Medley Kaona Zazou & Waldorf Blofeld

video upload by Kaona modular music

"Skippy Live + Skippy + Zazou + Waldorf Blofeld"

Modular Generative Ambient Music - CubuSynth Modular

video upload by CubuSynth Modular

"11 minutes of a Generative Ambient Patch.
Made with CubuSynth Modules and Prototypes.
+ MusicThing Turing Machine
+ Grayscale Supercell"

Air wave

video upload by Uncertain Music Corps

"Very brief grab of something that happened this morning.

Today I got the Drone Pod into what is probably its finished state (for now) with the addition of a COM from Rides in the Storm. It's a simple little device to convert between line and modular levels so making it much easier to bring in line level devices and freeing up the Disting for more interesting uses than adding gain to incoming audio.

Decided to test it quickly using an old iPad pointing Safari at a WebSDR source. And then this started to happen.

It's just a quick grab from my phone so no attempt to tidy up the workspace etc but I thought it was a rather lovely moment and wanted to catch it as it happened."

WMD Digital VCA MKIII - Dual Zero-Crossing VCA and Polarizer - Announcement

video upload by WMDevices

"Announcing the MKIII version of the WMD Digital VCA eurorack module. This new and improved dual VCA and Polarizer (bipolar VCA) has a zero-crossing detector and noise source. At only 8HP, this module can do many cool things for any modular synth in a small space."

WMD Digital VCA MKIII - In Depth Demo

video upload by WMDevices

"WMD is back and finally in production with the new Digital VCA MKIII eurorack module. This modern take on a classic WMD design combines a Zero Crossing Detector (ZCD), a Voltage Controlled Attenuator (VCA), and a couple noise sources to make a super versatile tool at only 8HP. Watch as Alex Anderson explains many of the features and use cases.

00:00 Overview
00:54 White Noise Explanation
02:16 VCA overview
04:55 Remove clicks and pops the ZCD
07:59 Trigger Mode
14:06 Amplitude modulation and the Bipolar functions
18:51 Normaling of 'B' inputs with Dual VCA patch example
20:56 Mixing capabilities
23:00 ZCD Outputs"

via WMD

"I've done several designs of this circuit over the years, the first one had no knobs, the second was too small, the MKIII is finally how this circuit should be packaged. This module does some really cool stuff and is super useful in any system.

The Digital VCA lets signal through like a normal VCA, but the CV and attenuation level is controlled digitally. This lets us do things like wait until there is a zero crossing to change the amplitude, resulting in clickless amplitude changes.

The Trigger mode causes the VCA to only update when a trigger is received. The addition of a noise circuit for each side let us do a very quick and easy sample and hold that never droops. With no input, 5V is normaled to the attenuator, so you get a 0-5V sample and hold. In Bipolar mode, you can get -5 to +5V.

Both sides have bipolar VCA mode (polarizer), which lets them invert the signal when negative CV comes in. Also known as ring modulation. With the zero crossing detector, this can produce some super wild wave shapes.

Limited run of 410 units for Eurorack Modular Synthesizer systems. I won't be making more or doing another version in the future."

Unlocking Greystoke: The Ultimate Keyboard Collection Revealed!

video upload by Andy Whitmore

"Greystoke Studio boasts an impressive collection of 48 keyboards, including a diverse array of analog synthesizers, digital synthesizers, and vintage keyboards.

Massive Analog & Digital Keyboard Collection
Greystoke Studio Tour Update - The Complete Keyboard Collection!
Mar-24
48 Keyboards Including:
30 Analog Synthesisers
13 Digital Synthesisers
5 Vintage keyboards

Greystoke Studio in London, is a high-spec London recording studio.

0:00 - Introducing Greystoke's Analog & Digital Synthesiser Collection
0:07 - Yamaha CS80 - 1976
0:11 - Roland Jupiter 8 - 1981
0:12 - Roland Jupiter 8 - 1981
0:15 - Roland SH1000 - 1973 [chrome]
0:20 - Roland SH1000 - 1973
0:26 - Yamaha CS40M - 1979
0:30 - Roland SH1000 - 1973 TTSH Two Thousand Six Hundred Mini Meanie Arp 2600 Clone 2023
0:34 - Yamaha CS50
0:38 - Mini Moog Model D – 2017
0:44 - Roland Vocoder VP330 MK I – 1979
0:48 - Oberheim OB-1 – 1978
0:52 - Prophet 5 Rev 3.2 MIDI – 1981
1:03 - Prophet 5 Rev 3.0 MIDI – 1980
1:14 - Oberheim Xpander – 1984
1:20 - Oberheim OB-8 – 1982
1:33 - Roland Jupiter 4 MIDI – 1979
1:36 - Logan String Machine – 1975
1:41 - Hammond C3 + Leslie Speaker - 1968 + 1963
1:43 - Mini Moog Model D – 1976
1:50 - Wurlitzer 200A Electric Piano - 1976 (bought from 10CC's Eric Stewart!)
1:52 - Fender Rhodes Piano Stage 73 – 1979
2:03 - Roland Juno106 – 1984
2:09 - Roland Vocoder VP330 MK II MIDI – 1980
2:16 - Korg M1 - 1990
2:18 - Nord Electro 3 - 2008
2:24 - Roland JD800 - 1991
2:35 - Korg Trinity - 1995
2:41 - Roland D50 - 1987
2:51 - Korg Poly 800 – 1983
2:52 - Roland SH101 – 1983
2:56 - Roland MC 202 – 1984
3:03 - Hohner Clavinet D6 - 1979
3:10 - Korg Z1 - 1997
3:17 - ARP Odyssey – 1979
3:21 - Prophet VS – 1986
3:31 - Roland MKS80 with MPG-80 programmer – 1986
3:41 - Yamaha TX816 - 1984
3:47 - Yamaha TX802 - 1987
3:50 - Studio Electronics SE1X – 1994
3:56 - Roland JP-8080 - 1998
4:00 - Roland JV1080 - 1994
4:07 - Nord Rack 2 - 1997
4:14 - Roland P330 - 1988
4:20 - Akai S3000XL 32 Meg - 1996
4:29 - Novation Supernova - 1998
4:43 - Novation Bass Station – 1994
4:59 - Steinway Model O – 1908
6:10 - EMS AKS Synthi VCS3 – 1972"

Poly sequence without sequencer on KORG R3 synthesizer

video upload by Jake

"A song combining several sequences on a KORG R3 synthesizer without sequencer thanks to the Motion Sequencer

The R3 is a bi-timbral synthesizer.

Although it does not have a sequencer per se, it has the "motion sequence" function.

If motion sequencing allows you to automate a parameter over 16 steps, it can be dedicated to the pitch of the notes.

We thus have 2 sequences for the same patch, each controlling its own tone.

On timbre 1, in order to make the sequence more complex, I allocated each of the 2 filters to its own oscillator. Thus on timbre 1 the slow variations of LFO 1 control filter 1 in positive and 2 in negative.

LFO 2 is synchronized to the motion sequencer in the form of a sawtooth wave to simulate a filter envelope trigged to the note

On tone 2, LFO 1 in the form of a square wave at slow speed allows the sequence to be transposed to the seventh at 0.75 hZ.

LFO 2 has the same function as on timbre 1

Recorded in one take without any external effects"

Live session - KORG R3 - KAWAI SX-210 - CASIO CZ-1

video upload by Jake

"Live recording 2020

Synthesizers used for this track
KORG R3 - digital synthesizer - 2007
CASIO CZ-1 - Phase distorsion digital synthesizer - 1986
KAWAI SX-210 - analog synthesizer - 1983


This recording is the first track you can hear on my last album
'Compact Music Vol.2'

This album have been mastered by Angel Freddy - http://www.moloski.com

You can buy this album
https://www.discogs.com/fr/release/28...
https://jacquesjeangerard1.bandcamp.c...
"

A Rat, a DB-01 and a Light pedal cranked for filth and feedback

video upload by Richard DeHove

"I've always wanted ferocious feedback on a synth, just like them geetar players get. The obvious choices are a FreqOut or even an old Boss FB-2. But how about a Gamechanger Audio Light reverb pedal and a Rat ? One reason I got the Light pedal was its interesting modes, gate and drive. By itself a lot of the options feel very underpowered when fed by the DB-01. But add a Rat after the reverb and everything comes alive.

Here I first try the Light pedal's Reflect mode which is a dirty delay, then the Feedback mode. The Rat is vital to crank the Light pedal's effect although it does add a huge amount of noise. Ideally I'd add a noise gate after the rat and then a delay. Perhaps even a pitch shifting delay to try to get a little more pitch control over the feedback.

With it's little Rat friend the Light pedal now seems a lot more useful.

As usual there's absolutely no other audio processing than what you see.

0:00 Starter sound
1:25 Reflect cranked
2:42 Light pedal options
4:48 Feedback mode
8:28 Sequenced feedback
9:25 Keys feedback

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free My website: https://richarddehove.com/"

Manual Dexterity

video upload by Todd Barton

"An unfolding of this patch over on my Patreon: https://www.patreon.com/synthtodd"

Update:

Manual Dexterity unfolded

video upload by Todd Barton

Sequential Pro 3 ► Sound Demo [30 MINUTES]

video upload by Mr. Card

Contents:
00:00 10 minutes of sound exploration
09:34 Brass sound
13:39 Pad sound
17:51 Paraphonic sound
22:06 Sweet sequence
26:39 5 minutes of sound exploration