MATRIXSYNTH


Friday, November 22, 2024

TTMC Tokyo Delay , bitbox , circadian rhythms , A-155


video upload by Tokyo Tape Music Center

The beautifully odd and maddening Motor Synth MkII: 3 things we love... and some things we don't


video upload by MusicRadar Tech

"When the Motor Synth first landed, it’s fair to say everyone was intrigued. Gamechanger Audio even had the likes of Jean-Michel Jarre and Richard Devine enthusing over “the world’s first electro-mechanical desktop synthesizer”. The original instrument made do with two independent voices and four-note polyphony from the eight motors, but plenty of improvements have been made. New to the MkII is the addition of a DCO with four digital oscillators and four-note-polyphony.

In this video, we explore the new features and explore the highlights of this new version – alongside a few things we're not so keen on."

In this video:
00:09 – Audio demos
01:09 – What we love about it...
01:14 – New features
04:55 – Modulation
08:33 – Flexible routing
11:22 – What we don't love...
18:20 – More demos

Midicake: Unleash the Modulation Beast - FREE V7 UPGRADE - Breaks All Rules!


video upload by midicake

"Is this the most continuously developed Music Device ever?

Midicake ARP just got a monstrous upgrade, and it's absolutely FREE! 🎹🔥

In this video, we dive deep into ARP V7's game-changing features that are reshaping the world of MIDI sequencing and modulation. Witness the power of:

Multi-dimensional control: Simultaneously tweak 4 synth parameters
Expanded modulation shapes with mind-bending deviations
Rhythmic innovation: From 16th to 32nd notes in extended cycles
Offbeat modulation for irresistible grooves
Seamless ARP-synth integration for organic, evolving sounds

Whether you're a seasoned ARP user or curious about taking your productions to the next level, this video showcases how V7 obliterates creative boundaries."

Chapters:
00:00 DEMO 1 - Introducing V7
00:24 Coming Up
00:58 Modulation Sequencing
03:20 Pushing the Boundaries
04:02 Double Trouble
04:34 200% FX
05:13 Docs
05:27 DEMO 2 - Heaps of Possibilities
06:07 DEMO 3 - MIDI CC Features
06:29 MIDI CC Output
07:08 Assigning Macros to CC
07:38 CC Modulation/LFOs
08:21 Layering CC Modulation
08:51 DEMO 4 - So Much Control
10:00 Pattern Modulation Targets
10:49 Increased Modulation Times
11:27 Up/Down Button Menu Navigation
11:55 MIDI Message Log
12:59 DEMO 5 - My Thoughts

🐋 Roland JX-10 (Super JX) 🐋 🎧 (no talking) 🎧


video upload by Cutoff Frequency - gear stuff (no talking)

"This is a video demonstrating the sounds of the Roland JX-10 also known as the Super JX.

When I first heard this synthesizer I was blown away by the warmth of the sound. And to be honest, it still does. Once in a while I turn it on and indulge myself in its analog richness. I gives me strong associations with the Twin Peaks series, which I am a big fan of. It has a lot of cinematic qualities not present in other synths and it can even do some other nice stuff too. Released in 1985, this was the last analog synth from Roland until they recently released their JD series.

Thanks my love for playing so beautifully."

0:00 Pads
6:57 Brass
10:48 Bass
11:41 FX
15:41 Clavecimble
16:27 Hollow pads
19:36 FX

PWM - Mantis (Sounds Only Demo)


video upload by PWMusic

"10 Patch demo from the PWM Mantis stock factory sounds. Everything you hear is from one Mantis, recorded live. Drums and notes sequenced in Ableton Live.

The PWM Mantis is a 4-Voice Polyphonic Hybrid-Analog Synthesiser with Dual Multi-Mode Filter

All Music and Sound by Kyle Kilpatrick
Courtesy of Voltage and Company"

♫ Jamming With a Bunch of Synths ♫ ----- (138)


video upload by Bata

Wait for 1:24

5U Modular (Synthesizers.com, STG Soundlabs, Synthetic Sound Labs)
Akai MPC X
Behringer 2600 (ARP 2600 clone)
Behringer Kobol Expander (RSF Kobol Expander clone)
Behringer Model D (Minimoog 2016 reissue clone)
Behringer Pro-1 (Sequential Circuits Pro One clone)
Behringer RD-6 (Roland TR-606 clone)
Behringer TD-3-MO (Devilfish modded Roland TB-303 clone)
Casio CSM-1
Clavia Nord Wave
cre8audio East Beast
cre8audio West Pest
Erica Synths Syntrx II
Elta PF-3 Stereo Multimode Filter (Formanta Polivoks chips)
Eurorack Modular (2HP, Behringer, Expert Sleepers, Intellijel)
Korg Delta
Korg Mono/Poly (x2)
Korg SQ-1 (analog style sequencer)
Ladyada Xoxbox (Roland TB-303 clone)
Landscape Noon
Make Noise 0-CTRL (analog sequencer/touch keyboard)
Moog Source
Roland CM-300 Sound Canvas
Roland P-330 Piano Module
Simmons SDS-V
Studio Electronics Boomstar 5089 mk1
Yamaha CS-15

Thursday, November 21, 2024

There are many ways to get to your goal.


video upload by George B.

"Presenting my thoughts on finding different ways to get to a goal. This example starts out with the 'normal' way of making a sequencer pattern and discovering alternative ways that require less hardware, but with the same results.

0:00 Opening
0:53 Intro
2:17 First example using traditional sequencing
3:03 Second attempt to reduce sequencer steps
4:28 Removing the gate math module
5:46 Removing the Q128 Switch
6:21 Sorting out a problem
7:28 Inverting the clock fixes the problem
7:42 Outro

The Weeknd - Blinding Lights - intro pads, lead and bass on Prophet 6


video upload by jami.m

An In-Depth Look at the Hi Five CV Controllers


video upload by Biopower Audio

"This is a full overview and video manual for the Hi Five system of remote CV controllers for Eurorack synthesizer.

For more info and purchase: https://www.biopoweraudio.com/hifive.

Chapters

00:00 Intro Jams
01:32 Features of the Hi Five
02:49 Patch breakdown with Dig It! and Manual Override controllers
05:34 Duet Jam with Astrid!

HI FIVE works with DIG IT! or MANUAL OVERRIDE as a remote CV controller system that expands the expressive and social range of your Eurorack modular synthesizer. Turn your solo jam into a playtime with kids, a modular synthesis tutorial, or a drum circle with friends by passing the controller around!

HI FIVE sends +12V and receives five analog CV signals over an ethernet cable from a (potentially) infinite variety of CV controllers.

Each CV channel can be attenuverted +/-10V and offset +/-5V before its output.

RJ45 development PCBs are available, and included in every HI FIVE DIY kit. Design your own dream controller!

DIG IT! controls its five CV channels with a joystick, FSR pressure point, a bright arcade-style LED solo button and a LED button and 45mm fader pair. The buttons have on-momentary off and off-momentary on settings.

In this video, DIG IT! is modulating parameters on a Mutable Instruments Plaits module in 2-op FM mode, as well as a generative analog algorithm passing through a quantizer that is producing its melodic line.

MANUAL OVERRIDE controls CV with 60 mm faders and LED button pairs similar to channel E of DIG IT! on all five channels. It's controlling a Mutable Instruments Grids module and several drum sounds.

Standard color schemes for LEDs, buttons and fader caps are Rainbow (red-orange-yellow-green-blue), and Biopower Green. For an extra charge, we will build custom any combination of these colors (and white with black faders).

HI FIVE is 8 hp and 38mm deep.

Peak current:
35mA with MANUAL OVERRIDE
80mA with DIG IT!"

meloDICER & MEX3 - individual MIDI channels


video upload by vermonagear

"Next month (December 2024), we’re releasing a new firmware update for the *meloDICER*. While it includes some minor improvements, the highlight is the ability to set an individual MIDI channel per voice. Translation? You can now send up to three melodies simultaneously to three different synthesizers using the *MEX3*.

In this demonstration, we’re using two *Mono Lancet ’15*s and a ‪@1010music‬ Fireball:

The synth on the right kicks things off with a deep bass sound, blending sawtooth on oscillator 1 with some noise.
The red nanobox? It’s taking care of a string-like sound.
And the Mono Lancet ’15 on the left is playing a classic sawtooth patch.

All three synths are polished with delay and reverb effects from Logic Pro, just to give things that extra shimmer.

So, what do you think about this new feature? Is it something you see yourself using often, or just another reason to stay up all night making music? Let us know in the comments—we’d love to hear your thoughts!"
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