600円くらいで買えるヘッドホン分配器がMIDI THRU BOX代わりなってしまった動画

Published on Sep 21, 2017

"KORG electribe2のMIDI OUT(ステレオミニジャック)からそのまま分配器で分岐し、その先を付属のステレオミニ→MIDI変換ケーブルで変換し、norddrumとmoog minitaurに接続。

中学の頃、何の知識もなく適当にMIDI THRU BOXを自作しようとして失敗した経験上、ガガガガガと鳴りっぱなしになったり取りこぼしたり、どうせ上手くいかないだろうと試してもいなかったんですが、もしかすると若い人とかは「そりゃ分岐すりゃ繋がるっしょ！」くらいカジュアルにやってたんでしょうかね。

尚、ヘッドホン分配器には全く同じような形で抵抗入りとそうでないものが存在するようで、この動画では抵抗入り（恐らくレベルは下がるが均等に分配されやすくなる？）を使用。また、ここでは単純なノートデータしか送信していないので、CC#やエクスクルーシヴなどをガンガン送った場合はトラブルも起こりやすそうなのでご注意を。元々何も保証されない無茶な接続方法ですので上手くいったらラッキーくらいの自己責任でお試しください。"

Googlish:

"Branch from MIDI OUT (stereo mini jack) of KORG electribe 2 as it is with a distributor, convert it with the attached stereo mini -> MIDI conversion cable, connect to norddrum and moog minitaur.

When I was a junior high school student, I tried not to experiment well that I tried making my own MIDI THRU BOX properly, I did not want to be ringing and going out of my mind, I tried that I could not do anything, but perhaps I wonder if young people were doing casual about "Branch-over joke!"

Incidentally, there seems to be resistance entrance to the headphone distributor in exactly the same way as there are resistances and so it seems there is not so, with resistance to resistance (perhaps the level goes down, but it is more likely to be distributed equally?) Is used. Also, here we are sending only simple note data, so please be aware that if you send CC # or exclusive etc, trouble will occur easily. Since it is an inconspicuous connection method which is not guaranteed in any way, please try it at your own risk of lucky if it goes well. "

The Analogue Solutions Fusebox Part 8: The Patternator

Published on Sep 21, 2017 AutomaticGainsay

"Here is a demonstration of the functionality and resultant musical effects of the Patternator function on the Analogue Solutions Fusebox. The Patternator is the combination of a four-step CV sequencer with an 8-step gate sequencer."

All parts here.

Experimenting with the O'Tool Plus Oscilloscope Module

Published on Sep 21, 2017 The Mad Music Machine

"Caitlin has been learning about sound waves at school so we added an oscilloscope module to help her understand sound design.

Here we compare the triangle and sawtooth waves on the Mother-32 with the sine wave on the System-1m.

We then use the cutoff on the Mother-32 to approximate a sine wave."

Roland Boutique SE02 controlling from Ableton

Published on Sep 21, 2017 official quelltll

Funny, it almost looks like it's racked into the screen. Interesting that it's thin enough to place on the laptop like that.

LFMW (generate LFO)
https://gum.co/QEQS
MIDICCOUT (MIDI CC from LFMW to SE02)
https://gum.co/fXUP

Easel loop11

Published on Sep 21, 2017 Kristian Westergaard

"Easel loop performance. Effects used in the chain are Strymon Big Sky - El Capistan and Pigtronix Infinity.
Subscribe for more or and visit:
https://soundcloud.com/kristianwester..."

Korg electribe 2 (electribe sampler) 1-bar techno jam

Published on Sep 21, 2017 ghostradioshow

"Yeah this is my new gear......enjoy ;)"

The Fusionbox freaks up the Drumbrute

Published on Sep 21, 2017 Kablehead

"The Fusionbox from Erica Synths is a wild and moody machine.
In this Video you can hear it processing a drum beat.
It also sounds very nice on synths and can be used as a phaser, flanger and chorus."

Pastime & 3 Modules #24: Maths, Rings, Peaks

Published on Sep 13, 2017 Comparative Irrelevance

"A patch for the patient.

***

A fairly simple self-playing setup using Brain Seed for sequencing, and Rings/Clouds for the sounds. The 'strumming' motion is created with Maths.

I love how the tempo/density of notes is completely self-regulated, and creates variations that are only evident over a longer period of time. This is done by using a slow, random S&H from Noise Tools to regulate Maths' cycle rate and to occasionally let Brain Seed select new notes when the S&H signal passes above the ReSeed threshold. The number of notes in a given phrase depends on how long the ReSeed is "open" and how fast Maths is strumming while it is.

Repeated notes and negative voltages equal silence. In this patch I'm deliberately allowing quite long pauses to arise between phrases in the lower range of intensity, so this one's not for the impatient. :)

The only thing I'm manually controlling during this recording is the µScale, where I'm changing the available notes every 10-20 minutes, or so. And a very minor tweaking of Rings' structure/dampening towards the end."


Published on Sep 21, 2017 Comparative Irrelevance

"Taking a page out of the Pastime video I posted a little over a week ago. Let's have a closer look at making strumming triggers with Maths.

Patch notes:

I'm using Maths' envelope functions and their respective gate outputs to create phrases consisting of a series of rapid triggers (a "strum").

Maths' channel 4 is cycling with a medium long rise and fall time, and the EOC gate output is active as long as the envelope is rising. Let's call each active gate a "phrase trigger". In other words it outputs a phrase trigger that last as long as the rise time with pauses between the phrases that are as long as the fall time. Now, that fall time is modulated by a slow random signal from Peaks' channel 1 (in LFO mode), which means that the pauses between phrases will be of random duration.

Maths channel 1 outputs the "strum triggers". It receives the phrase trigger from channel 4 to its cycle input, and with short rise and fall times the EOR output then starts spitting out rapid strums for the duration of the phrase. However, the fall time is being controlled by the channel 4 envelope, which is rising throughout the phrase. This means that the fall time increases, effectively slowing down the strum triggers. They start out fast, and gradually slow down a little over the course of each phrase.

Now that we have our strum triggers, let's feed those into Peaks' channel 2 which is in four-step sequencer mode. Each trigger advances the sequence by one step, and the sequence is fed into Rings' V/Oct input. Since each strum will – more or less – cycle through the entire sequence, the result is more like a strummed chord than a melody. I have Rings set to maximum polyphony to allow the notes to sound simultaneously.

Finally, I'm also using the random signal from Peaks' channel 1 to modulate Rings' dampening. As the signal gets higher the pause between phrase triggers gets longer and Rings' notes will also sustain for longer, and vice versa: more frequent phrases = shorter, dampened notes. Since Rings is in the "alternate red mode", the dampening parameter also adds reverb, which results in a strange, unreal atmosphere when modulated.

Thanks for watching!"

Wave Box Overview - Dynamic Dual Waveshaper - AudioThing

Published on Sep 21, 2017 audiothing

"Get this plugin here: https://www.audiothing.net/effects/wa...

Wave Box is a dynamic dual waveshaper plugin that can be used for both symmetrical and asymmetrical distortion. Wave Box features two separate waveshapers that can be mixed together while being modulated by 2 LFOs and 1 Envelope Follower."

Arturia beatstep - fluid audio F5 sound ambient

Published on Sep 20, 2017 Kyros Official Channel

"Ciao a tutti ragazzi...
In questo video andremo a vedere come fare una piccola performance live ambient music usando pochi strumenti sequenziati dal beatstep ARTURIA . Vi invito a lasciare un bel like se il video vi è piaciuto e se avete domande da fare su altra strumentazione non esitate a commentare. Buona visione !!!!!"

Googlish:

"Hello all guys ...
In this video we will see how to make a small live ambient music performance using a few instruments sequenced by beatstep ARTURIA. I invite you to leave a pretty like if the video you liked and if you have any questions on other instrumentation do not hesitate to comment. Good vision !!!!!"

The synth appears to be Sunrizer.

Spotted on discchord.