Robust 🦸‍♂️ (Roland TR6S Rhythm Performer // S1 Tweak Synth // J6 Chord Synth) Synthwave

video upload by 2-Minute Warning

"In the wake of my previous video, here's a synthwave-like jam featuring the same 3 little boxes from Roland: the TR-6S (Drums), the S-1 (Bass) and the J-6 (Arp/Chords) 😉

The track starts with a drum pattern from the TR-6S where I only used the TR-707 Analog Circuit Behavior engine (I.E. no static 707 samples), modeling the quirks and instabilities of the analog envelope and amplifier stages that came after the D/A converter 🤩 (the TR-707 was PCM based, but still had some randomness thanks to the analog part after the D/A converter).

I also used the DRIVE master effect of the TR-6S to add some dirt and energy (the DRIVE somehow also act like a compressor).

I recorded 3 DRUM patterns (2 main parts and 1 break) but as I used the probability, sub probability, parameter-lock features etc. the drum patterns seem to be longer than 1 bar!

Then come the BASS (played by the S-1, I recorded 4 patterns which are 4-bar long for this) and the ARP/CHORDS played by the J-6 (I decided not to sequence this instrument as I wanted to trigger it live and bring some organic fluctuations to the track 😊).

For the sync part, the TR-6S is sending MIDI to the S-1, and the S-1 is sending analog clock to the J-6 (there was no need to start the J-6's sequencer as the ARP/CHORDS were triggered in real-time)."

Corsynth Drum Modules + Transistor Mixer

video upload by NOISEBUG

"Corsynth - Massive Drums + Harmonic Mixer

The Corsynth drum collection for MU format modular sounds nothing short of massive! Especially when all drums are patched into the Moog-Style C111 mixer. Feed the mix back into itself and quickly witness the clean analog saturation get completely destroyed (in a harmonically satisfying kind of way)

The Corsynth drum modules are available now at Noisebug.

The DR-01 Bass Drum is the first of a new series of Corsynth modules dedicated to analog drum synthesis and it’s also the first module of this kind commercially available in MU format. Create a drum sounds from scratch using a modular synthesizer is always time and resourcing consuming. With the DR-01 you will save a lot of space, money and modules that can be used for other purposes. The DR-01 has all you need to create bass drums , toms a many other percussive sounds in just one single space. And thanks to the Tune CV input is even possible to use the DR-01 to create bass lines. Punchy techno drums, industrial drums, drum sounds of the firsts analog drum machines, FM sounds... With the DR-01 is really easy to get the sounds that you need at every moment. All the parameters in the module have been carefully chosen to be used in a drum synthesis context (envelope times, oscillator frequencies, oscillator waveform etc ). These are the DR-01 Bass Drum main features:
* A voltage controlled oscillator with dedicated CV input for tuning.
* A voltage controlled timbre circuit.
* A dedicated tune modulation envelope.
* An amplitude envelope with three different settings for the attack time.
It’s time to add drum sounds to your synth sequences! .

The DR-02 Snare Drum is the second module in the DR series dedicated to analog drum synthesis. This module is designed to synthesize electronic snare drum sounds of any kind. From the classic preset drum machines from the 70s to TR-XXX, electro snares, zaps... But thanks to its 12 knobs and 3 CV inputs the DR-02 Snare Drum can synthesize much more than snare drums, sounds like hit-hats, toms, cymbals , congas, FXs are also possible and even it can be used as an oscillator. The DR-02 is composed for two different sections , Head and Snare each of them with its own volume control. The Head section has two voltage controlled oscillators with a fixed frequency interval between them. One modulation envelope to modulate the oscillators tuning and one VCA with an AD envelope to control de decay of the snare head. The Snare section is composed by a noise generator , two voltage controlled filters connected in series ( one 12db resonant high pass filter and one 6db non- resonant low pass filter). One envelope to modulate the high pass filter cutoff frequency and one VCA with an AD envelope to control de decay of the snare.

The DR-03 Hi-Hats / Metal is the third module in the DR series dedicated to analog drum synthesis. It is designed to synthesize Hi-Hats and metal percussion like cowbells or cymbals and even FX. Three different voices are available at the same time Closed Hi-hat, Open Hi-hat and Metal plus a Hi-Hat mixed output .

Hi-Hats To synthesize a Hi-Hat there is a key element that defines the final result, the primary sound used to create it. The DR-03 has three possible sound sources , a white noise generator, a mix of six square wave oscillators and a mix of ring modulated square wave oscillators. These three sound sources, together with the VC Band Pass filter and the Low Pass Filter allow the DR-03 to create a wide range of hi-hat sounds. Another interesting feature is that the Open Hi-hat decay time is voltage controlled and it can be triggered independently or conditioned to the Closed Hi-hat. Metal The Metal sound is created using two ring modulated square wave oscillators and a VC Band Pass Filter. The frequency of one oscillator can be manually controlled and the other one has a fixed frequency. The variable oscillator can modulate the cutoff of the BPF to create metallic FM sounds.

#synthesizer #modularsynth #synth #mumodular #dotcom #corsynth #5u"

https://www.noisebug.net/

Meet Novation's Synth Family: Bass Station II, Circuit Tracks, & Summit

video upload by B&H Photo Video Pro Audio

"There are 100s of synths to choose from, so which do you buy? Gabe discusses 3 synths from Novation--the Bass Station II, Circuit Tracks, and Summit to check out how they sound together and individually!"

0:00 Intro
1:25 Opening Demo
3:30 Bass Station 2 Overview
2:42 Firmware updates & added functionalities
4:49 AFX Mode
5:48 Synth Controls Overview
6:38 Bass Station 2 Demo
8:26 Circuit Tracks Overview
9:26 Creating Patterns
11:04 Sequencing External Gear
11:46 Effects and Sidechain
12:55 Customizing via Components
13:23 Summit Demo
15:48 Summit Overview
17:38 Performance and Modulation Controls
18:08 Front Panel and Synth Controls
19:14 On-board Effects
20:06 Final Thoughts

Fun Times with CV & Gate

video upload by Circuit 3

"If you know synths and are a bit of an expert this video isn't for you. But: are you synth curious? Grab a drink and make yourself comfortable. Watch me learn how to use some of my synth equipment. My goal was to use only "old school" voltages to control the equipment. CV stands for 'control voltage' and gate means a pulse of electricity which can be used to cause a note to start playing or to tell an electronic instrument what the tempo is. If you liked this ... buy my music!

If you'd like to hear what happened when I pressed record and improvised live?"

Patience [Live Performance]

video upload by Circuit 3

"Recorded live using analog synthesizers controlled by a hardware sequencer. My goal was to use only "old school" voltages to control the equipment. This is part of a project in development. It will probably feature but possibly in a new mix and edit."

Novation Circuit Tracks Pack by Techtronix

video uploads by Isotonik Studios

AVAILABLE HERE: https://isotonikstudios.com/product/k...

"Ever wanted a real sounding piano Patch on the Circuit tracks? Or maybe an acoustic guitar bass, that could pluck more if you hit it harder, and yet retain its low end autheticity. Keys brings an end to this search allowing you create realistic sounding acoustic music such as rnb and soul and a lot more. no more trying to work out a way to get a piano in your sample pool.

Using old synthesis techniques such as La Synthnesis, Freqency modulation, and slight wavetable manipulation, it is possible to create the slight nuances that make things resonate in an authentic way and play naturally on a keyboard or circuit Keys does this in order to bring you traditional sounding acoustic instruments.

Featuring a huge amount of authentic sounding instruments in the patches and crackle samples, aswell as chord samples. This pack makes it very easy to create your own version of an nostalgic track in any genre and add that flavour to sound.

With over 16 sessions boasting 9 different genres, Keys leaves no stone unturned transforming the circuit tracks in to something beyond what it was intented for. you will find many new techniques in the sessions such as shifting steps, swing, a new scale probability trick if you can find it!?!?

Velocity sensitivity is key here, please make sure to turn it on.

You will find that if you play softly on bass guitar, it is more subby, but if you play hard or programme in loud notes you will here the twang. similarly on all live instruments, velocity plays a big part.

CLICK FOR MORE »

Circuit 3 Old Demo Found

video upload by Circuit 3

"#NewMusicMonday While going through studio archive I discovered this recorded-as-live piece from the SILICONCHIPSUPERSTAR sessions. It ended up on the limited edition cassette tape 'Commuter' #Synth"

http://www.circuit3.com/

Macbeth Elements EL2 + Extras SN EL2 - 058

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

CLICK FOR MORE »

Korg MS-50 Textures: 8 variations on a generative patch #korgms50

video upload by Dr. Kunz

"Generative patch that uses the ring modulator as a voltage controlled amplifier and various modulation signals from the noise generator, modulation generator (LFO) and envelope generators. At a certain point in the preparation I had to use my self-made V-trigger/S-trigger converter (built inside a jack) because of an electric interference, maybe a lifted ground, that made the EG1&2 fire for nothing and negated some interesting patch combination between modules. I will have a closer look at the circuit and try to fix it in future, for the moment I will use the MS-50 as it is.

The video consists of four chapters with basically the same wiring but different settings, anyway the wiring list is presented at the beginning of each chapter.

At some point I think I kicked the tripod, as a result the MS-50 panel is partially out of focus.

Effects: EH4800 Small Stone (Nano) phase shifter, Korg SDD-3000 delay, dbx 166 peak compression.

Recorded with Tascam DR-60 MKII"

00:00 Title
00:08 Variation #1
02:30 Variation #2
05:08 Variation #3
07:30 Variation #4

2nd video
00:00 Title
00:07 Variation #5
03:20 Variation #6
06:17 Variation #7
08:36 Variation #8

Fragile 🍃 (Roland TR-6S Rhythm Performer // S-1 Tweak Synth // J-6 Chord Synth)

video upload by 2-Minute Warning

"Here's a 2x 2-Minute jam featuring 3 little boxes from Roland: the TR-6S (Drums), the S-1 (Bass and Arp) and the J-6 (Pads) 🐺

I've recorded a few patterns of each of the 3 instruments which are being chained up live in this jam.

On the DRUMS side played by the TR6S, there is quite a lot going on: I mainly used the Analog Circuit Behavior and FM Engines for the drum sounds. I used a few of the real time performance tools available: STEP LOOP, FILL IN, MASTER FX (Fuzz). I also took advantage of the polymectri capabilities of the sequencer, where the KICK's sequence length is different from the rest of the pattern (on the first part, it's a 6-step sequence playing, and on the last part, a 5-step sequence 😉).

For the BASS & ARP parts, I used the S1 (which fortunately is polyphonic 😃). I also played with its integrated 'Riser' effect for the transitions.

I recorded 3 patterns on the J-6, among which the last one is being syncopated thanks its 'phrase type' feature (a bit like an arpeggiator effect). The J-6 is being synced to the S-1 by their analog clocks (through the translucent cable, where you can see a little red LED lightening up with each clock pulse coming into the J-6)."

Keys - Novation Circuit Tracks Pack by Techtronix

video upload by Isotonik Studios

AVAILABLE HERE: https://isotonikstudios.com/product/k...

"Ever wanted a real sounding piano Patch on the Circuit tracks? Or maybe an acoustic guitar bass, that could pluck more if you hit it harder, and yet retain its low end autheticity. Keys brings an end to this search allowing you create realistic sounding acoustic music such as rnb and soul and a lot more. no more trying to work out a way to get a piano in your sample pool.

Using old synthesis techniques such as La Synthnesis, Freqency modulation, and slight wavetable manipulation, it is possible to create the slight nuances that make things resonate in an authentic way and play naturally on a keyboard or circuit Keys does this in order to bring you traditional sounding acoustic instruments.

Featuring a huge amount of authentic sounding instruments in the patches and crackle samples, aswell as chord samples. This pack makes it very easy to create your own version of an nostalgic track in any genre and add that flavour to sound.

With over 16 sessions boasting 9 different genres, Keys leaves no stone unturned transforming the circuit tracks in to something beyond what it was intented for. you will find many new techniques in the sessions such as shifting steps, swing, a new scale probability trick if you can find it!?!?

Velocity sensitivity is key here, please make sure to turn it on.

You will find that if you play softly on bass guitar, it is more subby, but if you play hard or programme in loud notes you will here the twang. similarly on all live instruments, velocity plays a big part.

CLICK FOR MORE »

Face In The Crowd Recording Session

video upload by Circuit 3

"#ThrowbackThursday February 2019 when I was recording FACE IN THE CROWD for my second album THE PRICE OF NOTHING & THE VALUE OF EVERYTHING. This is from the drum machine overdub session. I didn't like the original drum track so got out my Cyclone TT78 and produced something I was happier with. #synth #drummachine Album available here https://circuit3.bandcamp.com/album/t..."

Discovered Demo

video upload by Circuit 3

"#NewMusicMonday Digging in the archive I found this demo recorded during the TECHNOLOGY FOR THE YOUTH sessions #newmusic #music #synth Released by @analoguetrashofficial and available on CD + LP + Digital here https://postly.link/lzn/"

Tristan Perich: Pseudorandom

Infinity Gradient Trailer (for organ and 100 speakers) by Tristan Perich - Death of Classical video upload by Death of Classical

Note the above is a video of Tristan Perich's Infinity Gradient performance from March 22, 2022. You'll find details on his new book Pseudorandom, and upcoming performance further below. You might remember Tristan Perich from his 1-Bit synth featured in previous posts here.

Description for the Infinity Gradient performance above: "Composer Tristan Perich has made a name for himself creating sweeping, viscerally overwhelming soundscapes out of armies of 1-bit speakers playing synthesized sounds. We're pleased to present the U.S. Premiere of his newest work, Infinity Gradient, which takes his musical vision to the next level by combining 100 of those speakers with the soul-blasting power of all 7,069 pipes in the Miller-Scott Organ, housed amidst the magnificent Gothic architecture of Saint Thomas Church Fifth Avenue and played by the inimitable James McVinnie."



via Tristan Perich:

"Book Release + Performance at Printed Matter, Feb 29

Tristan Perich's Pseudorandom is a companion release to his circuit album Noise Patterns. The new art book is a monolithic, unabridged 1024-page printout of the 16,777,215 numbers that comprise one complete cycle of the 3-byte random number generator from Noise Patterns' code.

Originally released as a circuitboard that plays its music through a headphone jack, Noise Patterns employed randomness at the core of its sound synthesis. However, true randomness is beyond the limitations of any deterministic computer algorithm. Because a digital computer’s memory is intrinsically finite, any attempt towards randomness will eventually exhaust every possible memory value. When those values are used up, the cycle must repeat. What results is termed “pseudorandom” — an approximation of randomness, and an illustration of the vast but fundamentally limited nature of computation.

Join me at Printed Matter on Feb 29 to celebrate the book release, with a solo performance of Noise Patterns + Q&A

Tristan Perich: Pseudorandom Book Release
Thursday, Feb 29, 6pm
Printed Matter
231 11th Ave, NYC
➝ Event Info
➝ Pre-Order"

CLICK FOR MORE »

rare birds: Powertran Transcendent 2000 with sub oscillator mod

video upload by ohm_studi_ohm

"Here is a Powertran Transcendent analog synth I just serviced.
I took the opportunity to make some modifications, mainly adding a sub oscillator circuit.
I used a simple 4024 chipset and routed the -1 and -2 octave outputs to the "noise" volume pot with a 3 positions switch so that I can chose either octave sub or the Noise generator as the source for that pot.
I also made modification to the CV and gate circuit which originally are not the common 1v/octave V-trigger kind.
Now it can be used with any standard CV / gate interface.
And last modification was a lighter one: adding a LFO rate blinking led.
Very nice synth, capable of quite a wide range of sound thanks to dual resonant filter mode (Low Pass / Band Pass), S+H, repeating enveloppe, PWM etc … and now with a sub oscillator :-)

PS: this synth is not unstable in pitch. If you look carrefully you'll notice there is a slight amount of lfo (saw) modulation applied to the OSC pitch almost all the time"

Arp Odyssey Day One !

video upload by Circuit 3

"Remembering my first jam with the @korgusa ARP ODYSSEY #ThrowbackThursday #synth #classic 🔥"

A "forgettable" Buchla Filter Circuit is Reborn // 3 Patches with Pas-Isel from Dwyfor Tech

video upload by DivKid

"Pas-Isel is Welsh for Low Pass, handy that when this is a Eurorack filter module.

Dwyfor Tech are a new company who have taken inspiration from what has been said to be a "forgettable" Buchla filter circuit, smashed that into a Korg MS-50 diode ring for a resonance path and masses of lovely guitar pedal style overdrive and they've made that a Eurorack filter with bags of character, and a different tone and circuit design (it's really multiple high shelf EQs).

In the video we share some of the key points in the story of what this circuit was based on and a bit about the company. You can read more about it all on my website in this interview // https://divkidvideo.com/story-time-dw...

'3 Patches with ... ' is a video series where I pull focus on just 3 things with a piece of gear, set of functions or techniques. More of these to come alongside the larger in depth demos in the future.

You can grab a DIY kit from Pas-Isel (and request and assembled one directly) here // https://reverb.com/shop/dwyfortech

*TIMING INDEX // CHAPTERS*
00:00 Hello & patch previews
00:35 What makes this filter special?
01:47 Feature run down
2:20 Raw filter sounds
03:46 Pitch relative tones & a warm fuzzy jumper
04:56 Drums NUKED! Heavy saturation & modulation injections
06:52 Creating excitement with mixed modulation"

"Pas-Isel is a four-pole lowpass filter for Eurorack modular systems, with an architecture unlike any other. Combining design elements from Buchla and Korg, this diode-based VCF uses highpass filters in op-amp negative feedback loops to generate its signature 'wooly jumper' -24dB lowpass response.

Pas-Isel is entirely realised with through-hole components for ease of assembly. This listing is for the full kit version, which includes all components necessary for you to solder together straight away at home. All our front panels are high-quality anodised CMYK prints on chunky, quality brushed aluminium sheet stock, made in the UK. We also offer a panel and PCB set, if you'd rather source your own components, in a separate listing.

8hp wide, 3U high.
Conforms to Eurorack (Doepfer A-100) standards.
33mm depth required for mounting.
Idle power consumption 25mA on both rails.
25kHz self-oscillation power consumption 45mA on both rails.

You can find the build/user manual at tinyurl.com/pasisel - We highly recommend giving it a read before buying, to make sure it's the right kit for you. I can assemble kits to order to provide you with a completed module, dependent on my free time. I charge £50 for my time and labour in this case."

Laniakea - Solo Dronebox

video upload by Uncertain Music Corps

"Really just scraping the surface of some of the things this intriguing oscillator can deliver by way of an initial demo. There will be others later I imagine.

To be clear, this is just the module on its own, recorded direct to camera. The FX aid is just being used as a convenient master level control. No external effect is in use.

Essentially this is a wavetable oscillator combined with a modal resonator and a decent reverb. But that doesn't really do justice to the world of sounds you can get out of it. This isn't a first run out. I've had it for about a week now and it's taken time to get to grips with its interface and some of its more obvious quirks.

The big knob is a kind of macro controller. You can set which parameters it will control and their depth/range. It's doing fairly subtle things here, modulating 3 different parameters simultaneously. I'm also using the dedicated pots at the same time.

The wavetable in use is not the factory standard one. Wavetables are in the familiar, open source format supported by WaveEdit app. They are easily swapped using an online app at the makers website via a USB C connector on the back of the circuit board. Keen eyes will notice I've got a cable installed as standard which saves time taking the module out of the rack just to update it and also reduces stress on the USB connector.

It's not an oscillator for everyone. But I think its a keeper for me."

Additional posts featuring Laniakea

Making Club Bangers on the Novation Circuits

video upload by Gabe Miller Music

"We have shirts now! https://coastlandcreativestore.teemil...
I show the making of club friendly songs on the Novation Circuit Rhythm and Tracks, with elements of tech house, techno, trance, and synthwave.

00:00 Intro/background
01:30 Layering on the Circuit Rhythm
03:55 Getting clean transitions
05:10 Bringing in the Tracks
08:04 How to use Projects for song structure
13:56 Song 2 & pitching samples
15:59 Sidechained hi hats
16:46 Song 3 & reversed synths
19:45 Song 4 & automation
20:48 Individually pitching samples
22:44 Song 5 & making a drop hit hard
25:19 Bass house thing
26:29 Techno?

Get my $5 sample pack: https://gumroad.com/l/gabeoneshots"

[$5] DIY eurorack modular synth Dual Slew Limiter

video upload by HAGIWO

"My 74th original eurorack modular synth DIY projects.
Dual Slew limiter , I aimed for simple functionality with few components.

working documents ( schematics)
https://note.com/solder_state/n/n09b1...

Please support me to continue projects.
In patreon you will find content about my background , technical information and CAD data.
https://www.patreon.com/hagiwo"

Description (Google translated):

The 75th work of my own modular synth.
One of the most basic modules of a modular synth is the Slew Limiter. Eurorack's most popular module, Make noise Maths, also has this slew limiter function.

I have also created modules with Slew limter functionality, but since I have never created a Slew limiter itself, I decided to create one.

Product specifications
Eurorack standard 3U 6HP size
Power supply: 15mA (+12V), 15mA (-12V)

Dual Slew Limiter with two types of functions.
Priority is given to low price and fewer parts.

top of module
Slew Limiter allows you to select the slew rate range from three types.
Select 3 types of range with the toggle switch.
L range: Assumed to be used for slow CV such as LFO
M range: Assuming the use of pitch CV portamento
S range: Assumes the use of an audio frequency low-pass filter
Control the slew rate with Pot.

Supports bipolar input.
Since the accuracy of the output voltage with respect to the input voltage is high, it can be used for V/oct pitch CV.

module bottom
Slew Limiter allows you to set Rise and Fall slew rates individually.
It is assumed that ASR envelope generator will be used.

Supports bipolar input.
Due to the circuit, the accuracy of the output voltage with respect to the input voltage is low. The use of V/oct pitch CV is not assumed.

Introducing Supercritical Redshift 6 - Six voice analog Variable Character Synthesizer

video upload by Supercritical Synthesizers

"Supermassively dense analog oscillator combined with a chameleon analog filter with versatile gain staging. Now sixfold.

Redshift 6 combines technology from the company’s previous products, the Demon Core Oscillator and the Neutron Flux Filter. Each of the six voices features a DCO with analog waveforms generated under digital control. The filter core is an analog 4-pole state variable filter also digitally controlled to act like almost any classic vintage synthesizer filter and more. In addition to the oscillators and filters, Redshift 6 has all the features expected of a modern synth - plenty of modulators, flexible voice routing, multitimbrality, MPE, and DSP effects.

Redshift 6’s idea is something that is wrapped in the moniker “Variable Character Synthesizer”. Each voice’s analog path regarding tuning, gain staging, filter, and more is under strict digital control. Redshift 6 has as lush and warm sweet spot inspired by the analog polysynth tradition, but it can also cover the full range from almost digitally sterile and clean to distorted misbehavior and beyond. No modeling here - it’s all analog until the bypassable stereo DSP effects processor.

The oscillator, already road-tested in the Demon Core Oscillator eurorack module, is featured in each of the six voices. The oscillator has multiple tricks up its sleeve, each one wrapped as an Engine for the user to choose between. Traditional twin oscillator engines, supersaw engines, flanging phase sync engines, and transistor organ engines are all powerful modes in user-friendly ways that are easily controllable and modulatable.

Redshift 6’s six voices can be configured in plenty of ways. Choose between true six-voice polyphony, classic vintage poly dual layer mode with 3+3 voices, six individual voices each with their own patch and physical output, or any combination of the above. Each of the six voices can also operate as a paraphonic voice with up to 16 note paraphony. Additionally, multiple filters can be chained by routing audio from one voice to another.

The form factor of Redshift 6 is a modern, compact desktop device with a 2.7-inch color screen. Menu diving is reduced to a minimum, with quick navigation via the shortcut button grid. A selection of familiar synth controls are featured on the front panel. A macro mode is included with six user-assignable controls. The back panel features main audio outputs with a DSP effects processor and four auxiliary voice outputs.

One of the major design principles of Redshift 6 is to have a versatile and capable analog platform and a flexible UI for new Engines, easily updateable via software updates.

Supercritical Redshift 6 Desktop synthesizer module - Technical specifications
● Six voices each featuring:
● Full analog signal chain
● Digitally controlled analog Supercritical Demon Core Oscillator
● Analog four pole Variable Character Filter
● Flexible gain staging with an analog boost circuit
● Physical audio output per voice (2 main outputs and 4 aux outputs)
● Optional voice chaining
● Bypassable digital effects in main outputs 1-2
● 2.7" TFT IPS color screen with a bank of 8 endless clickable potentiometers and quick navigation via button grid
● Quick powerful controls for oscillators and filters.
● Six user-assignable macro controls
● Six parts multitimbral
● Modern MIDI implementation with USB-B connection and DIN IN/OUT
● MPE
● 12V power supply
● Physical dimensions: 378 mm x 254 mm x 63 mm

The Supercritical Redshift 6 will be available in summer 2024 with an MSRP of 1259€" Preorders starting now at https://supercriticalsynthesizers.com

Click the pics for the full size shots.

CLICK FOR MORE »