MATRIXSYNTH

R-MONO Lab S³-6R 6 Voice Polyphonic Raspberry Pi Synthesizer

Published on Nov 29, 2016 R-MONO Lab

Note this is the first Synth-Sennin and R-MONO Lab post on the site. Synth-Sennin is the maker and R-MONO Lab is a maker club that Synth-Sennin is a member of. R-MONO Lab also features projects from other makers.

"The S³-6R is originally developed by The Synth-Sennin (The Hermit Wizard of Synthesizer) who was once a sound engineer of the Company "R". It is innovative digital synthesizer which is clearly different from general analog modeling synthesizer.

Individual synthesis based on original phase control and modulation thinking (αα-Phase Modulation). Driving in High-Resolution (24bit/96kHz) and 6-Polyphonic. Also it is a feature that very low alias noise even if extreme modulation. It adopts a Raspberry Pi as a platform.

Version 2 Additional Functions
• Oscillator Type (Including Noise)
• Phase Mutator
• Pre / Post Clipper"

via R-MONO Lab where you'll find additional demos.

"Main Features

Original-Uniq Phase Control and Phase Modulation Synthesis (αα-Phase Modulation)
Also features envelope generator and LFO dedicated for phase modulation.
High-Resolution (24bit/96kHz), 6-Polyphonic
(5-Polyphonic when using Super Oscillators)
Running on the Raspberry Pi 3

High-Resolution (24bit/96kHz) 6-Polyphonic Innovative Raspberry Pi Synthesizer made by The Synth-Sennin (The Hermit Wizard of Synthesizer).
Version 2 unvailed.
Version 2 Additional Functions
Oscillator types (including Noise)
Phase Mutator
Pre / Post Clipper

The S³-6R is originally developed by The Synth-Sennin (The Hermit Wizard of Synthesizer) who was once a sound engineer of the Company “R”. It is innovative digital synthesizer which is clearly different from general analog modeling synthesizer.
Individual synthesis based on original phase control and modulation thinking (αα-Phase Modulation). Driving in High-Resolution (24bit/96kHz) and 6-Polyphonic. Also it is a feature that very low alias noise even if extreme modulation. It adopts a Raspberry Pi as a platform.
* Currently, there are no plans to release as products and to publish the source codes.

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Zeppelin Design Labs Macchiato Mini Synth

Published on Jan 24, 2017 Zeppelin Design Labs

This one was sent in via Skot Wiedmann of Motus Mavis. Note this is the first Zeppelin Design Labs post on the site.

"A fun product demo music video featuring the Macchiato Mini Synth DIY KIT by Zeppelin Design Labs. Macchiato Mini-Synth digital synthesizer is a fun, great-sounding, easy-to-use synth that fits in the palm of your hand. Also available Ready-to-play. Get a sleek black plastic cabinet — kit or ready-to-use — or make your own cardstock cabinet using the provided template.

If you are an Arduino enthusiast, you can even re-program and hack the open-source software code, or download new software from ZDL and flash it to your Macchiato for a whole new sound.

Fun for DIY audio enthusiasts, geeks, 8-bit chip music nerds, musicians, hacks, sound engineers, kids, aunts, gramps and champs.

MACCHIATO FEATURES

Capacitive Touch Keyboard, 13 keys, 2-note polyphony
MIDI IN to controll your Macchiato from any MIDI device
Wave Shape Select: Sine, Triangle, Saw, Square
4-Octave Shift: C2-C3 through C5-C6
Adjustable Attack & Release
LFO Shape Select: Sine, Saw, Ramp, Square
Adjustable LFO Rate, Depth and Cutoff Frequency
Volume Control
LED Power Indicator
1″ Speaker
Audio Out — accepts 3.5mm (1/8”) TRS or TRRS male jack
ISP Header for PC connection (to upload software updates)
Requires 9V DC power from battery or wall adaptor"

$39.00–$96.00

SHIPS FEBRUARY 1, 2017

Zeppelin Design Labs

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Big Noises Jam - Behringer Deepmind 12, OB6, Pro 2, Monologue, Drumbrute

Published on Feb 4, 2017 Earmonkey Music

"Saturday morning jam using a bunch of new stuff that sounds really really good. Behringer Deepmind 12 is so flexible. Enjoying all these synths. Hope you like"

Echocord Mini Demo w/ Ace Tone Rhythm Ace FR-2L

Uploaded on Feb 4, 2017 András Kiss

Dynacord Echocord Mini Tape Echo SN 29180 via this auction

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Live Modular Workout #4 - Search Blok C4

Published on Feb 4, 2017 vcoadsr

"Live modular jam recorded 3rd February 2017 using:
- 10U Eurorack modular synth
- PLAYdifferently Model 1 mixer
- Bugbrand PT Delay

Main bass (super) saw oscillator voice from the ER301
Top melodic layer from the Basimilus Iteritas
Kick and hats coming from Jomox & Tiptop respectively
Rim shot from Erica Synths Pico drums
Reverb from Z-DSP using Halls of Valhalla card
Delay from Bugbrand PT Delay
All sequencing from two ER101/102 Orthogonal Devices sequencers.

Recommend listening with headphones or decent sound system for best sonic experience."

Moonlight (Analog Rytm, Analog Four, MS-20 mini)

Published on Feb 4, 2017 Erwin Dorleijn

"All sounds coming from the Elektron machines AR and A4, the Korg MS-20 mini is CV-triggered by the A4. Includes stock footage by Nasa. Sound is directly recorded into a Macbook."

Harmonies - Absynth patch

Published on Feb 4, 2017 Anthony Distefano

"Testing out a hold down one note Absynth patch I made. The sound is loosely based on Ligeti's Harmonies organ piece."

CV Sequencer as an Oscillator Revisited - Eurorack Modular Experiment

Published on Feb 4, 2017 FatSynthDude

"I did a video of this like seven years ago, but the image quality sucked, and I recorded the audio with the damn camera like an asshole. So I thought I'd revisit the idea in a vid since the topic came up on Gearslutz. Nothing fancy going on here: Stillson Hammer mkII sends CV signals to a Make Noise STO, which in turn is clocking the Analogue Solutions Oberkorn at audio rates. From there, I'm just changing the value of different steps. I made sure to show that some basic waveshapes can be made in this video. There's a square wave I morphed into a PWM pulse by bringing harmonics in and out and there's a point where there's a double saw wave that was built (each saw was 8-steps, so essentially a series of saws played an octave up.) I also demonstrated how by having alternating steps that are minimized and maximized, you can create some square wave octave effects. And of course, I went out of my way to make unusual waveshapes just to show that a sixteen step sequencer can do all kinds of madness."