KIVIAK WoFi - "Fierceful Sequential Machines"

video upload by Alba Ecstasy

"Hi! The team from KIVIAK Instruments sent me the WoFi right before the Christmas.
And since then, there hasn't been a day that I haven't played the WoFi!

I’m not mastering it at it’s very best, yet! - but this sampler has a HUGE POTENTIAL!

From the very first day I sampled my voice, my kids' singing, my synths, ambiental noises and anything you can think of!

Diving into the samples with the Waveform Viewer, using the Touch Stripe or the Texturer’s buttons, to create new interesting sounds and modulate them with the LFO, to obtain either an industrial, harsh sounds or a sound with vintage lo-fi vibe.

Here’s a sample from my Sequential PRO 3, using it to create a Berlin School sequence on my own style with a vintage vibe, and playing over it - by using the SOLO function - a plucky/organ lead, both the sequence and the lead using the same sample.

I’m passing through the sampling MACHINES and the Playback Modes and tweaking some functions.

I added some delay and reverb, and during the playing (made in post processing) I’m bypassing them for a raw sound."

More to come, next days!

Questions?! Please ask!

❤️AE

0:00 Allez-y!
0:30 Playback Modes
0:50 Machines
1:30 Ext. Delay & Reverb
1:40 SOLO function
3:15 Texturer
4:40 RAW
5:40 Back to ext. effects
6:30 Messing with the Playback Modes and the Machines
8:20 À Bientôt!"

Roland MKS-100 | The first Roland sampler module (and very few knows about it)

video upload by Espen Kraft

"The Roland MKS-100 from 1986. The Module version of the S-10 with a few minor differences, among them the Midi Mono mode. Sampling time and memory is the same on the S-10, MKS-100 and S-220 (the third and last sampling module in this early series)
Four memory slots (ABCD) with a total sampling time of 4,4 seconds at 30Khz. (8,8 sec @ 15Khz). The S-10, MKS-100 and S-220 all used the Quick Disk (QD) system to load and save sounds.

Check out my Roland S-10, MKS-100,S-220 sample library here: • Roland S-10 Sample Pack | Download now! [video below]

Big thanks to Anders Enger Jensen for lending me the MKS-100 for this video.

Some references say the MKS-100 is from 1987, but Roland made these in 1986 through to the end of the 80s."

Roland S-10 Sample Pack | Download now!
video upload by Espen Kraft

"A brand new sample pack for the Roland S-10, MKS-100 and S-220.
51 different samples taken from my vintage collection of synths and drum machines.
These are QD image files so you have to have a QD floppy emulator installed in your S-10 to use these.
Price is $15USD or €15Euros if you prefer that currency. Send me an email if you're interested. I only sell these through email. You'll find my email in the "about" here on my channel.
All the sounds heard in the demo video are coming from this pack. External reverb is on some of the samples in the video.

I think the Roland 12-bit S-samplers from the 80s has a special sound to them. If you have a S-10/MKS-100/S-220 and you just want some new cool sounds for it then this pack might be for you. These sounds can not be found anywhere else. They're all made by me one way or the other."

Suiko ST-20 + Chase Bliss Reverse Mode C // DAY 4 #jamuary2026

video upload by Dexba

"I love everything about this combo, from the colors to the subtle lo-fi nature of the sound (I am using the halved sample rate on the RMC).
I also like the Suiko for its limited sound palette and the fixed, exotic (to me) scales, which force me to find my way around them or within them or both.
I hope you'll like it! 🧡

This time, no affiliate links, because the Suiko hasn't been in production for the past 40 years, and the Chase Bliss pedal is also not in production ;)

#jamuary #chasebliss #suiko"

Wavetable Synths A-Go-Go: 1010Music Fireball, Pigments 7, and Ultra.Audio Ultra!

video upload by Keith Crosley

"It's a trifecta of new (and new-to-me) wavetable synthesizers! Your old pal Keith got a 1010music nanobox Fireball synth for Christmas, so of course I made a new wavetable collection for it. Let's take a look and listen! Also, we'll talk about Arturia Pigments 7, and look at the crazy wavetable features of a new super-synth, ultra.audio's... Ultra! Also, I talk about "Microwaved" wavetables, sample fukkery, show off one of my Lego minifigures, and introduce you to my new favorite band. It's like show-and-tell for grown-ups who refuse to grow up! So grab your micro SD card, stick it in the slot, and join for a WAVETABLE-SYNTH-A-GO-GO episode of your favorite talky synthesizer content show!"

"Get my new KRC Fireball Collection -- 2000+ wavetables for 1010music Fireball, Bento, and other wavetable synths that support Serum-style .wav wavetables -- just $10!: https://www.wavetables.lol"

CHAPTERS:
00:00:00 Intro, wavetables.lol, KRC Mathwaves
00:00:40 1010music nanobox Fireball hardware wavetable mini-synth
00:23:52 Arturia Pigments 7 software wavetable synth
00:35:17 ultra.audio Ultra VST3/standalone wavetable super-synth

Hexdrums: First Noodle (No talk, no drive)

video upload by Richard DeHove

"You want easy? Hexdrums is easy. The sounds are whatever the knobs are on. There are no hidden extra sound controls. The sequencer is wonderfully straightforward yet has the options to create long and complex passages on a single pattern.

This is my first pattern with Hexdrums and I created it to learn the options, so it contains a little bit of everything. Voices 1, 3 and 6 run for 24 steps; most of the others are 16 or 64; there's shuffle on voices 3 and 4; and about half the steps on voice 4 have some microtiming. Many voices use the 'play once in 4' or similar settings applied to various steps and I activated the option for those to affect the last time around rather than the first. Various voices also have accents on different steps. I replaced the cymbal samples with my own samples which is what you hear on voices 9 and 10.

I used the individual outs on the back to send the snare to the Echolocator and the low boom sample on voice 9 to the Nightverb. MIDI out on the Hexdrums controls the Echolocator clock. By that stage it was all feeling full so I didn't want to artificially squeeze in the hats so I left them for next time. Many people like to immediately apply loads of drive to the sound. I love drive, saturation, dirt, gain and distortion. But there's none here. Another thing for next time. Likewise only a tiny touch of compression. With me applying 'test amounts' of all these options, usually at random, it's a miracle it sounds as coherent as it does. Even so rolls and hits do appear at odd intervals, the result of the 24 vs 16 step interplay and the 1-in-4 steps.

Not surprisingly then I thought it best to leave the knobs alone and concentrate on muting parts to create this little demo. Obviously it's all a single take and has not been enhanced, edited or remixed in the DAW. Stupidly I had a loose cable going into the Echolocator which created a bit of hum which I did try to eliminate in the DAW.

My one sentence review so far: Hexdrums is incredibly easy to use with loads of effortless thump and a deep sequencer.

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

PATCH / STEREO 4 VOICE GENERATIVE CHORDS / Joranalogue Audio Design system

video upload by Joranalogue Audio Design

"'I had a blast creating this patch on a giant Joranalogue eurorack system. I implemented a lot of small tricks, let me write out the main ones down here...'—Simon


Kickdrum
---------------
Filter 8 is getting pinged by a clock pulse (generated with a looping Contour 1), routed through Warp 1. A second Contour 1 is used to modulate the frequency of Filter 8. A Step 8 being clocked with the same pulse from Contour 1 is modulating the exponent parameter on Warp 1 (controlling the amount of distortion/waveshaping). The pattern is 7 steps long. By adjusting the exp knob manually I have additional control over the distortion.

CLICK FOR MORE »

Introducing Absynth 6 – weird by design | Native Instruments

video upload by Native Instruments

"Absynth is back and better than ever. The legendary semi-modular synth built for evolving textures, immersive atmospheres, and expressive sound – now with new presets, a reimagined Mutator, Preset Explorer, surround sound and MPE support, plus much more."

And a few supporting member videos followed by the press release with images:

DATABROTH

video upload by DATABROTH

"Read my full review here: https://www.databroth.com/blog/absynt...
Join me December 12th at 9 AM PT in the Native Instruments discord as I live stream Absynth 6

check out my wavetables and presets at https://gumroad.com/databroth
join my Patreon https://www.patreon.com/databroth"

00:00 First Patch
01:21 Biolumin
02:21 Crystal Pad
03:14 Glitters
04:25 Refractions
05:41 Patch Six
06:33 Aetherized

Absynth 6 Review is Here: The King of Cloudy Pads Returns #absynth6 #absynth #nativeinstruments"

Ocean Swift / Faxi Nadu
video uploads by Ocean Swift / Faxi Nadu

Grab the Ocean Swift Absynth Collective for a huge expansion of over +780 presets! https://oceanswift.net/product/absynt...

Playlist:

1. Absynth 6 Review is Here: The King of Cloudy Pads Returns #absynth6 #absynth #nativeinstruments

"Native Instruments has finally released Absynth 6! In this exclusive first look review, we dive deep into the completely redesigned GUI, the new MPE capabilities, and the massive library of new presets Ocean Swift helped design.

After years of waiting, the legendary semi-modular synthesizer is back. As one of the external sound designers for this release, we've spent months exploring the new engine. In this video, we break down exactly what makes Absynth special and why the new UX modernization changes the game for sound designers and composers.

We cover everything from the new HD Mode and browsing workflow to the advanced envelope shapers that made Absynth famous - now easier to use than ever.

The King of Cloudy Pads Returns? Finally here!

#Absynth6 #absynth #NativeInstruments #SoundDesign #Synthesizer #MusicProduction #VSTPlugin #newgear

00:00:00 Absynth Is Back!
00:01:16 UX and UI Remake
00:03:15 Revamped Macros
00:04:22 MPE and PolyAT
00:06:22 New Synthesis
00:08:00 Browsing
00:08:27 New Presets
00:09:48 Get +780 Presets!
00:11:13 New Samples
00:13:10 In Love"

2. Absynth 6 - Design a Patch From Scratch | Layers, Clouds, Macros & Note FX #absynth6 #sounddesign

Along the way we explore the unique features that make Absynth special: working with all three layers, using per-layer envelopes, dialing in note-aware effects, assigning macros, shaping clouds and filters, and sprinkling in small tricks and workflow tidbits. By the end of the video you’ll have a clear understanding of how to approach your own Absynth 6 patch design - whether you’re after cloudy pads, moving textures or more experimental tones. If you’re just getting into Absynth 6 or want to go deeper than presets, this walkthrough will help you unlock the synth’s semi-modular possibilities and design your own signature sounds.

Press release follows:


Native Instruments makes things “Weird by Design” with the return of fan-favorite soft-synth Absynth 6

The semi-modular powerhouse, overhauled for a new generation of musicians, featuring full MPE polyphonic aftertouch, surround support and an AI-powered browser

CLICK FOR MORE »

Digitakt 2 × AstroLab 37 – A Workflow Sineway Didn’t Expect

video upload by Sineway

"A Digitakt 2 performance built entirely from samples of the AstroLab 37.

Every synth sound in this track started on the AstroLab, then took on a new shape once chopped, pitched, and rebuilt inside the Digitakt 2. The workflow surprised me – the DT2 clicked as soon as I stopped trying to treat it like a sample-based Digitone 2 and leaned into what it really wants to be instead.

More Digitakt 2 content is coming – and more AstroLab-based stuff too. If you want a breakdown of this sample-chopping workflow, let me know in the comments."

Restoring an Instrument You've Never Heard (only 3 left)

video upload by Emma Repairs

The ViVi-Tone Clavier Kalama Zoo!

"This month I undertook quite possibly the rarest restoration I may be able to do, doing a full redo of the first electric piano. Come with me as we discover how important this specific model actually is in relation to it's creator...

SAMPLE PACK:

Below is the download link to the two sample packs, please download the whole folder for the program to work. Once downloaded, click the second link to download the sample pack player--there you can open it in your DAW as a plugin and select either pack options. NOTE: Files have been updated using a better Clavier--these are not from this video's Clavier, but a newer restoration of another.

https://tinyurl.com/2ecx5de5
https://www.tx16wx.com/download/

0:00 - 4:17 The History
4:17 - 11:52 Keybed
11:52 - 14:42 Action
14:42 - 18:35 Signal Path
18:35 - 24:19 Tuning/Voicing
24:19 - 26:43 Demos"

KORG TRIDENT MK1 Analog Synth Demo

video upload by EthanRayMusic

"Here's a brief sample of me playing the Korg Trident MK1 analog polyphonic synth. This is an incredibly lush and beautiful instrument with some of the finest sounding synth strings around.

The synth section alone sounds wonderfully gritty and bright in a way that really cuts through. The filter tone is also really great, with a very starry, twinkly quality.

The built in flanger is quite unique and sounds awesome."

Ambient Improvisation

video upload by Jörg Schaaf

"1,859 / 5,000
It's been quite a while since I produced and uploaded my last live video. With this video, I want to make a fresh start and produce more videos from my studio in the future. Therefore, this improvisation is quite simple. The Prophet X plays two sequences of different lengths using a sound from my Prophet X Sample Library Volume 1, which is available on my website and will be presented in detail here on YouTube soon.

https://www.joergschaaf.de/wordpress/...

The Spectralis plays a deep bass note every two bars and runs unsynchronized at the same tempo as the Prophet X (119 BPM).

I play a few melodies on my Minimoog, which has faithfully accompanied me for almost thirty years. It's a kind of farewell to a beloved synthesizer that I unfortunately have to part with. You can find it on the German online classifieds site Kleinanzeigen.

(https://www.kleinanzeigen.de/s-anzeig...)

The Minimoog is in very good condition. I've maintained it regularly over the years, and it underwent a complete overhaul last week. This Minimoog is equipped with a Lintronics MIDI converter, which includes an additional LFO and other modifications. Thanks to retrofitted precision trimmers, the oscillators are significantly easier to tune and more stable than the original.

The sound of a Minimoog is very organic and majestic. I emphasize the vintage character of this little instrument by using the Valhalla DSP Delay plugin. This plugin produces wonderfully glorious noise and distortion on demand, adding even more life to this session."

Techno Jam with Perkons HD-01 by ‪@EricaSynths‬ 🎛️

video upload by Yan Cook and PLAY VINYL

"I want to thank ‪@playvinylua‬ for lending me this machine for several days, I'll definitely use this opportunity to sample the beast 😃

My first impression — Perkons is BIG, really built like a tank, and feels very different from any drum machine I've used before. Each press of a button and turn of a knob feels significant—like I'm operating a submarine control panel or something. The sheer hands-on joy this instrument delivers is on another level; it's a machine you need to experience in person."

Roland TB-3 Acid Breakbeats TB-303 Bassline Aira Synthesizer Rik Marston

video upload by Rik Marston Official

"*Watch in HD* *Turn it UP!* *No Talking!!!*

My Etsy store: AhnyxianSoundDesign
https://www.etsy.com/shop/AhnyxianSou...
selling Synthesizer Sample Packs, UP NOW!
Also Jupiter-8 Prophet-6 OB-6 & more in .WAV format
& Exclusive Yamaha Montage / MODX, Korg Kronos / Nautilus
Sample Packs!
Do you like Ambient Chill Zen Electronic Synthesizer Music
like Vangelis, Kitaro, Brian Eno & more?
https://itunes.apple.com/us/artist/ri...
Check out my band Earth Empire! ('Best of Earth Empire')
Sounds like a mix of Depeche Mode, Front 242 & Gary Numan!
https://itunes.apple.com/us/artist/ri...
on iTunes, Spotify, Amazon & more!

'Roland TB-3 Acid Breakbeats TB-303 Bassline'
This fantastic synthesizer was a gift from my friend David Lovering
of The Pixies! David has given me the POWER OF ACID!
And I shall use it! In abundance!
This "Touch Bassline" is the Roland AIRA version of the
legendary TB-303 Bassline! And you use it with your fingers!
But in this little synthesizer demo I play some preset patterns
linked via Ableton LIVE to a funky Breakbeat at 120BPM."

FALL - Ambient Synth Jam #22 // Pro3, Subharmonicon, Arbhar, Panharmonium

video upload by David Falcon

"I felt like I needed a change in the setup to spice things up a bit, so it was time to learn how to use the CV ins and outs on my Sequential Pro3, since I've never learned to use them.
Here I am sending gates to Arbhar to trigger a sample, as well as clocking the whole system with LFO 3. Nothing crazy so far, taking baby steps. This arrangement arised so I had to hit record and see where it was taking me.
Abrhar goes into the latest addition to my rack which is the Rossum Panharmonium. It is generating synth notes from the sampled strings in Arbhar.

At the begginning I am improvising with the Nord Felt Piano on top of the Arbhar, and then slowly bring the other elements into the mix.

Subharmonicon is doing some long chords, feeding into Meris Polymoon for delay/reverb with some phaser. This pedal is amazing with synths specially.

The Pro3 is doing a sequence that gives the rhythmic context to the rest.

Hope you like it. Looking forward to explore this setup further.

// Patch notes //
Pro 3 - Clock and gates. Pluck sequence.
Subharmonicon - Chords, into Meris Polymoon.
Arbhar - Drone sample, triggered from Pro3. Into Panharmonium for subtle resynthesis.
Nord Electro - Felt Piano and Hammond Organ.

00:00 Intro - Piano Improvisation
03:10 Pro 3 sequence
04:00 Moog Subharmonicon chords
06:10 More piano improv
09:18 Hammond organ improv
11:00 Outro
13:30 Panharmonium resynthesis"

Give Me 7 Minutes - Unbelievable LoFi Track From Scratch with The Kiviak Wofi Sampler

video upload by SYNTH SAMURAI

"⁠The Kiviak Instruments WoFI is a portable Sampler keyboard that connects to the internet via WiFi, and features an innovative effect module called Texturer that combines elements of shimmer and granular synthesis to create unique and fascinating sounds. Its compact size and intuitive interface make it an ideal tool for musicians and producers who are always on the move. In addition, WoFI comes with a rechargeable battery, allowing you to create music anywhere you go without worrying about power. You can also share your patches and access sound banks from other sound designers through the mywo.fi community platform. Whether you're a beginner or a seasoned professional, WoFI offers endless possibilities for exploring new sonic territories and creating unique sounds."

CLICK FOR MORE »

Vongon Introduces Solarfaze Stereo 3-band Saturator and Detune/Chorus Pedal

Demo and Sounds Samples video upload by Matt Lowery

"Grab a sample pack and support the cause: https://otakusound.gumroad.com/l/boke...

Today we've got the Solarfaze on the bench, by Vongon. It's a stereo saturation and detune (aka chorus) effect. Here's how it works and what it sounds like.

00:00 Intro
01:43 Chorus
05:23 Saturation
09:45 With Subharmonicon
11:40 With Pulsar 23
14:10 Multiband Guitar Loop"

Burning Softly // Vongon Solarfaze

video upload by OoraMusic

"Warmth. Movement. Glow.
This is the new Vongon SOLARFAZE — a stereo chorus fused with saturation.
Joined by Replay, Ultrasheer, and Polyphrase, here’s how it dreams.
Enjoy."

00:00 Jam
02:36 Intro
03:59 How to support me
04:30 Overview of SOLARFAZE
05:45 Saturate
08:15 Detune
10:04 Bringing in the other pedals
11:15 A different effect chain
15:13 Bonut tip : Transposing arpeggios with Replay
16:10 Solarfaze on Pads
20:05 Conclusions

Vongon Solarfaze is beautiful (harp, guitar, synth, drums)

video upload by Harp Lady



Pics and details via Perfect Circuit

The Solarfaze from Vongon is a stereo 3-band saturator and detune/chorus pedal that gives you exacting control over the frequency landscape of your signal. Whether you're adding a bit of undulatory warmth and saturation or assaulting the frequency spectra of your choice, Solarfaze as you covered, often surprising you with its tonal complexity. The heart of the pedal is a 3-band Bass, Mid, and Treble saturation mixer with each section offering three levels of gain: Soft, Boost, and Hard. Each band can be finetuned to one of five different frequencies, making this pedal as versatile as you are.

The Detune section offers a simple interface for adding movement and interest to your signal, affecting the stereo field, as well for a satisfying binaural experience. Adjust the Amount and Mix to your taste and turn up the Envelope control for dynamic expression that is based on your playing. Size can be adjusted as well to create a smoother or tighter detune effect. Other features include a built-in Noise Gate and an effect rerouting option. Indeed, the Solarfaze is a wonderful addition to the already incredibly Vongon lineup and is sure to find a use in any pedalboard.

SOLARFAZE FEATURES

Stereo multi-band saturator and chorus
Soft-clipping waveshapers for smooth transition from subtle warmth to heavy breakup
Bass, Mid, and Treble drive sliders
Selectable gain level per band: Soft (0dB), Boost (+6dB), Hard (+12dB)
Each band has 5 different frequency options
Stereo detune chorus with independent left/right pitch shifts
Envelope modulation of detune amount for dynamic stereo animation
Route Saturation into Detune and vice versa
Built-in Noise Gate with adjustable threshold
MIDI Input for parameter control and 9 preset storage

CLICK FOR MORE »

Hacking Omnisphere 3: User MULTIsamples are a Thing!

video upload by Keith Crosley

"TLDR: You can make your own multisamples for Omnisphere 3. Why is this hidden? I don't know! But come along with me as we hack Omnisphere to play some of the world's greatest recorded sounds. (Also, my own "Varieties of Noise" sample library.) Grab your XML parser and get ready for a multi-samples-a-go-go episode of your favorite talky synthesizer content show!"

You can find wavetables and additional resources by Keith Crosley available at https://www.wavetables.lol.

When the Spec Becomes Code: Building a Norns Instrument with AI

video upload by Lesjamusic

"Building PolyNexus: A Complete Norns Instrument, using Claude AI

I used to struggle with "vibe coding" - throwing prompts at AI and hoping for working software. Then I discovered the article "When the Spec Becomes the Code," and everything changed.

Spec-driven development (SDD) transformed my workflow. Instead of generating code through endless prompts, I focus on creating clear specifications first. The spec becomes the blueprint, and Claude AI helps compile it into working code.

PolyNexus is the result of this approach - a complete generative polyphonic instrument for Monome Norns that evolved far beyond my initial vision. What started as a chord sequencer grew ambitious: I built PolyVoice, a custom 6-voice synthesizer engine in SuperCollider, based on three Plaits oscillator models with wavefolding, sample rate reduction, and comprehensive modulation.

The best part? Spec-driven development gave me the confidence to tackle SuperCollider synthesis, something I wouldn't have attempted with traditional "vibe coding."

🎹 PolyNexus Features:

PolyVoice Synthesis Engine: • Custom 6-voice polyphonic SuperCollider engine • Three Plaits-inspired oscillator models (morph, waveshaping, wavetable) • Wavefolding for harmonic complexity • Sample rate reduction for lo-fi textures • Independent LFOs and envelope control per voice

Generative Sequencer: • 16-chord harmonic palette (monome Grid row 1) • Probabilistic note retriggering engine • Random chord sequencer for compositional surprises • Bass and sub-bass sequencer for rhythmic foundation • Real-time playable notes (Grid row 5)

Analog-Style Effects Chain: • Tape character: flutter, wow, saturation, tape noise • Tape-style delay with feedback and rate control • Multi-mode filtering for tone shaping

🔗 Resources: • Jean Bovet: "When the Spec Becomes the Code" - / when-the-spec-becomes-the-code • PolyNexus (coming soon to lines community) • monome Norns - https://monome.org • Mutable Instruments Plaits • SuperCollider synthesis language

⏱️ Timeline:
0:00 - Introduction: The Struggle with Vibe Coding
01:51 - Discovery: Spec-Driven Development
04:33 - What is PolyNexus?
12:37 - Live Performance

Want to try spec-driven development? Start by describing what you want to build in clear, detailed language. Iterate on the specification until it's crystal clear. Then let AI help compile it into code. You'll be amazed at what becomes possible."

Büromaschinen | What a single pattern can do | X.12 Firmware exploration

video upload by buromaschinen

"A bit late to the party.

Not a proper song, it's a single pattern first exploration to test the new sound design and manipulation possibilities of the Elektron Machinedrum unofficial Firmware ver. X.12.

It's unbelievably good.
I'm totally shocked/in awe and I think I will go MD X.12 only for a while.
It really feels like that Monomachine/Machinedrum hybrid I have been dreaming about for such a long time.

Next thing I want to do is a pure data midi2CC script that allows me to input notes and chords with a midi keyboard.

A special thank you goes to the developers, you really did an incredible job.
If I could make a little wish for a future addition: I would love to have tonal mode for the ROM machines as well, I have a huge sample library from the Amiga era that is waiting to be loaded in the UW :)

In this exploration I mainly used GND-PU and GND-SW for the melodies, all synthesis, no samples. The pulse bass/pad thing is sidechained with a NFX-CO machine and the main pads use a NFX-EV to achieve long attack/release and double stage filtering.

All the audio is coming from the main AB out, no additional audio outputs were used.

You can find my music on buromaschinen.bandcamp.com
Buromaschinen is part of the Distant Future association, distantfuture.org"

First Jam with Dream Cinematic Synthesizer Solar 42N

video upload by Pipo Ferreira

"What an incredible machine. Had to capture the very first little jam with the new Elta Music Solar 42N. Just got it this week and finally got around to playing with it today. Just scratching the surface of what it can do. Can't wait to learn all its intricacies and develop some techniques with it so I can hopefully take it to a future live performance. Dream synth for me!

Also, can't wait to sample it a bunch into the Elektron Tonverk.

Stick around for future jams with it if you are interested. And, of course, thank you for watching/listening!"