Synthetic Sound Labs - Geo-Grüvn and Lowpass Gate

video upload by NOISEBUG

"Two new releases from Synthetic Sound Labs that happen to play very well together. The SSL-1015 Lowpass Gate and, the Model 1655 - Geo-GrüVN
Add some Euclidean variation and snappy west coast percussive melodies to your 5U/MU systems. Head to noisebug for more info
#umodular #synth #modularsynth #synthesizer

https://www.noisebug.net/collections/..."

CLICK FOR MORE »

Dark & Long (Dark Train)/Underworld - Circuit Tracks Version.

video upload by Guinan

"Best known for being featured in the movie Danny Boyle movie ‘Trainspotting’ this track was first released in 1994 by the band, Underworld. It featured also in the 2012 opening ceremony of the London Olympics (which was also directed by Danny Boyle). Prior to this my wife was only slightly aware of the band, but this song (and others featured) made her an instant fan! The album it is featured on (‘Isles Of Wonder’) is her favourite and is played in our house, in her car, on her phone whenever and wherever she has a chance so this is dedicated to her. Love xx

I was inspired to do this version after PinkPantheress’s new track inspired by this song. I’ve done a version of her track too and you can find it here; [Illegal/PinkPantheress video below]

Everything you hear is programmed into, played and produced by the Circuit Tracks. No extra synths or effects were used and the audio is a straight recording from the stereo out. There are a couple of samples being played (see below) to fill out the track and some very dodgy singing of the repeated refrain ‘Dark Train’ by yours truly.

More details for synth nerds:

This was fun to do and having polished this a bit more I would like to go back and redo the PinkPantheress track….if anyone would like to see an Underworld/Pink Pantheress mashup remix (‘Illegal’ in the style of ‘Dark Train’) leave a comment below and I’ll happily oblige ;)
The sounds on this were self-created exclusively for this track. The drum samples used were my go-to 909 and 707 samples from Yves Big City’s ‘90’s House Dream’ pack. I addition I created a looped chord for the choir sound (I used Arturia’s Emulator softsynth) and I merged this chord with edited filtered sections of my voice to produce the repeated ‘Dark Train’ section.
The track layout was as follows,
Tempo 136 BPM
Synth 1 – Bass Organ patch
Synth 2 – Main synth stab/pad sound (I used a wavetable wave, ‘Tri-Saw Blend’, detuned it and added tons of reverb)
Drum 1 – 909 bass drum and rim sounds (no reverb)
Drum 2 – 909 & 707 Hihat (closed and open and some ride)
Drum 3 – 909 Claps
Drum 4 – Arturia Emulator softsynth Choir chord loop (4 bars) and merged choir/”Dark Train’ vocals all loaded onto drum pads and played as if drum sequences.

Illegal/PinkPantheress - Circuit Tracks Version

video upload by Guinan

"This week's track is so new the paint is still fresh! ‘Illegal’ by PinkPantheress. This hyperpop spin on modern UK Garage just shows how dance music evolves and constantly changes.

If you don’t know the track yet see the original here;"

PinkPantheress - Illegal (Official Video)

video upload by Pinkpantheress

Arturia JUP-8000 V - True Trance Sounds V2

video upload by NatLife Sounds

"Product Link: https://natlifesounds.com/product/tru...

After the success of the first soundset, True Trance Sounds Vol.2 brings the sound of the Arturia JUP-8000 V to a new level. It includes 65 fresh presets designed for emotional, energetic, and authentic Trance music.

The sounds reflect the spirit of the 90s and early 2000s, but with a modern twist from NatLife. You get the best of both worlds — nostalgic warmth and clean, modern production.

Inside the pack:

Stronger and wider Supersaws for powerful leads and anthemic moments
Rich, analog-style pads that evolve and fill the mix
Emotional plucks and smooth synths for melodies and breakdowns
Classic trance-gated 'AAH' vocals that bring vintage energy
Creative FX that add impact to transitions and builds

The Soundbank contains 65 Arturia JUP-8000 V presets & patches, which are:

6 - AAH
1 - ACID
9 - Bass
7 - FX's
18 - Leads
10 - Pads
13 - Plucks
1 - Synth

You don’t need to tweak anything — every preset is ready to drop into your track. Whether you create Uplifting, Progressive, or Melodic Trance, this pack gives you the sound of True Trance — direct, deep, and timeless.

TIMELINE:
00:00 Scooter - Psycho
01:02 Blank & Jones feat. Bobo - Perfect Silence (Martin Roth Hardtrance Remix)
01:58 Pervading Call - Destiny
02:55 The Space Brothers – Everywhere I Go
03:24 Sasha – Xpander
04:20 Pulsedriver – Your Spirit Is Shining
04:50 B.B.E – Seven Days And One Week
05:46 NatLife - ID
06:43 Scooter - Time and Space"

ARP at 100: The Alan R. Pearlman Celebrates the man behind the ARP Name on his 100th Birthday!

video upload by Alan R. Pearlman Foundation

"ARP@100 is a year-long celebration commemorating the 100th heavenly birthday of Alan R. Pearlman, inventor of ARP Synthesizers, but also a father, husband and futurist.

Join the Alan R. Pearlman Foundation and the world as we celebrate one of the synth worlds pivottal pioneers in musical instruments.

Detals: The history of ARP is one of innovation, of pioneering musical technology, of driving humanity forward, and of a genuine connection between circuits and souls.

There is a growing legacy of incredible music that keeps us going every day..
ARP makes us move. ARP tells us stories. And ARP takes us to new worlds.

As we celebrate the 100th birthday of our namesake, let's talk about the man who changed the world."

https://alanrpearlmanfoundation.org/

ARP 2500 to ARP Chroma Synths - Celebrating 100 Years of Alan R. Pearlman

video upload by Anthony Marinelli Music

"Join me and synth expert Rob Rosen as we honor the 100th birthday of Alan R. Pearlman, the visionary founder of ARP Instruments.

In this special tribute, we explore the evolution of ARP synthesizers—from the iconic ARP 2500 to the advanced Chroma. You'll get a rare, up-close look (and listen) at the panels, sounds, and inner workings of these legendary instruments that helped shape the sound of modern music.

These synths didn’t just make history—they are just as relevant today as they ever were!

Whether you're a synth fan, musician, or just love music tech history, this one’s for you.

Please join the ARP Foundation mailing list to support and stay current with the latest exciting synthesizer related events alanrpearlmanfoundation.org"

Voodoo Ray/A Guy Called Gerald - Novation Circuit version

video upload by Guinan

"Time for the first British acid house hit and another Hacienda favourite. The Manchester act A Guy Called Gerald blew up the Manchester music scene with his 808 and 303 tour-de-force. He's still making excellent music ‪@AGuyCalledGeraldTV‬ #voodooray

Everything you hear was programmed into the Novation Circuit and played ‘live’ straight out of the headphone jack into my phone. No extra effects or outboard gear are used during playback.

The ‪@IsotonikStudios‬ sound pack RB 303 by Yves Big City got me thinking about how capable the Novation Circuit could be for a blast of acid house. I hope this attempt gets close to the flavour of the original. • DEMO - RB 303 - Novation Circuit Pack by Y... [posted here]

‪@GyuBeats‬ has done some great video breakdowns of the track and is obviously a fan. Big thanks as he helped me track down some of the original samples. • Why Does VOODOO RAY Still Sound Fresh Today?

I also found the following website which is a fantastic resource of patterns for 303-soundalikes. It just had to be called Acid Tabs….. https://acid-tabs.com/303_patterns.ph...

I hope you like the track – drop a comment if there is an 80’s or 90’s track you’d like to see a version of.

Synth nerd details;
The 808 sounds are a mix of samples from Isotonik and a pack that is sometimes free called 808 From Mars.

The vocal samples are from a surprising source of an old comedy routine from Peter Cook and Dudley Moore. The ‘voodoo ray’ sample is actually cut from a snatch of Peter Cook saying 'voodoo rage'.

A key part of the track is the excellent singing of Nicola Collier. I didn’t have a singer to hand and I wasn’t going to impose my dulcet tones on the world. The ‘singing’ is therefore played on the Arturia plug-in ‘Augmented Voices’.

I hope it fills the gap for now and doesn’t detract from the overall track.

All samples are edited and positioned on drum pads then sequenced/played on the Drum 4 track of the circuit."

Voodoo Ray/A Guy Called Gerald (Circuit Tracks & Rolands Version )

video upload by Guinan

"'Say Hello To My Little Friends'…..

Something a little different again. This is a reworking of one of my earlier videos but with an 'acidic' twist. At the time there were comments wondering how it would sound with Roland synths rather than my attempts at recreating the sound using the internal synth engine.

I couldn’t resist the challenge, so the Circuit Tracks has some company in the form of a Roland T-8 and S-1 Aira. The T-8 is a drum machine based on a selection of classic Roland sounds, but it has the added bonus of a very good TB303 emulation.

The Roland S-1 on the other hand is a 4-voice recreation of the classic 80’s synth, the SH-101. An awesome synth in it's own right it's a great partner for the Tracks to use with one of the external MIDI tracks.

Both of these Roland originals were an essential part of the classic Acid House sound and the track, ‘Voodoo Ray’ so this seemed a natural Circuit Tracks project to rework. I’ll keep a separate playlist of any tracks with external gear to keep my main playlist Tracks only.

For this video I’ve copied the patterns across to the Midi 1 & 2 tracks, hooked up both of the Roland individually to the MIDI Out and Thru (setup in Advanced Setup to be individual MIDI Outs). Each of the Roland boxes are then fed into each of the Audio Inputs so they can be panned, level altered and have effects applied individually. Each of the Roland boxes are not using their own sequencers but are just being used as slave MIDI synths playing the patterns sent via MIDI from the Circuit Tracks. T-8 bass was set to MIDI Ch3 and S-1 to Ch4 to match the default channels for these tracks."

Alchemical by MSTRBLSTR

Also on Spotify: https://open.spotify.com/album/68lqZLDB2ip4ZOfEg4SsmB?si=m3ba1VD-SSO_CLr4j7OIMg

"The electricity of live manipulation breathes through every sequence as MSTRBLSTR transmutes the raw essence of the TR-606, MC-202, and TB-303 into a sonic incantation. Alchemical is transformation in motion: analog breakbeats pulse with crackling percussion, acid squelches growl and evolve, and rhythms dissolve and reassemble like matter through fire. The bassline becomes the bedrock of energy, conjured live in real time.

Credits
Released May 29, 2025
Programmed, performed, mixed, and mastered by MSTRBLSTR at Ill Acid
Additional drum programming: Severed Machines (https://severedmachines.com)

Hardware:

Modified Roland TR-606 (Robin Whittle mods)

Din Sync RE-303

MC-202 w/ Tubbutec 2oh2 mod

Mixers: Boss BX-8, Alice 1228, Boss KM-4

FX: Tapco 4400 spring reverb, TC Nova Reverb & Delay, Korg SDD-1000/1200

Compression: BSS DPR-402, DOD SR-866

DAW: Ableton Live

This is the same setup I used on From Deep.

Backstory
I brought my TR-606 to Ramiro at Severed Machines to install a few long-desired mods: switch replacements, a louder BD via resistor change, and Robin Whittle’s Accent Trigger and post-volume individual outs. He left in a few patterns, including a breakbeat variation that really hit me. That inspired the synth parts. Next thing I knew, I was performing and recording the full track.

Recording Notes
I treat mixers as modular routers. For Alchemical, the Alice mixer’s direct outs went straight into my interface, while the Boss BX-8 worked as a submixer for overdrive and tone shaping. I panned certain tracks hard L/R into separate buses, then re-centered them on different mixer channels. I have owned many delays while the Korg units are among my favorites, the TC Nova is often a go-to for synths: it sounds great, has nice filters, tap tempo, and my favorite feature, easily accessible time divisions Protip: a buffered pedal in front helps them sound better. The Nova reverb is also very playable and has a dynamic ducking mode that helps it get out of the way, if that's what I need.

In post, I swapped the TR-606 kick for a TR-808 sample in Ableton - it just gave the track the weight it needed. There’s also a lone TR-808 clap halfway through. Other than that, what you hear is live with only some minor edits and additional processing.

__________________________________________________________________

For TR-606 lovers: I highly recommend Robin Whittle’s mods: https://www.firstpr.com.au/rwi/tr-606/

The Accent Trigger mod alone is worth it - it adds great performance potential. Robin credited the fix to me, but Ramiro deserves most of the credit. Robin's individual outs (post-volume pot) offer superior performance control and gain staging flexibility compared to the more common pre-pot version."

Creating Sounds on Oberheim Style Synths/Plugins // OB-X8 Tutorial

video upload by Starsky Carr

https://www.patreon.com/starskycarr

Update: new video due to "COPYRIGHT CLAIM on a section of this... Paul Alexander track Raar at 31:19 minutes?!!! Never heard of him or the track. This can be soooo frustrating. What a shambles the whole copyright nonsense can be. I've disputed, but its upto the claimant to decide if they keep my money!!! Its actually chords from another one of my old tracks, so maybe I should put in a counter claim..."

"The fundamentals of programming any Oberheim style synths or plugins. And if you've got an Oberheim OB-X8 and want more patches... you've found the right place too!! Obvs it works for any subtractive synth as well.

I run through how to create basses, from simple and effective to massive and dirty devils.. lush and beautiful pads, sync leads and basses as well as big unison sounds and huge sweeps. If you watch this you'll be able to tweak presets to your liking, or start from an initial patch.

At almost 2 hours its by far my longest demo ever!! And it will gove you all the tools you need for a head start on any subtractive synth"

0:00 Overview
4:37 Back to Bass...ics
12:37 Rich Dual VCO tones
17:12 P to the W to the M
19:37 Intervals for Instant Harmonics
24:19 Mono Modes for Bass and Leads
30:23 Let's Make Some Pads
36:02 A bit about Brass
37:09 Triangles for Sweetness
38:30 PWM Pads
41:18 BIG BOLD UNISON
27:07 Release the SYNC!!
50:09 Double Patches...2 for 1!!
59:22 THE DEMO SOUNDS - Unison
1:05:18 Intervals
1:11:40 Pads
1:22:28 Basses
1:27:35 Polys and Plucks
1:32:29 Arps
1:37:50 Sync
1:42:00 Doubles

Kodamo Mask1 - Let's ping the filter to make pretty sounds

video upload by j bowman

"Discover the power of the Kodamo Mask1 in this sound design deep dive! In this video, 'Kodamo Mask1 – Let's Ping the Filter and Make Lovely Sounds', we explore the stunning capabilities of this unique virtual analogue synthesizer. Learn how to use self-resonant filters for ambient textures, and get inspired by creative techniques like filter pinging, shaping sound with bitmask-based subtractive synthesis, and pushing the Mask1's engine to its sonic limits.

Whether you're already a proud owner of the Kodamo Mask1, or researching synths that offer complex, expressive sound design features, this video is packed with synth tutorials, ambient sound design tips, and creative modulation ideas. We’ll experiment with filter resonance on this bitmask wave shaping powerhouse, and show how to extract beautiful, otherworldly tones from a synth built for exploration."

5 reasons the Yamaha CS-80 is a Performer’s Dream

video upload by Jose's Vintage Keys

"The Yamaha CS-80 is more than a legendary analog synth — it’s a full-body performance instrument. In this video, we explore five features that made the CS-80 truly ahead of its time: from its expressive polyphonic aftertouch and velocity-sensitive keyboard to its iconic ribbon controller and real-time modulation controls.

Discover how a team of organ engineers created one of the most playable synths in history — and why no modern instrument has fully caught up.

Featuring:
• A deep dive into the CS-80’s unique keyboard and ribbon
• The story behind Crazy Horses and the Yamaha YC-30
• The return of poly aftertouch (finally!) in 2019
• How the CS-80 shaped the sounds of Vangelis, Toto, Springsteen and beyond"

1010music | OXI + nanobox family == battery powered

video upload by 1010music

"🎶 Summer Sounds Meet Synth Vibes ☀️

This summer, why not create your own seasonal soundtrack? Whether it’s the rustle of the wind through the trees, waves crashing on the shore, or the distant hum of cicadas, capture the essence of summer and mix it with the limitless possibilities of a battery-powered nanobox synthesizer. Portable and perfect for those sunny days outdoors, these synths let you blend nature’s music with your own creative beats, wherever inspiration strikes. Get outside, plug in, and let the sound of summer take on a whole new vibe. 🎛️"

DualWavebank Overlay for Osmose and Electra One MK2 Controller Features Summary

video upload by EaganMatrix Programming

"A video describing the features of the soon to be released Beta version of the Dual WaveBank Overlay for Electra One (MK2) controller - that abstracts EaganMatrix programming and lets you concentrate on configuring sounds using controls you are used to (in fact you could never program these features into a single EaganMatrix preset on the Osmose as only six Macros are available for on-board presets. But Overlays ex[pand that greatly allowing for complex synths to be created from a single EaganMatrix preset. Sorry - it's the video's here sound but I think you still get a good idea of the feature set. This describes the version that will run on the Expressive E Osmose.

Note: This only runs on the EL1 and only on the MK2 version due to resource limitations of MK1. It cannot be ported easily to any other platform as the Lua code uses many EL1 specific calls, though the EaganMatrix Overlay preset (dualwaveosmose.mod) used by the Overlay could be reused by another application that could add a similar feature set. All these features come from one single Osmose preset running on the Osmose - controlled by the EL1 Overlay application."

Shibasaki MOD - Tokyo set song #1

video upload by Arman Bohn

"My synths and device can be found here:
www.distropolisgoods.com

A version of song #1 from my set at Shibasaki MOD in Tokyo, April, 2025.

The Phantasmal Force is sending MIDI clock to the RK-006, which syncs everything. The PF is also sending 6 different sequences to the MT32-PI which is running a soundfont playing back different instrument sounds on different MIDI channels. The PF is also sending CC LFO messages to the MT32 to slowly pan the voices around.

The M8 is holding down some generative percussion and bass.

The GC comes in at the end, bringing in the motif from song #2.

My guiding principle was - start at A# in 4/4 time for song #1. For each following song, add a beat and move up a half-step chromatically."

Oberheim TEO-5 “Can’t Sleep” Jam/One Preset/ One Take AMAZING SOUND

video upload by Maria Calfa-DePaul

"Temporarily, the Oberheim is living in my son‘s old bedroom and it’s not really a studio because it’s still like a bedroom, but I do have several synths in there. It’s not the most comfortable to play this one’s on a stand so I had to stand while playing I was really tired, but I really wanted to play this synth and I couldn’t sleep so I thought let me just play for about an hour and this is the very last Song I came up with while I was just continually changing presets till I found something I wanted I wasn’t really in the mood to start fiddling and creating sounds cause as I said it wasn’t really comfortable position, but I did wanna play it so I put my headphones on. I took the outs and put it into this little Momixer into (the original one I have which doesn’t get much use now but it’s still functions pretty well with the iphone ) and I put the iPhone on a Tripod and the way I went Put headphones on and played recorded it one take one patch and then I went to bed"

Sounds From the Future in 1930

video upload by Production Zone

"At 1930 it Sounds from the Future | The Father of Synths nobody talks about 🎛️⚡

Meet the Trautonium, one of the first electronic instruments ever made — way before synthesizers became mainstream. 🎛️
⚡
Invented in 1930, this futuristic machine uses a resistor wire and metal plate to create wild sounds, with techniques like vibrato, glissando, and even quarter tones. Absolute music history right here. 🕰️🎶

The Trautonium, an early synthesizer that alongside the theremin and the ondes martenot is considered the pioneer of electronic instruments."

See the Trautonium label below for additional posts.

EMS VCS 3 Putney The Cloney Project SN 018

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"This is an assembled EMS VCS 3 clone from the DIY Cloney Project :

This unit is number #018

The 3 PCB cards were recently serviced and retuned by Matt, the funder of the Cloney Project.

It sounds perfectly, exactly as intended.

Cosmetically i's in great condition, some scratches on the right panel and a visible nick in the wood on the front side below the pandl.

I've been moving away from synths for a while and sadly I need to part with it. I bought it a few years ago considering this would probably be my only chance to ever own and plan a VCS3. Turned out it actually was :) and now it's ready for a new home.

Hours of fun. This machine has a soul. It's unique."

CLICK FOR MORE »

Zen Synth? Thinking through the Kodamo Mask1

video upload by j bowman

"Is the Kodamo Mask1 the most Zen-like synthesizer on the market today? In this video, we take a deep dive into the bitmask-based sound engine of the Mask1 and explore its groundbreaking approach to sound design on synths. Whether you're a seasoned synth head or just discovering the unique potential of the Kodamo Mask1, this video walks you through the philosophy, workflow, and sonic capabilities that make this synth stand out.

🧠 We'll unpack what makes the Mask1’s bitmask synthesis architecture different from traditional subtractive and FM synthesis, and why this could change how you approach creative sound design synth work. From clean digital textures to gritty harmonic layering, the Mask1 offers a truly original toolkit for crafting viral-worthy sounds.

Perfect for synth enthusiasts, sound designers, and anyone hunting for deep-dives into rare or underrated instruments. This isn’t just a review—it’s a journey through a meditative and highly programmable machine built for sonic sculpting.

🔍 Keywords: Kodamo Mask1, bitmask, sound design synth, sound design on synthesisers, viral synths, unique synth engines, experimental sound design, Zen synthesizer, synthesizer review, digital synth exploration."

Roland Zen Core - Back To 90s V2 for JD-800 Model Expansion

video upload by NatLife Sounds

"Product Link: https://natlifesounds.com/product/bac...

Back to 90s V2 – Modern Sound with Vintage Soul
Step into the second chapter of the Back to 90s series – a fresh collection of custom-designed presets & patches for the Roland JD-800 Model Expansion. This sound pack beautifully blends the nostalgic warmth of the 1990s with the clarity and precision of modern sound design.

Compatible with:

This pack works only with instruments supporting the JD-800 Model Expansion. These include:

Roland FANTOM series (FANTOM 6 / 7 / 8 and FANTOM-06 / 07 / 08 – with Expansion installed)
Roland JUPITER-X / JUPITER-Xm
Roland JUNO-X / JUNO-Xi
Roland ZENOLOGY (software plugin)

Therefore, ensure your device has the JD-800 Model Expansion.

Soundbank includes 50 Roland JD-800 Model presets, which are:

CLICK FOR MORE »

Enjoy The Silence/Depeche Mode (Novation Circuit Tracks Version)

video upload by Guinan

"‘Enjoy The Silence’ from 1990 is my favourite track from Depeche Mode. Not strictly 'dance music', it crossed over into most of the clubs I went to in the day. I have certainly danced to it! Many house and techno musicians cite a softspot for Depeche Mode and in turn the album this came from, ‘Violator’ reflected club dance music trends.

Sooner, or later, every synth player has a go at playing this song....

Everything on this track is coming from the Circuit Tracks. All synth sounds were either played or programmed/sampled and played back. The only exception is the bass part (see below). No extra synths or effects but in order to fit it all in this is a simplified arrangement."

Introducing Circular – expressive polyphonic sequencer by Native Instruments

video uploads by Native Instruments

"Introducing Circular – an expressive polyphonic sequencer that transforms simple chords into evolving, cinematic textures. With four fully independent layers and deep modulation control, Circular brings rhythm, movement, and emotion to every note.

Import your own samples, or explore over 100 experimental sound sources, from felted pianos to bowed metals, all designed to move, shift, and unfold in real time."

Playlist:
1. Introducing Circular – expressive polyphonic sequencer | Native Instruments
2. Circular walkthrough – cinematic sequencing | Native Instruments
3. The sounds of Circular | Native Instruments

Press release follows:


Berlin, May 15, 2025 – Native Instruments today released Circular, a mesmerizing polyphonic sequencer that transforms a single note or chord progression into breathtaking rhythmic soundscapes. Announced at Superbooth 25 in Berlin last week, Circular can jump from sketch to score in seconds, drawing out rich and emotive cinematic sequences.

Go full circle

Starting with a single note, Circular utilizes four independent layers, each a canvas for modulation. Control pitch, filter, and effects in real-time, creating motion-rich scores with unparalleled speed and depth. Every sound was designed with polyphonic aftertouch in mind, making for an extremely expressive experience on Kontrol keyboards, and other controllers that support poly AT.

Dive into a vast library of over 160 sound sources, ranging from felted pianos and prepared guitars to hybrid synths and bowed metal. Circular's diverse palette encourages exploration, blending soft and harsh textures, acoustic and synthetic elements, and familiar and strange sounds. Add your own samples to transform them into evolving sequences.

CLICK FOR MORE »

Arturia Minifreak: Atmo Noisy Techno & Ambient Presets Demo

video upload by Anton Anru

"🔮 Mystic Alloy is a collection of 64 patches for Arturia Minifreak (+ Analog Lab V).
It consists of: 11 Arps, 11 Basses, 10 Leads, 10 Pads, 11 Synths, and 11 Textures.
The bank spans a broad spectrum of timbres: dark, noisy, lo-fi, retro, atmospheric, detuned, huge, bright, distorted, metallic, amped and others.

📦 Get these presets: https://antonanru.sellfy.store/p/mini...

🧿 The sounds have some kind of magical charm, for example, it is alchemy, where a variety of components are combined to obtain the desired sound.
The patches use granular, FM, wave and other types of synthesis in Minifreak, which interact with each other and give a unique, sometimes experimental sound, but still usable.
👤 The author of the soundset is skendi (Arseniy Pushkov).

The soundset is suitable for many genres: ambient, electronica, IDM, trip-hop, lounge, downtempo, chill out, new age, cinematic, trance, deep, progressive, techno, dub, and others.

CLICK FOR MORE »