Don't Fear the Tracker Workflow: Sequencer Comparisons

video upload by Polyend

"While trackers may initially appear intimidating with their vertical workflow, rest assured that the intuitive and visual interface of the Polyend Tracker simplifies complex sequencing tasks, offering a user-friendly experience that eliminates the barriers of use often associated with other grooveboxes."

The Elektron Syntakt is featured as well.

Soundscape #045 Spiral of Flow (Monome, Ciat-Lonbarde, Blippoo, GND-1, Daxophone, Drymba, Guitar)

video upload by Shirato_Noise

"Sketch of Sound Experiments."

XILS-lab Releases Ring’X Virtual Effects

Press release follows.

XILS-lab releases Ring’X representing latest addition to lengthening line of virtual effects as inspiring and musical multi-effect plug-in par excellence


GRENOBLE, FRANCE: audio software company XILS-lab is proud to release Ring’X — readily representing the latest addition to its lengthening line of virtual effects as an inspiring and musical multi-effect plug-in par excellence — as of September 28…

Duly developed as an inspiring and musical multi-effect plug-in for seriously satisfying anyone’s needs, Ring’X is certainly worthy of the oft- overused French phrase par excellence — literally translated into English as ‘by excellence’ — as evidenced by its feature-packed GUI (Graphical User Interface) that is as easy on the eye as it is easy to use.

Ultimately, it is anchored around a six-slot so-called ‘Effect Ring’ that allows anyone to insert the effects they need in the order they want, choosing from a selection of deeply-modifiable classic analogue effect emulations: ANALOG FILTER — modelled from the CMS 3320 chip, used in the exciting-sounding (early-Eighties-era) Elka Synthex subtractive synthesis-based polytimbral powerhouse (much loved by the likes of famous French electronic music pioneer Jean-Michel Jarre, who still uses it to this day to create the distinctive sound of his onstage laser harp), providing five (LP24 — 24db Low-Pass, LP12 — 12db Low-Pass, HP12 —12db High-Pass, BP12 — 12db Band-Pass, or BP6 — 6db Band-Pass) self- oscillating filter types; ANALOG 18db FILTER — modelling the specific sound and behaviour of an 18db self-oscillating filter from the breakthrough British EMS VCS3, which made musical history upon its introduction in 1969 by being the first commercially portable synthesiser available anywhere in the world, thanks to its innovative modular matrix-based patchboard dispensing with the telephone exchange-like cabling of other (much larger) modular systems in favour of making space-saving connections with (removable) coloured pegs; CHORUS (BUCKET BRIGADE DELAY); DELAY — stereo delay that copies the input signal to the left and right channel; DISTORTION; PARAMETRIC EQ — a three-band affair with each band type selectable from six standard filter types; PHASER; and REVERB — with three (L — Large, M — Medium, and S — Small) algorithms. Each effect provides four MODULATION points with a SOURCE and DESTINATION menu associated with an AMOUNT knob.

Standard STEP and specific LOC locator sequencers for modulating effects are also available — the loop goes through a defined number of steps and each time the internal clock is fired the next step is triggered, in the case of the former, while the latter is designed to be synchronised to the DAW (Digital Audio Workstation) with the loop being synchronised to the DAW bar (or a multiple of the bar).

But that’s not all. Another area well worth highlighting here features four input followers; a TRANSIENT tracker ‘module’ — detects the transients present in the input sound, each transient triggering a simple envelope without attack and release controlled by the RELEASE knob; S- DETECTION ‘module’ — detects sibilance present in the input sound, and also useful for separating high-frequency parts from those with more middle and bass frequencies; GATE ‘module’ — removes all the parts from the input sound that are below a specified threshold; and a STEREO SPACE ‘module’ — powerful stereo processing that allows users to dynamically position their audio signal into a true stereo space.

By being so flexible in both operation and resulting effects, it stands to reason, therefore, that Ring’X should come complete with a raft of presets. All are accessible via an integrated (single-window) Preset Manager, making it easy to find the right patch in seconds, manage presets, sound banks, and create custom tags. That being said, then, inspiring and musical multi-effects are only a click away, but those wishing to dig deeper to seriously satisfy their needs are always free to do just that! After all, as the latest addition to XILS-lab’s lengthening line of virtual effects, Ring’X is, indeed, an inspiring and musical multi-effect plug-in par excellence — in the literal sense of those (French- originating) words.

Who better, then, to put Ring’X in its rightful place than the Frenchman primarily responsible for bringing it into existence — namely, XILS-lab CEO Xavier Oudin (credited in the multi-effect plug-in in question’s user manual with: Concept of Ring’X and original UI design; Digital Signal Processing and plug-in coding; [and] the graphical user interface). “For a number of years, customers have been regularly asking me to create an effect featuring filters extracted from our synthesizers,” he begins, before adding: “This idea grew into providing a sort of Swiss army knife-style tool capable of sculpting audio with modulation fully independent of its content, and also able to create any kind of de-esser and transient shaper with far more possibilities than standard such effects. Eventually, Ring’X was born.”


Ring’X is available to purchase as an iLok-protected virtual effect plug-in (installable in up to two independent locations) at an introductory promo price of only €69.00 EUR until October 31, 2023 — rising thereafter to an MSRP (Manufacturer’s Suggested Retail Price) of €179.00 EUR — directly from XILS-lab via its dedicated webpage, which also includes more in-depth information and several must-see video demonstrations, here: https://www.xils-lab.com/products/ringx-p-172.html#

A time-limited full version of Ring’X can be requested for pre-purchase evaluation purposes here: https://www.xils-lab.com/products/ringx-p-172/download.html#AskDemo

Ring’X is downloadable in 64-bit AAX (native)-, AU-, VST2.4-, and VST3-compatible formats for macOS (10.9+) and 64-bit AAX (native)-, VST2.4-, and VST3-compatible formats for Windows (7/8/10) directly from XILS-lab.

Control Pack Plus - MaxforLive Devices for Ableton Live by NOISS COKO

video uploads by Isotonik Studios

Playlist:
Mime - Control Pack Plus - MaxforLive Device for Ableton Live by NOISS COKO
Stairway - Control Pack Plus - MaxforLive Device for Ableton Live by NOISS COKO
Dice - Control Pack Plus - MaxforLive Device for Ableton Live by NOISS COKO
CC Manager - Control Pack Plus - MaxforLive Device for Ableton Live by NOISS COKO

"The Control Pack features seven Max for Live devices (four plus alternative versions), designed as simple tools for randomization, organic expression and precise automation. Format all values and sources produced by these effects as MIDI data to control external instruments, or simply use them to affect any parameter inside Live.

- Create dynamic patterns and sequences.
- Enhance instruments expressive performance.
- Easily map, control and randomize Live parameters.
- Send as MIDI CC, Pitch Bend, Aftertouch, Ft. Control or Mod. Wheel.
- Manage and automate parameters from Push.

AVAILABLE HERE - https://isotonikstudios.com/product/c..."

MIME

This pair of audio and MIDI effects are mostly designed to first capture organic gestures performed in their X/Y panels and use them after as control agents for both external parameters and others within Ableton Live.

Mime features two main sections. The first one creates, records, plays back and saves X/Y coordinates. The second uses them to shape four individual control sources, defining different kinds of MIDI control messages (CC, Pitch Bend, Aftertouch, etc) or simply mapping specific Live parameters from the control outputs located in the Route section.

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Roland Announces GAIA 2 Synthesizer

video upload by RolandChannel

Roland GAIA 2 Synthesizer Overview


User videos:

Playlist:

1. Roland GAIA2 Demo & Review - musictrackjp
2. New Roland GAIA 2 - "Skywards" - demo by gattobus
3. ROLAND GAIA 2 Review, tutorial, and all 250+ presets - loopop
4. Roland GAIA2 - 1st LOOK Sonic Lab Presentation - sonicstate
5. Roland GAIA 2 Sound Demo (no talking) - Bonedo Synthesizers
6. Roland GAIA 2 Sound Demo (no talking) - Limbic Bits

Press release follows.

Advanced Synthesizer with Wavetable and Virtual Analog Engines, an Intuitive Sound Design Workflow, Expressive Hands-On Controls, Model Expansion Support, and More

Los Angeles, CA, Sept. 28, 2023 — Roland announces GAIA 2, an advanced synthesizer with a newly developed hybrid sound engine and a friendly panel layout that makes learning synthesis and exploring sound design easy and fun. Equipped with wavetable and virtual analog oscillators, interactive controls, 37 full-size keys, Model Expansion support, and other powerful features, GAIA 2 opens the door to an infinite universe of inspired creation.

GAIA 2’s diverse synthesis tools allow users to build familiar sounds and craft new voices never heard before. Reaching beyond previous designs, the wavetable oscillator can morph between multiple waveforms for everything from dramatic shifts to slowly evolving textures. Unique phase and shape modulation options are also available to distort waveforms and unleash cutting-edge textures with complex overtones. Complementing the wavetable oscillator are twin virtual analog oscillators, ready to reimagine past classics or sculpt the sounds of the future. From smooth tones reminiscent of vintage synths to edgy, biting leads to sci-fi soundscapes, GAIA 2 can do it.

GAIA 2 also supports Roland Model Expansions, which faithfully recreate iconic synthesizers from the company’s long history. With a dedicated button, users can instantly swap between the built-in sound engine and classics like the JUPITER-8 or JUNO-106. The SH-101 Model Expansion comes pre-installed, and many additional titles and accompanying Sound Packs are available on Roland Cloud.

GAIA 2’s logically organized panel encourages hands-on exploration and sonic discovery. The one-control-per-function layout and informative display enable instant programming without having to resort to creativity-killing menu diving. And with the streamlined knobs and white anodized aluminum panel, even the look is inspiring.

GAIA 2 features a touch-controlled Motional Pad that brings static sounds to life. Users can assign nearly any synth or effect parameter to each of the X/Y points and then morph between them by moving a finger on the pad. It’s also possible to record movements to create complex, modulated transformations.

The free-flowing sequencer in GAIA 2 lets users instantly capture their inspiration and realize their wildest visions. There’s also a cool Random Pattern feature to spark new ideas with spontaneous pattern creation.

GAIA 2 comes loaded with classic Roland effects to take sonic creations to the next level. Over 50 unique MFX types are available, plus a dedicated Chorus section for adding width and dimension. A powerful Reverb/Delay section features a new studio-grade Shimmer Reverb and many other high-quality effect types.

Via USB-C, GAIA 2 functions as an audio/MIDI interface for music production apps on a computer, smartphone, or tablet. The class-compliant connection is plug-and-play, with no driver installation needed. A USB Type-A port is also available for connecting a USB flash drive for data backup or a standard USB MIDI controller for extended operation.

GAIA 2 supports Roland Cloud Connect, an optional wireless adapter for browsing and downloading Roland Cloud content using a mobile device. A Roland Cloud Connect purchase also includes a year of Roland Cloud Pro membership with unlimited use of thousands of sounds, Model Expansions, and much more.

The optional CB-B37 Keyboard Bag for GAIA 2 provides durable, high-quality protection for the synthesizer while traveling and making music around town. This versatile bag also works with the JUPITER-Xm, legacy GAIA SH-01, and other 37-note keyboards.

Availability & Pricing

The Roland GAIA 2 is now available in the U.S. for $899.99.

Click the pics for the full size shots.

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Polyend Play [Preview] | No Talking |

video upload by DKS SYNTH LAB

In collaboration with @Polyend

With the Novation Summit.

Error Instruments First Controller - Control Freak

video upload by errorinstruments paul tas

Lpg in explain in control freak


New first time we make a controller. Control freak is releasing know.

"Something new for the first time we make a controller.

🙏 Hi there!

I hope you’re doing well. I

wanted to share with you some exciting

news about the Control Freak,

a versatile controller for your eurorack

setup that can also be used as a standalone equipment.

What makes it truly unique is its external box,

which allows you to connect a joystick, a trigger sequencer,

a complex LFO, and an external LPG.

It’s packed with all the essential utilities

commonly used in modular synthesizers,

eliminating the need for additional keys or

accessories. With the Control Freak, you’ll

have everything you need to take your

music production to the next level.

Let me know if you need more information or have any other questions.@www.errorinstruments.com @errorinstruments #errorinstruments #experimentalmusic #noise #controler #eurorack"

Moog 16 Channel Analog Vocoder

Note: Auction links are affiliate links for which the site may be compensated.

via SYNTH CITY Reverb

Note auction links are affiliate links. See the site's privacy policy for more info.

"Gently used Moog Vocoder, includes original power supply.

Moog Music has gone to great lengths to ensure that this distinct electronic voice carries on. Derived from the original vintage schematic, Moog 16 Channel Vocoder's analog voice circuits are hand-soldered at the employee-owned Moog Factory in Asheville, NC to preserve that classic 1978 sound. Updated mechanical connectors and a modern power supply improve reliability and long-term serviceability while ensuring that the analog soul of this instrument – and its unique character and idiosyncrasies – remains unchanged."

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Oberheim Perf/x Cyclone MIDI Arpeggiator w/ Original Box & Manuals

Note: Auction links are affiliate links for which the site may be compensated.

via SYNTH CITY Reverb

Note auction links are affiliate links. See the site's privacy policy for more info.

"Killer standalone arpeggiator from the Oberheim Perf/x series. Rare find with the original box, paperwork and power supply. Great working condition overall with just some minor cosmetic issues on the front panel (does not affect functionality)."

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Roland JX-8P 61-Key Polyphonic Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via SYNTH CITY Reverb

Note auction links are affiliate links. See the site's privacy policy for more info.

"1985 Roland JX-8P in great cosmetic and working condition. Includes M-16C cartridge and 2-prong AC power cable.

The JX-8P is a lovely sounding 8 voice analog poly synth with similar voice architecture to the JX-3P and Roland Juno series. The voice is actually quite a bit more complex than the Junos. What is gained in oscillators and modulation sources is lost in the real time control, however. There are only program buttons where numbers are typed and a single parameter slider is adjusted. This keyboard can be expanded with the Roland PG-800 programmer or connected up to an IOS app through MIDI for full access to all the controls."

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