Tuesday, April 05, 2011
Dual Cyndustries Zeroscillator
YouTube Uploaded by dwenius on Mar 27, 2011
"WATCH YOUR EARS AND SPEAKERS. There are big volume jumps and some sounds clip the poor little FlipHD microphone. Please be careful, I'm not sure the YT encoding is going to limit that stuff and clean it up. This is my first patch with this setup, just screwing around. Through zero FM and Wave Folding from a Metalbox-built CGS Wave Multiplier, through a Thomas White LPG clone and with help from a Topp 281 Function Generator and Fonik Attenuverter. 2nd ZO is in LFO mode and sending CV to every interesting input on the other modules. Noisy! Spooky! Fun!"
Dual Zeroscillator, take 2
Uploaded by dwenius on Mar 27, 2011
"WATCH YOUR EARS AND SPEAKERS. Unpredictable volume fluctuations and very low frequencies. YouTube's compression algorithm has NO IDEA what to do with this. I mean, it's supposed to be noisy and weird but...not that much. Similar patch as take 1, except with a faster envelope for the typical pinging FM sounds. No "Buchla bongos", though. Still the first bit of noodli9ng with this little lunchbox of doom. Careful viewers will spot the point where I turn a knob with nothing connected to it. Oops. Helps to use your eyes. Thanks to Cynthia, Mike at Metalbox, Thomas White, Toppobrillo, Fonik, Ken Stone, and Todd Fletcher for helping make these modules possible."
via Muff's:
"First patch with the ZOWI and associated new DIY and custom Wiard format modules. Completely random noisy noodling; watch for the spot in the 2nd video where I turn a knob with nothing attached to it d'oh! I had an hour with nobody in the house and figured I'd provide the promised videos; more to come for sure. CAUTION: particularly in the first video, there are some big volume jumps and a resonant screech or two. Watch your ears and speakers! The resonance on the Thomas White RLPG is no joke!
Basic patch is: ZO sin output -> CGS Wave Multiplier "Folds" section -> RLPG. 2nd ZO is in LFO mode, one pair of quadrature outs goes to folds CV and Offset CV, the Folds CV is also multed to control the LPG freq. 2nd pair of quadrature outs go to the Attack and Decay CV of a cycling 281 envelope. One Attenuverting output is used as an offset to the v/Oct in of the LFO speed ZO, providing crude manual control of event timing smile Slight delay and too much nasty reverb from a Boss RE-20 in the FX loop of the MFOS stereo mixer that's just offscreen in the Euro rig."
LABELS/MORE:
Cynthia,
Featured,
Fonitronik,
Ken Stone,
Metalbox,
Thomas White,
Todd Fletcher,
Toppobrillo,
Video,
Wiard
Wasp Dual Bandpass filters in series
YouTube Uploaded by dwenius on Jan 20, 2010
"The Metalbox Dual Wasp filter is here driven by a sawtooth sequence, modulated with an AR envelope, and also fed with inverted copies of the same 8 note sequence (different than the note data). This is a real sweet spot for this filter and this brief example only hints at the vocal timbres possible."
Metalbox Dual Wasp
Uploaded by dwenius on Jan 20, 2010
"Here we have a demo of the Metalbox Dual Wasp filter, based on the CMOS filter from the EDP Wasp. This is a state-variable design that won't quite self-oscillate, but takes FM like a champ and has some very exploitable circuit features. This demo shows the Low Pass mode filtering a saw wave, with LFO modulation ranging between a slow sinewave sweep to audio-rate FM.
It is very difficult to make a video of this filter that is short enough to upload to You Tube! It sucks you in and boom, 15 minutes and 3GB go by..."
Klee noodle
YouTube Uploaded by dwenius on Apr 1, 2011
"Put together a patch with the Klee sequencer, two Intellijel uScales, Clockwork, STG Graphic Sequencer, RCD, and basically every Wiard module I own. The patch is nicely playable, although this particular cut isn't as well put together as I would like. Direct to Flip HD, first and only take. It starts to get interesting around the 1:40 mark and really picks up shortly after the 4 minute mark. Enjoy, or don't."
Vince Clarke's Analogue Monologues Part 6 - The Polyfusion

"The sixth webisode in Vince Clarke's increasingly irreverent series of 'Analogue Monologues' on online now for you. Dedicated to the Polyfusion it's another winner, whether you have a deep interest in the world of vintage synthesisers or not. Music, facts, humour and a picture of some hippies, what more could you need! I've also done a lot of work on the video player on the website which will - hopefully - mean that it will stream without quite as many problems as previously... check it out!"
electronic Jamsession Oelberg 2010
electronic Jamsession Oelberg 2010 from Michael Kathke on Vimeo.
synth spotting... Lot's of Waldorf, Use Audio Plugiator, Korg and more.
"Live electronic jamsession on the "Ölbergfest" street party.
Germany, Wuppertal, 2010-04-24
Amplified by rakete e.V.
Performed by Radiator Club & Friends with audiotrainer, Moogulator,
T M A, WattSekunde and XCenter.
(Video & pictures from my Olympus PEN E-P2) "
ElectroBeats by David Guetta
YouTube Uploaded by davidguetta on Dec 22, 2010
Available on AppStore : UVItouch
ElectroBeats is a very intuitive beat making application conceived in collaboration with worldwide renowned and most demanded producer David Guetta.
Right away, you'll create great sounding beats thanks to a powerful real-time approach and an impressive sound library.
More info at www.uvi.net"
Also see this detailed review by VJFranzK
iPads on eBay
iPod Touch on eBay
via deejayiwan
BeatStudio Promo
YouTube Uploaded by FrontierDesignGroup on Apr 5, 2011
"Coming soon for the iPhone, iPad, and iPod Touch: BeatStudio from Frontier Design Group.
http://frontierdesign.com/BeatStudio"
iPads on eBay
iPod Touch on eBay
Djembe with Heavy Effecting (OTO Biscuit)
YouTube Uploaded by FatSynthDude on Apr 5, 2011
"A friend of mine was in town the other night and we were goofing off in the studio when we started playing around with the hand percussion. He brought up using a contact mic on the doumbek when I remembered that I was in possession of a contact mic that I had never used. We taped it up to the head, sent it to the OTO Biscuit, and sure enough it was super duper awesome, so the next night I tried the same thing with my djembe and recorded the results. I apologize for my awful playing. This video was intended to demonstrate the range of tones possible with hand percussion sent through heavy effects unlike those typically associated with recorded percussion.
This video is my Toca Freestyle djembe (12" head) with the contact mic on the head and a dynamic microphone shoved up inside of it. For part of the video, these two mics were sent to the Presonus StudioLives and the onboard preamps were used. For both the head and the body channels, they were compressed and EQ'd by the StudioLives. The recorded audio is from the main outs of the StudioLives. The effects used (in order of appearance) are a Zoom 1202 (for it's reverb, delay, and pitch shifting), and a Digitech GSP5 (distortion and delay). For the bulk of the video, the mics were then passed through the OTO Biscuit (sample reducer, bit crusher, filter, pitch shifter, delay, waveshaper, step filter and lofi sampler) and into the StudioLives for mixing. Later in the video, a reverb from the StudioLives is put into play. Additional drums are provided by a Novation Drumstation v2 with sequencing done by an Akai MPC1000 (JJOS2XL functionality was utilized for grid sequencing.) In case you're wondering why I frequently rock the djembe back and forth, how open the bottom hole is determines pitch and tone to a certain degree. This effect is much more pronounced with distortion.
A Toca Freestyle doumbek was also utilized, however I didn't press the record button on the camera, so only the audio is present. This was miced up the same way as the djembe with the contact mic on the head and the dynamic microphone inside of the drum itself."
Traveling by train
YouTube Uploaded by attorks on Apr 5, 2011
"This time some music without using the Modulars. The song starts with the Zoom RhythmTrak RT-323 drummachine. After that the arpeggiated chords on the Waldorf Q Keyboard join in. The arpeggiator of the Q is clocked using MIDI from the drummachine. The solo's are performed on the Clavia Nord Lead 1. The Mellotron choir sound comes from the Roland XP-80 which MIDI input is connected to the MIDI output of the Q so I can play the Q and the XP-80 from the Q's keyboard. All in all a very compact piece of music but I hope you will like it.
You can download/see/hear the video and music from my website soon."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH