Testing 9 Experimental Pedal Combinations – Ambient, Loops & Sound Design

video upload by A Last Picture From Voyager

"In this video, I test 9 experimental guitar pedal combinations for ambient loops, textures, and sound design.
If you feel stuck using the same pedals in the same way, experimenting with new pedal chains can unlock fresh ideas.
Even without the same pedals, this walkthrough can help you imagine new ways to use your own gear for ambient and experimental music.

Let me know in the comments if any of these combinations sparked new ideas for you.

00:00 Glitch loop into sliced loop - Stamme[n] + Count To 5
01:15 Random pitched loop into modulated filter - Phantom Limb + Riemman's Grave
02:57 Pitched freeze and sound degradation - Onward + Lossy
04:27 Filter into delay effect loop - Taken + Hosta
05:07 Modulation into Freeze synth effect loop - Superego + Shallow Water
06:23 Time stretching into dynamic pitched freeze - Stamme[n] + Onward
07:50 Time stretching into k-field modulation - Stamme[n] + Shallow Water
08:54 Random pitched loop into resonatr reverb - Phantom Limb + Transmisser
10:13 Error glitch into Time stretching - Onward + Stamme[n]
11:21 .... juste some fun with Shallow Water"

◐ GEAR USED ◑

► ‪@EHX‬ Superego
► ‪@FairfieldCircuitry‬ Shallow Watter K-Field modulator
► ‪@ChaseBlissAudio‬ Lossy & Onward
► ‪@Pladaskelektrisk‬ Täken
► ‪@EarthQuakerDevices‬ Transmisser
► Montreal Assembly CT5 delay / slicer / looper
► ‪@discomfortdesigns‬ Phantom Limb & Riemann's grave
► ‪@drolofx‬ Stamme[n]

BASTL INSTRUMENTS MICROGRANNY MONOLITH DESKTOP GRANULAR SAMPLER

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Signal Sounds listings

"A pre-owned Bastl Instruments Microgranny Monolith in very good condition. It comes with original packaging and accessories.

Manufacturer's description
Granny’s back with a brand new lid: our classic desktop granular sampler gets a facelift, bringing her into the modern age with enough usability upgrades to last another lifetime, rehomed in sleek black PCB-material to help it look the part amongst the latest in the Bastl range.

The Microgranny 2.0 that you know and love is still there under the facelift: lo-fi sound full of character packed into a hands-on monophonic desktop sampler that is a joy to experiment with. Plug in your microSD card loaded with 8-bit samples, or record them live through the in-built mic or line input, and jump into play with 6 samples right under your fingers, or instantly recall up to 60 saved presets.

Playability is paramount
The two-tier menu lets you dart between editing grain size or warping the playback speed, and the new-look tactile knobs grant better control than the previous model. The hazy plastic case is gone, and the PCB case’s sharper text makes the modes under the new and improved buttons more enticing – delve into Randomized mode, Legato playback, or the Instant Loop function to extend the virtually limitless possibilities of the surface controls yet further.

MIDI Control? Yep: play specific grains with keys, control the CC values remotely, even clock-sync loops and grains. Take your Granny for a walk in the park with the battery power, or run it through a wired 9V supply."

Baby Audio GRAINFERNO

video upload by DATABROTH

"Read my full review here: www.databroth.com/blog/grainferno-review

check out my wavetables and presets at https://gumroad.com/databroth
join my Patreon https://www.patreon.com/databroth

00:00 Melody and tweaking
02:56 SFX
03:54 Ambience
04:43 Chaotic Percussion"

Granular synthesis redefined

Break your samples apart to build new and unique sounds

Play any audio file like a synthesizer-in tune with your song

Explore a new world of sound design with audio as your raw material

A firestorm of granular power

Grainferno is an advanced granular instrument built around a new way of synthesizing sound from existing audio. Its next-gen grain engine breaks your samples into microscopic fragments and rebuilds them into entirely new textures.

From pristine tonal clouds to experimental digital noise, Grainferno turns your sample library into an endless source of playable inspiration.

Make a synth from any sound

Grainferno can generate grains at speeds fast enough to cross into the audio range. At these rates, grains stop behaving like texture and start acting like oscillators-turning any audio file into a playable synth voice.

Even at audio rates, traces of the original sonic character remain, giving you unique synth building blocks with the spectral fingerprint of your source audio.

Add modulation and grain-level shaping to build ready-to-use granular synth tones that stay in tune with your song like a traditional synth.

CLICK FOR MORE »

Moog Opus 3 — "New Old Stock" Sliders, Switches, Controls, Control Caps & Knobs SN 5828

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"The Moog Opus 3 is a vintage polyphonic synth that combines string, organ and brass sounds in a four-octave keyboard, along with flexible controls for shaping each sound.

One of the coolest things about the Opus 3 is that it has a classic Moog four-pole filter that the brass and organ can be run through. The filter has the sound Moogs are famous four, and it can be run into self-oscillation.

The synth also features a three-phase chorus effect that uses the famed Reticon bucket brigade chips, as well as stereo and mono outputs.

Here are details about the unit for sale:

The old, deteriorating foam that sat below the control panel has been removed from this one, so you don’t have to worry about it.

All of the sliders, switches and rotary controls — except for the master volume — were changed out for New Old Stock replacements. All the slider caps and control knobs are New Old Stock as well. Everything works smoothly, with no noise or issues.

The master volume has very minor crackle at the top end of its range while it’s being moved. It is otherwise noise-free during normal operation. I would have had it changed out but it wasn’t possible to source an original replacement.

One of the three original Reticon chips in the chorus effect was replaced when an original failed. All three are working, and the chorus sounds great.

The original red LED in the Modulation section was swapped out for a new bright blue LED.

I wasn’t able to test the sustain jack on the unit’s front panel. Moog chose an unusual size jack here— it’s slightly smaller than a 1/4-inch input. It would be easy to swap it out with a proper 1/4-inch jack if you choose to do so.

The physical condition is very good. Note the scratches to the wood and some minor marks on the faceplate.

All of the notes sound as they should, and all controls and functions work as they should.

HELPFUL NOTES
Although its functions are basic, you’ll need to understand the signal routing in the Opus 3. These are spelled out in the owner's manual (which is available online), but knowing the following will help you get your head around it.

For example, the chorus effect operates on the strings and organ, not on the brass. This is by design and is noted by an arrow on the control panel.

The Moog four-pole VCF can be used on the organ and brass, not the strings. Again, this is by design and is noted by an arrow on the control panel.

Frequency Modulation works on all sounds, but VCF modulation only works on the organ and brass because these are the two sounds that can be run through the VCF (see the point immediately above). Again, this is by design.

The length of chorus delay is set by using the delay fader in the Modulation section. This too is by design.

Two other noteworthy points:

• The pitch wheel has a firm detent (the point at which it sits at pitch). Other owners have noted the same thing about their units in online forums. It’s not difficult to work, but it’s firmer than on other synths I’ve owned.

• All of the electronics, aside from those mentioned above, are original and working fine. Electrical components can fail or become damaged with time and/or misuse. Always be sure you are connected to proper voltage, and note that ground loops can introduce hum."

CLICK FOR MORE »

BreakBud - Synth Breakbeat Pad Machine

A new app in via Cem Oclay

"Build Rhythms Fast with Pads and Sequencing

The 4x4 pad grid gives you 16 playable pads, each with its own full sound, pattern, and groove setup.

Switch pads instantly to move between variations without stopping the flow.

The step sequencer gives you direct control over steps, velocity, and timing.

Each voice can use its own step count and rate for polyrhythms, uneven loops, and evolving patterns.

Swing, nudge, and humanize make it easy to dial in a tighter or looser feel.

- 6 synthesized drum voices (100% synth, not sample based)
- 16 pads where each pad has its own sequencer pattern and parameter locks
- Super flexible sequencer where each row can have 1-16 steps (polyrhythms!) and microtiming with swing+nudge+humanizer combo
- A sweet, algorithmic pattern generator
- Full MIDI compatibility (pad in, pad out, voice in, sequencer out)
- AUv3 multiout support per drum voice"

Additional details:

https://keybudapp.com/breakbud

https://apps.apple.com/...

Serge ResEQ | No Input Feedback

video upload by Akihiko Matsumoto

"Serge Modular Synth (Sample Pack) https://akihikomatsumoto.sellfy.store...
Created entirely with the unique sonic character of Serge modular systems

About this Pack
Serge Tcherepnin once described his instruments not as tools but as open systems for discovering relationships between sound and control. The Serge Modular Synth is built on this principle. It does not simulate acoustic behavior; it generates its own logic of vibration. Each circuit is an experiment in how voltage can behave as if it were alive. 　

This sample pack captures that principle through Random Source’s modern Serge system, combining the GTO, GTS, and Res EQ with the reissued 50th Anniversary Paperface. The recordings move fluidly between the precise tension of Eurorack signals and the raw, physical tone of classic 4U banana systems. Every patch was shaped through direct voltage interaction rather than digital post-processing, preserving the unpredictable complexity that defines the Serge approach. 　

Why Serge Matters
Serge Modular was designed in the 1970s by Serge Tcherepnin. It was created as an open-ended tool for sonic experimentation. Influenced by cybernetics and avant-garde composition, this system rejects musical hierarchies and embraces uncertainty.
In Serge, control voltages and audio signals are treated as equals. The circuits invite exploration through feedback, cross-modulation, and unpredictable interactions. Every patch is a process of discovery rather than reproduction.
This makes Serge a powerful choice for artists seeking sounds that are not pre-shaped or confined by rules. The textures you will find in this pack are unstable, alive, and deeply human. 　

Inside the Pack
The collection includes loops, one-shots, and drones. It extends from tonal minimalism to complex, evolving noise structures. You will find FM and AM modulations, unstable oscillations, and dark ambient layers that drift beyond equal temperament. There are moments of feedback that verge on collapse, SSG circuits running into chaotic self-modulation, and subtle rhythmic patterns that carry the unmistakable texture of analog uncertainty.
Each sound maintains the distinctive grain of Serge synthesis: harmonic richness without symmetry, motion that arises from interaction rather than programming. This is material for artists who value the tactile quality of electricity, who hear circuits as compositional partners rather than instruments. 　

Who This Pack Is For
Ideal for producers working in experimental electronic music, sound design, ambient, noise, or techno.
This pack suits those who are not satisfied with polished libraries and are looking for materials that add edge, texture, and risk to their work. 　

Continuous Evolution
This library is a growing archive. New sounds are added through regular updates at no additional cost for existing users. If you already own the pack, simply log in to your Sellfy account and new files will appear automatically. For those new to the collection, this is an invitation to enter a sonic environment that is never fixed but always evolving. 　

Not Just a Sample Pack
Some of the included tracks were originally composed as complete works. These can be experienced as finished drone pieces or used as inspiring source material. The lines between sample and sound art are intentionally blurred."

Roland MC-303 | 160BPM DNB

video upload by Akihiko Matsumoto

"In modern production, the most interesting results often come not from layers of weight and power but from the spaces in between. The Roland MC-303, released in the late 1990s, carried this idea into the hands of producers worldwide. Its tones are not always fat or saturated. Instead, they are brittle, sometimes almost hollow. Yet when placed inside today’s dense arrangements, these sounds can cut through with surprising precision and rhythmic character.
MC-303 Sample Pack Link: https://akihikomatsumoto.sellfy.store...
#303day

CLICK FOR MORE »

Eliane Radigue Has Passed Away

Eliane Radigue - IMA Portrait documentary video upload by straypixel

Pictured: 1st image of Eliane Radigue on Discogs

Video description:

"Eliane Radigue

Her life journey has been remarkable. At the end of the fifties, she studied in Paris with musique concrète pioneers Pierre Schaeffer and Pierre Henry, whom she also assisted, notably for the premiere of L'Apocalypse de Jean. During the sixties she began composing with primitive electronics (feedback and asynchronous tape loops), but found little recognition for her research in France.

In New York in the early seventies, she found understanding and emulation, exploring emerging minimalism with James Tenney, Charlemagne Palestine, Phillip Glass, John Gibson, and Steve Reich. Her absolute allegiance to electronic sounds began during this period. Since then she has composed on the best synthesizers of the time: Buchla, Moog, Serge, and then ARP, which would become her fetish instrument. She collaborated with Robert Ashley, who sang on Les Chants de Milarepa. She has composed about two dozen works, which she has presented and continues to present at numerous prestigious venues and festivals in the United States and Europe.

In 2004, upon Kasper Toeplitz´s request, she started instrumental compositions for one or more performers, with whom she works in a close collaboration during the compositional process. This work gets quickly focused on pure acoustic sounds, in an incredibly delicate timbral way, which extends, without aesthetic rupture, her electronic work. Notably between 2004 and 2009, she completed a cycle in three parts 'Naldjorlak', for Charles Curtis on cello, Carol Robinson and Bruno Martinez on basset horns. She has now stopped her electronic work."

Emmanuel Holterbach (Translation Leslie Stuck)"


The following is a collection of some of her works:



Playlist:

1. Eliane Radigue | Feedback Works 1969-1970 [2012, Full Album]
2. Éliane Radigue - Opus 17 (1969) (Full Album)
3. Eliane Radigue – Vice - Versa, Etc (1970) (Drone / Experimental) [Full Album]
4. Eliane Radigue ‎– Chry-ptus (1971) (Drone / Experimental) [Full Album]
5. Eliane Radigue - Biogenesis, 1973
6. Eliane Radigue - Arthesis, 1973
7. Eliane Radigue - Songs Of Milarepa (1983) / Drone / [Tibetan Buddhist influence]
8. ELIANE RADIGUE : "Jetsun Mila" - 1986 [Tibetan Buddhist influence]
9. OCCAM DELTA XIII - Eliane Radigue

"In Buddhism, the number 9 signifies spiritual completion, ultimate enlightenment, and the highest level of consciousness (the ninth consciousness, or Buddha nature). It represents the culmination of the path to Nirvana, the 9 virtues of the Buddha, and is often associated with auspiciousness, progress, and the 9 states of delusion (nine worlds)."

Some history on Eliane Radigue via Wikipidia:

"Radigue was born in a modest family of merchants and raised in Paris at Les Halles.[5] She later married the French-born American artist Arman with whom she lived in Nice while raising their three children, before returning to Paris in 1967. She had studied piano and was already composing before hearing a broadcast by the founder of musique concrète Pierre Schaeffer. She soon met him, and in the early '50s became his student, working periodically at the Studio d'Essai during visits to Paris. In the early 1960s, she was assistant to Pierre Henry, creating some of the sounds which appeared in his works.[6] As her own work matured, Schaeffer and Henry felt that her use of microphone feedback and long tape loops (as heard in Vice-Versa and Feedback Works 1969-1970) was moving away from their ideals, though her practice was still related to their methods.

Radigue's death was announced on February 24, 2026. Her cause of death was not stated.[7][8]

CLICK FOR MORE »

Expert Sleepers disting NT v1.14 Updates

video uploads by Expert Sleepers

Also see disting NT - Clock Swing and the "NT-303" plug-in

Playlist:

1. disting NT - Knob Recorders

The Performance Page on the disting NT now includes Knob Recorders, so you can instantly record parameter gestures and have them play back in a loop, adding motion to your patches.

2. disting NT - Texture Synthesizer (aka Clouds)

"The disting NT now includes the classic 'Clouds' by Émilie Gillet."

3. disting NT - Spectrum Analyzer

The Spectrum Analyzer is a simple utility, added in disting NT firmware v1.14.

4. disting NT - Spectral Vocoder

The new Spectral Vocoder on the disting NT is an alternative to the existing, analogue-inspired, Vocoder algorithm. It uses an FFT-based technique to offer way more frequency bands for the analysis and resynthesis.

5. disting NT - Spectral Vocoder (slight return)

Some more examples of the Spectral Vocoder in action.

00:00 Speech modulating a chordal pad.
00:55 Drum loops and other samples as the modulator.

6. disting NT - Spectral Conquest

The Spectral Conquest algorithm on the disting NT is based on our VST plug-in of the same name: https://www.expert-sleepers.co.uk/spe...

It offers spectral (FFT) based manipulation of audio.

00:00 Introduction
01:07 Spectral Shift
03:45 Spectral Gate
05:28 Spectral Comb
07:08 Spectral Sieve
10:49 Spectral Polysynth
12:45 Spectral Filters

7. disting NT - Knob Recorder controlling another module

This video demonstrates a technique for using the disting NT's Knob Recorder to generate a CV to control another module, eliminating the need for a dedicated knob recorder module.

Fieldtone Weaver Eurorack // The Happy Accidents Module // Full walkthrough and patches

video upload by Lesjamusic

Pedal version previously featured here.

"The Fieldtone Weaver is a two-second sampler with a single knob, no undo, and no going back. Now it's in eurorack.

Weaver captures two seconds of audio - via the built-in microphone or audio input - and instantly randomises it into evolving loops, rhythms, and textures. Every turn of the knob generates a completely new variation. Nothing saves, nothing recalls. It's the ultimate happy accidents machine.
The modular version adds individual level control for three loop elements, trigger outputs that double as a random rhythm generator, a pitch switch, clock sync, and CV control - which works differently to what you might expect. I go into detail on all of this.

🔗 LINKS
Fieldtone Instruments: https://fieldtone.uk
Soundgas interview with Hugh Jones: • The Gas Club, Episode 1 - Hugh Jones, Fiel... [below]

⏱️ TIMESTAMPS
0:00 - Intro
01:56 - Panel walkthrough
15:27 - Synth patch
16:25 - Weaving my voice!
17:04 - Granular textures, duet with Bunker Archaeology
18:21 - While my guitar gently weaves
20:42 - Claps and finger clicks on the contact mic
22:30 - CV controlled synth washes
23:06 - Pacifica weaves
24:36 - FInal thoughts and a closing Plaits patch.

#eurorack #modularsynth #fieldtone #weaver #sampler #looper #modularsynthesizer

Disclaimer: Fieldtone sent me this module for the video. They did not pay for this video and had no editorial control over the content."

The Gas Club, Episode 1 - Hugh Jones, Fieldtone Instruments.

video upload by Soundgas

"Welcome to our new series, The Gas Club. Where we meet people who make things - be that music, recording devices, or instruments.

In the first episode Tony meets Hugh Jones of Fieldtone Instruments at the Soundgas HQ to explore the history of Fieldtone's celebration creations. They take a deep dive into Hugh's journey from musician/engineer to designer/builder of the Box of Uncertainty, The Weaver one knob handheld sampler and brand new Weaver Module plus a sneak peak at what to expect next from Fieldtone in 2026.

Tony and Hugh discuss the joy of sonic adventure and gear designed to produce happy accidents and the experiences of bringing new creations to the world."

A few pics and details on Weaver Eurorack:


Weaver Modular from Fieldtone is a Eurorack format version of the highly in demand Weaver handheld sampler that featured in music tech tastemaker Andrew Huang’s year round up as his Favourite Desktop FX module of 2024. The modular edition builds on the functionality of the original by adding a variety of additional control.

The Weaver is no ordinary audio sampler, it is a meditation on impermanence and chance. With a single, enigmatic knob, it embraces randomness as an artistic principle, reconfiguring two-second sound bites into hypnotic loops and evolving textures. There is no undo button, no way back once a sound is captured; the Weaver insists that you move forward, shaping the unpredictable into rhythm or texture with nothing more than a twist of the wrist or control voltage change.

New functionality on the device includes separate level controls of different elements of the loop, as well as 3 x trigger outputs which turns the device into a random rhythm generator for which you don't even need to be using the sampling capabilities. You can trigger the Recording start via CV, allowing you to keep replacing the sample whilst the loop continuously plays - something that works beautifully with acoustic sound sources such as guitar or voice, as well as electronics. A switch has also been added to select between Random or Root note sympathetic pitch playback.

Features:

Single-knob audio sampler focussed on randomness and exploration

Capture sound via built-in microphone or input jack

Fixed two-second sample time

No undo function, every knob movement generates a new loop

External sync via Clock input

Stereo output on separate L&R sockets with rich spatial movement

Separate level controls for 3 different elements of the loop

3 x gate outputs for triggering other sources

Toggle to switch between Texture and Rhythm modes

Toggle to switch between Root or Random pitch

Gate/trigger input to control Recording start

Gate/trigger input to control Weaver knob

Can be used as random rhythm generator without needing to use the sampler

Available Colours:

Forest Green (orange LED)

Dusty Pink (purple LED)

Black (pink LED)

Dimensions:

10hp

Ships by the end of March

Update on PlayFader 30% Off Sale & Free Worldwide Shipping

Update to this post, via Play All Day:

"Sorry, we had some issues with free shipping not being applied to orders on our webstore over the weekend. We also had a local postal system outage at the end of last week 🙄

But we’re up-to-date with orders today and free shipping is now automatically applied at checkout. Thanks to everyone for the amazing response!!!

Save 30% on PlayFader
Ends 31st January
Plus free worldwide shipping! Guaranteed!

Visit the store

play all day"
video upload by Play All Day

PlayFader PlayMates - Digitakt - Think - Jungle Breaks mash up Pt2

"Watch him first add some random fills with the Random Fun FX. Then he gets really i to it with the Roll Fun Fx to mash up the beat beyond recognition 😎

Is PlayFader the best jungle breaks mash-up sequencer? OK, big claim, and we’re not that bigheaded, but we definitely think PlayFader is one of the most expressive and versatile sequencers out there.

Don’t program your music… play it!

Patch notes:
Playfader controls the first channel of Digitakt in slice mode, with the Think break loaded. Moving the fader enables us to play different slices of the break, and the second channel plays a chord stab sample (but PF can also play lush chords over MIDI).
We add a sprinkle of Random Fun FX at the end of each bar to create some dynamic fills, then we switch to the Roll Fun FX and catch little loops at each press of Play, setting and changing the time division on the fly to mash up the beat pattern and bring the heat 🔥

He’s also using our unique Window Latch function to free up more fingers for playing. With Window Latch you don’t need to keep hold any button combos down along the top row. It’s a powerful performance feature!

PlayFader includes 7 FUN FX modes which allow you to take your patterns to extreme new places and back again at the push of a button… the FUN button!

Learn more and visit https://goplayallday.com

Love and Patches
Play All Day"

Serge Modular Synth | Analog FM Drone

video upload by Akihiko Matsumoto

"Serge Modular Synth (Sample Pack)
Created entirely with the unique sonic character of Serge modular systems
https://akihikomatsumoto.sellfy.store...

About this Pack
This updated sample pack is composed entirely with Serge Modular Synthesizers — systems known not for emulating instruments, but for redefining how sound is shaped.
Included are raw noise textures, slowly morphing drones, and intricate one-shots captured through extensive patching with Random*Source Eurorack modules and classic Paperface 50 series panels.
Each sound reflects the chaotic elegance of analog voltages in motion. You’ll hear modulations that escape grid-bound sequencing, and timbral behaviors that emerge from complex feedback, slewing, and intermodulation — the kind of detail digital systems rarely capture convincingly.

Why Serge Matters
Serge Modular was designed in the 1970s by Serge Tcherepnin. It was created as an open-ended tool for sonic experimentation. Influenced by cybernetics and avant-garde composition, this system rejects musical hierarchies and embraces uncertainty.

In Serge, control voltages and audio signals are treated as equals. The circuits invite exploration through feedback, cross-modulation, and unpredictable interactions. Every patch is a process of discovery rather than reproduction.

This makes Serge a powerful choice for artists seeking sounds that are not pre-shaped or confined by rules. The textures you will find in this pack are unstable, alive, and deeply human.

CLICK FOR MORE »

10K Audio GYRO

video upload by DATABROTH

"Read my full review here: https://www.databroth.com/blog/gyro-r...

check out my wavetables and presets at https://gumroad.com/databroth
join my Patreon https://www.patreon.com/databroth"

Gyro - Official Walkthrough - 10K Audio

video upload by 10K Audio

"Gyro is a real-time loop instrument plugin (VST/AU) for creating personalized melodic loops as you play. Powered by a multi-layer hybrid engine, generative patterns & chords, and rich FX chains."

Gyro 1.1 Free Update - User Samples, MIDI Out & More - 10K Audio
video upload by 10K Audio

"Out now: Gyro 1.1 by 10K Audio
https://10k.audio/gyro

What’s new in Gyro 1.1:
• User Samples (Pro) — Load your own samples into one or more layers.
• MIDI Out — Route each sequencer lane to its own MIDI channel to drive other instruments.
• Pattern + Chord Locks — Lock your Pattern and/or Chord while browsing main presets.

This is a free update for all users.

00:00 Intro
00:14 User Samples
01:33 MIDI Out
02:53 Chord & Pattern Locks

Download the Gyro 1.1 MIDI Out DAW Setup Guide: https://download.10k.audio/gyro/docum..."

Chompi: a Complete Walkthrough | Tape 2.0

video upload by Sonic Cartography

"A complete walkthrough of Chompi and its recently released Tape 2.0 firmware, providing an in-depth demo and tutorial on all its features. Following the structure of Chompi's manual, it’s organized like a video game that gradually builds up your understanding of Chompi, starting at level 0 and going to level 8 (plus a bonus level). If you already have a Chompi, you can use this video as a reference guide/video manual. If you don't have one, you can use it to learn about this chromatic sampler from Chase Bliss and Chompi Club.

Table of contents:

0:00 - Intro / Preview

1:24 - Level 00: Hardware
1. Summarize Chompi in one sentence
2. Identify the external parts
3. Connect cables
4. Power up

CLICK FOR MORE »

#JAMUARY2026: OUTGROWTH + MUSIKRAKEN HAND-TRACKING

video upload by Perplex On

"Love what @aqeelaadamsound and @blankfor.ms crafted with their awesome #outgrowth app ❤️❤️❤️ Here i‘m using it as a granular instrument hosted in #musikraken to use camera-tracked hand gestures to move through various waveforms. Left-right movement is mapped to sample/playback start while hand openness is mapped to grain window size. Going out of frame and back in triggers a new waveform using Outgrowth‘s round-robin playback feature. So much fun and yet so much more to explore there…"

Outgrowth is a sample-based instrument built collaboratively by Aqeel Aadam Sound and BlankFor.ms. Designed with creativity, flexibility, and performance in mind, Outgrowth provides unique, multifaceted ways to reimagine audio with your mouse or keyboard.

Outgrowth features five unique engines for processing samples:

Stem: A basic one-shot style player that repitches the sample
Retain: A granular stretching engine that sustains the sample indefinitely
Reflect: A looping algorithm that loops the sample at a consistent rate across all pitches
Radiate: An additive resynthesizer that maps each harmonic of the sample to a sine wave oscillator
Delve: A wavetable synthesizer in which the sample becomes the basis for a completely unique wavetable

Outgrowth also features five standout audio effects for shaping your sounds further:

Subvert: A unique shaper that flattens or inverts the sample’s volume
Submerge: A singular effect for adding dimensional realism to sample repitching
Strike: A dynamic control for adding an acoustic-like response to sample playback and performance
Ripple: A one-knob tape emulation handcrafted by BlankFor.ms that can be subtle, deconstructive, and anywhere in between
Smear: A pre-ADSR reverb for congealing notes and blurring boundaries between pitch and texture

And further still, Outgrowth offers a robust modulation matrix for generative or performative control over all parameters. Control every single parameter within Outgrowth via LFOs, unique random sources, velocity, note pitch, aftertouch, MPE control, and more.

Finally, Outgrowth offers a robust preset system, including more than 50 bespoke presets and over 100 samples by BlankFor.ms. Explore ethereal ambient pads, haunted lofi keys, shimmering tape-infused plucks, gnarled percussive textures, and more."

OUTGROWTH TAPE | OUTGROWTH LYRA8
video uploads by Aqeel Aadam

Outgrowth - Feature showcases

video uploads by Aqeel Aadam

Roland R-70 Chicago Kit JUKE/ Footwork | Sample Pack

video upload by Akihiko Matsumoto

"Roland R-70 (Sample Pack) https://akihikomatsumoto.sellfy.store...
R-70 Sample Pack: Precision in Every Hit
Discover the sound architecture that defined an era. The Roland R-70 delivers a collection of PCM-based drum tones with a distinctive metallic hardness, ideal for producers seeking clarity and impact in every beat. Its sonic character has influenced the evolution of modern Footwork and JUKE, shaping rhythms that are both intricate and physical.

Scientific Sound Design
This pack explores the mechanical precision of 1990s Roland technology. Each sample is captured to preserve the unique transient response of the original R-70, allowing kicks, snares, and hi-hats to cut through dense arrangements without losing texture. Engineers and producers will recognize the meticulous attention to harmonic content and spectral balance, qualities that made the R-70 a staple in electronic rhythm production.

Content Overview
R-70 808Kit 59 samples
Chicago Kit 23 Samples (New!!2025/10/18)
209 Factory Drum Kit samples
82 Footwork 160 BPM Drum Loops
268 Oneshots
82 Loops
The pack is designed for those who demand both authenticity and flexibility. Every sample can be layered, manipulated, or sequenced to create precise rhythmic structures, from the complex syncopation of Footwork to classic 808-inspired patterns."

Fizmosphere by BENGE

video upload by Memetune Studio

"Here's a little end-of-year ambient composition made on the Ensoniq Fizmo. I love this synth - it's my new favourite ambient pad machine

I am recording two stereo loops into the Concrete Machine and adding extra reverb from the FX Aid Spin Chip device

I made the visuals myself - I love doing this sort of thing as you can probably tell

Happy New Year everyone!"

Unique! Signed "Wingie" by Meng Qi (Discontinued V1) w/ Original Box

Note: links to listings are affiliate links for which the site may be compensated.


via this Reverb listing

"Meng Qi Wingie V1- Portable Resonator Synthesizer

Mint in Box. Unit was signed by Meng Qi himself on the back panel (see pictures). V1 has been Discontinued.

Wingie is the little sibling of the Wing Pinger. The portable resonator synthesizer can be supplied with power and new firmwares via USB
connection. The built-in microphone and two headphone outputs invite you to experiment outside the studio. Comes with USB cable, and stickers In Box (will ship inside a second slightly larger box).

Description

Wingie is a handheld stereo resonator with built-in microphones that also doubles as a development board. Its dual onboard microphones allow you to interact and enrich vocals as well as the sonic environment around
you. If you sing to it, Wingie responds with marvelously complex harmonies. Or play it as a percussive instrument and create acoustic
feedback with your speakers. Wingie is small enough you can simply take it along with you and resonate with the world. However you
decide to use it, Wingie can deliver a lush stereo image by just locating the sweet spots. It’s all right there in your hands.

Wingie is equipped with a stereo line input to work with the rest of your arsenal. Plus dual headphone outputs for sharing or creating feedback loops. Whatever equipment you have now, Wingie can give you a whole new
way of hearing it.

There’s a USB-Type C jack for power and convenient data transfer. Wingie can also run on a power bank. To make sure you always have the most up-to-date capabilities, the USB serial chip can be readily updated. Additionally you can use the chip for alternate firmware or your own development projects.

Wingie is really whatever you wish to make of it. Use it as a portable instrument. Or work with other instruments—acoustic or electronic—for aural exploration. All this in an undeniably cute little package that’s called Wingie because it sings with whatever is in the air around you."

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Rob Papen DelGrain - Creative Granular Delay

video upload by Rob Papen

Press release follows:

Rob Papen announces availability of DelGrain as creative granular delay, extending effect plug-in product line with yet more out-of-the-box thinking

ECHT, THE NETHERLANDS: virtual instrument and effect plug-in developer Rob Papen Inspiration Soundware is proud to announce availability of DelGrain — duly thinking out of the box to extend its effect plug-in product line as a creative granular delay featuring fanciful routings, a distortion feature, and FILTER, while also featuring the same DISRUPT spherical slider shared by its DelSane (stereo delay demonstrating ‘Dr. Jekyll and Mr. Hyde’ behaviour) and LowSane (‘lo-fi’ sound sculpting-specialising effect) software siblings, aimed at experimental artists, mixers, and producers — as of November 28…

It is fair to say that DelGrain has a lot in common with its DelSane software sibling, the main difference obviously being that — as its name implies — it offers a delay that plays back audio in a granular or grainy way. With that in mind, then, the granular change to the audio can be placed ahead of the delay, inside the delay, or parallel to the delay. But better still, the size of the ‘grains’ can be adjusted (GRAIN SIZE) — even in a tempo-based way, the length of the ‘grains’ (GRAIN LEN) can be be tempo-based as well, while the GRAIN SEMI tune feature has a 12-semitone range, both up and down; by being tempo-based, the granular delay itself is ideally suited to rhythmic usage on drums and percussion loops.

Reveals Rob Papen himself — both in his capacity as a virtual instrument and effect plug-in developer par excellence and also as his namesake company’s Managing Director: “DelGrain can produce some sweet-sounding delays with swirly granular sound, but its real power lies in its special sounds — not only on drums and percussion, but also on vocals, for instance. Its DISRUPT sphere with the tempo-based SPRING BACK feature allows you to change DelGrain’s parameters dynamically, and there is also a tempo-based LAZY MODE…” — meaning that the movement of that DISRUPT spherical slider can be automated in different directions, allowing users to also create new types of creative modulation sounds.

Speaking of creative sounds, Rob Papen saw fit to add a FILTER featuring a high-pass and low-pass combination, a band-pass filter, and a vocal/vowel filter that can be placed after the delay/granular combination at different spots. But before the audio even enters the granular delay, an added distortion module makes the sound options even more exciting.

Evidently excited by his namesake company’s latest creation, Rob Papen takes pride in rattling off several more exciting-sounding features that floats his creative boat by adding, “There is a self-explanatory DRY/WET MIX dial and an FX MIX dial that can mix between the ‘granular delay’ and ‘tape delay’ sounds — by the way, the ‘delay’ inside DelGrain is based on a tape delay algorithm; an AUDIO FOLLOWER input is available for side-chain control, and it can also be used to control the DISRUPT sphere; there are four different modulation slots for those who want to control DelGrain via MIDI; and last, but by no means least, DelGrain comes with the BANK MANAGER and many presets — perfect as a starting point.”

Put it this way: while it is understandable that some might take the idea of another delay plug-in promising to be different to so many others already out there with a GRAIN of salt — pun intended, it would be surely seriously remiss of Rob Papen not to assure them that DelGrain definitely delivers on that well-worn claim!

DelGrain is available — as a 64-bit AAX-, AU-, VST-, and VST3-compatible virtual instrument plug-in for Mac (OS X 10.15 or higher, ARM processor compatible) and as a 64-bit VST- and VST3-compatible virtual instrument plug-in for PC (Windows 7 or higher) with 64-bit AAX compatibility available for PT 12 or higher (PC) — at an attractive price of only €35.00 EUR/$35.00 USD from authorised Rob Papen dealers worldwide or as a download directly from Rob Papen for that same price via its dedicated webpage, which also features more in-depth information, here: https://www.robpapen.com/DelGrain.html

DelGrain is included in eXplorer-10 (https://www.robpapen.com/explorer-10.html), the latest version of Rob Papen’s all-encompassing bundle, at no additional cost; existing owners only have to download the latest installer and run it to add WirePluck to their Rob Papen virtual instrument and effect plug-in collection.

YAMAHA TQ5 Bass

video upload by Akihiko Matsumoto

"TQ5 Sysex Bass Presets: FMWarpBass.syx, TriRave.syx & OldDubStep.syx from https://akihikomatsumoto.sellfy.store...

Raw FM textures for forward-thinking bass music producers
This pack captures the unmistakable character of Yamaha’s late 1980s 4-operator FM synths, with all their sharp digital edges and lo-fi charm intact. The TQ5, often hidden in the shadow of its more famous siblings, holds a unique place in synthesis history. It delivers angular, glassy tones that feel both futuristic and retro, with a sound design potential that quietly laid the groundwork for timbres now celebrated in modern club music.

Created for producers who care about texture, this collection offers bass and drum sounds with a distinct edge. Artifacts, aliasing, and resolution quirks are not just preserved but embraced, giving each sample a bite that generic VSTs rarely achieve."

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