Introducing IOLabs Particles - Touchscreen Physics Simulator for Eurorack

video uploads by IOLabs

A new module from the makers of Flux. IOLabs Particles is currently live on Kickstarter here.

Video Playlist:
IOLabs Particles: Touchscreen Physics Simulator for Eurorack!
IOLabs Particles: Centered Gravity Quantize Demo
IOLabs Particles: Collision Physics Demo

"Live on Kickstarter from Jan 31st 2024!

Our new module offers the possibility to create music using our creative physics engine. Add particles, animated surfaces, portals, black holes and generate gates on collisions, CV output voltages & quantized melodies!

Each particle can have entirely unique physics parameters including acceleration, velocity, mass & gravity! All interact in your simulation to create collisions and XY positional data that can be mapped to generate musically useful gates, voltages & notes. Collisions for some particles may even be switched off so that they move freely around the screen without colliding with other simulation elements.

Multiple quantize zone maps can be used simultaneously to create chords and multiple particles may be mapped to the same output to allow transposition of melodies. CV outputs can be set to send a transposed voltage from another output for easy chord generation.

One particle can control all outputs or all particles (up to 50) can control one output, and anything in between. As with Flux, we have aimed to keep the module as flexible as possible. All simulations can be drawn from scratch using the touchscreen or simulations can also be crafted in fine detail by inputting exact values in the UI.

Multiple external and internal timed resets can be used simultaneously per particle to sync to external equipment or create repetition and complex rhythms as explored in the demo video.

Endless rhythmic and melodic possibilities await!

Please note - the module's hardware itself obeys the real world laws of physics as is in no danger of floating away from your case should you experiment with gravity values. It should however be held in place by mounting screws (just in case)."

CLICK FOR MORE »

IOLabs Flux - V1.06 MIDI Update

video upload by IOLabs

"Flux OB V1.06 MIDI, Burst Mode & External Clock Rework

Flux firmware update ‘Open Beta V1.06’ is now available for download!

The highlight feature of the new update is full USB MIDI support! Flux now offers MIDI Clock in and out, MIDI notes out for all gate outputs (with velocity fixed or linked to a Flux CV output) and every parameter is now controllable via MIDI CC/NRPN messages!

Other features include a new Burst mode and a complete rework of External Clock mode which is now rock solid. There are also many fixes and general improvements and the full patch notes are included in the firmware download folder.

We are extremely excited to share this update, MIDI brings so many creative possibilities to Flux and integrating the sequencer with a DAW based workflow is now a matter of a single USB cable connection.

V1.06 is downloadable now from the IOLabs website: www.iolabs.co.uk."

Befaco Noise Plethora Demos by Friendly Noise

Playlist:

1. “Befaco Noise Plethora - Azatoth’s flutes” by Friendly Noise

This is my first video with the Befaco Noise Plethora, a triple digital noise generator with also three analog multimode filters, offering plenty of flexibility to shape the sound.

Modules: Befaco Noise Plethora, Befaco Rampage, SSF Vortices, Intellijel Quadrax, Intellijel Planar, Xaoc Kamieniec, Xaoc Tallin, Qu-bit Data Bender.
+
Strymon Nightsky reverb

2. “Noise Plethora 02 - Sequencing Programs” by Friendly Noise

The programs of Noise Plethora can be sequenced manually or using the CV inputs for each channel. That greatly adds to the sonic variations of the module.

Modules: Befaco Noise Plethora, Befaco Rampage, IOLabs Flux, SSF Vortices, Intellijel Quadrax.
+
Strymon Nightsky reverb

3. “Noise Plethora 3 - Drum Kits” by Friendly Noise

Because Noise Plethora is a triple noise generator, you can set up some drum kits using only this module. Clever use of modulation for the sound parameters, filter settings and (external) envelope shapes can results in many different sounds from just only one Noise plethora “drum kit”. :-)

Patch notes are included in the video.

Modules: Befaco Noise Plethora, IOLabs Flux, SSF Vortices, Intellijel Quadrax, Xaoc Tallin, QU-bit Data Bender.
+
Strymon Nightsky reverb

4. “Noise Plethora 4 - A Noise Landscape” by Friendly Noise

A live performance and tour de force using the third noise generator of Befaco Noise Plethora as the only sound source.

Patch notes are included in the video.

Modules: Befaco Noise Plethora, Befaco Percall, Befaco Rampage, Befaco Burst, IOLabs Flux, SSF Vortices, Xaoc Kamieniec, Xaoc Tallin, QU-bit Data Bender, Schlappi Engineering 100 Grit, Schlappi Engineering, Angle Grinder.
+
Strymon Nightsky reverb

5. “Noise Plethora 5 - Beautiful Noises” by Friendly Noise

A live performance using Befaco Noise Plethora as the only sound source.

Modules: Befaco Noise Plethora, Befaco Percall, Befaco Rampage, Befaco Burst, IOLabs Flux, SSF Vortices, Xaoc Kamieniec, Xaoc Tallin, QU-bit Data Bender, Schlappi Engineering 100 Grit, Schlappi Engineering Angle Grinder, Intellijel Quadrax, Intellijel Planar 2.
+
Strymon Nightsky reverb

6. “Noise Plethora 6 - Singing Noises” by Friendly Noise

Using an external keyboard to play melodies and sequences with Befaco Noise Plethora.

Patch Notes are included in the video.

Modules: Befaco Noise Plethora, Intellijel Quadrax, Xaoc Tallin.
+
Strymon Nightsky reverb, Arturia Keystep

7. “Noise Plethora 7 - Invoking Cthulhu” by Friendly Noise 

Modules: Befaco Noise Plethora, Intellijel Quadrax, Xaoc Tallin.
+
Strymon Nightsky reverb

Flux Update V1.08: Interface Overview

video upload by IOLabs

"A video explaining the new 1.08 Self Gen Interface. Also covers Modular Presets, CV MIDI note outputs & Scales, all of which are also new in 1.08.

Firmware updates are available to download from:
www.iolabs.co.uk"

Flux V1.08 Self Gen Update Example Patches

video upload by IOLabs

"Some patches showcasing basic use of the new generative features offered in the Flux 1.08 Self Gen update."

FIRMWARE UPDATE: V1.07 BRINGS BOOLEAN LOGIC TO FLUX!

via IOLabs

"Open Beta V1.07 is now available for download!

The highlight feature of the new update is an extensive expansion of the auxiliary output modes including Boolean logic, clock utilities and CV threshold modes. In 1.07, Aux modes can also now be selected per step!

Other highlights include a new parameter LOOP enabling the selection of the start and end points for your sequence, copy/paste functionality, auto-load preset on startup and an extensive overhaul of the external clock modes. Full patch notes are included in the firmware zip!

We are extremely excited to share this update and hope it arrives just in time for some holiday season patching.

V1.07 is downloadable now from the IOLabs website: https://www.iolabs.co.uk/firmware"

The most awaited video for the Pulsar 23!!! Normal Drum Sounds With IOLabs Flux!!!

video upload by Friendly Noise

"The second collaboration between IOLabs Flux, the best trigger sequencer, and the Soma Pulsar 23 , arguably the most amazing if not the best drum machine ever made. The combination of sound quality, easy of use, open design, interconnectivity and interactivity makes the Soma a fantastic piece of musical gear, and which is more important, a real instrument to play with. The amount of control and flexibility that Flux puts in your hands can lead you to totally unexpected sonic landscapes, like you can see and heat in that video.
Barry at IOLabs and Vlad at Soma Instruments are real geniuses of our time.

Video sections:
00:06 Pattern 01
01:39 Pattern 02
05:29 Pattern 03
11:12 Pattern 04"

Manipulating Melodies With IOLabs Flux - A Dark Christmas: Variations On The Jingle Bells Tune

video upload by Friendly Noise

"Flux is an incredible rhythm generating machine, but how good is Flux at making melodies? I have tried to answer this question in two videos. In this second part I’ll show how to manipulate melodies with Flux. Flux it not your traditional one note per step sequencer, but melodies are definitively programmable and more than just 'programmable'.

Everything you hear in the video is based on the notes of the first 4 bars of Jingle Bells.

Used in the video: Soma Pulsar 23, IOLabs Flux, 4ms Ensemble Oscillator, Spherical Sound Society Vortex Generator, Joranalogue Morph 4, and Strymon Nightsky.
Some EQ and compression were added in the DAW after recording.

Here is the first part: Making Melodies With IOLabs Flux - Is That Possible?"

Party Ready Patterns With Bass Lines - A Happy Gathering of Flux, Metropolix and Pulsar 23

video upload by Friendly Noise

"The fourth collaboration between IOLabs Flux, the best trigger sequencer, and the Soma Pulsar 23 , arguably the most amazing if not the best drum machine ever made. The combination of sound quality, easy of use, open design, interconnectivity and interactivity makes the Soma a fantastic piece of musical gear, and which is more important, a real instrument to play with. The amount of control and flexibility that Flux puts in your hands can lead you to totally unexpected sonic landscapes, like you can see and heat in that video.
Barry at IOLabs and Vlad at Soma Instruments are real geniuses of our time.

Patch details are included in the video."

TEST SERIES ErrorInstruments IOLabs Flux Hologram Electronics Microcosm Eurorack Sound Design Glitch

video upload by Outsider Sound Design

"ErrorInstruments System, IOLabs Flux, Hologram Electronics Microcosm.

The purpose of 'TEST SERIES' is to focus on the sound design possibilities of various gear combinations. This series is not musical nor does it serve as an instructional video. It is all about sound potential.

Please consider supporting this channel by purchasing a sample pack or music download from www.outsidersounddesign.com"

IOLabs Particles: New Features - Group Editor, Collision Resets & Screen Limits

video upload by IOLabs

"An overview of some new features intended to make rhythm programming easy:

Group Editor: Edit a range of particles at once with scaling values
Collision Resets: Generate a reset each time a selected particle collides x no of times
Screen Limits: Set an XY limit for each particle.

00:00 Screen Limits Per Particle
00:54 Group Editor
02:42 Collision Resets
03:40 Rhythm Demos"

TEST SERIES 4ms Stereo Triggered Sampler Dual Looping Delay Tapographic IOLabs Flux Polyend Preset

video upload by Outsider Sound Design

4ms Stereo Triggered Sampler
4ms Dual Looping Delay
4ms Tapographic Delay
Polyend Preset
IOLabs Flux

Please consider supporting this channel by purchasing a sample pack or music download from www.outsidersounddesign.com

“IOLabs Flux 35 - Meet Anima Phi” by Friendly Noise

video upload by Friendly Noise

"In this video, Flux controls via Befaco VCMC the physical modelling monophonic synthesizer Aodyo Anima Phi. The unexpectedly organic sequences generated by Flux make a great combination with the wide range of Anima Phi’s sounds. Flux’ macro pots are assigned to Density, Compression, Curve and Humanise.
Slider 8 on VCMC generates mod-wheel CC."

“IOLabs Flux 36 - Flux goes midi” by Friendly Noise

video upload by Friendly Noise

"Video sections:

00:06 Kontakt Drum Lab
01:00 Kontakt Drum Lab
02:14 Kontakt Action Strikes
03:14 Kontakt Action Strikes
04:37 Chromaphone 3
06:00 Chromaphone 3

This video shows the power of Flux after the firmware upgrade V1.06.
Flux is now fully controllable via midi messages and it sends midi control signals, too.
You can use the midi port on the back pannel or the coming little expansion module.
Flux is class compliant. :-)

When combined with different VST instruments, the intricate and ever evolving patterns that Flux can generate simply shine. Everything is based on an 8 step sequence."

TEST SERIES 4ms Stereo Triggered Sampler Dual Looping Delay Tapographic IOLabs Flux Polyend Preset

video upload by Outsider Sound Design

IOLabs Flux
Polyend Preset
4ms Stereo Triggered Sampler
4ms Dual Looping Delay
4ms Tapographic Delay

"Please consider supporting this channel by purchasing a sample pack or music download from www.outsidersounddesign.com"

0-C0AST AMBIENT: PATH.TRACE (feat iolabs Flux)

video by C Nich0lls

"A path of unpredictable resonance.

This time the 0-Coast is joined by it's larger sibling the System Cartesian. Also lending some modulation is the 0-CTRL. 0-CTRL adds modulation to each phrase modifying a variety of waveform parameters on the 0-Coast.

The 0-Coast is patched largely using it's default signal flow. The sound relies on lots of modulation to the waveform blend along with overtone and Multiply. The final sound is routed through Strymon;s NightSky reverb pedal.

The Cartesian adds 2 further sounds; a low 'kick' from the STO and noise/hat from the Teleharmonic.

Sequencing is all from my new IOLABS FLUX sequencer. The Flus allows for a lot of detailed and organic rhythmic control. Literally my first patch with it and definitely scratching the surface, but so far far more flexible than even the descriptions give it credit for. Very deep, but reasonable UI and the detail of the programming is quite astonishing."

“IOLabs Flux 33 - Benjolin meets Arcane” by Friendly Noise

video by Friendly Noise

"IOLabs Flux, Spherical Sound Society Arcane, After Later Audio Benjolin V2, Steady State Fate Vortices, Befaco Rampage, Befaco Percall, Xaoc Tallin

Please make sure to listen in stereo!!

Video sections: 00:06 01
04:17 02
13:50 03
24:02 04

All sounds were recorded live with two strictly monophonic modules: Benjolin V2 and Arcane, but the use of panning and both Befaco modules results in very interesting textures, which sometimes sound like there is more than two voices at the same time.

Flux is just triggering a steady note as clock source. Density and Length are controlled in real time with the encoders and macro pots. There is only one single pattern in the whole video.

Arcane is clocked by the first channel of Flux. The output of Arcane goes into Tallin to raise the level and to add some warmth with Tallin’s internal saturation. The output of Tallin goes to the first monophonic channel of Vortices.

The voltage of Flux’ channel one is set to S/H mode and goes to the second channel of Tallin. From there it goes to Vortices in order to modulate the panning of Arcane. Since the voltage follows the triggers, every sound generated by Arcane has a different panning position, which greatly enhances the feeling of listening to a drum synthesizer.

Benjolin is a voice module, but it doesn’t have VCAs, so you need some external help to control the length of Benjolin’s sounds. This can be achieved sending the output of Benjolin to the first input of Percall. The decay length is manually controlled and the output goes to the second monophonic channel of Vortices.
The output of Flux goes also to Rampage, where the first envelope is used to generate “bit-crusher”-like sounds. The envelope output goes to the third monophonic channel of Vortices.

Finally, Benjolin’s direct output goes to the fourth monophonic channel of Vortices. The panning is also controlled by the voltages of Flux, as described above.

Some compression and reverb were added in the DAW after recording."

“Flux meets Jupiter-4 19 - That Pad…” by Friendly Noise

video upload by Friendly Noise

Roland Jupiter 4 and IO Labs Flux.

"The Jupiter 4 is recorded in mono, which makes the internal chorus very subtle. Reverb is added in Cubase to make the sound wider. There is no clipping in the recording chain. If you hear anything close to distortion, it’s all in the sound coming out of the Jupiter 4.

The Roland Jupiter 4 has been rediscovered and established as the most full of character among the Roland polyphonic synths. Although limited in number of voices and straight forward sound architecture, it shines with an unique sonic print which no other synth can emulate. There are lots of great video demos and information on the web, so that no detailed description will be provided here. But it’s important to mention some unique features which will be showed extensively in this video series:

- The Jupiter 4 filter goes into self oscillation. Big guys like Yamaha CS-80, Jupiter 8 or Oberheim OBX-a can’t.
- The LFO is fast enough to get into audio range.
- There is a very noticeable internal saturation when the VCA slider is raised.

Don’t expect nice bass sounds and classic analog leads. The Jupiter 4 is perfect for that, but this has already been done before in many records and internet demos. What you are about to hear is the extreme side of the sound. Be prepared for drones, massive low frequencies, cracking saturation, ultra fast notes and unusual scales. Many sounds will remind you of modular synthesizers, but they were all created by direct recording of the Jupiter 4. :-)

In fact, the VCO is switched off and you will be hearing only the self oscillating filter in almost 80% of the video series. Only in the last videos you will hear the VCO. That means that 80% of the sounds you will hear couldn’t be made with other classic polyphonic synths, unless the filter self oscillates.

Luckily this Jupiter 4 was modded with CV and gate inputs and outputs per voice (and then some). Using this level of control per voice you can use the Jupiter 4 as a vintage monophonic synth, or drive individual voices differently. For example, applying vibrato or slide per voice. In this video series, only three voices were used.o

The amazing sound of this Jupiter 4 can break the traditional boundaries specially when driven by the Temporal Modulation Synthesis sequencer Flux, made by IOLabs: https://www.tmsynthesis.com/
Flux is the most advanced tool for rhythm creation ever made. Ever. Trying to explain Flux is few words is not possible. Please look for information on the web."

“Flux meets Jupiter-4 12 - More LFO” by Friendly Noise

video upload by Friendly Noise

Flux meets Jupiter-4 episodes

"This is number 12 of a video series combining the best of vintage sound and the best of the modern sequencer technology in eurorack: Roland Jupiter 4 and IO Labs Flux. There will be a new short video every week.

The Jupiter 4 is always recorded in mono, which makes the internal chorus very subtle. Reverb is added in Cubase to make the sound wider. There is no clipping in the recording chain. If you hear anything close to distortion, it’s all in the sound coming out of the Jupiter 4.

The Roland Jupiter 4 has been rediscovered and established as the most full of character among the Roland polyphonic synths. Although limited in number of voices and straight forward sound architecture, it shines with an unique sonic print which no other synth can emulate. There are lots of great video demos and information on the web, so that no detailed description will be provided here. But it’s important to mention some unique features which will be showed extensively in this video series:

- The Jupiter 4 filter goes into self oscillation. Big guys like Yamaha CS-80, Jupiter 8 or Oberheim OBX-a can’t.
- The LFO is fast enough to get into audio range.
- There is a very noticeable internal saturation when the VCA slider is raised.

Don’t expect nice bass sounds and classic analog leads. The Jupiter 4 is perfect for that, but this has already been done before in many records and internet demos. What you are about to hear is the extreme side of the sound. Be prepared for drones, massive low frequencies, cracking saturation, ultra fast notes and unusual scales. Many sounds will remind you of modular synthesizers, but they were all created by direct recording of the Jupiter 4. :-)

In fact, the VCO is switched off and you will be hearing only the self oscillating filter in almost 80% of the video series. Only in the last videos you will hear the VCO. That means that 80% of the sounds you will hear couldn’t be made with other classic polyphonic synths, unless the filter self oscillates.

Luckily this Jupiter 4 was modded with CV and gate inputs and outputs per voice (and then some). Using this level of control per voice you can use the Jupiter 4 as a vintage monophonic synth, or drive individual voices differently. For example, applying vibrato or slide per voice. In this video series, only three voices were used.

The amazing sound of this Jupiter 4 can break the traditional boundaries specially when driven by the Temporal Modulation Synthesis sequencer Flux, made by IOLabs: https://www.tmsynthesis.com/
Flux is the most advanced tool for rhythm creation ever made. Ever. Trying to explain Flux is few words is not possible. Please look for information on the web."

“Flux 40 - Merry Modular Cristmas!!!!!” by Friendly Noise

video upload by Friendly Noise

"Modules: Befaco Noise Plethora, IOLabs Flux, Intellijel Quadrax, SSF Vortices, Qu-bit Data Bender No eurorack gear: Strymon Nightsky reverb, EQ and reverb in the DAW

This is a modular winter landscape for wishing you Merry Cristmas and a Happy New Year!!!!

In the video notes I forgot to mention that one channel of Noise Plethora goes through Data Bender for some additional noises in the background."

“Noise Plethora 10 - Noisy Christmas” by Friendly Noise

video upload by Friendly Noise

"A Christmas mood. Patch details included in the video.

Modules: Befaco Noise Plethora, IOLabs Flux, Intellijel Quadrax, SSF Vortices
+
Strymon Nightsky reverb"

No Christmas Tree? Use Your Modular System!

video upload by Friendly Noise

"Basic sound is two sine waves created with the self oscillating filters of AJH Gemini 2412.

Used in this video: IOLabs Flux, Joranalogue Morph 4, AJH Gemini 2412, Mutable Instruments Beads, Squarp Rample, Acid Rain Maestro, Befaco Noise Plethora, SSS Vortex Generator, Mordax Data, Strymon Nightsky."