Voodoo Ray/A Guy Called Gerald - Novation Circuit version

video upload by Guinan

"Time for the first British acid house hit and another Hacienda favourite. The Manchester act A Guy Called Gerald blew up the Manchester music scene with his 808 and 303 tour-de-force. He's still making excellent music ‪@AGuyCalledGeraldTV‬ #voodooray

Everything you hear was programmed into the Novation Circuit and played ‘live’ straight out of the headphone jack into my phone. No extra effects or outboard gear are used during playback.

The ‪@IsotonikStudios‬ sound pack RB 303 by Yves Big City got me thinking about how capable the Novation Circuit could be for a blast of acid house. I hope this attempt gets close to the flavour of the original. • DEMO - RB 303 - Novation Circuit Pack by Y... [posted here]

‪@GyuBeats‬ has done some great video breakdowns of the track and is obviously a fan. Big thanks as he helped me track down some of the original samples. • Why Does VOODOO RAY Still Sound Fresh Today?

I also found the following website which is a fantastic resource of patterns for 303-soundalikes. It just had to be called Acid Tabs….. https://acid-tabs.com/303_patterns.ph...

I hope you like the track – drop a comment if there is an 80’s or 90’s track you’d like to see a version of.

Synth nerd details;
The 808 sounds are a mix of samples from Isotonik and a pack that is sometimes free called 808 From Mars.

The vocal samples are from a surprising source of an old comedy routine from Peter Cook and Dudley Moore. The ‘voodoo ray’ sample is actually cut from a snatch of Peter Cook saying 'voodoo rage'.

A key part of the track is the excellent singing of Nicola Collier. I didn’t have a singer to hand and I wasn’t going to impose my dulcet tones on the world. The ‘singing’ is therefore played on the Arturia plug-in ‘Augmented Voices’.

I hope it fills the gap for now and doesn’t detract from the overall track.

All samples are edited and positioned on drum pads then sequenced/played on the Drum 4 track of the circuit."

Voodoo Ray/A Guy Called Gerald (Circuit Tracks & Rolands Version )

video upload by Guinan

"'Say Hello To My Little Friends'…..

Something a little different again. This is a reworking of one of my earlier videos but with an 'acidic' twist. At the time there were comments wondering how it would sound with Roland synths rather than my attempts at recreating the sound using the internal synth engine.

I couldn’t resist the challenge, so the Circuit Tracks has some company in the form of a Roland T-8 and S-1 Aira. The T-8 is a drum machine based on a selection of classic Roland sounds, but it has the added bonus of a very good TB303 emulation.

The Roland S-1 on the other hand is a 4-voice recreation of the classic 80’s synth, the SH-101. An awesome synth in it's own right it's a great partner for the Tracks to use with one of the external MIDI tracks.

Both of these Roland originals were an essential part of the classic Acid House sound and the track, ‘Voodoo Ray’ so this seemed a natural Circuit Tracks project to rework. I’ll keep a separate playlist of any tracks with external gear to keep my main playlist Tracks only.

For this video I’ve copied the patterns across to the Midi 1 & 2 tracks, hooked up both of the Roland individually to the MIDI Out and Thru (setup in Advanced Setup to be individual MIDI Outs). Each of the Roland boxes are then fed into each of the Audio Inputs so they can be panned, level altered and have effects applied individually. Each of the Roland boxes are not using their own sequencers but are just being used as slave MIDI synths playing the patterns sent via MIDI from the Circuit Tracks. T-8 bass was set to MIDI Ch3 and S-1 to Ch4 to match the default channels for these tracks."

Alchemical by MSTRBLSTR

Also on Spotify: https://open.spotify.com/album/68lqZLDB2ip4ZOfEg4SsmB?si=m3ba1VD-SSO_CLr4j7OIMg

"The electricity of live manipulation breathes through every sequence as MSTRBLSTR transmutes the raw essence of the TR-606, MC-202, and TB-303 into a sonic incantation. Alchemical is transformation in motion: analog breakbeats pulse with crackling percussion, acid squelches growl and evolve, and rhythms dissolve and reassemble like matter through fire. The bassline becomes the bedrock of energy, conjured live in real time.

Credits
Released May 29, 2025
Programmed, performed, mixed, and mastered by MSTRBLSTR at Ill Acid
Additional drum programming: Severed Machines (https://severedmachines.com)

Hardware:

Modified Roland TR-606 (Robin Whittle mods)

Din Sync RE-303

MC-202 w/ Tubbutec 2oh2 mod

Mixers: Boss BX-8, Alice 1228, Boss KM-4

FX: Tapco 4400 spring reverb, TC Nova Reverb & Delay, Korg SDD-1000/1200

Compression: BSS DPR-402, DOD SR-866

DAW: Ableton Live

This is the same setup I used on From Deep.

Backstory
I brought my TR-606 to Ramiro at Severed Machines to install a few long-desired mods: switch replacements, a louder BD via resistor change, and Robin Whittle’s Accent Trigger and post-volume individual outs. He left in a few patterns, including a breakbeat variation that really hit me. That inspired the synth parts. Next thing I knew, I was performing and recording the full track.

Recording Notes
I treat mixers as modular routers. For Alchemical, the Alice mixer’s direct outs went straight into my interface, while the Boss BX-8 worked as a submixer for overdrive and tone shaping. I panned certain tracks hard L/R into separate buses, then re-centered them on different mixer channels. I have owned many delays while the Korg units are among my favorites, the TC Nova is often a go-to for synths: it sounds great, has nice filters, tap tempo, and my favorite feature, easily accessible time divisions Protip: a buffered pedal in front helps them sound better. The Nova reverb is also very playable and has a dynamic ducking mode that helps it get out of the way, if that's what I need.

In post, I swapped the TR-606 kick for a TR-808 sample in Ableton - it just gave the track the weight it needed. There’s also a lone TR-808 clap halfway through. Other than that, what you hear is live with only some minor edits and additional processing.

__________________________________________________________________

For TR-606 lovers: I highly recommend Robin Whittle’s mods: https://www.firstpr.com.au/rwi/tr-606/

The Accent Trigger mod alone is worth it - it adds great performance potential. Robin credited the fix to me, but Ramiro deserves most of the credit. Robin's individual outs (post-volume pot) offer superior performance control and gain staging flexibility compared to the more common pre-pot version."

Complex System

video upload by Memetune Studio

"I was wanting a way of setting up an interactive environment to record sounds from some modular systems which could be the basis for some improvised performance based sound explorations

I figured that if I set up some cybersynth patches (ie patches that are evolving by themselves in some way, or are at least dynamically varied over time) and could record some long stereo samples (loops) that could be manipulated live, this might be an interesting thing to do

It occurred to me that the Octatrack, which I got a few years ago and use as a granulating sample mangler, might be perfect to pair with the modulars in this way

The thing about the Octatrack is that it is so unbelievably deep and sophisticated that it can be very difficult to set things up on. I see it as a truly Complex System (AI Overview definition: Complex systems are characterized by numerous interacting parts and emergent behaviors that are not readily predictable from the individual components) and the user manual is utterly hopeless beyond a very basic overview

With the Octatrack you have to basically tell it what you want to do for any given situation. You create a personalised environment inside it and then work within the limitations you set yourself. You have to think of a setup that you want to create, then you build it for yourself using all the different components. In other words, it's not a preset environment that does a few specific things, you have to decide what you want then make it yourself

So I thought it would be useful to have 4 stereo 'Tape Machines' that can be manipulated in real time, with control over the following in each: Pitch, Playback Speed (Timestretch), Direction (forward / reverse) basic Filtering (bandpass) and Delay with feedback. All the things you might find in a Musique Concrete studio in the 1950s (with the addition of granular timetretching)

I might do a more detailed breakdown of the Octatrack patch in the future, but I wanted to live with this setup for a while and make sure it does everything I want it to do in the most efficient way first

This is my first experiment with it, using the Buchla 200. There are two stereo outs from the Buchla - two independent patches running concurrently - going into the Octatrack's dual stereo inputs. These are then fed into the four "tape machines" I created in the Octatrack, which mixes them into one stereo output along with the two live feeds from the Buchla (so what you are hearing is a live mix of the Buchla's 2 voices plus 4 tape loops (30 seconds each) recorded as we go along from the Buchla. As I said, its a complex system 😁"

Prophet X | Kawai K3 Sample/Patch bank| Out Now!

video upload by Espen Kraft

"The Kawai K3 from 1986 has always gone under the radar of many. Lush, fat, cold and gritty. It can do it all. It's digitally stored waveforms and analog SSM2204 filters.

The analog filters inside the Prophet X are modelled after the SSM2044 so this is a perfect match for these samples. I've made 32 custom preset patches on my Kawai K3m and focused on a variety of sounds that showcases the capabilities of the K3, yet being very musical and 'ready to go'.

I've then multi-sampled these into the Prophet X.

These are NOT velocity multi-sampled as I don't think that is necessary, but with programming of patches on the PX it's easy to do so authentically as the filters of the PX is almost identical of the real thing.

I've focused on strings, hybrid bells/pads, digital PPG type of sounds and a few basses.
Total filesize is around 550Mb.
All the multi-samples are also available as *sf2 (TAL sampler and Logic compatible) if you're interested. Price is the same.

The price for this pack is $22USD (or €20Euros if you're in Europe) and considering you'll get the absolute best K3 patches and samples directly onto your Prophet X, this price is a steal.

My CONTACT email address is this: espenkraft69@gmail.com
If you want to purchase this pack please send me an email and I'll give you instructions on how to order. If you want a bundled (discount) price for multiple packs just let me know.
I will only sell Prophet X packs directly through email.

I've included 20 patches to help you get going (I you can hear some of these in the video and my browsing through some of them) and you have two options of transfer: Bank U4 P78 – P100 or Bank A4 P00-P21. Both patch banks are included. If you want to transfer the patches SOMEWHERE ELSE on your own PX, you can do so manually, by editing the individual sysex files."

Old-School Power, New-School Build | Antonus 2600 at Superbooth 2025

video upload by Jonathan Knightsnare

"While exploring Superbooth 2025 in Berlin, one synth totally stole the show for me: the Antonus 2600—a full-size, hand-built tribute to the legendary ARP 2600.

Crafted in Barcelona, this beast stays true to the analog legacy of the original, with stunning build quality, premium sliders, and a sound that’s fat, raw, and alive. The Antonus 2600 isn’t just a clone—it’s a fully playable analog synth built with modern precision and deep respect for history.

This model features the same dimensions as the original 1970s ARP 2600, with handcrafted wooden sides and a powerful integrated speaker system, making it a centerpiece synth for any serious setup. It also includes MIDI and CV options, so it plays nicely in both vintage and modern workflows.

If you're a fan of East Coast subtractive synthesis or want a true tactile analog experience—this is it.

🌀 About Superbooth:
Superbooth is the world’s leading trade show for electronic music instruments, held annually in Berlin. From modular madness to analog classics, it’s where synth dreams come alive.

🎥 Filmed by Knightsnare
🎶 Spotify
🔊 Gumroad Sample Packs
📸 Instagram"

Polyend Synth 1.3 - New Synths + New Features

video upload by Polyend

Download 1.3 Firmware - https://polyend.com/downloads/synth-d...

Introducing DWA: All New Polyend Synth Engine
video upload by Polyend

"Download the firmware update, patches, and samples here - https://polyend.com/downloads/synth-d..."

Polyend Synth - NEW v1.3 UPDATE - New DWA Synth Engine!

video upload by Oscillator Sink

"The Polyend Synth just got a nice firmware update (v1.3) which incorporates a bunch of MIDI refinements, some new grid modes which open up new performance options and most importantly the new DWA engine which is a fun, dual sample based engine with a comb filter that can be approached in loads of interesting ways.

Transparency Notice: Polyend sent me Synth when it was first released for free in order for me to make a release video. I have not been otherwise paid for any follow-up content made about Synth, although I was given early access to beta versions of the firmware.

Chapters:
00:00 Intro
01:33 Layered Grids for Layered Sounds
04:34 DWA Engine - Intro
05:51 DWA Engine - Setting Expectations
08:07 DWA Engine - Controls
12:16 DWA Engine - Play Modes and Looping
16:20 DWA Engine - Crossfade
17:34 DWA Engine - Single Cycle Synthesis
20:39 DWA Engine - Comb Filter
23:58 Breaking down the lovely piano patch
28:06 DWA Engine - Old Skool Time Stretching
31:59 DWA Engine - Getting crazy with the comb filter
34:20 DWA Engine - Velocity and Aftertouch
37:05 Outro"

Polyend Synth

video upload by Luca Longobardi

"Had the pleasure of trying the new Polyend Synth firmware 1.3 ahead of release. The new DWA engine opens up a world of textures — fragile loops, glitchy fragments, resonant feedbacks, all waiting to be shaped. It’s a reminder of how beautifully unpredictable sound can be."

Bad Gear - The END of Maschine+ ???

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. Presumably I’m not the only one who made a handful of Native Instruments “backup copies” a core part of his personality back in the zero years so it goes without saying that my mid-forties self is yearning for an overpriced yet tangible take on these plugins for the sole purpose of reminding me of a time when all it needed was sleep deprivation and a PC from Aldi.

However, all we got was Maschine+. This 2020 standalone version of NIs software MPC ripoff ecosystem offers DAWless access to a small selection of these now-iconic plugins, it boasts the processing power of the aforementioned Aldi PC and will disappoint you with more broken promises when it comes to major updates than the GTA franchise.

Chapters:
00:00 Intro tune
01:12 Overview Maschine+
01:21 How Standalone is Maschine+?
01:50 Current Update Situation ( April 2025 )
02:18 Included Instruments, VST Integration (or lack thereof)
03:10 Workflow, USB Midi
03:46 Ribbon Controller
03:59 NO TOUCHSCREENS!!! (and UI Concept)
04:22 Internal Structure, Hierarchy
05:08 Sampling , Sample Chopping , Autosampling
05:23 What else? (Pricing, CPU Consumption, Workflow Hacks,...)
05:53 Hate Screen
06:22 Jam 1 ( Techno )
06:49 Jam 2 ( Electro )
08:25 Finale ( Dubstep / Brostep )
08:53 Verdict"

VAST - Ambient Modular #1 // Arbhar, Moog Subharmonicon, Octatrack, Matriarch and Guitar

video upload by David Falcon

"It's been a while since the last video...
While I have continued to do my musical experiments I have not been able to find the time to record and edit these videos. During this time I have sold a large part of my collection of pedals to keep those that I consider essential, or at least those that I enjoy the most. Which has led me to want to start exploring another vast world, which is that of modular synthesizers.

Since I smell that this is another drug worse than pedals, I have limited myself to a 62u Intellijel 'skiff'. I have a very clear and concise setup idea: a sampler (Arbhar) and modules that complement it, whether control (Pamelas's New Workout at the moment) and effects (for now I don't have any, I'm processing the sound in the Octatrack and Ableton). The idea is to be able to capture any sound from the studio in the Arbhar and use it as a starting point for granular synthesis.

In this particular clip I'm using a voice sample, another metallic percussion sample, and a Subharmonicon drone. I couldn't resist and added a lead on the Matriarch and acoustic guitar. It's probably the starting point of a more complete song but we'll see.

Thanks for being on the other side!"

NRSynth's SEM Module - The "Solo": An "Extended" Version of the SEM

video uploads by Séraphin PALMERI

Playlist:

1. "Pink Floyd On The Run" Module SEM NRSynth

"On The Run" de Pink Floyd avec un clone amélioré du module SEM d'Oberheim, fabriqué par NRSynth, une lutherie éléctronique made in France #pinkfloyd #ontherun #oberheim #sem #NrSynth

2. Tangerine Dream Intro "Ricochet Part 1"

Le module SEM de NRSynth est vraiment parfait pour reproduire l’intro de « Ricochet Part 1 » de Tangerine Dream. https://nrsynth.fr

3. Module SEM NrSynth Démo 1

00:00 Midnight Express
00:57 Star Cycle
01:41 Dervish D.
02:06 Stranger Things
02:44 Il était une fois le Prophet

4. Module SEM NRSynth Démo 2

00:00 Basse 1
00:13 Basse 2
00:26 Fun For Me
00:38 ABACAB
00:54 Welcome To The Machine
01:24 Caverne
02:33 Tange FX
02:49 Chinox
03:04 Percox

5. Tangerine Dream « Monolight (Part 2) » With the Sequential Prophet 6 & Korg Kronos



Details via NRSynth (Google translated)

Oberheim Legacy: In 1974, Tom Oberheim imagined a small synth as an accessory to his DS-2A digital sequencer. But it was Dennis P Collins, a gifted ARP engineer, who designed the multimode filter of the Synth Expander Module (SEM). This unique filter is a 12 db filter that cannot deny its lineage with the ARP 1047 (ARP 2500) and ARP 2023 (white Odyssey MK1) filters, 12 db filters also designed by Dennis P Collins. With two very fat VCOs and a devastating sync (also close to the Odyssey VCOs), the small SEM offers a powerful sound, very present in the mix and very different from Moog and other synths with 24 db filters. So despite its simplicity and a filter that does not enter self-oscillation, we can get a lot of sounds out of it. Accessible and easy to use, the SEM is a success. In 1975, Tom paired first two, then four, into a huge keyboard case, creating the first "true" polyphonic instrument in history, the "Four Voices." In 1976, the SEM was even expanded to eight. Nicknamed the "White Elephant," its sound was as enormous as the instrument itself! But in 1978, the brilliant Prophet-5 made it obsolete, and Tom designed the OB-X, whose channel cards were also clones of the SEM. Subsequently, the OB-XA and OB-8 used Curtis chipsets and no longer had quite the same sound. In 2010, Oberheim reissued the SEM identically, but with all surface-mount components. In 2011, the SEM PRO added just a MIDI interface.

NRsynth "Solo": This is an "extended" version of the SEM, handcrafted with traditional through-hole components. Only the envelopes have been modified for a punchier result; the rest is identical to the original synth. Additionally, the Solo features a sub-oscillator, a glide, white noise, and many more modulation options than the SEM. MIDI velocity is also supported. Finally, the white metal case gives way to a luxurious, classically crafted cabinet with waxed oak sides and black tolex, similar to a Marshall amp.

A patchbook of all Séraphin Palmeri's sounds is included with the device.

Specifications:

VCO: Two discrete VCOs with hard sync, saw, pulse + PW (same as SEM)
Sub-oscillator: Pulse wave – 1 octave below VCO1.
Noise: 100% analog white noise
Multimode 12 dB filter: Same as SEM with LPF, HPF, notch, and bandpass mode. VCA: Analog (same as SEM)
LFO: Analog, triangle wave (same as SEM)
Envelopes: Analog (same as Pro-1) with deactivatable "Release".
Digital LFO: 8 waveforms + tilt, 3 frequency ranges, sync.
Sample and Hold: Analog, sync.
Glide: Analog portamento circuit at the input.
Patchbay: 15 I/O points on 3.5mm jacks (Eurorack compatible).
Rear Connections: Audio I/O and sync on 6.35mm jacks. Reset button.
Dimensions: 30x24x15 cm

Price: €1,390

MotorSynth MK2 | By Gamechanger Audio

video upload by Cinematic Laboratory

"When the first Motor Synth was introduced back in 2019, the synth community unanimously agreed to disagree. For some the MOTOR Synth appeared to be a completely ridiculous, overengineered and limited instrument - at one point the phrase “pure embodiment of evil hipster trash” was used, while others called it one of the most innovative and exciting instrument designs the industry had seen in years. The truth lies somewhere in the middle and I feel it's MUCH better and cooler than people think it is.

However, spending 3K on it doesn't make it yours. It's packed with so many features you'll need to find your own gemstones buried in the trash. After spending four days with this unit (on loan, not mine) I realized theirs true magic when it's limitations are starting to work against it. It excels when it fails. Please note, this unit makes a LOT of noise even when it's not connected to any amp or audio interface. Still, the mechanical noise is an essential part of the final experience and you should always record it, even when you decide not to use it later. Most of my recordings in this video has the camera audio, attenuated at -10 dB. It's really loud, but it's not a motor synth without it.

The synth is simply too expensive to make this a review, and I don't do reviews anyway. I try to focus on production value. If you're a pro composer for films and games, this thing is a highly recommended no brainer. The same applies for evil hipsters. If not, try to borrow one from an evil hipster and sample the hell out of it.

Big thanks to Gamechanger Audio for letting me borrow it. This video is sponsored by me, no money changed hands and I can't keep it.

00:00 Introduction
03:04 Day 1 - First patch with the Linnstrument (MIDI)
06:47 Day 2 - Using the V1 and V2 Sends for stereo.
08:23 Randomizing presets
10:01 Day 3 - Adding external modular FX
13:22 Motion REC
14:39 Dark Ambient with slowed down audio (50%)
16:24 Vocoder
17:50 Day 4 - Driven my Marbles CV and Triggers"

Sonicware Ambient Ø Sample Manipulation Experiement - Speak Clearly....

video upload by ChrisLody

"I had a an hour or so free time this afternoon to do something experimental, messing with the Ambient 0's Noise layer for the purposes of sample manipulation.

I found the tape deck shown, a Genexxa CTR-96, in a charity shop recently and bought it immediately as it had a tape inside. That's always in 'insta-buy' scenario for me and it paid off. On the tape is the phrase you hear, 'You should speak clearly to get the best recognition accuracy, full stop'. The lady repeats this 3 time on the 3 getting slower and sounding more frustrated. There seem to be children making noise in the background so my best guess is she was a teacher and was trying out some 90s speech to text which wasn't working well (it didn't back then), but I'm not sure. The rest of the tape is full of unintelligible voices of children in the presumed classroom. The tape deck has multiple playback speeds so I used High in order to be able to record the whole phrase in the sample time allowed on the Amb0, then pitched it back down afterwards.

So that's sampled into the Amb0 and then I use it's LFOs to mostly control pitch. In hindsight I should have also routed the level and cutoff, maybe in the future. It can do some interesting things with the stepped LFO shapes to pitch as they contain sections that stop moving so the speech is still recognisable. Also the reverse delay is very good for glitching things as you can hear at the end."

FlyntC - Novation Circuit Rhythm Demo

video upload by FlyntC

"Hey everyone,
here’s a quick live demo of the Novation Circuit Rhythm Sampler. I got this little device to sample on the go, save melodies, and just have fun. With the built-in battery, it’s perfect for mobile use.

For this demo, I only used ‘One Shot Samples.’ When played at a higher pitch, they naturally speed up (e.g., bassline).

The lack of polyphony and the fact that different delay and reverb effects can’t be applied separately to individual channels (only the intensity can be adjusted) are somewhat limiting. Hey Novation, maybe a software update could fix this? Since stereo samples are converted to mono, the effects help to create a kind of stereo effect as a workaround.

Despite these limitations, it’s a great product. For me, it’s like a mini-DAW on the go.

This video contains no paid promotions."

The Echolocator is awesome 👍🏼

video upload by Ricky Tinez

"The Erica Synths Echolocator is here and it's Awesome. Quickly becoming one of the best delay pedals I've tried. But it's not a pedal haha! It's similar to the Zen Delay but don't get it twisted, they're not the same! The Echolocator has Reverb, Shimmer, a Pitch Shifter, a BBD mode, and a really cool way they've implemented the BP filter. Similar to the Nightverb, the Echolocator is perfect for playing live, or jamming in a studio. All the controls are sitting there waiting to be played not hidden behind some shift function!"

00:00 This is just too fun
01:12 Erica Synths sent this to me
01:37 The Echolocator quick thoughts
02:43 A playing jam, doing almost everything it does in one go
06:29 The Pitch Shifter
08:27 The Filter implementation is sick
09:37 The "Dirty" Mode
11:40 Dope Sample chop through it
12:53 I didn't realize you could go this far...
15:25 One final breakdown LIVE!

You Asked for Patches, So Here are 90 Patches for Korg multi/poly and multi/poly native

video upload by Keith Crosley

"You wanted my patches? Well, here they are: 90 patches for Korg multi/poly that you've probably heard in my previous multi/poly videos. And, yeah, they're just $5! You also get more than 100 programs (layers) and custom wavetables from the KRC Mathwaves and KRC Orchestral Impressions wavetable collections. Grab your patch cables and come along with me on a multi/poly audio safari-a-go-go. (I'm gonna have to work on that description. It's fine for now.)

LINKS!:

New patches for Korg multi/poly and multi/poly native: 90 performances, 105 programs, and 104 custom wavetables for just $5! Get it here: https://www.wavetables.lol/l/multipol...

KRC Mathwaves full collection -- 160,000+ wavetables, including new multi/poly inspired wavetables and the 'Varieties of Noise' sample library -- usually $29, can be yours for just $20 using code SANDRA at checkout or by following this link: https://www.wavetables.lol/l/wavetabl...

KRC Orchestral Impressions wavetable collection -- more than 38,000 wavetables sourced from acoustic instrument samples, just $5!: https://www.wavetables.lol/l/orch?lay...

KRC Mathwaves free wavetables sampler (1600+ wavetables, absolutely FREE): https://www.wavetables.lol/l/free?lay..."

Making the INFINITY Sampler

video upload by Ricky Tinez

"I've had this weird idea in my head to be able to sample back-and-forth between two samplers infinitely without any feedback and today I have finally cracked the code! I'll be using Digitakt II and an Octatrack. I think the Octatrack is the most important piece here because of its ability to have a queue output.

Contact me at https://www.rickytinez.com/contact
I DO NOT HAVE A TELEGRAM ACCOUNT & I DO NOT DO GIVEAWAYS"

00:00 The Infinity Sampler
00:51 How I get sounds in
01:57 How to hear the sounds
03:35 Why do I do this to myself?
04:49 Then I bounce tracks down into the Digitakt II
07:11 Question for you.

Korg multi/poly native: First Look and Listen, Micro-review! (Live from Margaritaville)

video upload by Keith Crosley

"At long last, Korg multi/poly native has arrived! Now you can have the awesome virtual analog sound of multi/poly on your desktop (in standalone mode) or as a VST in your DAW. Of course, it sounds exactly like the hardware... Which is to say, it sounds wonderful. I run through some of my previous Korg multi/poly patches (featured in my previous three-part review and deep dive series), talk briefly about the 3 oscillators, give you a quick look at the interface, and show off a few new wavetable sounds based on the "timbral extraction" techniques from KRC Orchestral Impressions. Also, I'm wasting away in Margaritaville -- literally -- so grab your shaker of salt and join me for this yacht-rock-a-go-go episode of your favorite talky synthesizer content show.

TRY or BUY KORG MULTI/POLY NATIVE HERE:
https://www.korg.com/us/products/soft...

Buy in the Korg store ($149 intro price special, and well worth it, if ya ask me):
https://korg.shop/software/natives/si...

KRC Mathwaves full collection -- 160,000+ wavetables, including new multi/poly inspired wavetables and the "Varieties of Noise" sample library -- usually $29, can be yours for just $20 using code SANDRA at checkout or by following this link: https://www.wavetables.lol/l/wavetabl...

KRC Orchestral Impressions wavetable collection -- more than 38,000 wavetables sourced from acoustic instrument samples, just $5!:
https://www.wavetables.lol/l/orch?lay...

KRC Mathwaves free wavetables sampler (1600+ wavetables, absolutely FREE): https://www.wavetables.lol/l/free?lay..."

CHAPTERS:
00:00 Introduction to Korg multi/poly Native
01:15 Overview of Korg multi/poly Features
02:25 Beta Testing Insights
03:48 Wavetable Collection Introduction
04:38 Recording Environment and Setup
05:24 Challenges with Travel Setup
06:40 Unique Sound Patches Demonstration
08:13 Visualizing Waveforms and Modulation
09:18 Filter Emulations and Sound Design
11:29 Analog Synthesizer Comparisons
13:18 Advanced Features and Settings
15:29 Dynamic Voice Allocation and Performance
19:24 Exploring Filter Types and Characteristics
21:44 Techniques for Enhancing Filter Sounds
23:35 Unique Sound Effects
24:31 Combining Digital and Analog Sounds
26:06 Experimenting with Filter Emulations
28:53 Old School Flavor in Synthesis
30:16 Creative Sound Design Techniques
32:15 Integrating Orchestral Wavetables
34:24 Korg multi/poly Native Release
35:09 Final Thoughts and Recommendations

Additional Korg multi/poly demos by Keith Crosley

Prophet X - Epic Vol.3 | DX Dreams (SF2 available)

video upload by Espen Kraft

00:00 Intro
02:02 Electric Pianos
04:49 Guitars
07:10 Keyboard/Synth
13:01 Strings

"The best Yamaha DX samples and patches inside your Prophet X.
I've layered and recorded my best patches from over 30 years with the DX7, TX816 and TX802.
All put into 64 epic multi-samples which I've recorded with focus on making the most beautiful and musically DX patches you'll ever need in your PX.
Some of the samples have up to 5 velocity layers.
The number of individual recorded samples in this project is close to 3000 in total. Total filesize is 2Gb.

The price for this pack is $35USD (or €35Euros if you're in Europe) and considering you'll get the absolute best patches and samples ever made for these synths directly onto your Prophet X, this price is a steal.

My CONTACT email address is this: espenkraft69@gmail.com If you want to purchase this pack please send me an email and I'll give you instructions on how to order. If you want a bundled (discount) price for multiple packs just let me know.
I will only sell Prophet X packs directly through email.

All the multi-samples are available as *sf2 (TAL sampler and Logic compatible) if you're interested. Price is the same.

I've included 48 patches to help you get going (as shown in he video demo) and you have two options of transfer: Bank U1 P80 – P128 or Bank A2 P80-P128.
If you want to transfer the patches SOMEWHERE ELSE on your own PX, you can do so manually, by editing the individual sysex files.
Here is the link to my video where I show how you can do that. It's quite easy:
• Prophet X - Overwrite factory memory ... [posted here]

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Korg Mono/Poly garage-find | Did it still work after all those years?

video upload by Espen Kraft

"The Korg Mono/Poly belongs to a friend of mine who (if my memory serves me right) did find it in a garage somewhere, alongside a Roland Jupiter-4 which was beyond repair from what I can remember he said. This is a short edit from a longer video I once had on my channel.
Oscillator 1 on the Mono/Poly did not work and that prevented me from doing a couple of things with it, but it still worked and what you hear in this video is what I got out of it. Only the kick drum is a sample. The rest is the MP you see here.
Since this video was made the synth's been repaired/restored and is now working 100%. The dust did come off.

Find my music here:
Bandcamp: https://espenkraft.bandcamp.com/"

Amb0 Acid - Ambient 0 CPM DS-2 - Song-a-Day 2025 Jam

video upload by ChrisLody

"Full Disclosure: I occasionally take on freelance work at Sonicware and Stylophone on an hourly rate producing synth & sample sound design, beta testing, checking English text, video manuals, promo content etc. This video wasn't paid for directly but as a result of my work with Sonicware and Stylophone it is marked as Paid Promotion

So someone casually asked me if the Ambient 0 could manage acid which I took as a challenge naturally. Yes it can as it turns out. So file this under non-ambient 0 again.

So the Ambient 0 can do a pretty respectable of some acidic. It's not really using many of it features to do this but it is damn good fun. To create this patch I started with the standard patch that loads in an empty pattern in the drone layer which uses a saw wave and turned the release down. I turned the resonance up to max, assigned LFO 1 to cutoff , set it's shape to RMP- and set the trigger to 1 so it works like a 1 shot decaying envelope. I also set the voice mode to Legato and turned the glide up to 30. The it's just a case of programming an acid pattern and getting it to slide by programming overlapping notes. The one shot LFO is a substitute for an envelope but feels a bit different to use. Speed is reversed compared to the way an envelope works and turning the LFO amount up in this case drives the cutoff down and it influences it more but it's still playable. The built in distortion and reverb sounded really nice on this too but I decided to go with the ones built into the Zoom r8 as then they wouldn't change as the patterns were loaded on the Liven.

As well as having worked on the Ambient 0 I've also been lucky enough to have a Stylophone CPM DS-2 in the studio since the end of last year. It's a very cool bit of kit and I was also lucky enough to work for them on their stall at Bristronica last year too showing people how to use them. It's designed as a drone synth but it's Eurorack compatible so will accept CV for pitch so it can be bullied into playing melodic and bass parts too. So it's connected to a Korg SQ1 here and is playing the high melodic layer. I've got both oscillators tracking pitch but Drone 2's output is fed into Drone 1's cutoff input for some filter FM goodness"

Rare "Engineer Sample" Behringer Kobol Keyboard Spotted

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

This one was spotted and sent in via
M Me.

"Not in production. Not available anywhere.

Perfect for your Youtube video or synth channel.

Rare opportunity to own one of a kind synthesizer keyboard.
This is the Behringer Kobol Keyboard. There's a label in the back showing this to be an "Engineer Sample".

All controls and keys seem to be working. Although given this is not a production model, there could be quirks. The Pitch and Mod wheels light up when activated. The LED bar changes when knobs are turned.
I had tested only the audio outputs - headphones, main out, and amp out. Other connections and USB are untested.

Good overall physical condition, but there are very visible scratches and dings and dents on the panel, as shown in the photos.
The back stand has 3 positions for tilt adjustment."

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