0:00 The most powerful synthesizer on the market
0:22 3D Wavetable synthesis
0:50 Resynthesis
1:40 Granular synthesis
2:18 Vocoder
2:53 Additive synthesis
3:36 Supersaw / Hypersaw
4:21 FM synthesis
5:01 Samples
5:33 Subtractive 7 Analog
6:12 Physical modeling
6:39 Waveshaping
7:02 PWM
7:32 Phase Distorion
Icarus is the most powerful synthesizer on the market. The award-winning audio engine offers a huge sonic range, true high-end sound quality, and the ability to create sounds that are impossible with other synths. The exceptionally versatile audio engine is capable of creating all important synthesizer sounds in high-end quality. Icarus is capable of over 30 (!) different synthesis methods, which can be combined:
3D Wavetables
3D Wavetable Synthesis cn create sounds impossible with other synthesizers and opens up a new level of dynamic expression. Classic wavetable synthesis only allows you to cross-fade waveforms. We have extended it with an extra 'morph dimension'. You can use 54 morph modes to further shape and modulate the sound. The morph modes are not limited to traditional waveshaping methods. We have also included a wide range of innovative and exclusive modes that are not available from other companies. This results in a wide range of unique sounds that cannot be produced by other synthesizers.
Resynthesis
Icarus comes with the most powerful and advanced re-synthesis engine on the market. Unlike competing products, it always delivers good results. With Icarus, anyone can create amazing sounds quickly and easily. Icarus' innovative resynthesis can rebuild sounds with a single mouse click! Just click this button, select a wav file, and Icarus will automatically create a patch that sounds like the original. You can further shape your sound with morphing, time-stretching, filters, effects, or any other module.
After sculpting sound in space with The 3B, The 3FX explores the creation of sound spaces capable of transcending all your instruments.
ARCHITECTURE
The heart of The 3FX is built around three fully independent effect voices, each based on a coherent 8-module architecture:
Two delays per voice, usable in series or in parallel An advanced, progressive feedback path up to controlled self-oscillation An analog 12 dB/octave multimode VCF (BP, LP, HP) to optionally process the audio spectrum, both on the delay lines and on the dry signal Independent levels for the dry signal and each delay line A panorama control to position the voice within the stereo field. The stereo input signal is distributed across the three voices: left / left + right / right. A mono signal is distributed across all three voices. Each voice can be used alone, stacked or combined with the others to create textures impossible to achieve with a conventional delay.
"Explore Phase8 at home with my multisamples on Patreon: ► / loopop"
TIMELINE:
0:00 Intro
1:45 Overview
3:15 Vel & env
3:55 Buttons
5:30 Air fader
6:00 Shift
6:20 Pluck
6:50 Drones
7:20 Drone jam
7:50 Build & IO
8:15 In the box
8:35 Mod left
8:55 Mod right
10:25 Mod center
10:50 Settings
11:25 Center #2
11:45 Step seq
12:35 Live seq
13:55 Automation
15:25 MIDI
15:45 Pros & cons
19:00 Three jams
The Phase8 has finally made it to market. Check with dealers on the right for availability.
Press release follows:
KORG Introduces phase8, an Eight-Voice Acoustic Synthesizer
MELVILLE, NY - KORG announces the phase8, an eight-voice acoustic synthesizer designed for musicians and creators who want sound that feels alive, immediate, and deeply responsive. Using Acoustic Synthesis technology developed at KORG, phase8 merges physically vibrating steel resonators with precise electronic control to deliver an instrument that behaves like an acoustic object while offering the creative flexibility of a synthesizer. It answers the need for a new kind of expressive electronic instrument by generating sound in the physical world, responding to touch and interaction, and integrating seamlessly into today’s creative setups through MIDI, USB-MIDI, Sync, and CV connectivity.
At the heart of phase8 are eight independent electromechanical voices driving steel resonators to produce genuinely acoustic vibration. KORG supplies 13 chromatically tuned resonators with the instrument, eight of which can be installed at a time, allowing players to customize the tuning, scale, and character of their setup. Through envelope control, these resonators can move from short, percussive hits to long, sustained tones, encouraging hands-on exploration and performance. The resonators are easily swappable and tunable, making the instrument adaptable to individual playing approaches and musical environments.
phase8 has been designed not only to sound organic, but to feel interactive in use. Players are invited to shape sound directly, touching, plucking, strumming, or tapping the resonators, or even experimenting with found objects to introduce new textures. An AIR slider lets users boost or quiet the acoustic response of what they bring into contact with the instrument, enhancing its tactile, haptic character and underscoring its role as a physical instrument as much as an electronic device.
For structured creativity, phase8 features an intuitive sequencer that supports both step programming and unquantized live recording, with step skip available per voice to enable complex polymetric rhythms. Sequences can be stored and recalled across eight memory slots, while all front-panel parameters can be automated using the record function, allowing evolving passages and detailed motion to be captured directly into performance. Three modulation modes are available, including tremolo and two pitch-dependent audio-rate modulation types, with the final mode offering optional harmonic quantization. A trigger delay, controllable via the instrument’s shift knob, allows delayed resonator triggers relative to the selected or synchronized tempo, further expanding rhythmic expression.
phase8 is designed to integrate effortlessly into modern creative workflows. External MIDI devices can trigger the Acoustic Synth, while the phase8 sequencer can, in turn, trigger external MIDI instruments over MIDI or USB-MIDI. Tempo synchronization is available over MIDI, USB-MIDI, and Sync, and CV input (±5V) allows parameter control from compatible analogue hardware. The instrument provides MIDI TRS-A In/Out, USB-C for USB-MIDI and firmware, Sync In/Out, a ¼-inch line audio output, and a 3.5mm headphone output.
Practical considerations match the innovation inside. phase8 runs on a 12V AC adaptor and consumes 4.8W of power. It measures 231 x 236.5 x 46 mm, weighs 1.71 kg, and ships with an AC adaptor, hex key, Quick Start Guide, Precautions Sheet, and five more resonators alongside the included chromatically tuned set.
phase8 is a new chapter in expressive instrument design, bringing together acoustic behavior, electronic precision, real-time interaction, and deep sequencing control in a compact, performance-ready form.
For more information, please visit NAMM Booth #6802 or online at www.korg.com.
"Here's a quick presentation and audio demo of the new TipTop Audio TRIAX8 Polyphonic Eurorack Oscillator.
00:52 - What is THRU-ZERO FM ?
03:45 - XOR Waveform
05:45 - Music Performance
This video is sponsored by TipTop Audio"
"Meet the TRIAX 8 , an oscillator like no other, featuring 16 analog triangle-core oscillators with full note polyphony and patching. The TRIAX8 is a landmark in synthesis technology, combining true polyphonic patching and full note polyphony with the creative and joyful hands-on workflow of a modular synthesizer. Every function has its own knob, and all modulation inputs are ready for patching with patch cables. Beneath this interface lie 16 true analog oscillators, real circuits built from semiconductors, capacitors, and resistors, each one alive, drifting naturally with temperature and with the magnetic and electric fields they generate. This is the sound of analog: full, warm, organic, and never the same twice.
In this demo, we showcase just a glimpse of what the TRIAX8 is capable of, and how easy it is to design sounds through instant patching. We focus mainly on pads and drones, with a touch of arpeggios.
A note about video sound quality:
YouTube plays compressed audio, which significantly affects sound quality. Compared to the original recording, the audio will generally sound muddier and harsher in the highs. However, it still provides a good sense of the character and tone of the demoed device.
Patch Overview for this video:
For modulation, we used the OCTOLFO to randomly patching LFO signals into the TRIAX 8’s CV inputs. The audio output was routed through the OCTPASS 24 dB low-pass filter and then into the OCTOGAIN. From the OCTOGAIN’s stereo outputs, the sound was sent to the Z-DSP, where some patches feature reverb or delay from the Z-DSP. For control, we played notes from Ableton through the Octopus, or used G-Mode sequencing on the Octopus and NerdSeq."
Check with dealers on the right for availability and price.
1. Yamaha | MODX M | Elevate Expression Everywhere - Official Overview
2. Yamaha | MODX M | Sound Demo - Hear the Future of Expression
"Discover the new Yamaha MODX M Series, a next-generation synthesizer that elevates sound, control, and creativity for musicians everywhere.
Building on the DNA of our flagship MONTAGE M, MODX M delivers expressive performance and a professional workflow in a compact, lightweight design. Built for stage, studio, and beyond.
🎹 Key Features:
• Three powerful engines: AN-X (vintage analog), FM-X (modern digital), AWM2 (realistic acoustic instruments)
• Motion Control Synthesis: Shape sound in real time with the Super Knob, Motion Sequences & Envelope Follower
• High-resolution control: Smooth faders, knobs, and key response for ultimate expression
• Expanded Softsynth Plugin (E.S.P.): A virtual version of MODX M for your DAW (available early 2026)
• Compact, portable design: Perfect for working musicians on the move
🎧 Designed to inspire, wherever your music takes you."
Yamaha MODX M Synthesizer w/ KRAFT Music
video uploads by Kraft Music
Playlist:
1. Yamaha MODX M Synthesizer - Advanced Tutorial with Blake Angelos
"Yamaha has taken the brains in its flagship synth Montage M, and put it in a much less expensive package. Here are the details and comparison to MODX+ and Montage M
Get plenty of multi-samples for it, and my In-Complete Book of Electronic Music Ideas, Tips and Tricks
► Patreon: / loopop"
The TR-1000 is available now for $2,699.99. Check with dealers on the right for availability.
"The TR-1000’s analog engine features 16 of the most coveted circuits from the TR-808 and TR-909, faithfully recreated from the original designs with detailed engineering and carefully selected modern components. Alongside the TR-1000’s analog voices are powerful digital sounds driven by Roland’s latest advancements, including 21 circuit-bent TR-808 and TR-909 models built with Analog Circuit Behavior (ACB) technology, FM percussion, virtual analog tones, and a deep PCM library for sonic exploration and fresh textures."
Playlist:
1. Roland TR-1000 Rhythm Creator | Egyptian Lover Performance
2. Roland TR-1000 Rhythm Creator | Everything You Need to Know
User videos followed by hi-res pics and the press release:
"Really liking the Perc VCA for the simplicity of its built in decay envelope and ability to grab a bassline with the minimum of fuss. Here's a quick demo and I hope to do a full review soon."
"While deep in its soul there’s a standard VCA with exponential response that can be used as such, in its heart pulses an AD envelope with a sharp attack and a variable decay internally connected to the VCA control input. When it opens its mouth it can whisper in your ear but don’t let this soft demeanor fool you, if driven to the extreme it will show its teeth and gnarly bite and chew on your cochleas with all its might.
The AD envelope has a fixed short Attack, just enough to avoid the typical “click” that happens when using a Gate signal to control a VCA, while the envelope Decay can be controlled via its knob or voltage controlled using the CV input and attenuverter.
We named it Percussion VCA as most percussion intruments have sharp attacks with variable decays just as its AD Envelope however it can be used for any purpose where a VCA is needed including for CV signals due to it’s DC coupled signal path.
Furthermore it also allows to be driven from a simple Gate signal while controlling its decay. This way it’s easy to plug a noise source, vco or any audio and turn that source into a percussive element."
Our motorized control unlocks a modern creative workflow. Adaptive motorized control merges the flexibility of software with the feel of classic hardware—giving you real-time tactile control, instant recall, haptic feel with 15bit precision.
✅ Instant visual feedback
✅ No screens, no guesswork
✅ A faster, sharper, more interactive workflow
"The legendary Roland TR80*8 up against the *Roland TR-8S and the Behringer RD-8 Looking only at the sounds - or listening to them! - do they come anywhere close?
The TR-8S uses Roland's ACB technology, which is the same as the TR-8, Roland Cloud plugins and the Boutique TR-08 - so this has you covered for all of those. I'm using the RD-8 Mk2 - you cna tell because its got the black buttons, Mk1 had white.
I've gone through all the sounds (forgot the maracas in the demo bit) and showed how they differ. Taking into consideration no 2 808s will be identical I think they both stand up very well to the orginal TR808.
"Let me talk you through my patch from last night's EMOM in Norwich. The patch, I believe, was excellent. My execution on the night was sadly lacking, but there's always something to learn from these things. In this video I'll go through the system highlighting the Mzourack Diktaat, the Shakmat Bishop's Miscellany Mk2, Knobula Monumatic and Knob Technology nCarinae 2."
The Sequential Take 5 desktop module brings the legendary Prophet-5 sound to your mix, featuring the analog oscillators and filter that transformed electronic music. Compact and powerful, it fits seamlessly into any studio and is easy to transport for live performances. Modern effects and a powerful modulation matrix deliver sounds to transport you.
Soundtrack exclusively by Take 5. Yes, even the drums! Composed by Peter Dyer.
"The Take 5 and Teo-5 from Sequential and Oberheim make fantastic desktop units. They feel like they were made for this form factor - no compromises, simply great sounding synths in a high quality enclosure. The keyboard versions may have felt lacking in keys (even though they have a great keybed) - just a bit too short for some. I found it was quite handy having one that could fit on my rack! But with these the only decision you have to make is which one is best for you.
Luckily I'm here to confuse you further (they both sound great)! The decision will be whether you prefer the Oberheim or Sequential style of VCO programming, the filters, and the X-Mod/FM. And these just so happen to be the bits I look at in this :)"
0:00 Whoo Hoo!!
2:36 The Hardware
4:37 Quick Overview - What Are They?
6:58 Oscillators
10:20 Sync
12:31 Filters
21:08 X-Mod/FM
Press release follows:
Take Your Music to the Next Level with the Sequential Take 5 Desktop Module
San Francisco, CA – [July 1, 2025] – Sequential, a leading innovator in synthesizer technology, today announced the release of the Take 5 Desktop Module, bringing their legendary analog sound to a more compact and accessible form-factor.
Building on the success of the Take 5 keyboard, the desktop module offers the same powerful analog oscillators and filters that capture the iconic warmth and depth of the Prophet-5, enhanced with modern modulation and digital effects. The module delivers this sought-after sound in a space-saving design, perfect for studio setups and live performances where portability and efficiency are paramount.
"Ever since we launched the Take 5 keyboard, we’ve gotten repeated requests for a desktop module version, " says CEO David Gibbons. "And more recently, it seems that modules have really shot up in popularity. So, we're very excited to offer the Take 5 sound in a format that everyone seems to want."
The Take 5 Desktop Module provides the same hands-on, knob-based experience as its keyboard counterpart, allowing for intuitive sound design and real-time parameter adjustments. Users can delve deep into sound creation with controls that are simple and direct, making it fast and easy to polish your sound.
This synth fits perfectly in smaller studio or bedroom setups, and is easy to transport for live gigs, positioning The Take 5 desktop module to bring its signature Sequential sound to a wider audience than ever before. It's an instrument designed to make life easier and streamline the journey to making music and having fun.
The Take 5 desktop module is available now, with a US MAP price of $1,399.
"kNoB technology presents an updated and improved Eurorack VCO module ηCarinae 2 Our second ray of light during a dark time
The ηCarinae 2 is a fully analog tzfm oscillator (tri-based). The concept behind the creation of ηCarinae was to develop a generator with multi-level wave shaping and transformation, allowing not only smooth selection of the base waveform but also modification of the waveform itself in order to expand the available timbres. 7-level waveforming= simple form + form shaping + sub osc + "sine+" + FM + selfpatching + Ring mod 5 basic waves (Tri, Sine, Saw, Double saw, Square PWM) and white noise with vactrol LP filter Wave folding for sine and triangle waves SAW and Double SAW, both with Smooth saw ramp shaper (Rise to Fall) Two SUB OSC f/2 + f/4 with CV level control in main mix Hard and Soft sync 2x LFO modes SINE+ mode for mixing simple waveforms with a folding sine wave Pure analog design in every part of the module LIN, EXP, TZFM, TZPM, RING modulation possibilities
Time sections: 00:00 Hello 00:09 Bla Bla 01:08 Small demo 03:22 Review of controls 05:40 Review of connectors 07:41 Review of touchpads 08:01 WAVE and PWM|S + waveshaping 09:49 WAVE and PWM|S and Sine+ mod 10:50 WAVE and PWM|S + modulations 11:49 SUB OSCs 12:43 Synchronization 13:37 FM modulations 14:27 TZFM modulation 16:09 TZPM modulation 18:01 Exponential FM modulation 19:01 7th lvl of waveshaping RING MOD 20:54 RING MOD + TZFM 21:57 VCO to LFO: How to drop the frequency lower than the octave selector allows? 22:32 Demonstrations: Simple to Complex timbres 27:20 Organ-like patch (5oct) 31:44 Drone and Noise"
"In this video we look at how to use the additional 64 noise types that have been added as part of NINA's 2.0 Multi-Track Sequencer update. The additional noise types are now part of NINA's incredible analog synth engine and can be used as a powerful resource for creating drum and percussive sounds and great for sound design purposes.
These percussive hits and drum sounds turn NINA into a monster groovebox. This guide shows you how to access different noise types, noise settings and how to sequence multiple noise types in a single track for multitimbral sequencing using only one track of NINA's four available tracks, per pattern.
00:00 intro/overview
00:41 accessing noise types
01:17 audio preview of noise types
01:45 noise settings
02:18 sequencing noise
03:43 adding different noise type to the same track
04:23 fixing phase issue with Track Voice settiing
05:02 adding another noise type to the same track
05:26 Cut & Paste steps
05:58 front panel
07:00 mixing other oscillators with noise
07:50 outro
NINA has been updated with a powerful Multi-Track Sequencer mode for poly-rhythmic pattern creation with step-based control and performance across four independent tracks. Introducing a new polyphonic, polymeter sequencer with per-step parameter locking and front panel automation powered by Melbourne Instrument's revolutionary motorized knob technology. Additionally, this update adds 64 new noise types to NINA's incredible synth engine, expanding the possibilities for greater sound design. The new noise types include various percussion hits, digital, metal and assorted noise types, as one-shot or loops giving more scope for creating percussive sounds. The new sequencer mode adds time-based features like shuffle, micro-timing, clock multiplication, variable gate lengths, and probability options, offering fresh ways to control NINA's sound.
More on videos on NINA 2.0 Multi-Track sequencer features to follow!
"Enhance your modular performance with new gesture controls using infrared technology, making your show more dynamic and visually engaging
SYNSO is a modular synthesizer brand from Hangzhou, China, specializing in the design and development of digital-based modular synthesizers with innovative and unique interaction methods.
"In this video we look at how to easy it is to create sequence on NINA's new 2.0 multi-track sequencer. Here we create a PATTERN with 4 TRACKs using 4 different preset sounds from NINA.
00:13 How to enter the multi-track sequencer mode
00:38 PATTERN and TRACK structure overview
00:59 CLEAR PATTERN: How to initialize a PATTERN
01:41 TRACK Mode
01:57 TRACK 1: Kick drum
02:48 TRACK 2: Hi-hats
03:22 TRACK 3: Bass
03:59 Editing pitch values per step
04:30 Changing the TRACK volume
04:49 TRACK 4: Chord sound
05:32 GATE: how to edit Gate length per step
06:08 CHORD: how to add/edit note values per step
NINA has been updated with a NEW Multi-Track Sequencer mode that enables powerful pattern creation with step-based control and performance across four independent tracks. Introducing a new polyphonic, polymeter sequencer with per-step parameter locking and front panel automation powered by Melbourne Instrument's revolutionary motorized knob technology. Additionally, this update adds 64 new noise types to NINA's incredible synth engine, expanding the possibilities for greater sound design. The new noise types include various percussion hits, digital, metal and assorted noise types, as one-shot or loops giving more scope for creating percussive sounds. The new sequencer mode adds time-based features like shuffle, micro-timing, clock multiplication, variable gate lengths, and probability options, offering fresh ways to control NINA's sound.
More on videos on NINA 2.0 Multi-Track sequencer features to follow!
"Quick demo/review of the Active resonant LPG by knob technology
No RTFM this time, can't find it, but realy self explanatory
Thank you for watching.
My name is Meska of the statik collective . I've been making mostly "dark and expérimental" music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with.
"The triple featured Oscar Tria offers regular waveforms, swarming oscillations and polyphonic chord modes within a Eurorack, CV-controlled context. The stereo format offers some lovely detuning and there's some superb morphing between the waveforms. It's built on a digital platform but has a very analogue sound and workflow. Let's get into it."
"Oscar Tria packs a lot of VCO into 10HP. There are three main modes described below.
Green Mode: A ‘traditional’ stereo oscillator. In Green Mode you get the usual three waveforms – saw, triangle and square (with variable pulse width, of course) but you can continuously vary the waveform between the three. For instance, by turning the waveform knob to be just to the saw side of triangle, you get a sound very much like the Minimoog’s ‘shark tooth’. Green mode also gives you a square wave sub oscillator – one octave below the main oscillators – and a sub sub, two octaves below. Oscar Tria is stereo, of course, so you can detune one oscillator for a rich stereo image – or sum the two outputs to mono and you have two oscillators with two subs, for a BIG sound. Green mode also features through zero FM, and hard sync.
Yellow Mode: Super-saw! And super-square! And super-triangle! With a sub (of course). Yellow mode allows you to control the number of oscillators making up the super-whatever, from one (not really super) to 24! Again, being stereo you get up to 12 oscillators in one channel and 12 in the other. Add the sub for a HUGE sound.
Orange Mode: This is a chord engine, with 20 selectable chords. There are controls to select which chord you want and how many notes are played (over two octaves). CV control allows you to set pitch and chord independently, so you can set up a polyphonic sequence, for instance. Again, the output is stereo with detune control of one output."
00:00 Intro
01:35 Accessing Multi-Track Sequencer Mode
01:54 New Overlay and Button Function
02:09 Key Concepts and Overview
02:47 PATTERN Mode
04:20 TRACK Mode
06:11 Parameter Locking & Step Settings
09:03 Live Automation Recording
11:18 Copy/Paste Steps
11:57 Performing and Playing Front Panel
12:50 TRACK Mute
13:18 TRACK Select
13:55 Page Select (REC)
14:41 New NOISE Types
15:16 Parameter Locking Noise Types
16:36 Outro
Press release follows:
May 2, 2025, Superbooth Edition
Melbourne Instruments announce new firmware for ROTO-CONTROL and NINA
Visit Melbourne Instruments at Superbooth, May 8-10, FEZ-Berlin Germany, Booth H220
Melbourne Instruments announce BITWIG STUDIO integration for ROTO-CONTROL
MELBOURNE, Australia, May 2, 2025: Melbourne Instruments continue to build on the success of their motorized synths, NINA and DELIA, and MIDI controller ROTO-CONTROL launched in January this year. Melbourne Instruments is pleased to announce BITWIG STUDIO integration for Roto-Control is now available as a public beta. This adds to Roto-Control’s acclaimed Ableton Live integration, and now Bitwig Studio users can take full advantage of Roto-Control features with their Bitwig projects.
Melbourne Instruments bring their revolutionary touch sensitive, motorized knob technology along with high-res screens and haptic control to Bitwig Studio users.
Powerful, compact, and portable, Roto-Control features three main modes of operation: MIX, PLUGIN and MIDI with Motion Recorder. MIX Mode will automatically sync Bitwig with all track names and colors instantly appearing on Roto-Control displays. Roto-Control will update track names and colors when connected to an active Bitwig session. No need to save or edit labels – all data is taken directly from the active Bitwig session.
In PLUGIN Mode, plugin parameters and labels are taken directly from Bitwig with one touch, one-time, intuitive easy setup. Learn plugin parameters once and Roto-Control will remember learnt parameters anytime you use Bitwig. All learnt plugin parameters are stored locally on Roto-Control, making it quick and easy to use with any computer setup. Roto-Control is a truly unique motorized MIDI controller that is highly customizable with internal storage for thousands of assignments.
Bitwig Studio users can streamline their creative workflow and quickly evolve ideas with responsive physical control of Bitwig Studio through Roto-Control’s MIX and PLUGIN Modes. This new integration is a collaboration between Bitwig and Melbourne Instruments, responding to the overwhelming demand for Roto-Control support for Bitwig Studio.
Bitwig Studio integration marks the second DAW support for Roto-Control with additional DAW integration currently in the works.
Bitwig Studio integration for Roto-Control is a public beta, please see link for more info and to download the beta firmware. www.melbourneinstruments.com/roto
Rare musical instrument developed by Sakata, later distributed by Hammond. This digital drum machine uses same technology as Linndrum with samples on eproms. The MIDI kit (developed by FPB Synth Germany) is freshly installed for the sale.
Unfortunately, I lost the RAM card a while ago, so the pattern memories and internal sequencer are not usable… This said the MIDI kit upgrade allows you to control the drum machine from any device including modern sequencers!
So, you have access to the 22 samples via MIDI + you can trig manually at the same time.
Sounds are internally spread over a stereo field (stereo output), you also have independent mono outputs and a phones out . Of course you have the volume fader for each voice (8 sliders) and a general volume knob. So, a nice flexibility for studio environment.
Great sounding drum machine, punchy and pretty unique samples — the cymbals are really interesting. You know, 8-bit unsigned PCM sounds but realistic for the time… it delivers a great vintage flavour. As eprom based, you can totally custom your instrument. The sounds here are stock. One of the eprom has been cloned by FPB too."
