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"The legendary 80s synth sound, modernized
THING is a synthesizer suite, offering polysynth power and analog-inspired sound modeling. Inspired by and faithfully recreate the essence of one of the most iconic synthesizers of the 1980s, it delivers legendary classic tones with modern features and flexible sound design, from massive pads to huge basses and searing leads. Available in VST3, AU, and AAX formats, ensuring integration with all major DAWs.
The THING suite offers an unparalleled and faithful emulation of one of the most iconic analog synthesizers of the 1980s, preserving its legendary character and sound. This virtual instrument captures the legendary warmth, depth and character that defined countless hits, bringing its timeless sound into the modern era. With meticulously crafted sound modeling, THING allows you to infuse your tracks with the beautiful essence of the original hardware, offering the best sonic authenticity and versatility for producers and musicians alike.
DrumTraqs is a software instrument for Microsoft Windows (VST2/VST3/CLAP/AAX) and Apple macOS (VST2/VST3/CLAP/AU/AAX) simulating the classic Sequential Circuits Drumtraks drum computer from 1983. It is written in native C++ code for high performance and low CPU consumption.
Main features are:
Simulation of the original Z80 system used in the hardware
Original factory and some additional ROM samples
Old-school Pattern and Song building
Built-in stereo mixing options
SysEx and MIDI import/export
Resizable user interface (not "N" version!)
MIDI Learn – all parameters and buttons can be controlled by MIDI CC
Plug-in supports Windows and macOS
DrumTraqs is not intended to be the latest hot-stuff power drum plug-in with bells and whistles (although there are some bells), the most cunning AI-driven super- human composition assistance tool, nor the coolest mega spawn of those magical 80s sound machines. Instead it is a faithful recreation of the original hardware with all its limitations and only a few extensions. Don't be afraid of time travel - this is the way drum computers were handled more than 40 years ago!"
Abx-3 is a cutting-edge bass line synthesizer,at first designed as a modern tribute to the legendary 303 bass line synthesizer from the 1980s.
With a completely redesigned interface, Abx-3 makes it easier than ever to craft real-time sequences and dynamically adjust them during live performances and by the way in studio situation too.
Unleash Your Creative Potential with Abx-3, the ultimate tool for live performances and studio production. This innovative bass line synthesizer is packed with powerful features, including a robust 16 to 64-step sequencer, 32 independent patterns, 8 powerful distortion types and 7 integrated effects and in addition a patch randomizer that offer unparalleled creative freedom.
In conclusion it’s not a classic 303 synthesizer it does much more than that.
Miniraze is a powerful yet approachable wave-slicing virtual synth that offers you sounds for the future, inspired by the past. Featuring MOK's patented wave-slicing engine, Miniraze gives you the ability to splice waveforms into utterly unique sounds you won't hear anywhere else, while the straightforward East Coast-style layout makes it easy to craft complex tones quickly. Create anything from warm, retro analog vibes to aggressive, futuristic sounds that have literally never been heard before.
FEATURES
Patented wave-slicing oscillators combine waveforms for out-of-this-world sounds Straightforward East Coast-style layout makes it easy to program complex patches Two filters in series, each with 13 options, including subtractive and generative types 4 synchronizable LFOs modulate anything from vibrato to dubstep wobbles 4 ADSR envelopes, including a dedicated amp envelope with velocity modulation Vast Modulation Matrix for under the hood modular-style patching 9 onboard effects, including Delay, Reverb, Chorus, Flanger, Phaser, and Distortion Built-in arpeggiator produces intricate patterns and random notes from chords Unison Mode for thick and fat voice stacking Analog button adds subtle organic randomness to the system 11 colors of noise available to add a variety of textures to your sound External Audio input lets you process instruments, voices and other sounds Ring Math processor provides 21 different types of ring modulation 32 different Color Themes available for venturing beyond red and blue Support for 35 languages, including Sanskrit, Elvish and Klingon Compatible with AAX/AU/VST on Mac, PC and Linux Exclusive Bob Moog Foundation sound bank available (proceeds donated to BMF)"
Waldorf PPG Wave 3.V is the reincarnation of the legendary PPG Wave Synthesizer, which no doubt is considered one of the most respected high-end synthesizers of the 80s. Developed by Wolfgang Palm, this instrument is featured on countless records, and it inspired a whole generation of producers, composers and listeners. While back then it was your choice to spent your money either for a vehicle or the PPG, the new PPG Wave 3.V renders this breathtaking sonic character very affordable, comfortably to use for every VST or AU Host.
Up to 256 voices per instance (depending on available CPU power)
8 part Multimode
8 Stereo Outputs
Host automation of most parameters
MIDI Controller automation of most parameters
More than 100 new Wavetables created by Wolfgang Palm
Original Waveterm B Factory Sample Library
Original PPG Wave Factory Sounds"
Close simulation of the original hardware.
Extended Poly/Multi modes, up to 96 voices polyphony.
Oscillator with three waveforms, additional white noise generator.
Classic self-resonating four-pole lowpass filter.
Individual envelopes for oscillator, filter and amplifier.
Onboard sequencer and arpeggiator.
SysEx import/export.
Supports MTS-ESP by ODDSound dynamic micro-tuning.
Resizable user interface (not "N" version.).
MIDI Learn – all parameters can be controlled by MIDI CC.
Plug-in supports Windows and macOS."
And two user videos:
Free Synth - Six-Traq by Full Bucket Music (No Talking)
"Sequential Circuit Six-Trak simulation by Full Bucket. All melodies I play are from me and copyrighted at the SACEM.
My TOP Free Plugins (Firefox recommended): http://www.crazik.free.fr/makemusicfo..."
"Uncover Quantum Soundscapes: Experience the Sonic Potential of the Schrödinger Equation.
Play with Quantum Mechanics
Take advantage of the simulation's motion characteristics to create large and evolving sounds. Play big chords or focus on the melody – QSynthi has you covered.
Sculpt the sound you want
QSynthi brings the power of quantum physics to your sound design process. By translating a quantum simulation into dynamic and evolving sounds, it opens up a new world of possibilities for music production. This innovative instrument provides real-time, adaptive tones, enabling a unique exploration of the sonic possibilities inherent in the fascinating world of quantum phenomena.
Simulate real life phenomena
QSynthi lets you animate real-life phenomena through sound, offering a unique and interactive way to understand complex systems. Explore, tweak and play – it's quantum physics, but with a melodic twist."
"Creating a Synthesizer from Schrödinger's Equation
Arthur Freye, Jannis Müller
Our project offers an alternative approach to the sensory perception of the Schrödinger equation (an elementary model of quantum phenomena) by interpreting it as a sound wave. We are building a synthesizer plugin that simulates a quantum mechanical state that evolves over time. Thus, our tool allows the creation of unique sounds that are in motion and feel alive. These can be used in professional music production without any knowledge of physics, while at the same time providing insight into a chapter of quantum mechanics. The goal is to lower the threshold for entering complex theory by first developing an intuition for the subject; but the tool can also be used purely as a musical instrument. The user is encouraged, but not forced, to learn more about the underlying physics. Simulation parameters are adjustable in real-time, allowing intuitive experimentation. Despite the approximate calculations, real physical effects such as quantum tunneling can be observed acoustically and visually."
"QSynthi brings the power of quantum physics to your sound design process. By translating a quantum simulation into dynamic and evolving sounds, it opens up a new world of possibilities for music production. This innovative instrument provides real-time, adaptive tones, enabling a unique exploration of the sonic possibilities inherent in the fascinating world of quantum phenomena.
QSynthi lets you animate real-life phenomena through sound, offering a unique and interactive way to understand complex systems. Explore, tweak and play – it’s quantum physics, but with a melodic twist."
Characteristic, harsh and metallic sounds that cut through the mix like butter. A whole spectrum of sounds is now at your fingertips – rumbling kicks, barky snares and completely unique, ear-grabbing toms and hi-hats.
An effect chain to bring out what’s best of the sound
The included effect chain will make your sound bigger and fatter straight from the output.
A convenient and inspiring sequencer
A rich set of editing functions and sound articulations along with the easy-of-use interface will fill your head with tons of musical ideas.
Get under the hood
For the first time since its release in the 80s, you can explore what the 606 would have truly been capable of!
The 606 was designed as a companion of the 303 silver box; it may look deceptively simple, but it’s a very versatile unit. It’s found its place in a whole variety of music genres, ranging from the 80s pop, through to modern EDM and experimental."
Free Synth - Vintage by Behringer (No Talking) video upload by Elektronick Musick
"Stand on the Shoulders of Giants
Get classic subtractive synthesis and retro sounding filters with the Behringer VINTAGE PLUGIN! Download this completely free plugin today (yes, you read that right) and help the Playing for Change Foundation who support music education.
Legendary Tone
The VINTAGE is packed with all the features you need to effortlessly get those lush, classic synth tones that made the 70s and 80s roar or you can also create your own wild patches! And when we say “all the features” we mean it. Sine, square, saw, and noise waveforms Lowpass, bandpass, highpass, and notch modes Dual LFO with controls for rate, attack delay and retrig
Synthesizer engine based on meticulous modelling of the analog circuitry of legendary vintage synthesizers Carefully crafted UI for intuitive sound sculpting and vast sonic possibilities Two high-quality oscillators with hard sync function and selectable waveform: sine, square, saw, noise and sub-oscillator Pulse width modulation of square wave oscillator Two versatile filters featuring 12/24 dB switchable lowpass, bandpass, highpass, notch and formant modes, plus selectable drive curves for lush harmonic saturation Filter ADSR controls are easily accessible on the main UI and a flexible routing scheme allows for serial or parallel filtering Noise generator with Color knob controlling low pass cut-off Following the filters two amplitude modules allows for panning and levelling with controllable ADSR envelope Powerful dual LFO to modulate Oscillator, Filters and Amplifiers. The two LFOs have separate controls for rate, attack, delay, retrig and waveform, which encompass triangle, sine, random and square wave with pulse width control"
"The Stigma is a software instrument for Microsoft Windows (VST2/VST3/CLAP) and Apple macOS (VST2/VST3/CLAP/AU) simulating the KORG Sigma KP-30 Performing Synthesizer from 1979. It is written in native C++ code for high performance and low CPU consumption. Main features are:
Nineteen Presets with individual filters, envelopes, and amplifiers Two band-limited oscillators with four footages (32' to 4') Synthe preset section: Eight presets including Noise and Ring modulator Individual lowpass and global highpass filters Instrument preset section: Eleven presets, Delayed Vibrato effect Effect section: Portamento, Quarter Tone, Keyboard Sensor (aftertouch) and more Tweaks (not to be found in the original Sigma): Up to 64 voices polyphony with Velocity Chorus/Ensemble section Preset editor Supports MTS-ESP by ODDSound dynamic micro-tuning Resizable user interface (not "N" version!) MIDI Learn – all parameters can be controlled by MIDI CC 40 additional presets by kraftraum"
"JP6K is a virtual synthesizer dedicated to emulating the famous Super Saw sound, first found in the Roland JP-8000 synthesizer in 1997. It aims to capture the essence of the sound and the behavior of the original oscillator. Even after decades, the Super Saw is still an important tool for producers and musicians all around the world, and is a crucial part of many kinds of electronic music!
Features 32 Voice Polyphony 2 Super Saw oscillators with Panning 1 Noise oscillator Resizeable GUI 3 Filter modes: Low Pass, Band Pass and High Pass with -12 & -24 dB/Oct 3 independent LFOs controlling the Filter, Amp and Pitch Pitch envelope Glide (Portamento) / MIDI pitch-wheel support Built in Delay and Equalizer 114 presets, which includes presets from CFA-Sound, MASCHINENBAUERMUSIC, Mikey O’Hare and Grzegorz"
"PS-3300 Features Exactingly faithful virtual analog emulation of the semi-modular analog polyphonic synthesizer released by Korg in 1977
Three independent "signal generator" panels, each with an oscillator, lowpass filter, three-peak resonators, envelope with velocity, amp, two mod generator LFOs, and per-note tuning:
3X VCOs with six waveforms: triangle, saw, rectangle (square), two preset pulse waves (with different widths), and PWM (variable-width pulse)
3X resonant VCF 12 dB/oct lowpass filters with the option to select between the standard "clean" PS filter or the "crunchier" MS-style filter
3X modulatable "triple resonators": 12 dB/oct bandpass filters to produce vowel and phasing tones
3X discreet ADSR-type envelope modulators with velocity control, and amplitude modulation
3X two syncable "mod generators" (LFOs) with output jacks: one with triangle, saw, ramp, rectangle, pink noise, and white noise, and the other with triangle waveform
3X temperament section with individual tuning knobs for the 12 chromatic notes, and temperament presets for Equal Tempered, Mean Tone System, Hepatonal System, and Just Intonation
Copy/paste settings from one signal generator panel to another
Polyphonic mode with up to 24 voices of polyphony and three monophonic modes: last, low, and high note priority
Semi-modular synthesizer with virtual jack and cable system, featuring unlimited mults per jack and customizable (color, transparency, animation) cables
Master signal mixer panel with sample & hold, general envelope generator, and two control voltage (CV) processors
Individual channel panning
User-selectable bend range and master tune
Studio-quality integrated effects: chorus, echo with sync, and three types of reverb (spring, plate, and Galactic)
Over 360 professionally designed presets in a dozen categories. These include a bonus Legacy collection of basic presets based on the patch sheets in the original PS-3300 Owner's Manual, a 3100-based Glissando patch, and a 432 Hz Equal Temperament patch, all to get your started in your own sound design adventures.
Standalone virtual instrument and plug-in versions
Complete MIDI control and DAW automation for all controls, with easy-to-use MIDI Learn and mapping
Cherry Audio’s popular Focus zoom-in feature, as well as standard UI zoom and resize via drag
Complete documentation available directly online from the instrument or in downloadable PDF format
User-adjustable oversampling control
Also available: With its three-synths-in-one architecture, unique resonators, and semi-modular nature, the PS-3300 is truly a behemoth of synthesizers. Sound designer James Dyson's Resonation Preset Pack (sold separately) includes additional presets that go further into the relative dimensions between light and shadow and all the way to the outer limits."
More flexible mixers/some features from the CS-15 included. Section arranged as in the CS-15. In a vintage-y 'Radio Days' GUI, as the hardware CS monosynths were butt-ugly. Includes presets based on the CS-30L patchbook.
More than an 8-trick pony Lush 2's multilayer architecture gives you access to virtually limitless sound design possibilities and a wide spectrum of applications.
Powerful, yet practical. An easy-to-tweak instrument that helps you find hit sounds in seconds, unleashing its and your maximum potential
Lush 2 isn’t based on just a single machine; it’s built from modules that can be found in many modern virtual synths, combined into one compact, logical layout. Don’t let its looks fool you: though it may look benign at first, its modular, multi-layer architecture takes it beyond simplistic poly-synths to the top shelf of extremely powerful, deeply programmable and devilishly versatile instruments in your arsenal. Suspiciously accurate sound is achieved only through experience: countless hours were spent analyzing classic analogue synthesizers, and then designing and implementing DSP algorithms with close attention to every component in the signal path - not just approximating its overall output. We deliver to you a synth built on oscillators of uncompromising quality, filters with an incredibly natural warmth and character, and best-in-class effects. On top of that, with all of the layers, multi-layer options, and routing capabilities the plugin offers - there’s no end to what you can do with just a single instance of Lush 2
Synthesizer Lush 2 lets you reach “unheard of” levels of creativity - each layer works as an independent synthesizer with its own polyphony, parameters, enhanced arp, and a choice between 8 of the finest insert effects.
Modulation matrix An entire page dedicated to assigning your modulation to nearly any parameter - pick a source, pick a destination, set an amount: creative modulation!
Mixer Lush 2 also comes complete with a powerful built-in mixer, complete with layer-independent parametric equalizers and compressors that can be rearranged. Volume, pan and superb send effects allow you to put the finishing touches on the final output.
"Invader 2 is an 8 voice polyphonic synthesizer. It was designed to be easy to program while still offering a wide range of sounds and possibilities.
Features
Knob-per-function interface, what you see it what you get.
2 oscillators + 1 sub oscillator (tri, saw, pw, sync pulse, sync saw, saw to pulse)
Polyphonic stereo unison with optional low CPU unison emulation mode (up to 48 voices)
3 low pass resonant filter types (low pass clean, low pass raw and band pass)
Filter drive or high pass option
Stereo noise generator
Ring modulation
2 LFOs with delay function
2 Envelopes
Delay effect with normal, ping pong, tape and diffusion delay modes
Arpeggiator / 16 step sequencer
4 x oversampled engine
Medium and high quality modes
200+ preset
"Close emulation of behavior and all controls of the original hardware
Three independent polyphonic synthesizer blocks
Band-limited oscillators, classic two-pole lowpass filters
Resonators section plus two Modulation Generators per bank
Additional Sample & Hold and paraphonic Envelope Generator
Semi-modular
Micro-tuning option
Additional tweaks
MIDI Learn – all parameters can be controlled by MIDI CC
Plug-in supports Windows (32 bit and 64 bit) and macOS (64 bit)"
