Nord Wave 2 - Creating Fake Crystal Echos/Shimmer Reverb

video upload by 100 Things I Do

"A quick no fuss look at the Nord Wave 2.

In the year I have owned this synth it has been very enjoyable to use. You have to be a bit sly with the way you create patches but you can make some stunning textures and sonics that are very useable.

Hope your all doing well

Mike"

You can find demos of the OB-MX in previous posts here.

Fairlight Looping

video upload by 100 Things I Do

"Its been quite a while since I made a video so I just wanted to start back with something simple and just a bit of fun.

My Fairlight CMI Series III always seems to deliver something inetersting, so I fired it up and had a play with RS (Realtime Sequencer), setting a loop of 4 bars and just letting it record one track at a time. Nothing too serious, but great for creating ideas

Hope you are all doing well. Thanks for checking in!
Mike"

Korg DW-8000 soundscape - A shadow is near

video upload by MIDERA

"After fixing and playing the Kawai SX-240, I had searched for other synths that were similar to, or equal to the SX-240. The DW-8000 came across as a potential candidate. I found one locally for a good price ($350) from the original owner. It had more issues than I realized when I arrived. Half of the tact switches were difficult to press. Two keys were cracked and three keys needed complete replacement, so I replaced all the keys and replaced all the tact switches. The price ended up substantially more, doesn't it always?

I reached out to the seller to let them know that I fixed it all up and it's back to 100%. They said thanks, and then dropped out of the conversation. I guess not surprising, but I guess they really didn't want to know any more about the synth they had since the 1980s, not that I planned to continue communicating with them or anything. Just seemed weird to me, like I annoyed them by telling them I was taking better care of it? I don't know.

Anyway - here is my first musings with it before I did any repairs. Note that I did at one point have a Korg DW-8000. I sold it because 'The Korg Radias has the same waveforms' which was obviously a stupid reason to part with it.

That said - I doubt it will stay long term. Many things have happened since I posted this video (uploaded June 13th, 2024), and this is just another excellent synth I do not think I need.

Eventide Blackhole VST used for reverb."

Background Modulars No.5 - Buchla 100 and EMS VCS3

video upload by Memetune Studio

"Don’t have a Buchla 100 and EMS VCS3 to hand? No worries! Just put this video on in the background (in full-screen mode), and have the next best thing 😁

Here is 10 minutes of self-playing modular synthesiser randomness. Why not put it on loop - then you can have it bubbling away in the background while you do other things

A note on the patch: The whole thing is being run by the EMS Random Voltage Generator, but that is being modulated by a divided down set of voltages from the Buchla 8-step sequencer, so it changes the randomness very slowly, which makes it seem like its evolving as it goes along. There are ring modulated VCOs, cross mod VCOs and pitch shifted VCOs, from both systems all being mixed on the 205 matrix mixer, which also has feedback paths set up to go to the WEM valve copycat and also the Buchla dual reverbs and dual compressors. So the whole patch is intermingling and feeding back on itself via the matrix mixer. Its a highly complex patch and is pretty much impossible to describe fully because I just kept patching it until I liked the result enough to let it run and film it for 10 minutes"

Things to Do with the Voltage Lab 2 // Tips Tricks Ideas and Tracks

video upload by Starsky Carr

"It's definitely a lab because experimentation is key. The Voltage Lab 2 encourages you to dig a little deeper every time. Pittsburgh Modular have got this one bang on... the results are stunning.

The oscillators can sounds as grungy as you want. Those harmonics just keep on coming until you're faced with a sonic wall of jagged spikes. The temptation is to go over the top, whereas with most it's hard to get 20% there.

In this I demo some of the more hidden functions and give some ideas to get the most out of it. Like patching the ocillators into each other, or using the function generators to control the LPG essentially giving us a 'standard' VCF. Then there's some hidden stuff in the touch controller, like per step parameter locking using the blue CV channel, or per step chance by setting the chance to 100% and patching chance into the blue channel... now the blue CV is per step chance.

Cool stuff."

TR-909 Firmware Version 5 Demos

See this post for details.

Playlist:

1. TR-909 FIRMWARE VERSION 5 UPGRADE!!!

// The most wonderful thing that could have ever happened for Roland TR-909 owners and lovers has actually happened.

2. TR-909 FIRMWARE V.5 - Demonstration 1 - MIDI SYNC CORRECTION

// I’ve installed one of the first Revolution 909 firmware upgrades from Addictive Instruments into my own personal Roland TR-909 and I released a little enthusiastic clip about how delighted I am to have 33 year old serious problems resolved. This is the first of a few posts planned for today to show you why it’s so amazing to me.

3. TR-909 FIRMWARE VERSION 5 - Demonstration 2 - SWITCH BETWEEN PLAY AND WRITE MODE IN REAL TIME

// This is something that I’ve been thinking about since 1991 when I first got my own TR-909: The ability to switch between pattern play and pattern write without having to stop the sequencer.

WHY IS THIS IMPORTANT?
The TR-909 in pattern write mode allows us to do some clever things. We can change the length of the pattern using last step, and we can add and subtract notes and accents (internal and external) to develop our pattern. However, we can only do this in write mode.
So in order to do these things in performance we have to A ) stop, change modes, and start again B ) stay in write mode always (can’t change patterns in write mode) C ) program our drums from another device entirely D ) add all the chaos, and then use the level knobs to bring sounds in and out (the way maestro Jeff Mills makes magic!) or E ) make a ton of patterns ahead of time and switch between them as our performance.
We can do mutes on a mixer, use a midi controller. There are options, but when I’m playing live it’s just me. I have stuff happening. It’s a lot to navigate and keep track of. Changing mixer settings, dealing with midi controllers, or even flipping through preset patterns can be distracting and a bummer. Adding the ability to just get into write mode and change the length for a fill, or a sidetrack, or a totally new in the moment idea is fantastic!

4. TR-909 FIRMWARE VERSION 5- Demonstration 3 - MUTES

// This is something which I didn’t anticipate being so amazing. I use mutes on the mixer as a fundamental part of how I perform live, but I don’t tend to reach for instrument mute functions on the actual devices. This is not a personal bias, but rather a point of clarity. I’m doing like 25 things at once in any given performance (and singing) so it’s pretty easy to forget what I’ve muted or un muted unless it’s in central place (like on the mixer), but after all I just explored in demonstration clip 2 about ways to add and subtract sounds live, mutes are a marvelous and really powerful addition to this list of ways to address patten complexity in a live performance.

5. TR-909 FIRMWARE VERSION 5 - Demonstration 4 - INSTANT PATTERN CHANGES

// Ok, this is really simple, but it’s so super extra totally bad ass.

Fig.1 INSTANT PATTERN CHANGES
The thing about the TR-909 is that it doesn’t instantly change patterns. You have to wait for the end, and then it starts the next selected pattern. To get around this you can do some stuff:
• make some really complicated patterns
• make one big complex pattern and then use the mixer to bring things in and out (fun!)
But this is fantastic! Just hold down shift and start instantly jumping between patterns. Add a crash from a crashy pattern, start a fill, and switch to just a kick drum, mix and match patterns and really get something heavy going - THEN get involved with the mixer, and it’s a gorgeous avalanche of TR-909 awesome!

In my example here I’m just showing you that it’s possible now. The rest is up to you.

Addictive Instruments have released firmware version 5 for the Roland TR-909 and the RE-909. It’s a real upgrade which requires soldering and while it isn’t easily reversible, the upgrade also includes firmware v1 and v4 so you can revert by choosing another firmware and booting it that way (no one would ever know).

Find out more at revolution909.fr
This first batch is limited to 100 so if you’re as happy about this as I am, hurry up!
That said, I believe in these guys and totally hope that this all goes well, and this will continue to be available (and more!) until all the TR/RE-909’s have one inside.

This was demo 4, one more and I’ll leave the rest to you.

6. TR-909 FIRMWARE VERSION 5 - Demonstration 5 - EXTERNAL INSTRUMENT

// I’ve been using the EXT INST function of the Roland TR-909 since the day I got it. I love triggering samples, basslines, and other drum machines from the stately TR-909’s main panel. The hassle has always been that the notes it generates can’t be changed. So you get an octave or so of fixed notes and that’s all. I’ve spent a lot of time messing with samplers and getting the sounds I want to trigger from the notes I have to offer, and while it’s fun, and useful, it can be a drag. Fact is, a lot of people never even explored it.

Fig.1 CENTRAL CONTROL WITH TR-727
The TR-727 doesn’t allow us to control its midi notes either, but the Addictive Instruments firmware v.5 update has presets and it has a user mode (fig.2). So we can play any note we want on any channel we want at any velocity we want now.
My 727 is upgraded with Harry Axten‘s perfect sound rom upgrade, and this is my own custom rom, and here it is being beautifully programmed by my beloved TR-909!

Fig.3 BASSLINE
This is an example of using the user template to create a chromatic keyboard and programming a bassline which is saved with my drums, and subject to all the new and original functions of the 909.
So much fun!

Clearly I was already in love with my TR-909, but I’ve fallen all over again here.

The external instrument mode is expanded, and it much more powerful now, it’s also nicely documented (at last) in the manual. It is more complicated than plug it in and go if you want to make the most of it, and it’s worth it. This is something wonderful.

Hans Zimmer 'RadioPhonic' Synth @ Superbooth 24 w/ AJH Synth

video upload by AJH Synth Official

"Hans Zimmer's 'RadioPhonic' Synth from AJH Synth @ Superbooth 24 - This monster MiniMod Eurorack modular system was commissioned by Hans himself, and he was kind enough to allow us to build a limited number of exact replicas which will be individually built to order by AJHSynth. Full details of the system, along with an interview with Hans Zimmer about his use of the MiniMod system, can be found at https://ajhsynth.com.
We will have one such RadioPhonic system on display in our bungalow at Superbooth 24, along with a MinMod Keyz, a 9U full system, and a huge monster case full of AJH modules.
Richard Quirk, and Wayne Taylor (DreamsOfWires/Tomorrow the cure) will also be there representing AJH with Allan J Hall himself. We'd be glad to chat about the modules and demonstrate some in action, so feel free to pop by.

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.
Official website page: https://ajhsynth.com"

Update: press release and pics follow:

CLICK FOR MORE »

Behringer System 100 Demo

video upload by gstormelectro

"Audio + Video by G-Storm Electro c. 2024

Got around to patching the Behringer System 100 today. Plays well with Arturia Keystep Pro. Give the 172 module phaser and chorus effects a spin. And that 182 sequencer, I love how it is not pitch quantized and gives a weird Stranger Things vibe. Let's do this! No additional mastering or post-effects. This video was not sponsored.

0:00 Three Osc Voice structure plus (filter res) Kick and (white noise) Hats.
1:37 172 module | Phaser
2:17 172 module | Using the short delay for chorus/flanger stuff
2:47 Dual Two-Osc structure
3:51 Stereo Syncopated 182 Sequencer Patch"

What is The Vanilla Synthesizer? It's Ready, That's What

via the STG Soundlabs/muSonics Electronic Newsletter:

Is it The Vanilla Synthesizer or the muSonics TVS?

I started working on this project a year and a half ago.

Originally my thought process was to make a new American format synthesiser that could be sold as modules, kits, and bare boards. I was concerned about the future of the format, and I felt a new line of basic modules and infrastructure at a variety of price points was important. I still do.

STG Soundlabs was a failure because I made things that ultimately the eurorack market simply did not want. Yes, I sold some, and will continue to maintain the line as best as I can, but it's very hard to find photos of eurorack installations with STG Soundlabs modules in them, but rare to find a nice big man-sized synthesiser without my modules in it.

Another thing I wanted to do was teach myself how to do my own engineering. It didn't start that way, but it became that way. I'd been a hardware product developer since 2005 but never actually laid out a circuit board. That is no longer true, and I've done things beyond this project that I haven't even talked about.

CLICK FOR MORE »

A History of Synthesizers.com by Creator Roger Arrick Himself

Roger Arrick, the founder of Synthesizers.com, wrote a history of his business. It's a fascinating look at the inception of one of the first modular makers of the new gaurd. You can find the full the full article on his website here. The following are just a few excerpts. I included an interesting bit on an almost stolen system.

CLICK FOR MORE »

Astronaut reverb & delay: All 22 effects on synth (no talk)

video upload by Richard DeHove

"Astronaut by Shiftline isn't a standard reverb or delay pedal. It can certainly do 'standard' reverb and delay but with one or two knob turns you'll find yourself deep into ambience, noise and droneland. There's 22 effect algorithms and here I noodle extensively with each one. As usual I thought it best to show the pedal by itself with no other effects and with minimal cuts to give a clear idea of what it's like to twiddle the knobs.

I bought the Astronaut used on a bit of a whim: It looked good, had a good name and promised weirdness - all excellent reasons. In many ways it reminds me of a Strymon, except way more extreme. Originally I was going to do extensive blabbing about this pedal since there's a lot to talk about, but after almost an hour just of noodling I thought the blab should wait for another day.

Just a couple of things of note: The center knob selects the algorithm, while the four outer knobs all have primary and secondary functions. From left to right the secondary functions are: Volume, HPF, LPF and stereo field. You access the secondary functions by holding down the right-side switch. During the noodling you'll mainly see me adjusting the filters. Otherwise the primary four knob controls are: Character (which changes depending on the algorithm), delay/decay, mix (from dry to 100% wet) and time/speed. If that's a bit murkey then the manual is excellent:

The full manual: https://shiftline-shared.s3.amazonaws...

One aspect that's particularly interesting. There's no save function here. Instead whatever state you happen to leave the algorithm in when you switch to the next one is what you'll get when you come back. This is both incredibly convenient and dangerous: One knob twiddle and your favorite sound is now modified. OTOH there are also 11 user slots where you can easily copy any sound so you could use that as your "don't touch" zone. Those two factors make this one of the best pedals I've used in terms of saving sounds. Often preset management on pedals is painful.

Finally there are all sorts of ways Astronaut can be configured. If you want you can even change the parameter range of the knobs! There's options for MIDI CC control, analog triggers, MIDI clock, line and instrument input. You can even change the beat switch time divisions to your own exotic time signatures. So there's a lot to like.

EFFECTS
0:00 (1) Paradox delay
5:27 (2) Reverse delay
9:19 (3) Reverdox reverb & delay
11:47 (4) Major arp reverb
13:40 (5) Minor arp reverb
16:35 (6) Octave arp reverb
17:50 (7) Random arp reverb
19:46 (8) Universe 1
22:48 (9) Universe 2
24:22 (11) Force microsampler
26:00 (10) Force Roar*
REVERBS:
26:13 (1) Spring reverb
28:27 (2) Plate reverb
31:14 (3) Room reverb
33:12 (4) Modulated
36:42 (5) Skynet 1
40:20 (6) Skynet 2
42:59 (7) Mechanics
45:07 (8) Shimmer up 2
46:55 (9) Shimmer up 1
49:07 (10) Shimmer up-down
51:56 (11) Shimmer down

* Oops accidently deleted most of effects demo 10. I blame my subconscious. I was struggling with this one.

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Replica Buchla 100 series modular synth: LA67 Mort’s Barge

video upload by Tom Churchill

"This video is about Mort’s Barge - a replica mini-system of five Buchla 100 series modules that were used by electronic music pioneer Morton Subotnick in the mid-1960s. I recently built the 4U DIY modules from LA67, and in this video I walk through the features and create a few patches that show what they’re capable of.

My build notes are here:
https://www.modwiggler.com/forum/view...

Find out more about the Mort’s Barge DIY set on the LA67 website:
https://www.lasesentaysiete.com/mort-..."

You can find additional posts featuring Mort's Barge here.



Notes and pics via Tom Churchill's post on Mod Wiggler:

"I thought I’d share a couple of things I learned along the way which maybe aren’t immediately obvious from the BOMs alone, in case anyone else is planning to tackle the build and is looking for some tips.

Some of this stuff has no doubt been covered earlier in the thread, so apologies for any repetition. Also, a lot will probably be obvious to experienced builders, but I’m definitely not in that category yet, so for anyone else (like me) who’s only built Eurorack kits previously, maybe isn’t super-familiar with circuit theory and component sourcing, it might be useful.

Enclosure:
After I ordered the panels and PCBs from LA67 I contacted Julian at The Beast to ask about his 6U Buchla boats. As luck would have it he still had a couple of the special boats he supplied to LA67 for the pre-built Mort’s Barge systems, with matt black coating and pre-drilled holes for power inlet, power switch and grounding banana socket, so I snagged one.
I added some rubber feet to allow a bit of clearance for the screws I used to mount the PSU PCB (see below) and to avoid the underside getting scratched.
For mounting the modules, I bought a pack of 20 M3 speed fasteners (aka captive nuts, aka Tinnermans) from eBay, and secured the modules using M3 6mm screws with plastic washers.
Power:
The PSU PCB doesn’t require any caps and you just need to solder one bridge as marked. (This is now clear on the Mort’s Barge PSU BOM, but it wasn’t at first.)
I mounted the PSU PCB on 8mm M2.5 standoffs via the pre-drilled holes in the bottom of the boat.
I added a 2.1.mm DC inlet and wired a 20mm round rocker switch in series.
I added a single banana socket connected to 0V to provide a ground for any other cases I might want to use with it (and for connecting to Eurorack - see below).
For the AC-DC converter I just used a standard 12V 2A wall wart I had lying around, with a 2.1mm centre positive barrel connector.
I used the 2-pin Molex connectors as per the BOM to distribute power to the individual modules (with the power cables hard-wired to the individual module PCBs)
Component sourcing:
I combined the individual BOMs for the five modules into one master BOM, ticked off what I already had in stock (mostly resistors), then ordered any other required resistors, trimmers, pots, 2N3904/6 transistors and various bits of hardware from Tayda; caps, specialist transistors, diodes, switches, knobs, lamps etc from Mouser.
I’m in the UK and banana sockets worked out slightly cheaper from Thonk, so I ordered those there. I also bought the necessary matched transistor pairs from Thonk to save time (I don’t have the tools or experience to match them myself!)
Changes:
This might be sacrilege to Buchla purists but I went for Switchcraft 3.5mm sockets instead of Tini-Jax - I already have lots of 3.5mm patch cables and it makes for easier integration.
The 910p film caps on the BOM are huge - 10mm lead spacing - and expensive. I ordered them before I realised this, and with a bit of leg straightening/bending they do fit fine in the 158 and 180 boards, but I replaced them with these much smaller and cheaper 1n mylar film caps for the 140 - https://www.switchelectronics.co.uk/1nf ... apacitor-5 - and they work just fine.
The BOM has since been corrected, but slightly annoyingly at the time I was ordering, the part code for the Dialight lamps in the 123 was out of date, so the ones that arrived in my original order were the wrong size. I had to do a separate order for the correct parts, 609-1122-130F. These aren’t cheap, so double check that you’re getting 9mm ones!
On the 158 BOM, there’s a suggestion to use 1n5 instead of 47n for C11 to reduce saw wave distortion. I put sockets in for that and tried both - the 1n5 definitely gives a much cleaner saw so I’ve stuck with that. I also left out C8 as suggested to improve sine shape - I didn’t try it with it included but the sine is definitely a good shape without so I’ll stick without it.
General tips:
I built them in the left to right order they’re shown on the LA67 photos - 158, 110, 180, 140, 123. It was pretty easy to test this way.
Calibration-wise there’s not much to do - the trimmers on the 158 adjust the sine shape and upper and lower frequency limits; use the 110 trimmers to minimise clicking with a raw trigger in; the 140 trimmers set the upper and lower period (I haven’t really touched these)
For the wiring, I soldered pins to the PCB and used a bunch of F-F Dupont jumper wires, cut in half, so if I ever need to take the board off I can simply pull these off and don’t need to desolder anything. For the multiple outputs I mostly just used old resistor legs to bridge them.
Integrating with Eurorack clock is easy - both the 180 and the 123 respond to triggers as low as 5V (e.g. from Pam’s). I don’t use a format jumbler, just a 3.5mm to two bananas cable, with the ground banana connected to the spare ground I fitted near the power switch. I don’t think I’ll ever bother trying to send CV from Eurorack but this way I can at least clock it to the rest of my system if I want to, and maybe even play around with some more complex rhythm patterns.
Anyway, hope that’s handy for someone - I’ll share a bunch of patches on YouTube soon!"

Oberheim OB-Xa w/ mLab Midi - 8 Voice Polyphonic Analog Synthesizer - Serviced w/Restoration

Note: Auction links are affiliate links for which the site may be compensated.

via Analog U.S Reverb | eBay

Note auction links are affiliate links.
See the site's privacy policy for more info.

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Synthstrom Audible Deluge Goes Open Source

Details follow. Video of an editor created for the Deluge below.

"TLDR: We're going open-source from June 5th.

Since launching our beloved Deluge, we’ve added a ton of functionality, made it more versatile and packed it full of ground-breaking features. Our arranger, looper, advanced sequencing and MPE implementation are still industry leading.

At Synthstrom, we’re devoted to sustainability and want our Deluge to continue being the centre of our users' musical excursions for many years to come. Late last year we started retrofitting older Deluge variations with the OLED screen featuring in our new units. The next step we're taking has been even longer in development - waiting until we knew we had a community full of talented coders who were as passionate about the Deluge as we are. We know now the time is right - it’s time to take software development into overdrive - we’re going open-source!

What is open-source? Open-source means we're opening our software code to the community; our users who know how to write code can now develop their own Deluge features, make refinements to the existing code and contribute to a Community version for all users.

Before the speculation even starts, this isn't us working on a new model, there are currently no plans for that. We've employed a team to manage the open-source project so we can focus our energies into ramping up the building of new OLED Deluges to meet demand, speeding up the retrofitting and refurbishing off older units, and just maybe, finally getting the Deluge into limited retail - though don't hold your breath on that last part :)

Synthstrom will continue to maintain and update the main “Official” repository, including all official Deluge Firmware releases going forward.

Alongside there will also be a “Community” repository (for both the OLED & non-OLED versions), forked from the Official repository, as a central place for community code contributions to be merged together, so long as they don’t appear to break anything and represent complete features ready for use. And of course all future updates to the Official branch can be merged in, too.

And of course, you can fork either branch and make your own changes and share these with others, irrespective of what’s happening in the Official or Community repository.

Installing Community or other firmware builds is 100% compatible with your Deluge's hardware warranty. However, if you use a non-official community build, we won't be able to provide software support.

Our open-source project manager will initially oversee and maintain the Community repository, though this will probably change in the longer term, particularly if or when open-source development branches in multiple different directions. We’ve created thorough documentation and Rohan will also be on hand at the launch, to offer guidance and assistance to those getting involved - including open video Q&A sessions.

Rohan has always been eager to give back to the global community of makers and tinkerers that helped him as a beginner, we just had to make sure the time was right, we had the right people involved and that we had a system that aided those taking part.

We’re also launching a Patreon to help support those contributing to the 'Community' repository. This will allow the entire community to show their gratitude to those developing, testing and refining code by making a monthly financial contribution, from just $1. Though administered by Synthstrom, 100% of these payments (less Patreon fees and tax) will be distributed only amongst those coders contributing to the Community repository - distributed in accordance with how much each individual contributed.

We have re-opened the epic feature suggestion threads on our forums where coders can find ideas to work on and where users can discuss their desired features: https://forums.synthstrom.com/categories/deluge-suggestions

In special cases, the Official repository may consider submissions from the Community repository*, where features and their UI have proven universal appeal. However, Synthstrom needs to continue to provide our customers with a stable and high-performance official firmware version, so we need to be responsible for every line of code in this branch.

Deluge Firmware will be released under the GPLv3 license. There are no restrictions on personal use and this license allows for code to also be used in commercial projects - however, if even one line of code from this is used in a commercial project, the entire piece of code for that project must also be made open-source under this same license.

The newly open source Deluge Firmware source code will live in GitHub. We will be launching this project in June though you can follow our GitHub now and be alerted when it's live. https://github.com/SynthstromAudible

* If a Community feature is to be accepted into the official repository this will be negotiated and licensed on a case by case basis with its developer(s)

Key dates & details:

Monday, June 5, 7pm EDT - Codebase made available, documentation released and Patreon launched.

Wednesday, June 7, 7pm EDT - Open Group video Q&A session with Rohan. Will be recorded and made available on GitHub following.

Saturday, June 10, 11am, CEST - Open Group Zoom session with Rohan. Will be recorded and made available on the GitHub following.

Following these Q&A sessions. Rohan and/or our Open Source team will be responsive in answering questions on the GitHub. Please try not to flood forums with questions until after these sessions as we anticipate much will be answered therein.

Open-source Project Manager: Jamie Fenton

An experienced games, audio and multimedia production tool engineer, Jamie Fenton is known in the Deluge community for developing the Downrush application. Downrush is used for transferring, viewing and editing of Deluge songs, patches, and media assets using a Wi-Fi SD card and your mobile device."

Deluge Downrush demo - Wireless editor/browser for the Synthstrom Deluge

video upload by Icoustik

"Detailed demonstration of the Downrush editor/browser for the Synthstrom Deluge, by Jamie Fenton.

Downrush download: https://github.com/jamiefaye/downrush
About the Synthstrom Deluge: https://synthstrom.com/

Downrush works via the Toshiba FlashAir SD card, which has built-in WiFi, and allows wireless browsing/ uploading/ downloading.

With this it's possible to access the card without removing it from the Deluge, by connecting to it just like you'd connect to any wifi network, and simply opening it in a web browser (I've used firefox, ecosia and chrome). This means it's also possible to do it with a smartphone or other device with wifi-access!

"Downrush is a simple FlashAir file manager for Synthstrom Deluge. Expect improvements."

---- Things it can do that I've found really useful:

* Browse, upload and download files without removing the card!

* Move and delete files to keep things more organized - f.ex. get rid of failed/ useless samples, unwanted songs etc.

* Rename samples and resamples as soon as you make them and before putting them into a project and saving!
Especially handy with a smartphone when in the zone with the Deluge.

(It's almost like an external screen, just not 100% real-time.)

* XML editing (it has a built-in editor now) - get an overview of KITS/SYNTHS/SONGS, copy tracks between songs (!), copy and multiply kit sounds without having to make the same adjustments from scratch several times, and other such things not currently possible directly on the Deluge.

* Ability to use Downrush on a smartphone/pad as a kind of preview/cue-out with headphones, to preview samples etc. without it coming thru the main outs

Creds to Jamie Fenton !

EDIT:
The browser has now been updated so that when clicking on a kit, song or synth's name, it opens the Downrush main editor (not XML view). Click EDIT to get to the plain text XML viewer."

Behringer Cat synth - unboxing and first sounds (no talk)

video upload by Richard DeHove

"Yes, it's my first Cat video, the Behringer Cat, which recently plunged in price by almost 50 per cent. It cost me substantially less than the Nemesis delay which it's paired with here. It's a bargain and since there was zero chance of me ever buying (and hoping to maintain) a 50-year-old original Cat it seemed a fair deal. Strangely enough I'd been looking at this synth for a month or so specifically because of two features: It's paraphonic with separate VCO 1 & 2 CV inputs; and it has beautifully raw cross-modulation. (More with the CV inputs in a later video)

This is also my first unboxing video (a challenge accepted from Berin) but I couldn't bring myself to utter lines like "here is the power supply, oh and a lovely sticker" so there's some Cat sounds over the top. There's a lot of dischordant sounds in this demo but that's what I bought it for. Of course it can do all the usual things too. The Nemesis delay is slopped over the top of everything for which I offer no apology since it sounds so much better that way, covers up sloppy playing, and makes filter twiddlings interesting. But if anyone really wants 100% raw stuff let me know. As usual there is no post-production audio trickery, the path is Cat to Nemesis to you. And for any Cat veterans out there I'm sure various settings were either redundant or bypassed (I couldn't work out the second envelope), but it's early days so live and learn. It was fun not needing to even look in a manual though, it's there in front of you. One thing that did strike me was how powerful the resonance is. I've been spoiled by the no-risk DB-01 Polivoks resonance which happily goes to 100 per cent anytime. Not here!

Visuals are AI-generated images made using Stable Diffusion. Being the creative type I came up with my very own set of AI word prompts, which I think makes me "lead visual artist, SFX supervisor and CGI chief designer".

0:00 Unboxing with bloops
1:02 Paraphonic grind
1:36 Filter sweeps
2:32 Awful twiddlings
4:04 Sick mid
4:23 Twiddlings two
4:55 Not Arabic

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free My website: https://richarddehove.com/"

LET'S DESIGN : EURORACK MODULAR KICK / BASS DRUM SETUP WITH LE COURSIER x LE DECHU ///

video upload by SOVAGE ENGINEERING

"How do I make kick drum using 2 modules ? Here is the basic setup, things go crazy when you add mods and stuff, but of course you know it
///DIRECT MONO OUT NO PROCESSING///"

KICKZR : EURORACK MODULAR HARDCORE INDUSTRIAL KICK DRUM WITH LE COURSIER x LE DECHU x L'ECORCHEUR

video upload by SOVAGE ENGINEERING

"KICKZR = KICK DRUM FOR RAW AND INDUSTRIAL CLUB MUSIC ///DIRECT MONO OUT NO PROCESSING/// LE COURSIER
LE DECHU - VCO
L'ECORCHEUR - MANGLING DISTORTION


More : www.sovageengineering.com"

Mardis Analog LFO LP Filter & Yamaha DX7 by TSL Studio Equipment

video upload by TSL Studio Equipment

"Mardis Analog LFO LP Filter by TSL Studio Equipment
100% Handmade and with Point To Point Construction Filter Unit Made in Greece.

Knobs:
- Speed LFO Control
- Depth LFO Control
- Resonance Control
- Master Filter Control

www.TsomokosAudio.com"

Exploring the Roland Jupiter 6

Exploring the Roland Jupiter 6 | What did I get myself into? video upload by MIDERA

"I spent too much money on this. I told myself I shouldn't get it. I knew I didn't need it. I knew it wouldn't add anything to my setup. I knew it would be a project... And yet, I bought it. The Jupiter 6.

The Jupiter 6 belonged to someone I know and have bought other things from. When we started our discussion, only 2 issues were known. The Master 2 knob and the ENV2 keytracking weren't working. I figured I could fix this. Then VCO MOD ENV-1 tracking wasn't working. Then, the unit wouldn't power on at all. They managed to get the power working again (the switch itself wasn't working). So I decided to go ahead with the purchase.

I drove an hour to pick it up.

I got it home and, yes, those issues persisted, but I tested it out and decided right then that this was indeed a mistake. My Prophet 10 is a better synth with less issues. Anyway, a few days passed and I decided it was time to open it up. I replaced the power switch. I tore out the 2 faders that weren't working. I cleaned them and fixed them. I cleaned out a few others that seemed to have intermittent issues.

All seemed well... until I made this video. It was at the very end of this video when I realized that Oscillator 2 has one voice that isn't working correctly. The Pulse wave is silent. Digging deeper into this, I've found that IC36C pins 4 and 5 are not receiving any voltage. This is voice C (or 3). Unfortunately, so far this is beyond my skillset to fix, but it seems something (hopefully common between these two pins, both related to Pulse wave and PWM) is not working. It's not a bad chip, because I swapped chips and the issue persists on the same location, i.e., it didn't follow the chip. One possibility is that this location is not soldered properly, and those two aren't receiving any information. I'm not sure. I'd have to delve deeper, but again, I'm just out of my depths here.

So what are my thoughts now? I'm frustrated that I put so much money into something that really needed more work than I originally thought... But then again, I've also learned a lot, like how to repair faders, how to do some basic IC chip testing.

I am shocked by people saying it's 'cold'. I don't know what that is about at all. Doesn't sound cold at all to me. It sounds like a proper Roland synth. But wow it has a ton of range. I didn't properly capture it here, but a few sounds I have made sounded like hitting a stringed instrument... it's like you can feel the electricity, where I don't often feel that way with the Prophet 10. It's really a great sounding synth. To me, it retains everything I liked about my Juno 6 and added a lot more. The only thing I really miss about the Juno 6 is the better feeling faders and the smoother cutoff when modulated.

All I can say is - I can't wait to have this thing back to 100%.

Happy New Year!"

Nyle Steiner plays & talks, P-2 Demo of many Time Travel New Wind Sounds - Mark Steiner

video upload by Mark Steiner

"For the Holiday season I'm offering my Time Travel Collection (license to all my sound collections future and past). And this will include the new Nyle Steiner Historical Sound Collection. Sounds he sampled himself and used in Hollywood movie sessions and more.

The first 10 orders will also get a sound named after them. Cool or silly but fun for sure!

Cost during the holidays starting now is $250.

I'll very soon have a full list up. But it includes 100 or more sounds for EVI-NER, Lyricon 1 and 2, Arturia SEM V plugin, Moog Model D for iPad, and more...

Also around 30 to 50 sounds for Anyma Phi, Moog Sirin, Arturia MatrixBrute and Respiro (both for plugin and iPad/iPhone app)... A few of my Respiro sounds will also be free to anyone. I may do up to 100 of those but at least 50.

I am also preparing and will ongoing make new sample sounds for Logic and MainStage ($30 application for Mac). These include per-note sample instrument made from analog synths, rare and exotic modules/modular synths, tube synthesis, samples from vintage EVI and EWI modules and all kinds of things.

I would note, the Anyma Phi just had an update and added more oscillator types including multi-dimensionally morphing wave table oscillators that are frosty and glassy and sound unreal. This is one of the most amazing and diverse sounding instruments and made for wind synths. I'm dying over the sounds I continue to discover within. So 100% something to get if you have a chance. Analog in it sounds soooooo good, and then so much unreal digital and physical modeling... all mixable to 3 independently expressive layers. It's a technology creature of wonder. ---fully unpaid testimonial/bought my own unit :)

Anyone who has already bought any of my sounds can upgrade to this bundle during the holidays for $150.

More info coming soon. More videos of new sounds including the Nyle samples (including his Rapping from the EVI Concerto, his own trumpet playing sample instrument, and his own exotic flute sound he carved.)

Most of these are all ready now, the rest will electronically ship by Thanksgiving.

A few parts of this seem a bit odd. At times I like to keep unexpected things from sessions in the videos as they are unusual, interesting, funny, or whatever. This one had a few things rarely caught organically... some gibberish Tourette's that I don't understand a few times (from my brain injury I'm still climbing back from). I thought I'd never share that but it felt right tonight. So it's just a little something that is organic and personal. I was also just pretty out of it in some ways from being up so late, I'm usually this... um... gone lol. Anyway, an interesting little journal entry in a way.

Thank you so much, sincerely,

Mark"

Doepfer Musikelektronik MS 404: Modular at Heart

video upload by rejected synths

"Ah, the 90s! Those were easier days. No Covid, no masks, and sadly also...no 303s!

While this is an issue that has prevailed ever since, back in the 90s, when Techno ruled supreme, this lack of 303s also gave rise to a whole cottage industry of 303 cloners, companies small and tiny, set up to give ravers what they wanted: one of those shiny acid boxes or, a bit later, when techno production became more professionalized, handy 19 inch rack clones that integrated well into a studio setup, complete with midi and controls over parameters.

Dieter Doepfer, possibly best known for fathering the Eurorack standard, also tried his hand in the cloning business, or at least it seemed, because apart from the obvious naming reference, the MS 404 actually has very little to do with a faithful 303 emulation. Doepfer instead went ahead and created a far more capable machine, that can do about 101 things a 303 can‘t, but, ironically, also can‘t really do 303.

In this video, I will show you some of these things, also including this one thing it obviously can‘t.

So lean back and enjoy some fine German engineering!

Tracklist:

0:00 Intro
1:05 Introduction
3:39 Controls and Connectivity
6:50 Demo I: Not quite 303
8:45 Demo II: Noisy
10:35 Demo III: Does it PWM?
12:36 Demo IV: Dual LFO Mayhem
14:49 Demo V: Filter Input
16:32 Demo Jam
20:21 Concusion
20:59 Outro"

RS046.1 Doepfer Musikelektronik MS 404 'No Talking Edition'


RS047 Tech Support: Doepfer MS-404 - Some Simple Mods


"As a kid, growing up on shows like A-Team and Mc Gyver, I used to think that, with some knowledge, you could just hack things together, like they did on these shows, building useful gear from junk that happened to be around. This fascination never quite left me and led to me unscrewing broken electronics to have a peek inside, imagining I would be able to build something cool.

But, growing up in the 80s meant there still wasn’t any YouTube or even basic internet around just yet, so the only resources where I could have learned some basic electronics stuff were wildly confusing and much too complicated for me back then, so I resorted to Legos.

Much later, I learned how to (barely) handle a soldering iron and toyed around with some simple electronics projects, collecting some knowledge here and there. So when I finally ended up with the service manual of the MS 404 I knew the time had come to try some synth modding.

The Service Manual didn’t only provide me with schematics but even included some suggestions on how to mod the 404. Even better, during it’s very design, the synth had already been created with expandability/moddability in mind. And because it ain’t no tiny electronics Volca, even my limited soldering skills are suffice to realize some of these modifications.

The first, and probably easiest thing I did, was to tap into multiple jumpers layed out around the board, this way, it’s super easy to add switches for LFO waveform selection and filter envelope behavior.

The second mod is a little more demanding, it’s something I came about when trying to build a tiny crossfade mixer. Utilizing a pot, it’s actually possible, to mix the signals of the saw and square wave VCO outputs, so I did that as well as adding a second pot in order to be able to mix in some noise into the VCO signal, sh101 style.

I’ve tested my ideas thoroughly before going as far as drilling holes into the faceplate, and from what I’ve learned about electronics so far, which isn’t too much to be honest, they should be safe modifications when applied correctly. Still, I just want to make it a 100% sure that I will not take any responsibility when you damage your 404 while applying any of these mods."

Mark Steiner - Time Travel Wind Synth Sound Collection (incl. the Nyle Steiner Historical Patches)

video upload by Mark Steiner

"For the Holiday season I'm offering my Time Travel Collection (license to all my sound collections future and past). And this will include the new Nyle Steiner Historical Sound Collection. Sounds he sampled himself and used in Hollywood movie sessions and more.

The first 10 orders will also get a sound named after them. Cool or silly but fun for sure!

Cost during the holidays starting now is $250.

I'll very soon have a full list up. But it includes 100 or more sounds for EVI-NER, Lyricon 1 and 2, Arturia SEM V plugin, Moog Model D for iPad, and more...

Also around 30 to 50 sounds for Anyma Phi, Moog Sirin, Arturia MatrixBrute and Respiro (both for plugin and iPad/iPhone app)... A few of my Respiro sounds will also be free to anyone. I may do up to 100 of those but at least 50.

I am also preparing and will ongoing make new sample sounds for Logic and MainStage ($30 application for Mac). These include per-note sample instrument made from analog synths, rare and exotic modules/modular synths, tube synthesis, samples from vintage EVI and EWI modules and all kinds of things.

I would note, the Anyma Phi just had an update and added more oscillator types including multi-dimensionally morphing wave table oscillators that are frosty and glassy and sound unreal. This is one of the most amazing and diverse sounding instruments and made for wind synths. I'm dying over the sounds I continue to discover within. So 100% something to get if you have a chance. Analog in it sounds soooooo good, and then so much unreal digital and physical modeling... all mixable to 3 independently expressive layers. It's a technology creature of wonder. ---fully unpaid testimonial/bought my own unit :)

Anyone who has already bought any of my sounds can upgrade to this bundle during the holidays for $150.

More info coming soon. More videos of new sounds including the Nyle samples (including his Rapping from the EVI Concerto, his own trumpet playing sample instrument, and his own exotic flute sound he carved.)

Most of these are all ready now, the rest will electronically ship by Thanksgiving.

A few parts of this seem a bit odd. At times I like to keep unexpected things from sessions in the videos as they are unusual, interesting, funny, or whatever. This one had a few things rarely caught organically... some gibberish Tourette's that I don't understand a few times (from my brain injury I'm still climbing back from). I thought I'd never share that but it felt right tonight. So it's just a little something that is organic and personal. I was also just pretty out of it in some ways from being up so late, I'm usually this... um... gone lol. Anyway, an interesting little journal entry in a way.

Thank you so much, sincerely,

Mark"