New Binary Synth Allows You to Play Binary Code Within Any Given File

video upload by Max Alyokhin

This should go without saying, but don't drop any sensitive, private, or personal files.

"Demo: https://bs.stranno.su

Source code and application principle: https://github.com/MaxAlyokhin/binary...

A web-synthesizer that generates sound from the binary code of any files. It can synthesize sound directly in the browser, or be a generator of MIDI messages to external devices or DAWs, turning any file into a score. All the application code is written in Javascript and along with everything you need is packed into a single .html file of about 750kb. The synthesizer doesn't need internet, it can be downloaded and run locally on any device with a browser.

0:00 Speed changes
0:57 Noise/IDM (with Ableton processing)
3:16 IDM (with Ableton processing)
4:39 Drone/Ambient (without any processing, 5 instances)
15:49 Drone/Ambient (without any processing, 2 instances)
20:17 Drone (with Ableton processing)
21:10 Drone/Ambient (with Ableton processing)
24:46 Postminimalism/Aleatoric (MIDI to Ableton virtual synthesizer)
25:31 Glitch (MIDI to Ableton virtual sampler)

On 24:46 is "Composition for prepared file of the own source code", you can listen full here:"

Composition for prepared file of the own source code

video upload by Max Alyokhin

0:00 I
9:35 II
11:51 III
18:24 IV
20:13 V
23:06 VI
26:08 VII

All data on any computer or smartphone is in the form of files. The contents of these files are ultimately just zeros and ones. And these zeros and ones are basically all the same, so we need an interpreter to extract meaning from these texts. Basically, the file format (.mp3, .docx, etc.) is just a pointer to which interpreter we need to pass the text in order to extract meaning from it.

But what if the file format and the interpreter don't match? In the case of musical experimentation, there have been earlier attempts, for example, to "play" a file through an audio editor, which expectedly produced mostly glitch and noise; it might be more interesting from a conceptual than a musical point of view.

We could go further and write our own interpreter that would look at the files without regard to format, use its own "manner of reading" the original zeros and ones, and on that basis provide a complete system for controlled synthesis of sounds.

The tool, called Binary synth, is available at: https://bs.stranno.su.

The application is a web synthesizer that runs in the browser and is written in Javascript. All the application code along with everything needed is packed into a single .html file of about 750kb.

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NEW Doepfer A-155-2 Mini Analog Sequencer & Friends - First Try of the 12HP #Eurorack Module

video upload by DreamsOfWires

"First play with the new Doepfer A-155-2 Mini Analog Sequencer, with A-111-5 Mini Synthesizer Voice, AJH Synth Tap Tempo VC-LFO and Chance Delay, along with a MiniMod voice for backing drone. The Mini Sequencer is a real 8-stage analogue step-sequencer, but with a few digital tricks up it's sleeve. For example, whilst it doesn't feature an internal clock or quantizer, it does allow you to save and recall step settings (except frequency), so you can switch between multiple behaviours simultaneously - very useful for live use. I've not tried this yet, but maybe in a follow-up video. Aside from that, there's step mute buttons, multiple play directions, 1-8 step pattern lengths, x2/x3/x4 ratcheting on each step, 1V/2V/4V CV range selector, and manual or CV reset. Not bad for 12hp. Here I'm using the Tap Tempo VC-LFO as the master clock, but also to produce random stepped voltages (like sample & hold) to modulate the Mini Synth's filter per step. This clock is then passed to the Chance Delay module, which restricts the probability of a gate or clock pulse passing through it, either manually controlled or by CV - more often this might be placed after the sequencer, so that steps (in this case notes) can be randomly skipped, whilst retaining the length of the sequence. However, I'm using it before the sequencer, so that all steps will be played in order (apart from when the sequencer is in random mode), but will do so across random steps - an effect I find quite satisfying sometimes. The rest of the patch is pretty self-explanatory if you have subtitles enabled. It was just an initial experiment really. More to come.

DISCLAIMER: This is NOT a paid video, I purchased the module myself, and no brand used in this video had any prior involvement or knowledge of me making it.

Find my music at https://tomorrowthecure.bandcamp.com"



The Doepfer A-155-2 is a Miniature Analog Sequencer module that packs huge creative potential in a compact package. Using the A-155-2 is simple, yet a deep set of functionalities make it perfect for all things from basic repeating patterns to unique ratcheting and evolving sequences. Eight step positions each feature a knob for setting CV value, as well as an illuminated button to manually set gates on each step. At the bottom of the panel, outputs for a single pair of CV and gate signals are available, as well as clock and reset inputs. Along with a simple three-position switch for CV range, the A-155-2 offers a streamlined way to create driving patterns in any patch.

Beyond simple and unidirectional patterns, the A-155-2 enables plenty of creative options for crafting unique and lively sequences. Using the programming switch in combination with the step buttons, you can easily set up ratcheting rhythms for multiple gates per step, perfect for extending a melodic idea with stuttering syncopations. Additionally, sequence length and direction can be adjusted, allowing you to create longer patterns, evoke odd-time signatures, and experiment with random step playback. Finally, an eight-slot preset system is onboard, giving you the capability to store and recall your patterns between sessions and shows. Whether implemented as the brain of a small system or ticking along in a grand chorus of clocked control, the Doepfer A-155-2 Mini Analog Sequencer is a small triumph of modulatory movement for any case.

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Roland Jupiter 6 and Rhodes piano somber improvisation

video upload by MIDERA

"It just keeps coming. An HVAC company installed a mini-split in 2020, right after the warranty goes out, we find that they likely didn't connect the flare nuts right, causing it to slowly leak. They haven't responded about my complaint... but they did tell me it would be $3600 to repair.

I woke up to my wife asking me to help me find our second oldest cat who wouldn't come for food, which wasn't typical. All day she sat, unmoved. Her breath rate at 70. It finally dropped. And, tonight we finally got her to eat some tuna. But I've forced her to drink water... and, well, it just sucks to have your furry friend so sick, and we have lots of them to share their pain.

And our car has had a strange issue... all of this, right before we go on a trip. Makes sense.

Oh well - guess this is just life. I'll take it over the alternative.

Rhodes piano through Fractal Audio FM3
Roland Jupiter 6 through Native Instruments RAUM

#Rolandjupiter #rhodespiano #fractalaudiofm3"

Jellinghaus DX Programmer - super-rare but n/w

Note: links to listings are affiliate links for which the site may be compensated.

via this VEMIA listing

"This is a beautiful original DX Programmer - one knob pointer bit missing, and a little messy round the mains inlet, but otherwise lovely. Unfortunately like one or two others we have had, non-functional. In our experience, pretty easily fixable - but you then have to make sure that it has a firm base to sit on, so it can't flex. UK/Euro mains. Provide your own IEC lead. VEMIA can collect and pack: 30GBP."

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Sequential Multi-Trak 61-Key 6-Voice Polyphonic Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"Sequential Circuits Multi-Trak from 1985, including a 240 VAC power supply

This synthesizer was produced in relatively small numbers, making it quite rare especially in Switzerland. The Multi-Trak delivers a super fat, classic Sequential sound at a fraction of the price of its famous siblings like the Prophet-5 or Prophet T8. The basses are punchy, it’s 6-voice polyphonic, and features a great filter along with a super cool analog stereo chorus. The menu system is designed so that sounds can be edited quickly and intuitively, even without a dedicated knob for every parameter you don’t need to read the manual to use it. The Multi-Trak is my personal favorite when it comes to affordable vintage Sequential synthesizers."

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Roland TR-1000 compared to OG TR-808 TR-909

video upload by Antony Fewster

"Quick compare of the new Roland TR-1000 to the TR-808 and TR-909. Not intended to be a shootout, more so side by side examples of how the engines compare.

The TR-1000's 808 engines are all analog in this example. The TR-1000's 909 kick and clap are analog, the hats are ACB.

Recorded from main outs on all machines into Apollo x8 into Logic. Normalized audio, exported uncompressed to AIFF. Finally degraded by imovie and youtube."

Update: some additional info via Antony:

"In trying to match the levels (tuning etc), something that was really apparent was that there originals had nowhere left to go - both the 808 and 909 were set to max on the available settings (other than tone for the 808 was was around 12 o’clock). The TR-1000 had headroom for days across every parameter - decay, tuning etc before you even get to the extended parameters, effects, filter etc

I find in the same room the TR-1000 is crisper, clearer, heavier, punchier. I imagine most folks will be dialing things back to sit in the mix vs adding stuff (i.e. when compared to the originals) to make them do their thing.

I know the originals do what they do, but having played the TR-1000 I find myself wondering why the tuing stops ‘here’, or why I can’t add a delay to the hats, and a compressor to the kick as I’m in the flow with the machine - vs going back to the daw, or having to use separate outs into outboard stuff - it’s all very immediate."

DMNO UDO's Raw & Chaotic Binaural Multitimbral Polysynth // Machina Bristronica DivKid Discussions

video upload by DivKid

"Here we have the UDO session on the DivKid Discussions stage from Machina Bristronica 2025. Cuckoo had spend some time with UDO and joined George and I for the chat discussing the new DMNO. DMNO is a binaural, multitimbral, polyphonic synthesiser that's far more raw and chaotic with lots of studio utility compared to the other UDO instruments. It's always a pleasure to chat to George and see hm play his instruments so enjoy the conversation! Talking points are in the chapter marks below."

*TIMING INDEX // CHAPTERS*
00:00 Introductions & hellos
00:25 The Hearn Morley VCO chip
02:04 Initial experiences in building electronics & synths
05:01 A new synth! DMNO
06:23 Initial DMNO sounds
07:23 The concept of DMNO
09:11 Phosphor VFD
11:24 DMNO as a raw palette cleanser post Gemini & Supers
15:06 DMNO feature run down (more concept than feature list)
16:48 The beauty of play-led creation
21:40 Building a simple sound from scratch
22:47 Cuckoo on the DMNO
27:04 Tumbling interaction & probability
32:20 The struggles of driving voice allocation & dual voices
34:13 Musical ‘accents’ from two voices
35:45 DMNO isn’t as easy to play!
37:02 DMNO development, release & price
38:34 It’s good to not always know what you’re doing!

Kurzweil K250 (1984)

video upload by MrFirechild

"Kurzweil K250 is a legendary synthesizer from 1984 and back then it was many years ahead of its competition! It was the worlds first rompler! For those owning Fairlight and Synclaivers you were able to use orchestral sounds but you have to load them from huge floppy discs or mega expensive hard drives and it took many minutes to load a single sound! The Kurzweil K250 changed all that! With a boot time in milliseconds you now had the full orchestra in your hands within a blink of an eye! All sounds were in ROM and instantly available. Despite the samples were all in mono and almost no velocity layers, they sounded good! And still do! Back then in 1984 you must have been really impressed to say the least! However the Kurzweil K250 was not for everyone as it was slightly expensive, around $12.000 for a basic configuration. However both the Fairlight Series II and Synclavier were way more expensive! So fair enough! How does it sound today you may ask and thats why I did this composition. Needless to say the K250 is mainly designed to play acoustic and orchestral sounds. There are only like 3 Synthesizer sounds in the machine! I used 1 in this track as an intro sound. So don't expect analog synthesizer glory when playing a K250!
The track is called Orchestral Rays and is an original composition by Mr Firechild (October 2025).
The following synthesizers were used for ALL sounds:
¤ Kurzweil K250 (1984)

Composed and produced by www.firechild.se"

Preshroom - Roland TR-1000 Performance

video upload by Bauke Top

The above is in via Paw paw. One more below.

"Made this beat before the weekend, recorded it yesterday. Hope you enjoy.
Later this week I'll try to get the comparison video between the Alpha Base and the TR-1000 done!

xoxo"

Roland TR 1000 Test (into API the box mk1)

video upload by Bauke Top

"Ciao everyone.

I'm just as hyped as everyone for the new Roland TR-1000, so I got one today and hooked it up to my regular rig. Just been playing around with it for an hour, but wanted to get a video out for everyone to hear what the thing sounds like in a full mix. The thing friggin smacks like crazy.

Remember this is just a little first test, didn't prepare much, it's just here for you all to hear it in action.

Equipment used:

Roland TR-1000 (for drums)
Moog Slim Phatty (for bass)
Oberheim OB-X8 (for chords and melodies)
Majella Implexus (for leads)
Sequential Take 5 (for extras)
Elektron Octatrack mk2 (for midi sequencing)

API The Box mk1 (for clout and summing)
Eventide H90 (for reverb)
Source Audio Nemesis Delay (for delay)
Prism Titan (for conversion)"

TOM-1501 Soviet Analog Synthesizer - Restored Beauty

video upload by LFOstore

"Russian synths are awful and making terrible harsh and strange sounds?

If you think so, then this will surprise everyone who is familiar with those synths. This is really fat, warm, beautiful sounding real analog, preset string machine.

It's a string machine with 5 preset sounds: Piano, clavesin/Harpsichord, Alto, Violin and Brass.

Alto and Violin are exactly same sound but violin is one octave higher than alto, so you can make "string orchestra" sound.

Mainly I discovered this to be like Crumar Orchestrator/Multiman-s clone. Piano and clavesin/harpsichords are pretty identical sounding, but... Strings aren't typical "Italic" sounding which can be found on all crumar and some others string machines, Neither european (solina) or american (Moog opus) sounding.

They are Unique! They are Fat! They are Warm! They are very beautiful sounding strings. Well... comparing to others, solina is the closest sound to it.

Brass is also pretty identical to Crumar Orchestrator, but it have identical filter from Crumar Performer (very weak resonance). Too bad because in orchestrator it could make such a great sweeps, but this cannot do same. But the cutoff is powerful.

Also, this string machine isn't commonly available. I don't know how many was produced, but the original retail price was $1500!!! So maybe this is indeed very rare, uncommon at least. These were made about in middle or end of 80's.

See these virtual soundsheet of Crumar Orchestrator and peformer. The sounds of Orchestrator's piano and clavesin/harpsichord and brass is identical to this TOM-1501. And the filter from Crumar performer is also identical."

Moog Polymoog 203a 1976 Polyphonic Vintage String Synthesizer w/ Model 285A Polypedal Controller

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Pics of the inside below.

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Thephonoloop's themkI

video uploads by THEPHONOLOOP

Playlist:

1. themkI | An exploration of a 70s classic
2. themkI | Overview
3. themkI | Presets playthrough

Press release follows:


Thephonoloop tweaks themkI as deeply-sampled, expressive VI exploring electromechanical keyboard classic’s imperfections with colourful Version 1.1 update


KATOWICE, POLAND: Thephonoloop is proud to announce that it has tweaked themkI — already available as a deeply-sampled, expressive VI (virtual instrument) for Native Instruments’ KONTAKT PLAYER platform housed in an MPE (MIDI Polyphonic Expression) compatible engine built for discovery and experimentation, exploring the beautiful imperfections of a Seventies-vintage electromechanical keyboard classic — with a colourful Version 1.1 update introducing sharper contrast for better visibility alongside new GUI (Graphical User Interface) colour options for customising its look, as of October 7…

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🎛️ VAEMI : SLOS (Square Logic Oscillator Synthesizer) Atölyesi : Workshop #diy #diyprojects #gate

video upload by Vaemi

"VAEMI’nin en uygun fiyatlı ve en erişilebilir atölyelerinden biri olan SLOS (Square Logic Oscillator Synthesizer) atölyesi ile elektronik ses dünyasına adım atıyoruz!
Bu atölyede:
Logic Square Wave Oscillator ile frekans bölme (division) tekniklerini öğreneceksiniz.

Çıkışlara bağlanan LED’ler hem diyot görevi görüyor hem de “inhibit gate” (Engelleyici Kapı) gibi 'ogic' kombinasyonlarla yeni sinyal akışları yaratıyor.

Bu sinyalleri birbirine yönlendirerek ses, ritim ve müzik sentezleyeceğiz.

SLOS ile kare dalga tabanlı osilatörlerin nasıl birer ritmik ve melodik kaynak hâline geldiğini deneyimleyeceksiniz.

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PoliMaths | Multed Skewed Cycling Voltage Math | NUSS | Episode 04

video upload by Cinematic Laboratory

"OK, PoliMaths as an independent module, away from it's secred VCO comfort zone without a dual QXG. Is it worth diving into this deep, amazing, incredibly musical, versatile and innovative new concept? It's hard to say 'no' now, isn't it? On paper, it's a multed simple A/D envelope with a rise and fall, which can cycle. But it also features an 'oscillations' section, which is like an AD that always loops, and the AD can be shaped to the basic waveforms. So it's an LFO at low rates, and a VCO at high rates with V/OCT support that can decently track an octave or four. So it's not a precision VCO, it's an experimental sound maker. On it's own, polyphony is more like overlapping sounds, each sharing the same rate, which comes down to the same note. When spread is engaged, you'd skew these rates apart so you can morph between harmonic textures and atonal clusters. So it's polyphony, but confined to the 1 source, 8 copies design that marks the New Universal Synthesis System (NUSS).

On the negative side, it's not Maths, there's no voltage math, and it could be seen as a fancy mult for a single AD envelope or loop, with proper audio rate support and clever divisions and distributions.

But when you give it time, a wonderful module appears from behind the dense panel controls and the mysterious glyphs. On the positive side (where you can always find me), PoliMaths is a must have module. But I am also an extremely biased MakeNoise fan. I'd say this is not a typical beginner module, but if you want to make your modular stand out from the conventional east and west, this is definitely a module to consider."

What is thing thing?! Breaking down the MORESCHI / GODWIN CD 1

video upload by Vintage Audio Institute Italia

00:00 video begins
01:59 introduction and specs
04:18 drum machine demonstration
06:22 auto accompaniment break
08:06 drum machine demonstration continues
09:25 modulation section
10:52 musical interlude
14:22 bonus musical interlude

"GODWIN / MORESCHI CD 1 - 1984

What is this thing?
Why does it look so awesome?
Who controls it?
How?

Also released under the Moreschi brand and sometimes with a reversed control panel, the questions are piling up over here and since this unicorn doesn't get captured very often we thought we owed the internet quality photos and an in-depth, technical video demonstration of its functions.

We haven't managed to crack open the Treble sounds - we need the schematics to properly access those - if anyone has them please contact us - and stay tuned for a Part II then.

The video probably has the information you need but let's dive in to a basic rundown here just in case:

The CD1 is an Italian auto-accompaniment unit derived from the Godwin Drummaker 32.
Hooking this up to an electronic accordion, foot pedals or an organ you get organ and polyphonic sounds, pre-programmed chords, arpeggios, bass lines and drum machine patterns.
It's unclear which accordion model is compatible to the CD1, if such an object exists.

The unit has 6 sections: Drum machine, Bass, Chords, Arpeggio, Treble and Solo sounds. Plus a modulation section.

The 2 arpeggio sounds are the same as on the Drummaker 32 while the drums are unique to the CD1.
Our plan is to unlock the last tabs sounds properly once we find the schematics or manual but in the meantime the unit trigger 4 chords with the Program push buttons so you can still use it and it sounds great."

Teenage Engineering OPXY // Ready for the dancefloor

video upload by Dexba

"Hello, first time doing techno, if that's even techno? I am so incredibly (irrationally?) afraid of naming genres, because few other things enrage musicians like not getting the genre right.
But I think the very minimalistic video is quite fitting, if only Teenage Engineering had been brave enough and not give a blue tint to their greys (which I obviously removed 😌)
Anyway, I hope you'll enjoy this video of the tiny OPXY in action, used in almost each of its parts (step components, punch-in fx, different scale tracks, trig conditions, FX, drums, multisampling, alternative patterns per track, pitch bend, live playing, equaliser, compressor, distortion).
I've only left out the Song Mode, mostly because I was afraid of ruining everything by deleting patterns, and also because I like to go with the flow and I never have proper structures in mind while playing, so... But that will be quite an important part of the workflow, especially if you are going live with the OPXY, mostly because it's very hard to do multiple things at the same time, like for example launching/unmuting a clip while playing with the Punch-In FX™, but the idea behind that is that most things should be sequenced anyway, which is both incredibly powerful, and a bit limiting!
Can't wait to finally see a 1.1 firmware on this tiny powerhouse 🧡"

This Episode DIDN'T AGE SO WELL

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. More or less all synth nerds have their own temporal demarcation line between 'awesome old school Roland' and 'corporate grave robbers squeezing the last penny from iconic IPs'.

For me, this turning point might as well be the release of the 1999 JV-1010. This obvious insult to UI design combined classic ROMpler tones of the 90s with a workflow so abysmal it helped pave the way for the DAW revolution - and things only went downhill from there.

Chapters:
00:00 Intro tune
01:10 Overview Roland JV1010
01:38 Front Panel Controls
02:19 Roland JV2080 Heritage, Expansions
02:49 General Midi
02:59 Synth Architecture, Filter, XMOD
03:19 Software Editor, Midi Control
03:39 Available Software Options
03:58 Multi FX Unit, Multitimbrality
04:28 Patches
05:05 What else? (Connectivity, Pricing,...)
05:24 H*te Screen
05:51 Jam 1 ( Cheesy Techno )
06:43 Jam 2 ( Cheesy Electro )
07:46 Finale ( Cheesy Synthwave )
08:18 VERDICT"

KORG UK Synth Vids

video uploads by KORG UK



"From legendary analogue synthesizers to genre-defining digital powerhouses, Korg has sat at the heart of synth innovation for generations."

This one comes up via a KORG newsletter I just recieved with a video for "a deep dive into the multi/poly with Luke from Korg." I was about to post it and then realized it was from 11 months ago. I checked to see if I posted it before and couldn't find it. I've been posting the US videos. So... Here's KORG UK's synth playlist in case you missed any like me. You can use the player controls to skip around. It's a fun and interesting look back in time. You'll find Korg's Tatsuya Takahashi, aka Tat's, showcasing the Volca series.

As always, check with dealers on the right for availability.

Playlist:

1. Discover Opsix mkII with Luke from Korg
2. Getting started with the Opsix mkII - your first five minutes
3. Opsix mkII - redefine your sound
4. Getting started with the Modwave mkII - your first five minutes
5. Discover Modwave mkII with Luke from Korg
6. Modwave mkII - a modern monster synth
7. Explore the Volca Modular - overview
8. Volca Modular - Modular meets Volca
9. Meet the NTS-1 Digital mkII - Build your sound
10. Get started with the Korg Minilogue XD - your first five minutes
11. Explore the Korg Minilogue XD - overview
12. Korg Minilogue XD performance - Analogue Evolved
13. Get started with the Korg Wavestate mkII - your first five minutes
14. Explore the Korg Wavestate mkII
15. Korg Wavestate mkII - Synthesize the Extraordinary
16. Discover the Korg Volca Beats - overview
17. Volca Bass overview - Analogue bass in the palm of your hand
18. Explore the Korg Volca Keys - overview
19. MS-20 Mini overview - all the power, 86% the size!
20. Opsix SE overview - six-in-one synthesis through altered FM
21. Korg Opsix SE - a digital synth like no other
22. Korg Wavestate SE - performance unleashed
23. Getting started with the ARP 2600 M - your first five minutes
24. Introducing the Korg Wavestate mkII 🎹
25. Introducing the Korg Wavestate SE - Organic, inspirational, and mind-blowingly powerful 🎹
26. miniKORG 700FS overview - go back to the future!
27. Getting started with miniKORG 700FS - your first five minutes
28. ARP 2600 M - overview of the icon 🎹 all of the sound, 60% the size
29. Korg Volca Keys overview with Tatsuya Takahashi
30. Korg Volca Beats overview with Tatsuya Takahashi
31. Korg Volca Bass overview with Tatsuya Takahashi
32. Introducing the Korg microKORG Crystal
33. You asked, we listened. The ARP 2600 FS is back in the UK & Ireland!
34. Introducing Korg Minilogue Bass

Ali Modular enters Eurorack marketplace with Esu’s Trifecta

video uploads by Ali Modular

Playlist:

1. Esu's Trifecta Feature Overview
2. Esu's Trifecta Sound Demo
3. Esu's Trifecta Sound Demo 2
4. Lets transform this Melody and Bass Line using Esu's Trifecta.

Also see: LiveStream Synth Explorations : Esu's Trifecta by Ali Modular

Press release follows:

Ali Modular enters Eurorack marketplace with Esu’s Trifecta available as powerful multi-effects module with Triple FX engine

WASHINGTON, DC, USA: deep joy-encouraging Eurorack module-maker Ali Modular is proud to announce availability of Esu’s Trifecta — readily representing its inaugural entry into the ever-expanding Eurorack marketplace as a powerful multi-effects module, albeit one which stands out from the sound of the crowd courtesy of an ability to run three different serial effects at the same time, thanks to the Triple FX engine driving its intuitive tools that unlock new ways to shape sound and manage the creative process — as of October 2…

As a powerful stereo multi-effects Eurorack module, Esu’s Trifecta is designed to be the ultimate tool for manipulating, shaping, and transforming sound, duly delivering creative possibilities for musicians, live performers, and sound designers alike — whether used as an all-round sound manipulator, end-of-chain effects processor, or sound design tool. Digging deeper, Esu’s Trifecta draws its essence from an orisha — orishas being divine spirits that play a key role in the Yoruba religion of West Africa and several religions of the African diaspora that derive from it — called Èṣù, the mischievous trickster and guardian of the crossroads, who works to promote balance, order, and harmony, ultimately, despite being known for bringing confusion and unpredictability. It is fair to say that this ethos is effectively embedded deeply into the module’s design. As a result, Esu’s Trifecta creates opportunities for unpredictable sonic exploration while providing the tools to mould sound into harmony and order. On the face of it, the module itself opens up limitless pathways for creativity and sound sculpting — just as Èṣù signifies infinite possibilities.

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Roland TR-1000 In-Store Play

video upload by INHALTVIDEO

"Big thanks to Perfect Circuit [TR-1000 here] for letting me record a bit of the excellent new Roland TR-1000 drum machine. Definitely takes a second to understand the instrument selection and editing process so don’t take this as some musical masterpiece. I was primarily interested in the analog voices so that’s what I was playing with in this clip. But as expected, the machine sounds exactly as it should. I was very impressed with both the build quality and the accurate sound."