated output can be fed back into MICROZWERG.

The two state-variable multimode-filters run with 12dB slope per octave and offer lo-, hi- and bandpass-modes as well as notch-filtering. The filters are prewired in series to increase the slope when used in same operation mode. Here, the slope is variable because both cutoff-controls can be shifted against each other using the slope control. Combining a lo- and hipass-filter result in a variable band pass with adjustable bandwidth and individually controllable resonances. When preferred, a parallel routing is possible using a patch connection, too. In this case, MICROZWERG allows two separate shifted bandpass-filters, notch-filtering with variable bandwidth or a combination of bandpass-filter with followed lo- or hipass-filter. Resonance can reach up to self-oscillation for both filters. The cutoff-frequencies are manually controlled simultaneously or by envelopes. They can be shifted against each other using the space-control. Modulations by LFO or CV can address either filter 1 or both filters.

A simple patch from Key CV to the contour- or mod-input can achieve pitch-dependent cutoff-frequency control. Because both filters offer independent in- and outputs, MICROZWERG is also destined to be used as an effective dual-filter for external sound sources.

The ADSR envelope is internally prewired to control the filters’ cutoff-frequency. MEGAZWERG or any modular system can jump in via patch chords whenever a second envelope is needed.

The two LFO offers four waveform shapes each and a one-shot-function, where the selected waveform is played only once after a gate-trigger, thus imitating a simple envelope that might be used for pitch or VCA control. LFO 2 includes a sample & hold.

Internal modulation wirings offer LFO control over the filters’ cutoff as well as the oscillators’ pitch or VCO 2’s pulse width. LFO 2’s speed can be modulated by an external control voltage, allowing increasing or decreasing the speed by a factor of 30. Using this feature, MICROZWERG is capable of extreme slow and fast modulations.

The control signals of the envelope and both LFOs are available as CV-outputs and can therefore be used to control other functions of MICROZWERG as well as in other analogue synthesizers and modular systems.

The signal-path VCO 1/2-VCF 1/2-VCA as well as the common main modulations is internally prewired, so that MICROZWERG can be played immediately. All further routings are created using the patch jacks. These can be used or controlled by MICROZWERG itself or any compatible external device.

MICROZWERG can be controlled by MIDI from any compatible keyboard or DAW. Note commands are received as well as pitch-wheel (+/- 2 semitones) and modulation-wheel data, the latter controlling the filter’s cutoff frequency.

MFB’s MICROZWERG has the following dimensions: 190 x 130 x 50 mm."

Sunday, May 15, 2022

SUPERBOOTH 2022 Bitwig 4.3


video upload by sonicstate

"Dave Linnenbank takes Nick through some of the exciting new updates for Bitwig 4.3.

Convolution, can take any sound anywhere — even places that don't exist. All convolutions imprint your sound with an “impulse,” and ours comes ready-made with 270 of them, ranging from 12th-century cathedrals and legendary studio effects to more abstract “environments.” Using the impulse of a room or hall creates a realistic reverb, but Bitwig's Convolution and content offers so much more.

You can easily adjust color and tone, or draw your own envelope to reshape the impulse itself. Plus, since we support “true stereo” (four-channel) files as well as loading any audio as an impulse, you can drag and drop anything onto Convolution and see what impossible space you land in.

With the help of Bitwig Impulse Responses, the companion package for our Convolution device, your sounds are going places. There are 270 options, so you can take your sounds to locations around the world with reverbs professionally recorded in ancient train stations, French cathedrals, monk meditation halls and private attics. You could also use Convolution and these Impulse Responses to imbue your tracks with the tones of iconic hardware studio gear like vintage spring reverbs, pedals and digital FX units, or for more experimental purposes.

Delay+ is Bitwig's latest boutique audio effect. By balancing familiar controls along with a few thoughtful new ones, Delay+ can either add a little character or fully transform your sound as it ping-pongs along.

Set the delay in seconds or beats, then nudge each channel a few milliseconds for instant stereo. Pick from five Blur options to go from a lightly animated feedback to a full, blown-out reverb. A Ducking control keeps things under control by quieting your delay cloud when strong signals arrive.

Bitwig's nested structure allows you to drop our Pitch Shifter, or Flanger+, or any VST plug-in into the feedback loop. So whether you just need a little slapback or a colorful wash of sound, Delay+ has you covered.

Polymer and The Grid use the same modules, so when something new comes along, everybody wins. For Bitwig 4.3, some analog-inspired goodies have arrived.

Two modules are new. Union is an oscillator that plays it straight, blending three waveshapes into one pleasant, drifting output. And for filtering, Low-pass MG honors Mister Moog by imitating both his classic filter and mix buss.

But plenty of other features have also arrived. Low-pass SK filter is now Sallen-Key, with 16 modes on tap. Our Comb filter gained a Damping control for a touch of finesse. ADSR and two other envelopes now have added modes for Digital precision, or Analog simplicity and feel. Plus all filters get a Q Limit to rein in their resonance, and all oscillators have more phase mod range for more brittle, digital sounds. So whether starting a sound in Polymer or growing a world in The Grid, new sounds are at hand.

As always, a few more new features came along for the ride. For example, FX tracks now have sends of their own. And yes, direct feedback routings are available — and clearly labeled (Achtung!). And the ADSR module gets a lot of use, so why not add a “bias” out port for a bipolar signal that centers around sustain? Good for pitch or anything that might want a little drift.

Whether it is recording settings, lyrics, or performance notes, comments can be freely added to tracks, layers, Arranger cue markers, and Launcher scenes — just start writing in your language. And by switching our Linux build over to Flatpak and supporting PipeWire, many distros will have a smoother experience with Bitwig, including Ubuntu users. And maybe even Steam Decks?

Bitwig Studio 4.3 is now in beta and can be tested by anyone with a Bitwig Studio license and an active Upgrade Plan. You'll find the installers in your user profile here. We expect to release 4.3 in Q2 this year. As always, this is a free update for all license holders with an active Upgrade Plan.

https://www.bitwig.com/whats-new/"

Saturday, November 02, 2013

MFB Microzwerg monophonic analogue Midi & CV synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"MICROZWERG not only bridges the gap between NANOZWERG and KRAFTZWERG. Due to its dual multimode-filter, it also offers an individual signal-path with specific sound potential. MICROZWERG’s numerous patch connections are simply inviting to be modulated by our flexible step-sequencer URZWERG or to interact with the multifunctional MEGAZWERG.

Individually operated and due to its dual oscillators and dual multimode-filter, MICROZWERG offers a lot more than typical analogue basses and lead sounds. Prepare yourself for some special timbres. The signal path and modulations are quickly reconfigured using a few patch chords with the result of an enormous boost in sonic variety. Combined with other members of MFB’s ZWERG synthesizer family or even a modular system, MICROZWERG’s possibilities grow further.

A brief overview to the sections of MICROZWERG:
Both oscillators offer triangle, saw tooth and rectangle waveform shapes. Where oscillator 1 also offers a needle impulse, VCO 2 has a built-in noise generator. VCO 2 can be detuned by plus minus one octave in reference to VCO 1. Both oscillators can also be synced, using a patch connection. In addition, the separate output of VCO 2 can be used to modulate the filter. Finally, ring modulation is possible in combination with MEGAZWERG, where the ring modulated output can be fed back into MICROZWERG.

Tuesday, September 06, 2011

MFB Microzwerg Semi Modular

via this auction
"The Microzwerg not only bridges the gap between Nanozwerg and Kraftzwerg. Due to its dual multimode-filter, it also offers an individual signal-path with specific sound potential. The Microzwerg's numerous patch connections are simply inviting to be modulated by our flexible step-sequencer Urzwerg or to interact with the multifunctional Megazwerg.

Individually operated and due to its dual oscillators and dual multimode-filter, the Microzwerg offers a lot more than typical analogue basses and lead sounds. Prepare yourself for some special timbres. The signal path and modulations are quickly reconfigured using a few patch chords with the result of an enormous boost in sonic variety. Combined with other members of MFB's Zwerg synthesizer family or even a modular system, the Microzwerg's possibilities grow further.

Both oscillators offer triangle, saw tooth and rectangle waveform shapes. Where oscillator 1 also offers a needle impulse, VCO 2 has a built-in noise generator. VCO 2 can be detuned by plus minus one octave in reference to VCO 1. Both oscillators can also be synced, using a patch connection. In addition, the separate output of VCO 2 can be used to modulate the filter. Finally, ring modulation is possible in combination with Megazwerg, where the ring modulated output can be fed back into Microzwerg.

The 2 state-variable multimode-filters run with 12 dB slope per octave and offer lo-, hi- and bandpass-modes as well as notch-filtering. The filters are prewired in series to increase the slope when used in same operation mode. Here, the slope is variable because both cutoff-controls can be shifted against each other using the slope control. Combining a lo- and hipass-filter result in a variable band pass with adjustable bandwidth and individually controllable resonances. When preferred, a parallel routing is possible using a patch connection, too. In this case, the Microzwerg allows two separate shifted bandpass-filters, notch-filtering with variable bandwidth or a combination of bandpass-filter with followed lo- or hipass-filter. Resonance can reach up to self-oscillation for both filters. The cutoff-frequencies are manually controlled simultaneously or by envelopes. They can be shifted against each other using the space-control. Modulations by LFO or CV can address either filter 1 or both filters.

A simple patch from Key CV to the contour- or mod-input can achieve pitch-dependent cutoff-frequency control. Because both filters offer independent in- and outputs, the Microzwerg is also destined to be used as an effective dual-filter for external sound sources.

The ADSR envelope is internally prewired to control the filters' cutoff-frequency. The Megazwerg or any modular system can jump in via patch chords whenever a second envelope is needed.

The 2 LFO offers four waveform shapes each and a one-shot-function, where the selected waveform is played only once after a gate-trigger, thus imitating a simple envelope that might be used for pitch or VCA control. LFO 2 includes a sample & hold.

Internal modulation wirings offer LFO control over the filters' cutoff as well as the oscillators' pitch or VCO 2's pulse width. LFO 2's speed can be modulated by an external control voltage, allowing increasing or decreasing the speed by a factor of 30. Using this feature, the Microzwerg is capable of extreme slow and fast modulations.

The control signals of the envelope and both LFOs are available as CV-outputs and can therefore be used to control other functions of the Microzwerg as well as in other analogue synthesizers and modular systems.

The signal-path VCO 1/2-VCF 1/2-VCA as well as the common main modulations is internally prewired, so that the Microzwerg can be played immediately. All further routings are created using the patch jacks. These can be used or controlled by the Microzwerg itself or any compatible external device.

The Microzwerg can be controlled by MIDI from any compatible keyboard or DAW. Note commands are received as well as pitch-wheel (+/- 2 semitones) and modulation-wheel data, the latter controlling the filter's cutoff frequency. "

Monday, July 13, 2020

Arcaico Instruments Eurorack Modules



Playlist:

Arcaico Warhorse Scuderia limited edition
Arcaico Gorgone 360°
Arcaico Gorgone CV Delay time + LFO
Exploring sound with Arcaico Gorgone (only 2 sawtooth wave)
Arcaico Gorgone analog multiFX eurorack format

Monday, January 13, 2020

Clavia / Nord Introduces the Nord Wave 2


Published on Jan 12, 2020 NordKeyboards

"We're proud to introduce the Nord Wave 2 - a powerful 4-part performance synthesizer combining Virtual Analog synthesis, Samples, FM and Wavetable with an intuitive layer-focused interface.

With 48 voice polyphony, innovative performance features and hands-on controls, the Nord Wave 2 offers outstanding sonic possibilities with advanced layering and tweaking on the fly.

The Nord Wave 2 will be shown at NAMM Show 2020, January 16th-19th. Booth #11113.

#nordwave2 #iseenord #namm2020"


Press Release, Stockholm 13-01-2020

The Nord Wave 2 is a powerful 4-part performance synthesizer combining Virtual Analog synthesis, Samples, FM and Wavetable with an intuitive layer-focused interface.

With 48 voice polyphony, innovative performance features and hands-on controls, the Nord Wave 2 offers outstanding sonic possibilities with advanced layering and tweaking on the fly.

Sunday, November 06, 2011

TouchAble version 1.3 - Control Ableton Live 8 with iPad - What's new?


YouTube Uploaded by touchAbleapp on Nov 3, 2011

"TouchAble App for iPad is available worldwide exclusively through the iTunes App Store touchAble - AppBC

touchAble is an unique iPad app is the first application to give Ableton Live users full control over their digital audio workstation, without the tiresome process of manual midi-mapping. touchAble allows live users to walk away from their computer and perform live from anywhere within Wi-Fi range (using ad-hoc connection or router) while keeping latency at a minimum.

TouchAble App includes 6 advanced modules, Clip grid, Mixer, Devices, Pads, Keys, XY Pad, and 2 commands menu : clips and transport.

TouchAble provides a powerful, intuitive and reliable multitouch control solution for professional use.

TouchAble includes templates for lives plugins and is fully compatible with vsts, audiounits and instruments.

The new update, touchAble 1.3 contains over 30 new features and changes, such as a loop and beatjump section, enabling anything from CDJ style mixes to creative loop manipulation, a completely rebuilt mixer that allows users to modularly choose the controls they need - complemented by the long awaited crossfader. 3 new native templates have been added: Auto Filter, Ping Pong Delay & the very first Instrument - Impulse - and are waiting to be tweaked. The new Settings Menu not only offers a cascade of new control-options - but also simplifies the connection process by adding Bonjour support.


changes / new features:

Wednesday, February 01, 2012

touchAble for iPad - how to : CLIP & TRACK SIZE + MULTI CONTROLS PER TRACK


YouTube Uploaded by touchAbleapp on Feb 1, 2012

touchAble - AppBC
iPads on eBay
iPads on Amazon

"TouchAble App for iPad is available worldwide exclusively through the iTunes App Store

touchAble is an unique iPad app is the first application to give Ableton Live users full control over their digital audio workstation, without the tiresome process of manual midi-mapping. touchAble allows live users to walk away from their computer and perform live from anywhere within Wi-Fi range (using ad-hoc connection or router) while keeping latency at a minimum.

TouchAble App includes 6 advanced modules, Clip grid, Mixer, Devices, Pads, Keys, XY Pad, and 2 commands menu : clips and transport.

Monday, January 08, 2024

Isotonik Studios Reel World Tape Rack for Ableton


video upload by Impulse Control

https://isotonikstudios.com/product/reel-world-by-soundoracle/

"Dive into Reel World, the ultimate Ableton FX rack where a single click releases infinite, authentic tape presets. Experience the true essence of vintage cassette and reel-to-reel tape sounds, complete with their unique quirks and movements."

SOUND DEMO - Reel World for Ableton Live by SoundOracle

video upload by Isotonik Studios

Press release follows:



"Step into the realm of warm, vintage tones with the Reel World Tape Emulation Rack for Ableton. Fifteen macro knobs and an innovative random button unlock a universe of endless, authentic tape presets.

Meticulously designed for Ableton Live, Reel World ensures fluid creativity and precision control. Embrace the golden age of tape sound—every track, a journey through classic audio nostalgia, now endlessly customizable at your fingertips.

Discover, save, and sculpt your signature sound: Reel World is where timeless character meets modern production.

What is Reel World?
Reel World is an Ableton effect rack crafted to authentically replicate the characteristics and soundscapes of cassette and reel-to-reel tapes from different eras and machines. It empowers users with detailed control over their sound’s texture, including color, dropouts, tape noise, compression, and saturation for a truly customized audio experience.

What’s included in the Reel World Tape Emulation Rack?
Reel World includes 14 macro knobs that allow for detailed customization of tape sounds. It also features constantly modulating parameters under the hood to realistically mimic the sounds and mechanics of tapes. The rack comes with expertly crafted presets, and you can save your own. A random button generates infinite and unlimited tape presets.

What makes Reel World unique
Reel World is not just an emulation; it’s a creative tool. The macro knobs on the effect rack enable you to craft the exact sound you want, from subtle saturation to extreme degradation. The random button and the ability to save your own presets add to the endless creative possibilities.

Can I save my own presets in Reel World?
Yes, you can create and save your own presets in Reel World. After creating a new preset or modifying an existing one, you should resave the entire Reel World rack to keep these changes permanently.

What are the system requirements for Reel World?
Reel World requires Ableton Live 11.3.4 or higher.

Does the Reel World rack come with presets already?
Yes, Reel World comes with premade presets to get you started quickly.

What are the key features of Reel World?
Reel World’s key features include 14 macro knobs for precise control over various tape characteristics, offering infinite variations and possibilities.

COMPATIBILITY: Ableton Live 11.3.4 or higher
OS COMPATIBILITY: Mac & Windows
Min. Requirements: Ableton Live 11.3.4
PRICE: £32.00 INC VAT"

https://isotonikstudios.com/product/reel-world-by-soundoracle/

Friday, August 31, 2012

BPMC Circuit Bent Panasonic WJ Ave5 2 channel glitch video mixe

Note: Auction links are affiliate links for which the site may be compensated. via this auction

"Modified WJ-Ave5 2 channel glitch video mixer. w/ Control box, a hand crafted manual & all the patch cables you'll ever need.

Note: Although I am associated with Folktek this work is unaffiliated with Folktek.

This is a heavily modified two channel NTSC composite (RCA) video mixer. It still functions completely in it's original form but has an added twelve glitch effect ports PER channel, it also has two ports for wipe glitch effects. The control box gives you maximum control over your glitch effects allowing you to implement two separate audio feeds to drive the glitch visuals (all the controls on top and back) or just patch in to one of four pots to hone in on certain glitch looks. I've built a slew of these now and this is my favorite build thus far. The control box is super light weight, great for gigging, and the effect port selection features a really nice array of stable exploits. The two separate independent feeds for incoming audio is nice too because then you can do things like output a drum machine kick drum to channel A and a snare to channel B and mix between the two channels with different glitch visuals applied to each channel. It's a good look. Or you can flip a switch on the back and just use one audio feed to be shared by both channels. The audio impulse set-up features 1 RCA input for each channel, a wet/dry for each channel, 5 switches per channel, and two push buttons for each channel. I've also two outputs per each channel on the lower portion of the front panel so you can patch sound in to the pots or to other equipment.

The creative possibilities with this thing are endless.

The Ave5 is one of my favorite composite video mixers giving you a slew of handy built in effects, a superimpose layer, a variety of useful/ironic wipes and a TBC all under one roof.

This WJ has TWO modes of operation:

SOUND VISUALIZATION MODE:

By plugging a well-amplified audio signal in to the modified AVE-5 control box you can profoundly glitch the visuals in a variety of unique ways.. all in real-time. Just take a look at the videos below. This mode is good for veejays, performance artists or art installations.

VIDEO SYNTH MODE:

Without sound you can use the control box to hone in on a variety of glitch effects and looks not possible in sound visualization mode. The majority of effects are unique to the ave5's fx circuit and difficult to emulate or simulate with other video synths (LZX etc). This mode is good for post production, experimental film & masking/overlays.

Of course both modes can be combined. In fact it is encouraged.

The original physical condition of this unit is a 7.5/10. It has some light surface scratches, very faint.

This device is perfect for:
Adding a unique look to your indie tv/film/event production.
Providing you with a variety of effects you can't get with After Effects.
Live professional VJ work .
Making dubstep or chillwave music videos (ha!).
Lo-fi enthusiasts.
Inducing epilepsy.

This device was made to last. Although a device of this nature is fragile by design I have gone through great lengths to ensure that this device stands the test of time. It has been tightly assembled, designed with thought and built with solid parts.

Note: You really have to crank incoming audio to see visualizations. Just the nature of the beast. You will need a mixer with a good heaphones out or aux out to drive this beast. I use a Behringer XENYX for live use and a Mack 1402 with it at home.

Note: Unlike most circuit bent video devices this device does NOT need a TBC because it has one built in."

Circuit bent WJ-Ave5 Switchable Edition (BPMC)

YouTube Published on Apr 8, 2012 by TokenRecluse

"By Big Pauper. (http://circuitbentvideo.com) (http://folktek.com)
Music: DMX - Unstoppable Force (from the unreleased demo)

I managed to cram all of the glitch controls for the Ave5 in it's very spatially limited housing for a couple of these "switchable editions." While dope and very handy
I don't think I'll be doing that again, it's a real pain in the ass.

http://www.circuitbentvideo.com/portfolio-item/modified-wj-ave5-switchable-ed...

The demo in this video is a little rough, I was a bit hung over, so I apologize for not showing off more variety."

Circuit bent WJ-ave5 generated noise. (BPMC)

Published on Apr 8, 2012 by TokenRecluse

Complex modified WJ-ave3 & WJ-ave5 patch (BPMC)

Published on Apr 8, 2012 by TokenRecluse

Wednesday, September 17, 2008

Soundmachines - Klangmaschinen and the Hönig-Synthesizer

via swissdoc: "something I came across at synthesizerforum.de

Klangmaschinen website

Very nice electronic music stuff from Austria and/or used by
Austrian acts and/or shown in Austrian museums.

For instance:
the "Hönig-Synthesizer" (pictured)
Neo-Bechstein Grand
Subharchord II
Max Brand Synthesizer

Some sound examples included. Worth to click through all items." Definitely worth checking out.

Excerpt on the Hönig-Synthesizer pictured from the site:
"125 x 87 x 166 cm, ca. 70 kg
Metal, sound frequency unit (eight voltage controlled oscillators, twelve amplifiers with envelope generators, eight filters, three ring modulators and impulse and noise generators), control voltage unit (four digital 12-bit low-frequency oscillators, sample & hold, envelope tracker, control voltage mixer), control computer (SYM) with 6502 CPU, eight 12-bit digital-analogue converters, twelve trigger impulse outputs, software), matrix plug board (4 x 16 x 16), sound and control voltage patch bay

The control voltages and trigger impulses generated by the SYM microcomputer can be attributed to the envelope generators, LFOs, sample & holds, filters and oscillators on the matrix plug board and the patch bay. The EMC Compiler composition software developed for this machine by the composer Helmuth Dencker allows the use of a variety of algorithms (tendency, loop, random, transposition) – a hybrid system for complex compositions (without tape splicing and with purely analogue synthesis)." more

Saturday, November 02, 2013

MFB SEQ-01 Drum Sequencer & Eurorack Synthesizer Drum Modules

Note: Auction links are affiliate links for which the site may be compensated.
MFB SEQ-01 Drum Sequencer via this auction

"Complementing MFBs new DRUM-modules, MFB announces SEQ-1. A trigger-sequencer specialized on creating rhythmic patterns.

SEQ-01 allows to build 16 patterns each consisting of up to 32 steps. All patterns can be saved and consist of 12 tracks.

Patterns offer switchable A/B-parts that can also be used as 2-bar-patterns.

Each step of the 12 tracks can be programmed in one out of three accent values.

„Pattern +“ and „Pattern –“ inputs allow switching to adjacent pattern by trigger signals.

Start/stop and tempo (Clock) can be accessed directly on the module but also be controlled through external signals.

Vice versa, the SEQ-1’s clock output and start and stop functions can be used to control other modules.

RESET allows resetting the selected sequence back to step 1.

SEQ-01 is not only useful to control drum and percussive sounds. Modular synthesizers offer lots of options for trigger-based control like sample ?& hold, switches, clock-dividing, sequencers, logic modules, envelopes and more.

An example: while standard S?&H or clock divider modules are usually fed by a linear clock, the SEQ-1 turn this into rhythmic triggering!

And because the SEQ-1 offers 12 trigger outputs you will surely have some spare outputs for special purposes beside triggering your drum-modules."

MFB Drum-04 Bass Drum Eurorack Synthesizer Module via this auction

"The DRUM-04 module is based upon the circuit used in the MFB-503. It offers a tight bass drum that is adjustable over a wide range in both pitch and decay.

Due to the construction of DRUM-04 as a modular component, the bass drum’s sound parameters Attack, Decay, Tune and Pitch can be addressed through CV-signals from envelopes, LFOs sequencers etc.

Attack adds a short impulse to the sound. By mixing this with the main bass drum sound, the result offers added percussiveness.

Decay controls the release length of the sound. The decay can last up to 2 seconds.

Tune sets the bass drum’s basic pitch between approximately 30 Hz and 100 Hz.

Pitch controls the duration of a applied pitch modulation. The depth of this modulation is fixed.

Drive defines the amount of overdrive applied to the bass drum.

Noise adds a variable amount of noise to the sound.

The module accepts different trigger signal types. These signals do not necessarily need to be analogue or digital triggers. You may also use drum pads, piezo-pickups or even dynamic microphones. Use the sensitivity control to adapt for the input signal. Dynamic trigger signals will not only affect the volume but also attack, decay and pitch."

MFB Drum-05 Snare Drum Eurorack Synthesizer Module via this auction

"Analog snare drum module. The circuitry is from the snare drum of MFBs 503 drum computer but it has been modified and extended with CV inputs for controlling parameters.

- Snap is the decy time of the noise that can be up to 2 seconds.
- Decay controls the tonal decay time of the two oscillators that can range up to one second.
- Tune is used to set the general tunig of the snare drum. Frequency range from approx. 100 to 400 Hz.
- Pitch controls the length of the pitch bend, while the modulation depth is fixed.
- with D-Tune you can detune the two oscillators of the snare
- Noise adds a analog noise to the sound to emulate the snare wires

The snare drum module can be triggered with different signals. This doesn´t have to be an analog or digital trigger signal; you can also use drum pads, piezos or dynamic microphones. You can control the input sensitivity with the Sens parameter. When using dynamic triggers, not only the volume will be affected but also snap, decay and pitch!"

MFB Drum-07 HiHat / Cymbol Eurorack Synthesizer Module via this auction

"Analog drum module for creating HiHat (open and closed) and cymbal sounds. The circuitry is based on the hi hat-section of MFB´s 522 but instead of white noise a "metallic" mix of oscillator sounds is used.

Following parameters can be edited: tune (for all three instruments), decay of open hi hat, decay of closed hi hat, decay of cymbal, tone of cymbal.

Additionally the decays of cymbals and the hihats can be controlled by voltages.

All CV inputs have attenuators. The trigger inputs of the thre instruments are equipped with sensitivity controls.

A special feature of the cymbal sound is the Tone-Input which gives you the possibility to use external sounds instead of the internal square wave generators."

MFB Drum-08 Clap Eurorack Synthesizer Module via this auction

"The Drum-08 is MFB´s new module for generating analog clap drum sounds. Due to the two audio output you can use it in stereo, too.

Drum-08´s circuitry is based on the clap of MFB´s own 522 but it has more parameters: Reverb (decay of noise), Claps (number of claps), Space (distance between claps), Decay and basis (stereo width of the signal).

Additionally there are CV inputs for the claps, space and decay parameters. The trigger input has a sensitivity control."

Thursday, September 03, 2020

Evenfall Mini Modular Designed by Grant Richter of Wiard

Note: Auction links are affiliate links for which the site may be compensated.

This one was spotted and sent in via Soviet Space Child.

via this auction

"I guess 50 (60?) of these were produced, either as kits or assembled products. I bought this to complete my own rack full of Grant Richter modules. It was a largely an impulse buy fueled by the tingly feelings my Wiard 300 modules give me. Make no mistake--this is NOT a Wiard module nor does it sound like one. It is not nearly as awe-inspiring overall, though it does have a few tricks that make it worth exploring. Definitely a cool piece of synthesizer history.

I found this to be, overall, one of those "sweet spot" machines, where nuanced wiggling can give you some really unique and impressive sounds. This is particularly true with the bandpass filter, which really sounds like Satan yelling about the weather while contending with a head cold. Very cool.

There are a few peculiar aspects to this, such as the weird gain staging. Any setting after 12 o'clock in the VCA will saturate/distort. Maybe you like this. I don't care for it personally. That's just the way these things work, as confirmed by several other owners, as well as Cary Grace, who currently builds all modules under the Wiard name, and who tours with an Evenfall Mini Modular (largely because it's small and light, I guess). This is a very lightweight synthesizer.

The pots are all mini pots, like attenuator pots on lots of modern Eurorack modules. I'm a bit of an oaf for these, but they're not difficult to work with.

I have not opened it to check internals or perform any mods. I'm not sure whether there are schematics floating around, but if you choose to go that route I'm sure you're an intrepid enough lad or lass to chase them down.

Cosmetically, there is some damage on the lower right edge of the panel; I have straightened this to the best of my ability.

Their words (copy/pasted info from around the web):
The Evenfall Mini Modular Synthesizer is a rack mountable semi-modular analog synthesizer featuring the warm, organic sound of real analog circuitry and the flexibility of individual control knobs and a patch cord interface.
The Mini Modular also features internally "pre patched" or "normalized" connections among the modules. These connections make the Mini Modular a capable synthesizer even without inserting patch cords. These internal connections can be overridden by inserting 3.5mm patch cables as desired.
The Mini Modular can be patched to make sound by itself or in conjunction with another voltage-controlled synthesizer. It can also be controlled from a MIDI controller via the built-in MIDI to CV interface which provides pitch, velocity, gate, pitch bend, portamento on/off, and modulation output voltages.

-
This synth was designed by Grant Richter of Wiard synthesizers and there were roughly 60 sold, 30 in kit form and 30 assembled. The previous owner told me this is a factory-assembled unit.

Grant wrote this on the old Wiard Yahoo list:

"That is a great little instrument.

It was originally slated to be the Wiard Model 3600, but I decided to pass on it because we could not find knobs to fit the little nubby pot shafts. They are just like TR-808 tuning pots. I feared the lack of knobs would limits sales too much.

Saturday, March 04, 2017

Playing the FM Bongos with the Lifeforms Dynamic Impulse Filter


Playing the FM Bongos with the Lifeforms Dynamic Impulse Filter from Learning Modular on Vimeo.

"A quick experiment with the Pittsburgh Modular Synthesizers/Lifeforms Dynamic Impulse Filter to create a variation of the classic 'Buchla Bongos' sound. I demo both LPG (Low Pass Gate, or filter + VCA) and VCF only modes, and play with the Dynamics Response which simulates a vactrol, with a lot of control over the "speed" of the vactrol (the length of the decay). I really like the sound of this LPG.

The patch is just a sawtooth from a Moog Mother-32 routed to the linear FM input of an Expert Sleepers Disting in mode 4C, with sine wave output. That goes to the Dynamic Impulse Filter (DIF), then out of the synth into the computer - no reverb or processing added. The first half of the video uses the Impulse input of the DIF, which just looks at the rising edge of a trigger coming in and gives its own response; the second half uses the normal Dynamic CV input, which is affected by the envelope coming into it (from a Roland 540, in this case).

The Lifeforms DIF is one of the many modules that will be covered in my upcoming 'Eurorack Expansion' course on Lynda.com and LinkedIn Learning. Learn more at LearningModular.com."

Wednesday, August 10, 2011

The Fritz Control Surface


YouTube Uploaded by TokenRecluse on Aug 8, 2011
via this auction

Playlist:
Fritz Control Surface Basic Overview (Circuit Bent Video)
The Fritz Control Surface (circuit bent tonal shaping)
Brad Hamers - "fourty&eight" (spoken word)
The Folktek Collection for Kontakt 4 (Demo)

via this auction
"The Fritz Control Surface.
A circuit bent FX processing device.
by Big Pauper.


The Fritz Control Surface is a grimy and glitchy circuit bent video effects box . This device is capable of taking whatever composite (RCA) video footage you feed it and mangling it in a variety of noisy, disruptive and antisocial manners. It has a surprisingly wide array of different effects. It has ten knob based effects, three buttons that produce wild graphical noise and a patchable six-point sound-impulse based tonal manipulation section (put simply, music messes with colors). It is an incredibly stable series of bends perfect for producing dismal satellite transmissions, blocky 8-bit crap-scapes and vibrant lo-fi color drones. It is one of those beasts that the more I sit down with it the more new and weird effect combinations I discover. Just check out some of the videos. It was built in to a nice old vintage box with a healthy dose of rusty imperfect charm.

This device is perfect for:
Adding a unique look to your indie tv/film/event production.
Providing you with a variety of effects you can't get with After Effects.
Chaining in with your VJ visuals set-up.
Making lo-fi ambient videos.
Remixing episodes of Golden Girls.
Re-scrambling porno (for that teenage nostalgia).


This device is not perfect for:
Dancing with the Stars.

I built this device to employ in a number of visual arts projects I was working on (including work with Folktek). I am running a bit low on cash right now and have decided to sell it and a couple of my other creations (check my other auctions for more circuit bent visual devices). A good incentive to make more anyways.


This device was made to last. Although a device of this nature is fragile by design I have gone through great lengths to ensure that this device, although comprised of vintage and antique components, stands the test of time. It has been tightly assembled, designed with thought and built with solid parts. Should any technical issues arise in the first six months of ownership I am happy to service it for free (as long as it is not malfunctioning is a result of owner abuses). After that I am still happy to service it however buyer pays shipping both ways. The only known issue is that one of the old glitch switches is a little sticky.

Note: While this device does create cool and unusual effects without a time based correction unit, in order for some of the effects to display properly I recommend the use of one. For more check out this site: http://karlklomp.nl/inf/faq.html

Note: Although I am associated with Folktek as a visual artist/sound designer, this work is unaffiliated from the work of Ben, Arius & Folktek in general.

Note: You really have to crank incoming audio to see visualizations. Just the nature of the beast."
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