Introducing Chipsynth C64

video uploads by Plogue Art et Technologie, Inc.

Playlist:

1. Introducing chipsynth C64 - "great overview of OPS7 from @tssf"
2. chipsynth C64 launch demo (PAL C64C capture)

"The great chipsynth C64 launch demo from 4mat!
Running on an ACTUAL PAL C64 and captured using a RetroTINK 2X-Pro and generic HDMI capture for video. Audio was captured using our reference M-Audio M-Track then manually resynched.

Code and Music: 4Mat
Graphics and concept: 4Mat and Plogue.
The actauly binary is shipped with the product, but should (and can) be spread outside no worry!
Enjoy!"

3. Exhausted dev noodles with the "EMU" tab in chipsynth C64.

As is now customary each time we release something, an exhausted David tries to show some of the product's feature candidly and without filter (pun indented)

Emulating the SID the HARD way.

video upload by plgDavid

"emulation SID 6581 8580
chipresearch episode 0x08

00:00 Intro
01:04 What's a SID?
01:56 "Fake SIDs" and sidbench
02:46 Reading OSC3/ENV3 registers
04:11 "Old" bank: Monitoring filter capacitor voltages
04:31 "New" bank: gigabytes of DC recordings per chip
06:20 Listening test preliminaries
07:23 Advanced SID Engine issues
08:11 QA Song Choice
10:21 The "Unicorn" R1
10:45 MDFourier C64 edition

Get chipsynth C64 here {SOON}

Listening test songs are a mix and match of PAL and NTSC speeds we know.
(our emulation can do both)

Tracks used:
chipsynth C64 - 4Mat.
From the official old-school C64 "chipsynth C64" demo from 4Mat"

via https://plogue.com/...

"The new reference for SID emulation

FASTLOAD chipsynth C64 into your music software and RUN the biggest, baddest sound of the 8-bit generation!

Put a tantalizing cascade of thick pulse width modulation, smashing digital drums, soaring arpeggios, and unidentifiable twerky groaning warbly dins under your giddy fingertips.

Skip over the need for obscure tools full of big columns of hexadecimal numbers, and instead load up your favorite music software with the easiest way to get the C64 sound. A vast preset library will fill your heart with an infinite tessellation of big tones that twist and turn and tumble.

Want to make patches with deep, unusual modulations hitting any parameter you can think of? Perhaps you want to modulate pulse width at audio rate? Do it all using our intuitive chipsynth graphical modulation system, which lets you do all of this without needing an engineering degree and easily join the culture of extremely animated sounds found in SID music!

CHIPSYNTH C64

Plogue chipsynth C64 brings forward the deepest SID sound chip emulation ever. The fruit of years of laborious research, it bears our legendary desire for emulation perfection. Real chips in the field vary wildly in sound - every slight deviation in silicon composition radically changes the character of the filter - and we went all out on capturing this.

We reproduced no less than 32 different SID chips in excruciating detail, covering the full rainbow spectrum of SIDs: every revision of 6581 and 8580 from R1 to R5, every tone from warm to bright to clean to distorted and gnarly.

This is a full, REAL emulator that can actually play original songs natively and accurately, with a full-featured SID file player capable of playing even exotic songs with multiple-SID setups, sample playback and hard filter overdrive.

They said it was all bleep bloops. But it's GOOD bleep and bloops! And we couldn’t be happier. And, as always, no samples are used, it's all true emulation!"

Lo-Fi Sci-Fi (Relic Waves finds)

video upload by Alexander Zolotov

"Learn more about this synth: https://warmplace.ru/soft/relic"

12/5/23 (300, 500, 1000 lullaby) Northeast Electronics Corp. TTS-4ANH & 4XDV + Peavey DDL-3

video upload by Cfpp0

"A lullaby, a duet! Three selectable frequencies (300cps, 500cps, 1000kc) on the NEC TTS-4ANH are alternated with the send freq switch, and fed into the Peavey DDL-3 digital delay pedal to overlap and sustain. No reverb is used so that the odd character of the NEC TTS-4ANH can be heard, but the highs and mids are boosted on the little Mackie Mix8 to bring out the distortion, harmonics, and switch clicks. Shot in the last few minutes of daylight."

Neptune - an 8-LFO Eurorack module with quantizing

video upload by Richard DeHove

"Neptune is an 8-LFO Eurorack module. What you see here is a 99% complete beta version. The final production version will have slightly revised firmware, new knobs and faceplate design. In the video I run through just a few of its features, mainly looking at the quantize functionality.

The main features include:
- Eight independent LFOs
- 256 waveforms including many evolving and random waveforms
- Clock sync and free running options
- Phase offset, wave polarity, wave truncating
- One-shot mode (per LFO) with the waveforms being triggered via the reset input
- Comprehensive merge capabilities between waveforms eg: AND, OR, XOR etc
- Each LFO can be individually quantized to one of 16 scales
- The output of each LFO can be individually limited from 1 semitone to 5 octaves

Neptune is made by SPC Plugins in the UK. It is currently in beta with limited production to start in early 2024."

Note this appears to be SPC Plugins first eurorack module. So new it is not yet on their website as of this post and demo.

Noviaton Peak ► Sound Demo [30 MINUTES]

video upload by Mr. Card

"Check out my private collection of Sweet Sounds dedicated to Novation Peak / Summit: https://www.mrcardmusic.com/product/p... 🎵"

Contents:
00:00 Ambient pad
04:05 Chillout sounds
08:13 Distorted lead
10:27 Ambient arp
14:17 Horror sound
18:14 Nice chords
20:46 Soft pad
24:47 Effects section
30:45 Organ sound
34:21 Warm pad sound

Soniccouture Releases AC-DR: Acoustic Drum Machine For Kontakt Player NKS

video uploads by Soniccouture

Playlist:
Soniccouture AC-DR: Acoustic Drum Machine
AC DR: Acoustic Drum Machine Product Tour w/ James Thompson
AC-DR: Acoustic Drum Machine | Kit Preview

via Soniccouture

"€149 | $149

Intro Offer: 30% OFF Until December 29th 2023

Soniccouture wanted to make an old school-style drum machine.

But they wanted to do it with 21st century sampling techniques: round-robin samples, multi-channel sounds, generative sequencers.

Years in the making - the idea started life as a kind of reverse follow-up to Soniccouture’s Electro-Acoustic: 'let's make acoustic drums sound electronic'. But, it took them quite lot of experimentation and head-scratching to figure out exactly what that might look - and sound - like.

Now it’s ready - check it out!"

You can find additional details in a two part article on Soniccouture' website here and here.

Giorgio Sancristoforo's No-Fi for Windows Now Available

Giorgio Sancristoforo's No-Fi for Windows is now available at giorgiosancristoforo.net.

Demo and details previously posted here.

Bob Moog Foundation Archives Receives Historic Donation of Herb Deutsch Collection

via The Bob Moog Foundation

"We are honored to share that the Bob Moog Foundation Archives has received a major donation of nearly 300 items from the estate of electronic music pioneer Herbert A. Deutsch, who passed away nearly a year ago, on December 9, 2022, just shy of his 91st birthday.

Highlights of this extraordinary collection include:

1961 R.A. Moog Melodia theremin (the instrument that originally connected Herb and Bob Moog in 1963) Vintage R.A. Moog Minimoog, serial number 1094 (one of the first one hundred ever produced) that was given to Herb by Bob Original correspondence between Herb and Bob during the seminal period of their work together between 1963 and 1964 84-minute reel-to-reel tape of Moog explaining how the prototype Moog synthesizer works Reel-to-reel tape of the landmark “Jazz In the Garden” concert held at the Museum of Modern Art in New York City on August 28, 1969

And much, much more...

Read more about it here: https://bit.ly/BMFAHerbDeutschCollection

Sending our deep gratitude to Herb's widow, Nancy Deutsch, for entrusting us with the stewardship of this collection. We look forward to sharing this material with the world for generations to come.

Do you have material that you would like to donate to the Bob Moog Foundation Archives? Please email us at info@moogfoundation.org."

Who becomes silverware first? - 10 minute LFO filter sweep and semi-generative Eurorack jam

video upload by thesrabbit

"This sonic experiment was inspired by the Dreadbox Erebus LFO having a whopping 10-minute long cycle time. Therefore, I thought it might be fun to run that LFO into every single filter I have with a CV input, including big analog polys with a VCF control input on the back intended for expression pedals. The honorary VCFs include: 2x Roland System-500 521, G-Storm Electro SH-2 and SH-5, Dreadbox Erebus, Oberheim OB-X8 (OB-X SEM LP mode), Sequential/Oberheim OB-6, Roland Juno-6.

Interestingly the filters on the big polys don't open all the way. I assume this has something to do with the inputs being calibrated for expression pedals rather than Eurorack CV. According to my oscilloscope, the Erebus LFO range is -5v and +5v. This is pretty typical for Eurorack. I set the cutoff at about 50% for all the filter modules. This seemed to work perfectly. But I was not able to do that with the polys. With the cutoff at 50%, the filters would open up all the way, but they wouldn't close nearly enough. I had to bring the cutoff completely down, and as a result, the filters on the polys wouldn't open up all the way. I did alternate takes where I walked around and tried to smoothly nudge each one up in order to get the filters fully open, but that was a disaster. In retrospect, I could have set up a one-shot MIDI LFO to do this and triggered it once at the right moment, but I already had enough things to worry about.

One of my audio interfaces is dead or dying, and it keeps ruining takes and sometimes crashes Logic. I finally turned it off and went with my lone Focusrite Scarlett 8i6, which has always been solid. But now I had an extra synth without an input and I wanted to have the polys on their own tracks so that I could blend them in with the Eurorack stuff to taste. And there's no possible way I could overdub since the whole point is to have one LFO sweeping all of the filters at the same time. I ended up resorting to an old 1989 JVC cassette deck to record the OB-6. So that shot at the opening of the video is legit. There's such a big wall of sound here that it's impossible to tell if it ended up adding any saturation. It definitely added some hiss and crackles but that's fine in this context. The cassette itself is ancient, cheap consumer grade, 60 minutes per side. I ended up recording over some 90's black metal that had been there since, well, the 90's.

To add to the grit and grime, I intentionally ran the filters from the Eurorack straight into the audio interface, bypassing the typical flow through VCAs. Ok, fine, I totally forgot about the VCAs, but it sounded extra dirty, so I didn't stress out too much. I certainly wasn't going to power everything back on, tune everything up and do another take because of it.

Obviously when the filters are closed or nearly closed for several minutes, there needs to be something to fill that gap. That's where the generative stuff comes in. There's 3 different sample and hold circuits feeding different things, including back into themselves in one case. Some voltage is running through different logic gates in conjunction with other, steady LFOs. Since I'm out of filters, the sound consists of pink noise through a VCA, triggered at random by a very short decay envelope. This runs into a recovery tape delay module, that gives sort of a slapback effect.Then there's a single oscillator, pitch controlled by another S/H circuit run through a quantizer and then running into the spring reverb tank. It's also triggered by the same random voltages triggering the noise hits. Then there's the Mutable Instruments Plaits, making the plinky plonky sounds, again everything triggered at random. It's running into the majestic Calsynth Typhoon.

The last thing to note is that the Erebus LFO also acts like an automated fader to increase and decrease the level of the VCA where all the rhythmic sounds are running through. I simply inverted the signal of the LFO output to do this. As the filters open up, the VCA level diminishes. When the filters fully close, the VCA level increases to maximum.

Last last thing. That knob twisting near the beginning isn't for sci-fi FX, though that's an added bonus. I was simply trying to get the LFO back to its "starting position." I didn't quite succeed. I don't believe the Erebus has any sort of LFO triggering mechanism to help with this. All good though.

FX: Audiothingies DoctorA delay and reverb, Boss DM-101 delay

No post processing other than a 30Hz low cut and slight limiting on the master"

Sunday synthwave jam

video upload by Midnight Fury

"weekly live jam while testing Ableton 12"