MATRIXSYNTH: Search results for kNoB Technology

Showing posts sorted by date for query kNoB Technology. Sort by relevance Show all posts
Showing posts sorted by date for query kNoB Technology. Sort by relevance Show all posts

Thursday, April 16, 2026

Ocean Swift Introduces Sound Creator Suite - tools for sound-design and instrument development


The Ultimate Sound Designer & Developer Toolkit: Sound Creator Suite Walkthrough | Ocean Swift video upload by Ocean Swift / Faxi Nadu

https://oceanswift.net/product/sound-creator-suite/

"Welcome to a complete walkthrough of the Ocean Swift - Sound Creator Suite. In this video, we take a high-level tour of the entire application, showing you not just what the tools do, but how they work in concert to provide a centralized host environment for virtual instrument developers, sample pack creators, and sound designers.

Whether you are automating hardware sampling, building custom UI components, or formatting vast preset libraries, this suite handles the heavy lifting so you can focus on the creative process.

What we cover in this walkthrough:
Global Settings & The Log Viewer: A look at the suite's foundation, including audio/MIDI routing, Kontakt developer integration , and the built-in, thread-safe Log Viewer capable of maintaining a 10,000-line history.
Audio Batch Processing & Sampling: How to recursively process thousands of audio files , mathematically align loops using MIR technology , and automate external hardware sampling via MIDI and threshold detection.
The Wavetable Ecosystem: A brief look at building wavetables from scratch with the Creator, extracting them from audio files, and converting formats across various software synthesizers.
MIDI & OSC Routing: Bridging the gap between your hardware, digital audio workstations, and modular environments like TouchDesigner.
UI Generation & NKS Workflow: From rendering 3D knobs into sprite sheets to batch-injecting metadata into Native Instruments NKS presets and standard audio samples."

Build Kontakt Instruments Faster: WYSIWYG UI Editor & Prefabs | Ocean Swift Sound Creator Suite

video upload by Ocean Swift / Faxi Nadu

"In this in-depth walkthrough, we dive into the Kontakt Performance View tool, a powerful standalone WYSIWYG editing environment within the Ocean Swift Sound Creator Suite. If you build instruments for Native Instruments Kontakt, this tool bridges the gap between technical JSON editing and intuitive visual design.We cover the entire workflow, from initial setup to complex UI layout, showing you how to design without writing a single line of layout code. What you will learn in this video:Integration & Setup: How to use the suite's settings to launch Kontakt as an isolated child process. Automated NKS Creation: Watch the tool automatically generate the strict NKS folder hierarchy and silently execute a Lua script to create your base .nki and .nkr container files. Live WYSIWYG Editing: Explore the hardware-accelerated preview canvas that provides a near 1:1 visual representation of your UI.Drag & Drop Design: See how to physically drag controls across the canvas , use grab handles for free-resizing , and utilize the alignment menu to perfectly center, top, or bottom-align multiple UI elements instantly.
Advanced Tree & Property Inspector: Learn how to manage the exact structural hierarchy of your UI. We show you how to use Alt+Click to instantly select a Panel and all nested child controls , and how to edit multiple parameters safely using the dynamic property inspector.
Instant UI Prefabs: Discover how to recursively scan your resources folder to drop complex, pre-configured .nckc UI elements directly into your project in seconds.

Grab it here: https://oceanswift.net/product/sound-..."

Press release follows:


"Sound Creator Suite is an all-in-one desktop environment for advanced sound-design and virtual instrument development workflows. Serving as a robust, centralized host, this suite equips producers and developers with an unparalleled arsenal of specialized Ocean Swift tools and utilities.

Learn more and grab it here for €60 instead of €100, 40% off until May 7 2026: https://oceanswift.net/product/sound-creator-suite/

Generate studio-grade UI components - from photo realistic brushed-metal knobs to glowing LED rings with the GUI Knob Maker, and export complex animations as perfectly stitched sprite sheets in seconds. Seamlessly pair this with the Kontakt Performance View tool, an advanced WYSIWYG editing environment that lets you construct complex Kontakt interfaces using a visual, drag-and-drop real-time workflow, entirely eliminating the need to write tedious layout code.

Process audio in bulk, utilize MIR algorithms to surgically align loops, automate your hardware sampling workflows, and generate algorithmic MIDI patterns. Whether you are building and converting custom wavetables, batch-injecting metadata with the NKS preset and sample taggers, monitoring OSC packets, or accessing instant music-calculation tools, the Sound Creator Suite brings an entire development ecosystem into one powerful interface.

Featuring
30+ sound design and instrument development tools
Growing toolkit with an exciting future roadmap – more tools, more assets!
Design, Build, Record, Process, Edit, Manipulate, Monitor
Automate processes and speed up workflows
Innovative, unique, performant and user minded approach"

Monday, April 13, 2026

Playing with Parting - Old Blood Noise Endeavors & Emily Hopkins


video upload by Molten Music Technology

"Running a simple bass line through the stunning Parting glitch/ambient machine and exploring the sounds. It's a very touchy feely pedal that's wasted on guitarists and really should be a Eurorack module. Full review coming soon from a synth perspective.
I bought this pedal myself."



"Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lofi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.
Controls

Dissolve has two functions. Below noon, it reduces sample rate, creating an increasingly degraded version of the signal. Above noon, it reverses the signal, and repeatedly cuts the reverse clock in half as the knob is turned, creating an increasingly long and degraded reverse.

Rate sets the rate of the modulation LFO, which is also the frequency of triggers for moments of chance.

Depth sets the depth of the LFO.

Shape sets the LFO shape: Sine, Square, Reverse Saw, Saw, Random Sine, Random Square, Envelope

Chance allows random bits of signal to enter the delay/reverb buffer during an LFO cycle.

Smear adds diffusion and feedback to the delay lines, turning them into a lush reverb as the knob is turned up.

Glitch creates various clock subdivisions.

Time sets the timing of the delay/reverb, as well as the reverse.

Filter sets the cutoff point of the post-dissolve filter.

Mix sets the blend of dry and wet signal.

Aux switch for tap tempo, half speed, or preset switching.

Soft-touch On/Off footswitch with relay switching for minimal switch noise"

Wednesday, March 25, 2026

OBERHEIM OB-X8 POLYPHONIC ANALOGUE SYNTHESISER (DESKTOP)

Note: links to listings are affiliate links for which the site may be compensated.


via this listing

Additional Signal Sounds listings

"We say...
A pre-owned Oberheim OB-X8 (Desktop) in very good condition. It comes with original packaging and power cable.

Manufacturer's description
NEW functionality now available with OB-X8 OS v2.0 featuring:

Instant binaural mode pans individual voices hard left and right for true stereo operation
Simultaneously selectable waveshapes for each oscillator extends timbral variety
New 4-Pole low pass filter type with fuller bass at high resonance
New VCO 1 and 2 level LFO modulation destinations for independent timbral mixing
Arpeggiator clock sync now has selectable note division values for expanded rhythmic control
Twice the Split and Double memory locations, including program storage directly in the new banks for 512 more stored sounds
Separate MIDI channels for lower/upper split bi-timbral operation
Poly chain for up to 32 voices with 4 connected instruments
MPE for new levels of expressiveness

Thursday, March 05, 2026

Tone2 Releases Icarus 3.2


video upload by Tone2 Audiosoftware

"Timeline:

0:00 The most powerful synthesizer on the market
0:22 3D Wavetable synthesis
0:50 Resynthesis
1:40 Granular synthesis
2:18 Vocoder
2:53 Additive synthesis
3:36 Supersaw / Hypersaw
4:21 FM synthesis
5:01 Samples
5:33 Subtractive 7 Analog
6:12 Physical modeling
6:39 Waveshaping
7:02 PWM
7:32 Phase Distorion


Icarus is the most powerful synthesizer on the market. The award-winning audio engine offers a huge sonic range, true high-end sound quality, and the ability to create sounds that are impossible with other synths. The exceptionally versatile audio engine is capable of creating all important synthesizer sounds in high-end quality. Icarus is capable of over 30 (!) different synthesis methods, which can be combined:

3D Wavetables

3D Wavetable Synthesis cn create sounds impossible with other synthesizers and opens up a new level of dynamic expression. Classic wavetable synthesis only allows you to cross-fade waveforms. We have extended it with an extra 'morph dimension'. You can use 54 morph modes to further shape and modulate the sound. The morph modes are not limited to traditional waveshaping methods. We have also included a wide range of innovative and exclusive modes that are not available from other companies. This results in a wide range of unique sounds that cannot be produced by other synthesizers.

Resynthesis

Icarus comes with the most powerful and advanced re-synthesis engine on the market. Unlike competing products, it always delivers good results. With Icarus, anyone can create amazing sounds quickly and easily. Icarus' innovative resynthesis can rebuild sounds with a single mouse click! Just click this button, select a wav file, and Icarus will automatically create a patch that sounds like the original. You can further shape your sound with morphing, time-stretching, filters, effects, or any other module.

Saturday, January 24, 2026

Baloran The 3FX


video upload by Laurent Baloran

"Après avoir sculpté le son dans l’espace avec The 3B, The 3FX explore la création d’espaces sonores capables de transcender tous vos instruments.

After sculpting sound in space with The 3B, The 3FX explores the creation of sound spaces capable of transcending all your instruments."

Also see New VST3 Plugin - The 3FX by Baloran In the Works


via Baloran:

"The psychedelic The 3FX

After sculpting sound in space with The 3B, The 3FX explores the creation of sound spaces capable of transcending all your instruments.

ARCHITECTURE

The heart of The 3FX is built around three fully independent effect voices, each based on a coherent 8-module architecture:

Two delays per voice, usable in series or in parallel
An advanced, progressive feedback path up to controlled self-oscillation
An analog 12 dB/octave multimode VCF (BP, LP, HP) to optionally process the audio spectrum, both on the delay lines and on the dry signal
Independent levels for the dry signal and each delay line
A panorama control to position the voice within the stereo field.
The stereo input signal is distributed across the three voices: left / left + right / right. A mono signal is distributed across all three voices.
Each voice can be used alone, stacked or combined with the others to create textures impossible to achieve with a conventional delay.

Wednesday, January 21, 2026

Korg Phase8 Review: What happens when Physical Resonators meet Synthesis?


video upload by loopop

"Explore Phase8 at home with my multisamples on Patreon: ► / loopop"

TIMELINE: 0:00 Intro 1:45 Overview 3:15 Vel & env 3:55 Buttons 5:30 Air fader 6:00 Shift 6:20 Pluck 6:50 Drones 7:20 Drone jam 7:50 Build & IO 8:15 In the box 8:35 Mod left 8:55 Mod right 10:25 Mod center 10:50 Settings 11:25 Center #2 11:45 Step seq 12:35 Live seq 13:55 Automation 15:25 MIDI 15:45 Pros & cons 19:00 Three jams

The Phase8 has finally made it to market. Check with dealers on the right for availability.

Press release follows:


KORG Introduces phase8, an Eight-Voice Acoustic Synthesizer

MELVILLE, NY - KORG announces the phase8, an eight-voice acoustic synthesizer designed for musicians and creators who want sound that feels alive, immediate, and deeply responsive. Using Acoustic Synthesis technology developed at KORG, phase8 merges physically vibrating steel resonators with precise electronic control to deliver an instrument that behaves like an acoustic object while offering the creative flexibility of a synthesizer. It answers the need for a new kind of expressive electronic instrument by generating sound in the physical world, responding to touch and interaction, and integrating seamlessly into today’s creative setups through MIDI, USB-MIDI, Sync, and CV connectivity.

At the heart of phase8 are eight independent electromechanical voices driving steel resonators to produce genuinely acoustic vibration. KORG supplies 13 chromatically tuned resonators with the instrument, eight of which can be installed at a time, allowing players to customize the tuning, scale, and character of their setup. Through envelope control, these resonators can move from short, percussive hits to long, sustained tones, encouraging hands-on exploration and performance. The resonators are easily swappable and tunable, making the instrument adaptable to individual playing approaches and musical environments.

phase8 has been designed not only to sound organic, but to feel interactive in use. Players are invited to shape sound directly, touching, plucking, strumming, or tapping the resonators, or even experimenting with found objects to introduce new textures. An AIR slider lets users boost or quiet the acoustic response of what they bring into contact with the instrument, enhancing its tactile, haptic character and underscoring its role as a physical instrument as much as an electronic device.

For structured creativity, phase8 features an intuitive sequencer that supports both step programming and unquantized live recording, with step skip available per voice to enable complex polymetric rhythms. Sequences can be stored and recalled across eight memory slots, while all front-panel parameters can be automated using the record function, allowing evolving passages and detailed motion to be captured directly into performance. Three modulation modes are available, including tremolo and two pitch-dependent audio-rate modulation types, with the final mode offering optional harmonic quantization. A trigger delay, controllable via the instrument’s shift knob, allows delayed resonator triggers relative to the selected or synchronized tempo, further expanding rhythmic expression. phase8 is designed to integrate effortlessly into modern creative workflows. External MIDI devices can trigger the Acoustic Synth, while the phase8 sequencer can, in turn, trigger external MIDI instruments over MIDI or USB-MIDI. Tempo synchronization is available over MIDI, USB-MIDI, and Sync, and CV input (±5V) allows parameter control from compatible analogue hardware. The instrument provides MIDI TRS-A In/Out, USB-C for USB-MIDI and firmware, Sync In/Out, a ¼-inch line audio output, and a 3.5mm headphone output.

Practical considerations match the innovation inside. phase8 runs on a 12V AC adaptor and consumes 4.8W of power. It measures 231 x 236.5 x 46 mm, weighs 1.71 kg, and ships with an AC adaptor, hex key, Quick Start Guide, Precautions Sheet, and five more resonators alongside the included chromatically tuned set. phase8 is a new chapter in expressive instrument design, bringing together acoustic behavior, electronic precision, real-time interaction, and deep sequencing control in a compact, performance-ready form. For more information, please visit NAMM Booth #6802 or online at www.korg.com.

Street Price: $1149.99 USD

Friday, December 05, 2025

Tiptop Audio Introduces the TRIAX8: An Oscillator like no other


video upload by Tiptop Audio

As always, check with dealers on the right for availability and price.

TipTop TRIAX-8 Polyphonic Thru-Zero FM Oscillator - What is TZFM?

video upload by gattobus

"Here's a quick presentation and audio demo of the new TipTop Audio TRIAX8 Polyphonic Eurorack Oscillator.

00:52 - What is THRU-ZERO FM ?
03:45 - XOR Waveform
05:45 - Music Performance

This video is sponsored by TipTop Audio"


"Meet the TRIAX 8 , an oscillator like no other, featuring 16 analog triangle-core oscillators with full note polyphony and patching. The TRIAX8 is a landmark in synthesis technology, combining true polyphonic patching and full note polyphony with the creative and joyful hands-on workflow of a modular synthesizer. Every function has its own knob, and all modulation inputs are ready for patching with patch cables. Beneath this interface lie 16 true analog oscillators, real circuits built from semiconductors, capacitors, and resistors, each one alive, drifting naturally with temperature and with the magnetic and electric fields they generate. This is the sound of analog: full, warm, organic, and never the same twice.

In this demo, we showcase just a glimpse of what the TRIAX8 is capable of, and how easy it is to design sounds through instant patching. We focus mainly on pads and drones, with a touch of arpeggios. A note about video sound quality:
YouTube plays compressed audio, which significantly affects sound quality. Compared to the original recording, the audio will generally sound muddier and harsher in the highs. However, it still provides a good sense of the character and tone of the demoed device.

Patch Overview for this video: For modulation, we used the OCTOLFO to randomly patching LFO signals into the TRIAX 8’s CV inputs. The audio output was routed through the OCTPASS 24 dB low-pass filter and then into the OCTOGAIN. From the OCTOGAIN’s stereo outputs, the sound was sent to the Z-DSP, where some patches feature reverb or delay from the Z-DSP. For control, we played notes from Ableton through the Octopus, or used G-Mode sequencing on the Octopus and NerdSeq."

Check with dealers on the right for availability and price.

Tuesday, October 14, 2025

Yamaha Introduces New MODX M Series of Synthesizers


video uploads by Yamaha Synths Official

Playlist:

1. Yamaha | MODX M | Elevate Expression Everywhere - Official Overview
2. Yamaha | MODX M | Sound Demo - Hear the Future of Expression




"Discover the new Yamaha MODX M Series, a next-generation synthesizer that elevates sound, control, and creativity for musicians everywhere.

Building on the DNA of our flagship MONTAGE M, MODX M delivers expressive performance and a professional workflow in a compact, lightweight design. Built for stage, studio, and beyond.

🎹 Key Features:
• Three powerful engines: AN-X (vintage analog), FM-X (modern digital), AWM2 (realistic acoustic instruments)
• Motion Control Synthesis: Shape sound in real time with the Super Knob, Motion Sequences & Envelope Follower
• High-resolution control: Smooth faders, knobs, and key response for ultimate expression
• Expanded Softsynth Plugin (E.S.P.): A virtual version of MODX M for your DAW (available early 2026)
• Compact, portable design: Perfect for working musicians on the move

🎧 Designed to inspire, wherever your music takes you."


Yamaha MODX M Synthesizer w/ KRAFT Music
video uploads by Kraft Music

Playlist:

1. Yamaha MODX M Synthesizer - Advanced Tutorial with Blake Angelos
Great bundle deals on the Yamaha MODX M music synthesizer:
https://kraftmusic.com/collections/ya...

Blake Angelos from Yamaha visits Kraft Music to present the MODX M music synthesizer.

00:00 Into
00:44 The DNA of flagship Montage M
01:29 Display knobs
02:21 Keyboard hold
03:50 Control matrix
04:36 Page jump
06:05 Sound engine
06:28 CFX piano samples
08:06 Keyboard action
10:12 Scenes and orchestral voices
14:19 Super Knob
17:24 Organs and rotary speaker
21:31 Trailer Toys
22:20 Smart Morph
27:17 Motion sequence
32:37 Computer integration
33:54 ESP plug-in synth
38:54 Signing off
2. Yamaha MODX M Synthesizer - All Playing, No Talking with Blake Angelos

loopop Review: Yamaha MODX M vs MODX+: vs Montage M // Everything you need to know M6/M7/M8

video upload by loopop

"Yamaha has taken the brains in its flagship synth Montage M, and put it in a much less expensive package. Here are the details and comparison to MODX+ and Montage M

Get plenty of multi-samples for it, and my In-Complete Book of Electronic Music Ideas, Tips and Tricks ► Patreon: / loopop"

Here's a timeline of the video:

Wednesday, October 01, 2025

Roland Introduces the TR-1000 Rhythm Creator w/ TR-808 and TR-909 Analog Drum Circuitry


video uploads by RolandChannel

The TR-1000 is available now for $2,699.99. Check with dealers on the right for availability.

"The TR-1000’s analog engine features 16 of the most coveted circuits from the TR-808 and TR-909, faithfully recreated from the original designs with detailed engineering and carefully selected modern components. Alongside the TR-1000’s analog voices are powerful digital sounds driven by Roland’s latest advancements, including 21 circuit-bent TR-808 and TR-909 models built with Analog Circuit Behavior (ACB) technology, FM percussion, virtual analog tones, and a deep PCM library for sonic exploration and fresh textures."

Playlist:

1. Roland TR-1000 Rhythm Creator | Egyptian Lover Performance
2. Roland TR-1000 Rhythm Creator | Everything You Need to Know

User videos followed by hi-res pics and the press release:

Wednesday, September 17, 2025

ADDAC Perc VCA and Friends Jam


video upload by Molten Music Technology

"Really liking the Perc VCA for the simplicity of its built in decay envelope and ability to grab a bassline with the minimum of fuss. Here's a quick demo and I hope to do a full review soon."



"While deep in its soul there’s a standard VCA with exponential response that can be used as such, in its heart pulses an AD envelope with a sharp attack and a variable decay internally connected to the VCA control input. When it opens its mouth it can whisper in your ear but don’t let this soft demeanor fool you, if driven to the extreme it will show its teeth and gnarly bite and chew on your cochleas with all its might.

The AD envelope has a fixed short Attack, just enough to avoid the typical “click” that happens when using a Gate signal to control a VCA, while the envelope Decay can be controlled via its knob or voltage controlled using the CV input and attenuverter.

We named it Percussion VCA as most percussion intruments have sharp attacks with variable decays just as its AD Envelope however it can be used for any purpose where a VCA is needed including for CV signals due to it’s DC coupled signal path.

Furthermore it also allows to be driven from a simple Gate signal while controlling its decay. This way it’s easy to plug a noise source, vco or any audio and turn that source into a percussive element."

Thursday, August 21, 2025

Revolutionary Motorized Knob Technology by Melbourne Instruments


video upload by Melbourne Instruments

"Why Motorized Knobs? ⚡️

Our motorized control unlocks a modern creative workflow. Adaptive motorized control merges the flexibility of software with the feel of classic hardware—giving you real-time tactile control, instant recall, haptic feel with 15bit precision.

✅ Instant visual feedback
✅ No screens, no guesswork
✅ A faster, sharper, more interactive workflow

🎛️ See it. Touch it. Feel your sound.

Discover more here: https://www.melbourneinstruments.com/..."

Friday, August 01, 2025

TR-808 Shootout // Can they live up to the LEGEND??


video upload by Starsky Carr

"The legendary Roland TR80*8 up against the *Roland TR-8S and the Behringer RD-8 Looking only at the sounds - or listening to them! - do they come anywhere close?

The TR-8S uses Roland's ACB technology, which is the same as the TR-8, Roland Cloud plugins and the Boutique TR-08 - so this has you covered for all of those. I'm using the RD-8 Mk2 - you cna tell because its got the black buttons, Mk1 had white.

I've gone through all the sounds (forgot the maracas in the demo bit) and showed how they differ. Taking into consideration no 2 808s will be identical I think they both stand up very well to the orginal TR808.

But if you want the exact sounds...

Buy my 495 samples here - every position on every knob!
https://www.starskycarr.com/patches/p..."

Tuesday, July 15, 2025

Ensoniq Fizmo 48 Voice Real Time Transwave Synthesizer SN FIZMO-10054

Note: links to listings are affiliate links for which the site may be compensated.


via this Reverb listing

Friday, July 04, 2025

Patch Breakdown - EMOM July 2025


video upload by Molten Music Technology

"Let me talk you through my patch from last night's EMOM in Norwich. The patch, I believe, was excellent. My execution on the night was sadly lacking, but there's always something to learn from these things. In this video I'll go through the system highlighting the Mzourack Diktaat, the Shakmat Bishop's Miscellany Mk2, Knobula Monumatic and Knob Technology nCarinae 2."

EMOM - https://electronicmusicopenmic.com/

Tuesday, July 01, 2025

Sequential Introduces the Take 5 Desktop Module


video upload by Sequential

"Take Your Music to the Next Level

The Sequential Take 5 desktop module brings the legendary Prophet-5 sound to your mix, featuring the analog oscillators and filter that transformed electronic music. Compact and powerful, it fits seamlessly into any studio and is easy to transport for live performances. Modern effects and a powerful modulation matrix deliver sounds to transport you.

Soundtrack exclusively by Take 5. Yes, even the drums! Composed by Peter Dyer.

For more information on Take 5 visit Sequential at: https://sequential.com/hybrid-analog/..."

Sequential Take 5 Module Demo (no talking) - Presets for Ambient, Melodic Techno and Electronica

video upload by Limbic Bits

0:00 Pads
13:09 Bass
16:25 Leads and Arpeggios
20:57 Misc, SFX and Percussion

Sequential Take 5 Module Demo (no talking)

video upload by Bonedo Synthesizers

Hurray... Take 5 and TEO 5 Desktop Units

video upload by Starsky Carr

TEO 5 announced here

"The Take 5 and Teo-5 from Sequential and Oberheim make fantastic desktop units. They feel like they were made for this form factor - no compromises, simply great sounding synths in a high quality enclosure. The keyboard versions may have felt lacking in keys (even though they have a great keybed) - just a bit too short for some. I found it was quite handy having one that could fit on my rack! But with these the only decision you have to make is which one is best for you.

Luckily I'm here to confuse you further (they both sound great)! The decision will be whether you prefer the Oberheim or Sequential style of VCO programming, the filters, and the X-Mod/FM. And these just so happen to be the bits I look at in this :)"

0:00 Whoo Hoo!!
2:36 The Hardware
4:37 Quick Overview - What Are They?
6:58 Oscillators
10:20 Sync
12:31 Filters
21:08 X-Mod/FM



Press release follows:

Take Your Music to the Next Level with the Sequential Take 5 Desktop Module

San Francisco, CA – [July 1, 2025] – Sequential, a leading innovator in synthesizer technology, today announced the release of the Take 5 Desktop Module, bringing their legendary analog sound to a more compact and accessible form-factor.

Building on the success of the Take 5 keyboard, the desktop module offers the same powerful analog oscillators and filters that capture the iconic warmth and depth of the Prophet-5, enhanced with modern modulation and digital effects. The module delivers this sought-after sound in a space-saving design, perfect for studio setups and live performances where portability and efficiency are paramount.

"Ever since we launched the Take 5 keyboard, we’ve gotten repeated requests for a desktop module version, " says CEO David Gibbons. "And more recently, it seems that modules have really shot up in popularity. So, we're very excited to offer the Take 5 sound in a format that everyone seems to want."

The Take 5 Desktop Module provides the same hands-on, knob-based experience as its keyboard counterpart, allowing for intuitive sound design and real-time parameter adjustments. Users can delve deep into sound creation with controls that are simple and direct, making it fast and easy to polish your sound.

This synth fits perfectly in smaller studio or bedroom setups, and is easy to transport for live gigs, positioning The Take 5 desktop module to bring its signature Sequential sound to a wider audience than ever before. It's an instrument designed to make life easier and streamline the journey to making music and having fun.

The Take 5 desktop module is available now, with a US MAP price of $1,399.

Friday, June 27, 2025

kNoB technology ηCarinae 2 Eurorack VCO Full Review and Demonstration


video upload by kNoB Technology

"kNoB technology presents an updated and improved Eurorack VCO module ηCarinae 2
Our second ray of light during a dark time

The ηCarinae 2 is a fully analog tzfm oscillator (tri-based).
The concept behind the creation of ηCarinae was to develop a generator with multi-level wave shaping and transformation, allowing not only smooth selection of the base waveform but also modification of the waveform itself in order to expand the available timbres.
7-level waveforming= simple form + form shaping + sub osc + "sine+" + FM + selfpatching + Ring mod
5 basic waves (Tri, Sine, Saw, Double saw, Square PWM) and white noise with vactrol LP filter
Wave folding for sine and triangle waves
SAW and Double SAW, both with Smooth saw ramp shaper (Rise to Fall)
Two SUB OSC f/2 + f/4 with CV level control in main mix
Hard and Soft sync
2x LFO modes
SINE+ mode for mixing simple waveforms with a folding sine wave
Pure analog design in every part of the module
LIN, EXP, TZFM, TZPM, RING modulation possibilities

Time sections:
00:00​ Hello
00:09​ Bla Bla
01:08​ Small demo
03:22 Review of controls
05:40 Review of connectors
07:41 Review of touchpads
08:01​ WAVE and PWM|S + waveshaping
09:49​ WAVE and PWM|S and Sine+ mod
10:50​ WAVE and PWM|S + modulations
11:49 SUB OSCs
12:43​ Synchronization
13:37 FM modulations
14:27 TZFM modulation
16:09 TZPM modulation
18:01 Exponential FM modulation
19:01 7th lvl of waveshaping RING MOD
20:54 RING MOD + TZFM
21:57 VCO to LFO: How to drop the frequency lower than the octave selector allows?
22:32 Demonstrations: Simple to Complex timbres
27:20 Organ-like patch (5oct)
31:44 Drone and Noise"

Thursday, June 26, 2025

NINA Multi-Track Sequencer: Working with Noise Types and Percussive Hits


video upload by Melbourne Instruments

"In this video we look at how to use the additional 64 noise types that have been added as part of NINA's 2.0 Multi-Track Sequencer update. The additional noise types are now part of NINA's incredible analog synth engine and can be used as a powerful resource for creating drum and percussive sounds and great for sound design purposes.

These percussive hits and drum sounds turn NINA into a monster groovebox. This guide shows you how to access different noise types, noise settings and how to sequence multiple noise types in a single track for multitimbral sequencing using only one track of NINA's four available tracks, per pattern.

00:00 intro/overview
00:41 accessing noise types
01:17 audio preview of noise types
01:45 noise settings
02:18 sequencing noise
03:43 adding different noise type to the same track
04:23 fixing phase issue with Track Voice settiing
05:02 adding another noise type to the same track
05:26 Cut & Paste steps
05:58 front panel
07:00 mixing other oscillators with noise
07:50 outro

NINA has been updated with a powerful Multi-Track Sequencer mode for poly-rhythmic pattern creation with step-based control and performance across four independent tracks. Introducing a new polyphonic, polymeter sequencer with per-step parameter locking and front panel automation powered by Melbourne Instrument's revolutionary motorized knob technology. Additionally, this update adds 64 new noise types to NINA's incredible synth engine, expanding the possibilities for greater sound design. The new noise types include various percussion hits, digital, metal and assorted noise types, as one-shot or loops giving more scope for creating percussive sounds. The new sequencer mode adds time-based features like shuffle, micro-timing, clock multiplication, variable gate lengths, and probability options, offering fresh ways to control NINA's sound.
More on videos on NINA 2.0 Multi-Track sequencer features to follow!

For more on NINA please visit:
https://www.melbourneinstruments.com/...

Discover more at Melbourne Instruments
https://www.melbourneinstruments.com/
https://linktr.ee/melbourneinstruments"

Monday, June 23, 2025

Beyond the Knob: Infrared Gesture in Electronic Performance [LUMIN - SYNSO] 星际飞船指挥家


video upload by Sonic Seed



"Enhance your modular performance with new gesture controls using infrared technology, making your show more dynamic and visually engaging

SYNSO is a modular synthesizer brand from Hangzhou, China, specializing in the design and development of digital-based modular synthesizers with innovative and unique interaction methods.

Order now: https://sonic-seed.com/products/lumin...

SYNSO's design philosophy emphasizes digital and parametric thinking to simplify the interaction logic of traditional modules.

6HP

Contactless Interactive CV Generator"

Friday, June 20, 2025

NINA Multi-Track Sequencer - Basic Pattern Tutorial


video upload by Melbourne Instruments

"In this video we look at how to easy it is to create sequence on NINA's new 2.0 multi-track sequencer. Here we create a PATTERN with 4 TRACKs using 4 different preset sounds from NINA.

00:13 How to enter the multi-track sequencer mode
00:38 PATTERN and TRACK structure overview
00:59 CLEAR PATTERN: How to initialize a PATTERN
01:41 TRACK Mode
01:57 TRACK 1: Kick drum
02:48 TRACK 2: Hi-hats
03:22 TRACK 3: Bass
03:59 Editing pitch values per step
04:30 Changing the TRACK volume
04:49 TRACK 4: Chord sound
05:32 GATE: how to edit Gate length per step
06:08 CHORD: how to add/edit note values per step

NINA has been updated with a NEW Multi-Track Sequencer mode that enables powerful pattern creation with step-based control and performance across four independent tracks. Introducing a new polyphonic, polymeter sequencer with per-step parameter locking and front panel automation powered by Melbourne Instrument's revolutionary motorized knob technology. Additionally, this update adds 64 new noise types to NINA's incredible synth engine, expanding the possibilities for greater sound design. The new noise types include various percussion hits, digital, metal and assorted noise types, as one-shot or loops giving more scope for creating percussive sounds. The new sequencer mode adds time-based features like shuffle, micro-timing, clock multiplication, variable gate lengths, and probability options, offering fresh ways to control NINA's sound.

More on videos on NINA 2.0 Multi-Track sequencer features to follow!

For more on NINA please visit:
https://www.melbourneinstruments.com/..."

Wednesday, May 14, 2025

kNoB technology ARLPG quick demo /review


video upload by Meska (Meska)

"Quick demo/review of the Active resonant LPG by knob technology
No RTFM this time, can't find it, but realy self explanatory

Thank you for watching.
My name is Meska of the statik collective . I've been making mostly "dark and expérimental" music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with.

You can stream my albums and EPs at https://statikwave.bandcamp.com/

If you'd like to support the channel​ consider buying music from bandcamp ;)
Contact/booking: meskastatik@gmail.com
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