SUBTLE TO SAVAGE! // ST Font by NANO Modules (Eurorack Stereo Multimode Filter & Saturating VCA)

video upload by DivKid

"Hello and welcome to this video on the ST Font Eurorack multimode, saturating, wild resonating filter demo! ST Font is made by NANO Modules and builds on their ‘liquid filter’ design from Font and makes it stereo and adds a load of new features. This demo goes from the raw sound and features through more basic patching, expanding things from mono into stereo, working with stereo and a variety of sources through to more advanced synthesis and modulation options. Patches all below, skip around as you like!"

*TIMING INDEX // CHAPTERS **

ALL CAPS ARE THE PATCH/SECTION CHANGES
lower case are separate moments you might want to skip to within that sub section

00:00 HELLO & PATCH PREVIEWS
01:41 WHAT IS THE ST FONT & FEATURES
03:58 RAW SWEEPS & SOUNDS - low pass
  04:59 - band pass
  05:22 - high pass 
  05:50 - span stereo images
  06:18 - spectral see saw
  06:42 - vari-width band pass
07:58 MONO TO STEREO ENHANCEMENT + ACID ACCENTS & AM
  09:27 - creating accents
  10:37 - mono to stereo sequencing
  11:41 - adding AM
12:28 MODERN BASS DESIGN WITH SELF PATCHING
15:54 CREATING NEW TEXTURES BY PROCESSING FX
19:54 WILD SUPER STEREO DRONES
21:13 CREATIVE DRUM PROCESSING - COMPRESSION, EXPANSION, AUTO FILTER, SATURATION AND BEYOND!
  22:13 - saturation for beats
  23:02 - HP bass boost trick
  24:03 - auto filter FX
  24:46 - dynamics expander
  25:13 - compression
  26:05 - AM overtones
26:30 SELF PATCHING MODULATION - NEW RIPPING TONES AHOY!
28:44 OSCILLATING FILTERS AS DUAL VCOS
31:56 A FASCINATING WORLD OF STEREO FILTER PINGS
  32:44 - how to ping a filter
  33:56 - modulation & FM
36:11 AUDIORATE MODULATION - BASIC TO COMPLEX PATCHING
  36:46 - basic audio rate modulation
  38:32 - modulated modulation
  39:44 - stereo span

"ST·FONT is a stereo liquid filter that takes the beloved core of our FONT module and expands it into a powerful stereo filtering tool.

With a dual filter core (one for each channel), it offers a massive liquid sound with smooth resonance, adding warmth and depth to any audio signal.

Dual-core Stereo Filtering
Independent filter cores for left and right channels with Low Pass, Band Pass, and High Pass modes, plus seamless crossfading between filter outputs.

Integrated Stereo VCA
Built-in stereo VCA with soft clipping, adding warmth and harmonic richness to your sound. From clean amplification to heavy saturation, enhancing tone before it reaches the filter stage.

Dynamic Resonance Modes
MILD keeps the resonance smooth and musical, ideal for classic filtering effects, while WILD pushes the resonance to its limits, delivering intense, aggressive sounds with heavy distortion that brings an extra edge to your signal.

Stereo Span Controls
Dedicated FREQ Span, RES Span, and MODE Span knobs allow you to create a wide, immersive stereo field by adjusting the spread of Frequency, Resonance and Mode across both channels."

t-spectrum - First look and tutorial

video upload by soundmachines

"T-SPECTRUM
The long awaited series of modules based on the success of the LS1Lightstrip, it's finally here!
t-spectrum is a spectral processor with onboard distortion that can create gentle percussion like sound or completely destroy your sound. Use at you own risk ;)

CHAPTERS:
00:00 - Quick interface explanation
01:17 - Functionalities demo with White Noise
05:56 - Using the touchstrips
07:55 - Recording automations, the Loop/One-Shot modes and the reset input
11:11 - The Distorted output
11:38 - Sound demos"

T-spectrum takes the concept of merging modulation sources and destinations into a single module.

T-spectrum is a spectral processor, an organic sound sculpting tool transforming drastically what passes through it.

The powerful modulation engine lets you hear frequency bands dance, smoothly or frantically. Bring life to your patches with free running or resettable custom drawn modulations.

Maximum automation recording length of 20s for each parameter.

MODE allows to change between 1/2/4/16 (max) bands

FREQ moves the filter initial frequency

SPREAD changes the bandpass filters Q peak

TILT moves the selected peaks around the spectrum.

The integrated touch lightstrip controllers can drive four parameters with looping or one-shot recording playback mode on each track with global RESET input.

Secondary distorted output.

Features list :
•Spectral processor
•Four channels parameters recorder
•Up to 20 seconds automation recording time
•Looping, One shot and Hold modes for automations
•CV input and physical control for parameters
•Normal and Distorted outputs
•Four modes: 1/2/4/16 bands
•Modify resonance peaks and move the bands around the spectrum

•Current draw: 150 mA (+12 V) / 20 mA (-12 V)
•Width: 8 HP
•Depth: 34 mm

Mandrake - Kick Drum Synthesizer by Malstrom

video upload by MATTHS

"A kick drum lays down the foundation of your track, the root of your beat. You need the low end to create a pumping motion and the high end to cut through the mix. All this while maintaining spectral room for other sounds. So it can be quite an undertaking to get right.

Which is why we developed Mandrake. A kick drum synthesizer that targets kick drum sounds for Dance, House and Techno music. Inspired by physical models, DAW drum synthesis and sound mixing techniques. It divides the sound into a 'Hit' and 'Body', with sound shaping possibilities for both sections.

Mandrake is not another 808 or 909 clone; its analog circuitry is entirely built from scratch to create an original sound. Also nothing more than a great kick; ranges to get into detail, and useful kick drum sounds throughout its settings!

FEATURES
'Hit' and 'Body' sections to sculpt the most important parts of a kick drum.
Hit-timbre and Hit-volume controls to shape sound of the transient.
Body saturation, resonance, decay and damping controls provide a varied sound palette.
Clear pitch control section that is carefully scaled to match a kick drum.
Two VCA shapes that provide different flavours.
Ducking or normal Envelope output to further sculpt and modulate.
Accent or VCA CV input switch to match your sequencing method.
Clean-up switch to remove rumble and decrease 'boxiness'."

/// Connect With MATTHS ///
🕸 WEBSITE w/ links - www.matthsmatthsmatths.com

Bad Gear - Moog Spectravox

video upload by AudioPilz

"Today we are going to talk about Spectravox and as I might be the only synth person on the internet who didn’t get either their CS-80 for suburban dads or totally AI-free music generating Buchla ripoff, I have to resort to the strange one that seems like a more expensive version of that FX pedal they released 20 years ago.

Bad Gear - The Strange One

Chapters:
00:00 Intro tune
00:49 Overview Moog Spectravox
01:03 Oscillator
01:23 Ways of triggering the Synth
01:42 FilterBank
02:00 Classic Synth Tones (High- & Lowpass)
02:18 Resonance, Spectral Shift
02:40 LFO
02:50 Buzz/Hiss
02:58 Vocoder
03:18 Analysis Filter Bank
03:34 VCA (Drone Mode)
03:47 External Modulators/Carriers (Polyphonic Tones, Rhythmic Patterns)
04:05 Ping Filters ( Moog Marimbas )
04:11 Moogfest Version, Limitations, Pricing
04:39 Hate
05:05 Jam 1 ( Techno )
06:00 Jam 2 ( Elektro )
07:03 Finale ( GOA Psytrance )
07:31 Verdict"

Hellmouth Moog Spectravox and Strymon Starlab Horror Drone

video upload by riotbell

"I wasn't sure what to expect from the Spectravox. I never thought it would turn out to be one of the meanest drone synths I've ever encountered. It's one oscillator but somehow the resonance compensation plus the spectral shift can just sound ferocious.

This is basically the Spectravox running through the Rossum Morbius filter into Qu-Bit Nautilus with reverb via the Strymon Starlab.

I feel like I'm a little at odds with some of these uploads. Some people really seem to like the drone content, others not so much. It's definitely darker than a lot of the gentler ambient stuff that gets posted. But I've decided to just post what I've working on hoping there are people who'll find it interesting.

Thanks for listening!"

Wallington Waveform Synthesiser FS-2A

video upload by Spectral Resonance

"How much fun can you have with one note?? Add.a dash of reverb and voilà!"

Latest Moog Spectravox Demos

video uploads by Moog Music

Moog Music

You can find the first two videos in the series here, and additional Spectravox posts here.

Playlist:

1. Spectravox | Sculptable Synthesizer Voice

"In this video we explore how to use Spectravox as a standalone synthesizer voice.

We begin by configuring Spectravox for keyboard control – patching the Keyboard CV output of Grandmother to the 1V/OCT input on Spectravox and the Keyboard Gate output of Grandmother to the Trigger input on Spectravox. Playing Spectravox this way gives us a unique analog synthesizer voice where the ten filters and Spectral Shift controls allow us to sculpt the sound of Spectravox’s Voltage Controlled Oscillator. We look at using these controls alongside the LFO for both traditional lowpass and hipass filtering as well as unique notch filtering, comb filtering, and phasing effects. Lastly, we look at using the LFO and the VCA input to create tremolo effects."

Spectravox | Filter Pings and Analog Physical Modeling

In this video we explore how to ping the filters of Spectravox to turn it into an analog physical modeling instrument and create percussive wooden sounds like marimbas or xylophones. By replacing the carrier input to Spectravox’s filter bank with a gate or envelope instead of audio and turning the resonance of the filter up, we can ping all ten filters and mix their levels for creating struck percussion sounds. In this video we first turn the VCA mode ON and then patch the Gate output of Grandmother to the Trigger input of Spectravox to use Grandmother to trigger Spectravox’s envelope generator. Patching the EG output to the Program input gives us level control of the envelope, and finally patching the Program output to the Carrier input inserts our decay-only envelope directly into the audio input of the filter bank. Later, we connect the Keyboard CV output of Grandmother to the Shift CV input on Spectravox to move all ten filters for melodic control of the filter bank.

2. Spectravox | Recreating Moogerfooger Effects for Guitar

In this video we explore how to use Spectravox to process guitar and look at recreating some of the Moogerfooger effects pedals with it.

We begin by using the Program section and its preamplifier to bring a guitar signal up to Eurorack levels for processing, and then connect the Program section output to the filter bank’s Carrier input. Here is how to recreate or simulate some of the Moogerfoogers:

MF-103 Phaser – use the filter bank as a comb filter and modulate it with the LFO for resonant phaser tones.
MF-101 Lowpass Filter – use only filter 1 (lowpass filter) and the Program Envelope Follower to get enveloped filtering. Switch to one of the bandpass filters for auto-wah effects.
MF-102 Ring Modulator – modulate the VCA CV with the LFO for tremolo effects and push the LFO to audio-rate for ring modulator-esque amplitude modulation. Explore amplitude modulation of each filter band respectively via their CV inputs
MF-105 MuRF – send an external sequence (from DFAM, Grandmother, or any sequencer) to the Shift input for sequenced resonant filter bank movement. Modulate each filter band individually with independent envelopes for even more MuRF-like behavior.

Spectravox is an open-ended signal processor, so use these as starting points and explore the myriad of unclassifiable effects Spectravox is capable of.

3. Spectravox | Emulating a Vintage Drum Machine

Embark on an exploration of Spectravox's capabilities as we delve into the intricate art of crafting vintage drum machine sounds with a contemporary flair. 🎛️💥 Join us in a meticulous fusion of Spectravox and rhythmic sequencers, aimed at resurrecting the beloved beats reminiscent of the 1970s and the nostalgic rhythms of vintage organs.

Unveil the methodology behind sculpting the quintessential drum machine foundation through the mastery of Spectravox's Carrier section. Our comprehensive tutorial will meticulously guide you through the synchronization of rhythmic sequences sourced from esteemed trigger sequencers such as ALM’s Pamela’s New Workout. Witness the transformation of Spectravox's ten bands into a symphony of dynamic kick drums, crisply resonant snares, and timeless wood block accents. Additionally, unlock the intricate craftsmanship involved in crafting hi-hats by toggling the Bands 9 & 10 switch to Hiss mode.

However, our journey merely scratches the surface of Spectravox's boundless potential. Delve into the realm of nuanced control with Spectravox's intuitive panel controls, where each knob adjustment opens doors to a myriad of sonic possibilities. For those craving to push the boundaries of sonic innovation, we offer insights into seamlessly integrating external control voltages, thus offering a gateway to unparalleled rhythmic experiences.

SUPERBOOTH 2024: Moog - Spectravox

video upload by sonicstate

"At Superbooth 2024 we met with Chris from Moog who gave us a look at their new Spectravox*. Originating from the Moogfest workshop in 2019, *Spectravox *is a semi-modular analog spectral processor and vocoder that offers dynamic sound sculpting capabilities through its 10-band filter bank, based on the *Moog 907 filterbank from the 60s, adjustable resonance, and extensive integration features. It's a tool for creating lively drones and colorful tonal sweeps, and can be used as a standalone unit or integrated with other instruments and sound sources.

Watch to the end of the video for a surprise appearance from *Jamie Lidell*, who has had his hands on a *Spectravox *for quite a while, and he tells us about his experiences with this box of tricks.

Spectravox Price: 599 USD"

Spectravox | Traditional Vocoding & Vocoder Processing

video upload by Moog Music

"In this video we explore how to use Spectravox in Vocoder mode to process vocals.
We begin by hooking up a dynamic microphone (in this case the Shure SM58) to the program input and adjusting the preamplifier gain to an appropriate level. This allows us to create classic analog vocoder sounds with our voice and Spectravox’s internal carrier oscillator and white noise generator. We next look at how to use the program envelope follower and an attenuator to increase the intelligibility of Spectravox and capture the dynamics of our voice. Finally, we connect Matriarch to the carrier input of Spectravox to be able to vocode chords and polyphonic material with our voice."

Spectravox | Vocoder Processing

video upload by Moog Music

"In this video we explore how to use Spectravox in Vocoder mode to vocode a drum machine.

By using a drum machine (in this video the Roland TR-606) in place of a microphone as the program input to a vocoder, we can map the rhythmic and tonal information of that drum machine on to Spectravox’s carrier oscillator and white noise generator. Spectravox’s Spectral Shift function allows you to move all of the filters up and down while resonance will impart more colorful and metallic tones. In this video we look further at how to use the filter bank patch bay to rearrange the envelope follower outputs and control voltage inputs of the two filter banks inside Spectravox to scramble the frequency spectrum. We also look at how all those inputs and outputs can be combined with the additional patch points on Spectravox for creative and interesting modulation."

Moog - Spectravox - Sound Demos

video upload by NOISEBUG

https://www.noisebug.net

See the announcement post here.

"The long wait is finally over. The Moog Spectravox has finally been released and we couldn't be more excited!

Spectravox, the newest member of the Moog semi-modular family, is a groundbreaking tool for sculpting sound. An analog spectral processor based around a 10-band filter bank, Spectravox creates lively drones and colorful tonal sweeps on its own and adds resonant depth and psychedelic spectral movement to any external sound. Hook up a microphone and Spectravox becomes a 10-band analog vocoder with innovative integrated modulation of all of its filters. An exploration and expansion of the topology of the vocoder and filter bank, Spectravox is a highly flexible instrument and signal processor with a comprehensive patch bay for integration into studios of all sizes.

Synthesists have delighted in playing with the spectrum of sound since the Moog 907 Fixed Filter Bank appeared in the 1960s, creating lush vowel tones and multicolored timbral animation with hands-on level control of each frequency band of a sound. Unlike earlier fixed filter banks, however, the unique filters of Spectravox are no longer fixed in place and will jointly shift around the frequency space, allowing for the creation of otherworldly voltage-controlled spectral animation and vibrant phaser-like sweeps. With 10 filters whose variable resonance can morph from soft precision to shimmering choral effects, Spectravox reshapes the sounds you love into surprising new forms and brings a new world of sonic possibilities to your studio.

Spectravox is a fascinating standalone sculptable synthesizer voice thanks to its built-in carrier sound source of a thick analog Moog oscillator and white noise generator. With its combo XLR/jack program input, Spectravox becomes a fully featured 10-band vocoder with a secondary filter bank for analyzing the spectral makeup of incoming sounds. In VOCODER mode its 10 analysis filters map the timbral characteristics of any external sound onto any other sound you can imagine. Shape the warm analog oscillator of Spectravox with the dynamics of your voice, or use a drum machine to animate guitar chords in a mesmerizing broadband percussive space.

Spectravox uses the pioneering vocoding work of Bob Moog and Wendy Carlos in the late 1960s as its inspiration—work which was based on Homer Dudley's original designs from the 1930s and which was used to prominent effect in Stanley Kubrick's 1972 film A Clockwork Orange. Innovating further from these early designs, Spectravox uses 10 state-variable filters for its filter bank, all 10 of which are capable of being shifted with its internal triangle wave LFO or external control voltage. With the ability to emphasize vowel sounds via the Hiss and Buzz functionality of the Moog 16 Channel Vocoder, Spectravox is both a major step forward for analog filter banks and a loving exploration of early music technology history.

Scramble the frequency spectrum and create wonderfully unpredictable textures with patch points for each filter in the filter bank and included patch cables. Add analog warmth and subtle phasing to digital synthesizers and sound sources. Integrate Spectravox with other Moog semi-modular instruments or Eurorack modules with an extensive patch bay providing control over almost all of its parameters. Spectravox is a boundary-pushing instrument that invites you to explore creative new ways of shaping and sculpting sound."

New Moog Spectravox - Semi-Modular Analog Spectral Processor

Moog Spectravox | Jamie Lidell | Awake & Alive video upload by Moog Music

Follow-up to the previous version.

"Experience a captivating musical performance featuring Jamie Lidell's "Awake and Alive," an original composition showcasing the Moog Spectravox. The performance features Aaron Steele on percussion and Luke Schneider on pedal steel.

The Spectravox, Moog's latest semi-modular addition, is a groundbreaking tool for shaping sound. This analog spectral processor, built around a 10-band filter bank, generates lively drones and colorful tonal sweeps, enhancing external sounds with resonant depth and psychedelic spectral movement. With a microphone connected, Spectravox transforms into a 10-band analog vocoder, featuring innovative integrated modulation across all filters. Pushing the boundaries of vocoder and filter bank technology, Spectravox offers immense flexibility as an instrument and signal processor, complete with a comprehensive patch bay for seamless integration into studios of any size."



Playlist:
The Moog Spectravox is a Vocoder, a Spectral Processor and Much More - Reverb
Moog Spectravox is in production! // Review, tutorial and 10 patch ideas - loopop
Moog Spectravox: Overview + Explorations - Sarah Belle Reid
Spectravox x Subharmonicon - A Brief Explainer - Noir Et Blanc Vie
Moog Spectravox - Accidental Arpeggios feat. Moog Subharmonicon - Noir Et Blanc Vie
Moog Spectravox Sound Demo (Machine Talking) - Limbic Bits
Moog Spectravox Sound Demo (no human talking) - Bonedo Synthesizers



The Newest Member of the Moog Family

Spectravox, the newest member of the Moog semi-modular family, is a groundbreaking tool for sculpting sound. An analog spectral processor based around a 10-band filter bank, Spectravox creates lively drones and colorful tonal sweeps on its own and adds resonant depth and psychedelic spectral movement to any external sound. Hook up a microphone and Spectravox becomes a 10-band analog vocoder with innovative integrated modulation of all of its filters. An exploration and expansion of the topology of the vocoder and filter bank, Spectravox is a highly flexible instrument and signal processor with a comprehensive patch bay for integration into studios of all sizes.

A Groundbreaking Tool for Scultpting Sound

Synthesists have delighted in playing with the spectrum of sound since the Moog 907 Fixed Filter Bank appeared in the 1960s, creating lush vowel tones and multicolored timbral animation with hands-on level control of each frequency band of a sound. Unlike earlier fixed filter banks, however, the unique filters of Spectravox are no longer fixed in place and will jointly shift around the frequency space, allowing for the creation of otherworldly voltage-controlled spectral animation and vibrant phaser-like sweeps. With 10 filters whose variable resonance can morph from soft precision to shimmering choral effects, Spectravox reshapes the sounds you love into surprising new forms and brings a new world of sonic possibilities to your studio.

10-Band Analog Vocoder

Spectravox is a fascinating standalone sculptable synthesizer voice thanks to its built-in carrier sound source of a thick analog Moog oscillator and white noise generator. With its combo XLR/jack program input, Spectravox becomes a fully featured 10-band vocoder with a secondary filter bank for analyzing the spectral makeup of incoming sounds. In VOCODER mode its 10 analysis filters map the timbral characteristics of any external sound onto any other sound you can imagine. Shape the warm analog oscillator of Spectravox with the dynamics of your voice, or use a drum machine to animate guitar chords in a mesmerizing broadband percussive space.

Electronic Instruments for the Musician

Spectravox uses the pioneering vocoding work of Bob Moog and Wendy Carlos in the late 1960s as its inspiration—work which was based on Homer Dudley's original designs from the 1930s and which was used to prominent effect in Stanley Kubrick's 1972 film A Clockwork Orange. Innovating further from these early designs, Spectravox uses 10 state-variable filters for its filter bank, all 10 of which are capable of being shifted with its internal triangle wave LFO or external control voltage. With the ability to emphasize vowel sounds via the Hiss and Buzz functionality of the Moog 16 Channel Vocoder, Spectravox is both a major step forward for analog filter banks and a loving exploration of early music technology history.

Scramble the Frequency Spectrum

Scramble the frequency spectrum and create wonderfully unpredictable textures with patch points for each filter in the filter bank and included patch cables. Add analog warmth and subtle phasing to digital synthesizers and sound sources. Integrate Spectravox with other Moog semi-modular instruments or Eurorack modules with an extensive patch bay providing control over almost all of its parameters. Spectravox is a boundary-pushing instrument that invites you to explore creative new ways of shaping and sculpting sound.

Sequential Prophet 5/10: a Musical Exploration Part 2

video upload by Synth Universe

"Part 2 continues my musical exploration of sounds and timbres on this classic analog synth using custom-created patches. All the sounds you hear in this video were created by me on the Prophet 10 and include pads, keys, bass, poly synth, leads, sines, chimes, strings and FX.

I wanted to retain the raw sound, so in the making of this video no chorus, modulation or thickening effects were used (software or hardware). Note that the Prophet 5/10 has no internal effects. The only effects used were reverb (mainly the Valhalla Vintage Verb plugin) or delay (Logic native delay plugin). No EQ was used to enhance either the low end or the high end.

The Prophet 5/10 has a single mono audio output, so to create a stereo image I used old-school layering in my DAW. When I recorded each audio take, I also captured MIDI data and used this to record new tracks of the original take. Using the Vintage knob on the Prophet set at 3 means that each MIDI take has subtle differences in pitch, envelopes and filter. Panning and slight detuning of the tracks creates, to my ears, a nice rich stereo image and retains the character of the sound.

*If you own a Prophet 5 rev 4 or Prophet 10, all the sounds featured in this video are now available to purchase as part of the Synth Universe Prophet 5/10 rev 4 Soundbank. Follow the link below where you can also watch video demos of all 80 patches.

Buy the sound bank here: https://synthuniverse.sellfy.store/pr...

Watch the demo of patches 1 - 20 here: [posted here]

Watch 'A Musical Exploration Part 1' here: [posted here]

Time stamps
00:00 PWM synth strings
00:49 Girth
01:28 Short synbrass
01:59 Clear keys
02:38 Fifth release
03:27 Spectral awakening & slow strings
05:47 Tremowah
06:33 Poly trill
07:12 Blasted bass
07:56 Vintage accordian
08:26 Fat muted PWM
09:02 Harmonics
09:46 Dreamy sine
10:39 PW chord pad
11:09 Quirky pop
11:28 Scat lead
12:00 Unison harp
12:31 Resonance keys
13:19 Hollow but rich
13:59 Rich chimes RAW
14:29 Rich chimes STEREO
14:59 Water spattering

All musical ideas are my own and are copyright to me.

Video graphics on Spectral awakening by ChristianBodhi from Pixabay.

There was no sponsorship or affiliation to Sequential or their products in the creation of this video."

SOURCE OF UNCERTAINTY - New Collaboration Between Buchla & Black Corporation's Roman Filippov

Soviet Space Child wrote in to let us know Buchla has teamed up with Black Corporation's Roman Filippov to release reissues of classic Buchla modules though a new venture called SOURCE OF UNCERTAINTY. From their new website https://sourceofuncertainty.com:

"AUTHENTIC REISSUES OF CLASSIC BUCHLA MODULAR. Source of Uncertainty is the official store for Buchla Classic Reissues, created by Roman Filippov of Black Corporation.

BUCHLA CLASSIC REISSUES SIGNIFY A RETURN TO PRODUCTION OF THE ICONIC COMPOSITIONAL AND PERFORMANCE TOOLS, using original parts wherever possible, plus minor adaptations for greater low-noise performance and reliability and component availability. We ship worldwide, direct from the engineer."


Roman actually got started cloning Buchla modules prior to forming Black Corporation. See the labels below or do a search for him if you want to go down the rabbit hole.

The following are the current modules listed:

CLICK FOR MORE »

SPECTRAL AUDIO PROTONE SN 960433

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"I believe only 300 units were produced, so it is quite rare!

Specs from Spectral Audio are as follows:

The ProTone is a monophonic Analog Synthesizer with an internal MIDI Interface. Because of the full analog design, the ProTone is perfect for creating powerful, special and never before heard sounds. And with its deep red front panel, it will look great in your rack.

Features:

2 true VCO makes Sawtooth and Pulse Waves
White Noise Generator
True Ringmodulator
Slide (Portamento)
High and Lowpass Filter with Resonance
Selectable 12 or 24 dB per Octave
Accent (Decay Envelope for the Filter)
Keyfollow
Wide LFO Range: 0.005 ... 3800 Hz
LFO Waves: Rectangle, Impuls, Triangle, Sawtooth, Sinus, Noise and Random
LFO Targets: VC01, VC02, Pulse Width of VC01, Cutoff and Panaroma
ADSR Envelope
Stereo Output with Stereo Panning
5 Octaves MIDI Interface
MIDI controlled Volume and Cutoff frequency
Velocity sensitive
CV and Gate In/Output to control vintage Synthesizer
External VCO and LFO Inputs"

CLICK FOR MORE »

SoundsDivine 'Altered States' - Korg Opsix

video upload by SoundsDivine111

"Preview of the presets from the 'Altered States' soundset for the Korg Opsix synthesizer.
https://soundsdivine.com/product/opsi...

#korg #opsix #synthesizer

00:00 Intro
00:10 Ride The Wave
00:45 Amphetamine Rush
01:25 Divine Resonance
01:38 Akemie's Castle
02:00 Aural Cascade 1
02:23 Mellow Metronomy
03:00 Moments In Love 1
03:35 5MeO-DMT
04:10 Destiny Echoes 1
04:48 Timeless Echoes 2
05:18 Zion Waves
05:50 Falling Harmonics 2
06:27 The Fifth Element
06:50 Equinox Phase 1
07:19 Modular Reflections
07:40 New Age Wave 1
08:15 Seventh Heaven
08:54 Wonderworld 1
09:21 Spectral Resonator 1
09:59 Wonderworld 2
10:31 Akemie's Castle
11:11 DMT Rising
11:49 Virtuous Ring 2
12:25 The Art Of Noise"

Spectral Audio ProTone SN 960204

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The ProTone is a true analog synth from the mid-nineties for the modern MIDI studio. It is monophonic and features two analog oscillators, a beefy resonant filter, flexible LFO, MIDI and CV/Gate control, and a simple intuitive hands-on layout with every control parameter accessible from the front panel knobs and switches.

Each oscillator features saw and pulse waveforms with independent waveform selection, tuning and level. White Noise is also available from VCO1. The oscillators can be sync'd and Ring Modulation can also be dialed in. The filter section allows for either high or low pass filtering and 12 or 24 dB/oct slopes with the usual cutoff and resonance knobs. A fairly standard ADSR envelope can be applied to the voltage-controlled amp, but there's only a decay envelope (Accent) for the filter. The LFO is quite flexible, with six wave shapes plus random, noise or external input. The LFO can be set to modulate VCO1, VCO2, Pulse-Width on VCO1, filter cutoff and panning. A few remaining controls include a Panner, and Slide (portamento) effect.

The ProTone features MIDI I/O and traditional CV/Gate I/O for use with vintage gear. A little too much like vintage gear, however, the Pro Tone does not have on-board program memory. But with such a basic synth architecture and no hidden menus or parameters, the ProTone is a hands-on tweaker's synth - full of fat analog bass and synth sounds with a squelchy filter and competent LFO. Additional features include external VCO and LFO inputs, MIDI controlled volume and frequency cutoff, velocity sensitivity, and stereo outputs. The ProTone makes a cost effective, reliable and unique alternative to many other older vintage dual-VCO analog mono-synths."

CLICK FOR MORE »

New from Neuzeit - Warp Additive and Wavetable Eurorack Module

*** Release date September 2023! ***

Pre-order at a dealer of your choice. See the dealers on the right.

"Next-level synthesizer voice with a novel engine for additive wavetable synthesis

Warp uses a novel hybrid engine that combines the best of additive and wavetable synthesis. With the integrated editor you can playfully draw your own frequency spectra like on a canvas into the colorful XY sound palette. Warp is a feature-rich powerhouse that lets you create all kinds of sounds, from glassy clean to crunchy crunch. Thanks to expressive macro tone controls, extreme morphs are possible in a single pot turn.

CLICK FOR MORE »

Spectral Audio ProTone

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The ProTone is a monophonic Analog Synthesizer with an internal MIDI Interface. Because of the full analog design, the ProTone is perfect for creating powerful, special and never before heard sounds. And with its deep red front panel, it will look great in your rack.

This unit works fine.Thanks for looking!

Features
2 true VCO makes Sawtooth and Pulse Waves
White Noise Generator
True Ringmodulator
Slide (Portamento)
High and Lowpass Filter with Resonance
Selectable 12 or 24 dB per Octave
Accent (Decay Envelope for the Filter)
Keyfollow
Wide LFO Range: 0.005 ... 3800 Hz
LFO Waves: Rectangle, Impuls, Triangle, Sawtooth, Sinus, Noise and Random
LFO Targets: VC01, VC02, Pulse Width of VC01, Cutoff and Panaroma
ADSR Envelope
Stereo Output with Stereo Panning
5 Octaves MIDI Interface
MIDI controlled Volume and Cutoff frequency
Velocity sensitive
CV and Gate In/Output to control vintage Synthesizer
External VCO and LFO Inputs"

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Mayer Electronic Music Instruments MD900 Extended Virtual Analog (XVA) Desktop Synthesizer

via Mayer

MD900 is a polyphonic desktop synthesizer, multitimbral with 4 parts. A polyphony of 16 voices are shared by the 4 multi-timbral parts. All of these 4 parts have their own effect stack [Mod-Delay (flanger, chorus, vibrato), Reverb, Tube-AMP, EQ, LP-Filter, DYNAMIC (Limiter) , Stereo Delay ...].

The overall audio path is stereo. Rationally, the oscillator, mixer filter, amps and effects are all in stereo.

Four independent arpeggiator und step sequenzer assigned to each of the four synth parts. The trigger sequencer may trigger the built in transient sample player (Drum Kit .wav) or send triggers to MIDI-Out (USB-DIN or USB-MIDI)

The housing is made of aluminum with real walnut wood on the front and back.
All components are industrial grade. On the operator panel we use precision potentiometer with aluminum covered knobs.
For some parameter entries we use endless encoder without rest.
This kind of encoders feels like a potentiometer.
All of this feels very valuable and it feels great to work with.

The MD900 XVA engine is patch compatible with the M800-R2 synthesizer.

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Zlob Introduces the VC F3DB Fixed Filter Bank Eurorack Module

What is a Fixed Filter Bank? | Chaos + Control with Zlob VC F3DBvideo upload by Sarah Belle Reid

"In this video, we explore the history of fixed filter banks in synthesizers (what they are, how they work), demonstrate some classic fixed filter bank concepts, and then dive into a series of patch examples exploring the Zlob Modular VC F3DB.

Zlob Modular's VC F3DB is a filter bank for Eurorack modular synthesizers. But it's much more than just that as well; while it can produce the clean, dry, nasal tones you might expect from a classic Moog or Buchla filter bank, it is designed to leverage feedback, clipping, and per-band envelope followers, allowing it to act as a chaotic sound source, spectral decoder, and intense distortion.

To access extended audio from this video (aaand there's a lot of it!), check out my Patreon page! You're free to use these sounds as materials for you own music, as well:
www.patreon.com/sarahbellereid

Video Timestamps:
00:00 Intro + Video Overview
01:40 What's A Fixed Filter Bank?
03:36 What's a Filter Bank Good For?
07:42 F3DB Module Overview
09:53 Patch #1: Clipping
11:37 Patch #2: Adding Modulation
16:00 Patch #3: Feedback
19:48 Patch #4: Feedback (But Less Crazy This Time)
22:00 Patch #5: Feedback with Modulation
24:43 Patch #6: Spectral Decoder"
Zlob VC F3DB First Look video upload by Brett Naucke

"A first look at this fantastic new 6-Band Voltage Controlled Filterbank by Zlob Modular. Patch examples including manual filtering, drum processing, voltage controlled filter animation, 'vocoding' and some exploitations using the filterbank as a chaotic audio source. This is a GREAT filterbank capable of some very unique overdrive and distortion functions that set it apart from all other filterbanks in eurorack modular."

https://zlobmodular.com

via Zlob Modular

"VC F3DB stands for Voltage Controlled Fixed Filter Feedback Distortion Bank. The simplest description is it’s a 16hp six band voltage controlled fixed filter bank. But with the additions of so much gain, clipping, feedback, and self-oscillation it becomes a very flexible and unique gestural sound sculpting tool capable of; graphic equalization over 6 octaves, multi-band distortion, spectral processing, crude vocoding, multi-frequency envelope following, self-modulation, and even as an instrument on its own. With no input it can be used as a pseudo chaotic “harmonic” feedback oscillator.

The filter frequencies were specifically chosen to emphasize more ambiguous and dissonant intervals. Although the frequency bands are spread out over many octaves I purposely tried to leave out “3rds” besides a major 10th at the top frequencies to even out all the dissonance below. But the frequencies aren’t exactly equal tempered, so it’s relative. The bands roughly equate to F2, B3, F#5, C6, F7, A8.

The design is based on the Moog 914 filterbank, which it borrows the frequency bands from. But this circuit uses active filters with opamps inspired by YU Synth opposed to passive cells using inductors on the original. The 88hz is a low pass -24db/oct and 7k is a high pass -24db/oct, the rest are -12db/oct band pass filters all with a Q around 4.

The hard and soft clipping circuit on the input is fairly standard which appears in many different iterations of classic guitar pedals. But it has a lot of gain and can even boost line level signals. What makes it a bit unique is the feedback on the clipping circuit which needs to be turned on by the GFB(gain feedback) switch and the amount can be controlled by the Gain FB pot which can add some fuzz/bite to the signal depending on which clipping switch is engaged or at the extremes it will self oscillate from audio rate to LFO sort of clicking range. All the clipping stages in the module are using silicon diodes.

Consult the Signal Flow Chart to the left for a rough visual breakdown of the controls,in/outs,normalizations, and optional settings for the module.

Each band can also be muted by the top toggle switches or clipped(at the VCA) by the top slide switch which makes this design a bit different than other filter banks. As well as the overall feedback section(bottom middle) takes the sum/all bands out through a VCA(controlled by the feedback pot and FB CV) back to the input gain/clip circuit. and you can also tap into this using different sends/bands to the FB In jack to break the normalization. With this extra feedback “resonance” you can get more whistley and howly filter sounds kinda like the Serge res eq, which can also go into self oscillation.

All cv ins are expecting +5v to open the VCAs(they wont respond to negative voltage), once you get closer to +8v or so it can clip the vca regardless of the gain settings or clip switches. Output amplitude in high gain settings will exceed 10vpp and can get up to 20vpp. The envelope followers tend to stay around 0-5v out, but with clip switch active they can go up to 10v.

Since this is a high gain module there can be bleed between the bands in certain configurations and situations. Also in high gain modes with higher frequencies the 2.8k and 7k bands can bleed a little with the VCAs closed.

This is a highly involved DIY all through hole project. It is a long build with 5 different pcbs to solder and assemble.

THIS IS NOT A BEGINNER OR INTERMEDIATE PROJECT."