Redshift 6 - 90 Oscillator Cinematic Swarm

video upload by Supercritical Synthesizers

"In this demo we put Redshifts oscillators through their paces, utilizing a total of 90 oscillators to create the final sound.

The demo sound is inspired by the massive sound logo introduced in early ‘80s cinemas.

All the modulations that affect the pitch or timbre of the sound are explained in the video texts.

At the end of the video, you can hear different variations using 12, 30, and 90 oscillators, without any effects.

0:00 Building the sound
1:21 90 Oscillator version with reverb
1:44 12 Oscillator version, dry no FX
2:00 30 Oscillator version, dry no FX
2:15 90 Oscillator version, dry no FX"

Overview of all Kaona Sisyphus filters

video upload by Kaona Modular Music

"A few experiments with the various Sisyphus filters.
No effects are used; the sound is recorded directly from the filter output.
Input: QU-Bit Surface
Notes: Kaona Zazou
Gates: Kaona Joey

00:00 Intro
00:05 High pass filter
02:20 Band pass filter
04:30 Notch filter
06:24 Peak filter
08:50 Comb filter
11:26 Karplus Strong
14:04 Ladder filter"

See the Kaona label below for more.

Pigra 2.0 - MaxforLive Delay for Ableton Live by Mudjaq

video upload by Isotonik Studios

"Pigra 2.0 is a highly flexible and powerful delay MaxforLive device for Ableton Live users, offering a range of features for both traditional and experimental sound design. With multiple delay modes, up to ±2 octaves of pitch shifting, diffusion for added texture, and a unique Bubble mode for dynamic panning and delay modulation, it is designed to create complex and evolving delay effects. Stretch mode provides control over playback speed, while feedback and modulation options allow for truly creative and evolving soundscapes.

Pigra 2.0's main distinctive features are seamless delay change, pitch change, diffusion, LFO, and stretch, and these operations are reflected in the feedback to create more complex delay sounds.

#abletonlive #maxforlive #push3standalone

AVAILABLE HERE: https://isotonikstudios.com/product/p..."

Walkthrough - Pigra 2.0 - MaxforLive Delay for Ableton Live by Mudjaq


Walkthrough (No Talking) - Pigra 2.0 - MaxforLive Delay for Ableton Live by Mudjaq

Arturia Pigments 6 - Demotrack (no talking, just music)

video upload by KEYBOARDS

"A demo song produced exclusively with the Arturia Pigments 6."

HarmonAIzer - MaxforLive Device for Ableton Live by 4 Chamber Sound

video upload by Isotonik Studios

"PinkAI HarmonAIzer transforms the simplest MIDI into captivating and rich harmonic patterns.

HarmonAIzer receives any individual MIDI note from any of your MIDI Clips, MIDI Controller Input, or from PinkAI’s Performer Module and creates anywhere from basic-to-intricate, practical-to-abstract reharmonized sequences within your pre-selected scale, using Probability, Note Offsets and Pitch-shifting Feedback loops. With 12 keys, 25 chord types, and over 30 scales to choose from, HarmonAIzer offers nearly 700 tonal colors, making it so simple to explore diverse and astonishing melody, harmony and dynamic musical patterns all the while learning and applying some fundamentals of music theory.

HarmonAIzer synchronizes output with the PinkAI Conductor module’s auto-generated or user-programmed chord sequences.

HarmonAIzer works both as a standalone device as well as with PinkAI’s Generative Composer. Turning on 'PinkAI Sync' lets your pre-recorded MIDI Clips revoice to fit with the generated chords (or chord-based Scales) from the PinkAI Conductor module. Feed HarmonAIzer with MIDI input from PinkAI’s Performer module and generate ever-changing, richly harmonized musical compositions.

Modern, flexible and responsive User Interface with 150+ quick-change presets makes it extremely easy to get started.

Add, Delete, Copy or Randomize patterns in up to 9 simultaneous harmonized voices with HarmonAIzer’s easy-to-use, engaging and intuitive user interface. Select from 9 different built-in Preset Banks to learn how HarmonAIzer excels at creating vibrant, harmonized arpeggios (“Rainbows”), elaborate melodic patterns (“Color Riffs”), polyphonic polyrhythms (“Polyrhythms”), practical strumming patterns (“Strum and Pick”), and much more! Combined with the variety of tonal colors, HarmonAIzer offers 100,000+ possibilities in MIDI output by using the same single MIDI Note input.

AVAILABLE HERE: https://isotonikstudios.com/product/h..."

2/24/25 Metasonix S-1000 + Synthetic Sound Labs 1660 + Corsynth VCLFO + MegaOhm CdS VCF/A + CXM 1978

video upload by Cfpp0

"2/24/25 Metasonix S-1000 + Synthetic Sound Labs 1660 + Corsynth VCLFO + MegaOhm CdS VCF/A + CXM 1978

The audio output of the left Synthetic Sound Labs 1660 The Matrix Algorithmic Composer module is patched to the CV input on the Metasonix S-1000 Wretch Machine. The CV output on the right SSL 1660 is patched to the S-1000 pulser. The Corsynth VCLFO is patched to the S-1000 filter CV. The audio output of the right 1660 runs through the MegaOhm CdS VCF/A lopass gate. ALM Pamela’s New Workout clocks the left 1660 and triggers the S-1000 and the left 1660 gate output clocks the right 1660."

Dreadbox Murmux Adept #2 | Winterdagen

video upload by Winterdagen

"I love how warm the Dreadbox Murmux Adept sounds. I've had Murmux for a couple of weeks now and I'm still incredibly happy with it. An important test for a synth for me is how it sounds combined with my piano. So this afternoon I recorded this little piece. I think they sound lovely together :-)

ps. apparently I accidentally bumped the right mic forward just before recording this.

Thanks for listening!"

Adept 1 previously posted here.

The Behringer Syncussion is amazing for melodies | Winterdagen

video upload by Winterdagen

"I bought a Behringer syncussion for its weird s&h percussion sounds, which are very cool. But as it turns out, it's also a lovely synth for melodies.

For this piece I made use of a minimal music technique called phasing which I love. Check out a lovely ‪@loopop‬ video on doing it with samples here: • Sampler trick: Steve Reich/William Ba... [2nd video here] Both voices on the Syncussion play the same melody, but on one part the loop is one 8th note shorter, making the two voices drift further away from each other on each rotation. With some help from the Strymon Volante and Erica Synths Zen Delay this turned into a quite hypnotising little exploration."

Angle Grinder Pings | The Schlappy Minute

video upload by SCHLAPPI ENGINEERING

"This is the Schlappy Minute.

Today we make lovely percussions with the Angle Grinder!"

Introducing VProm 3.0

video upload by Aly James Lab

"Over the years, VPROM has become a staple in music production, celebrated for its accurate variable sample rate emulation of classic DACs and its ability to load swappable EPROM samples. Now, with the release of VPROM 3.0, I am taking things to the next level. This major upgrade enhances both features and usability. While previous versions excelled at replicating EPROM-based drum machines, primarily the LM-1, Version 3.0 expands its capabilities even further."

VProm 3.0 Uncut Live Walk-through - Sampling Stuff - Part 1

video upload by Aly James Lab

"NEW in VProm 3.0 : Sample/Convert/Burn

-VProm now features a built-in EPROM creator, allowing you to generate custom EPROM binary files without any external tools and ready for use in VPROM or hardware drum machines.

Import any .wav file and sample it just like in the classic hardware days. The resampling process uses a crude emulated R2R ADC with tweakable input settings and home-made tweaks* before capturing at ≈ 27 kHz. If the original .wav file rate is less or equal than 27 kHz, resampling is bypassed. You can also disable the resampling stage if needed.

Once sampled, preview the file with µLaw 8bit (12bit quality) compression applied or save it directly as a µLaw-encoded .bin EPROM file.

Maximum EPROM size is 64K ≈ 2.5 seconds @ 27Khz —larger sampled .wav files will be automatically truncated to fit during sampling."

https://www.alyjameslab.com