50th Anniversary of the Moog Modular Synthesizer - Details on the Emerson Moog Modular Clone

Published on Oct 11, 2014 Moog Music Inc

"October 12, 2014 marks the 50 Year anniversary of the unveiling of the Moog modular synthesizer at the Audio Engineering Society's (AES) New York convention. On that day in 1964, Dr. Robert Moog introduced the world to a completely new type of instrument that would go on to change the course of music history and influence decades of future instrument design. Told by a Moog engineer, Moog Historian, and Bob Moog himself, this mini-documentary explores Moog Music's quest to resurrect the original methods, materials and designs used in the foundational modular synths. Through recreating Keith Emerson's modular system, Moog Music rediscovers the power, elegance, and enduring legacy of its first instruments.

Find out more at www.moogmusic.com"

"Moog’s 1:1 Recreation of Keith Emerson’s Modular Synthesizer shown at AES ‘14

Asheville, NC, October 11, 2014 — Tomorrow, October 12, 2014, marks the 50 Year anniversary of the unveiling of the Moog modular synthesizer at the Audio Engineering Society's (AES) New York convention. On that day in 1964, Dr. Robert Moog introduced the world to a completely new type of instrument that would go on to change the course of music history and influence decades of future instrument design.

The Moog modular synthesizer was comprised of individual electronic modules, housed in a wooden frame, and it made use of voltage-control as a new way of creating powerful sounds that had never been heard before.

After its debut at AES, the scientific-looking Moog modular instrument that made extraordinary new sounds with rapid alterations and exotic tonal colors, started to gain in popularity. Musicians began to establish the Moog system as the archetype of synthesis. One of the earliest and most famous artists to adopt the new instrument was Keith Emerson, keyboardist for the innovative band Emerson Lake and Palmer. Touring the world for over forty years with this unique instrument, Emerson has made his Moog modular system the most recognizable synthesizer of all time.

The 50th Anniversary of the Moog Modular is a historical landmark for musical instrument design and popular music. In celebration of this momentous occasion, Moog Music has faithfully and painstakingly recreated Keith Emerson’s Moog modular. This new Emerson Moog Modular System (EMMS) utilizes original design material and parts to duplicate each facet of Mr. Emerson’s custom instrument down to the smallest detail. The modules in the EMMS are built exactly as the originals were in the Moog Factory in Trumansburg, NY in the 1960s: by hand-stuffing and hand-soldering components to circuit boards, and using traditional wiring methods. Today, Moog also released a mini-documentary featuring a Moog engineer, a Moog Historian, and Bob Moog himself, that explores Moog Music's quest to resurrect the original methods, materials and designs used in the foundational modular synths.

"It's a dream come true for us to bring back these instruments that our company is so known for, and to make them visually and sonically perfect. It's even more perfect that exactly 50 years after the first Moog synth was shown to the public, people can come to AES 2014 and experience the new Emerson Moog Modular System," said Brian Kehew, Moog’s Historian.

This towering recreation of the world's most recognizable synthesizer will be on display in Moog booth 1028 at the 137th AES convention in Los Angeles, CA through Sunday 10/12/14. It is the first time the Emerson Moog Modular System has been shown to the public since it’s unveiling at Moogfest 2014.

Of the 5 Emerson Moog Modular Systems Moog will build, only 1 remains available for sale. The price is $150,000 USD. To inquire about purchasing the last remaining Emerson Moog Modular System, contact Steve Maass at Moog Music. 828.251.0090 ext. 205 or email steve.m@moogmusic.com. Serious buyers only please."

Happy Birthday Keith Emerson!

Today is Keith Emerson's birthday!

He, along with Wendy Carlos, are two of the most important musicians in the world of synthesizers. They are both credited with introducing the use of synthesizers in mainstream music. Wendy brought synthesizers to classical music, and Keith brought synthesizers to band based Rock 'n' Roll. They were the first to bring synthesizers from the realm of the experimental, musique concrete, and educational applications to the main stream.

Keith Emerson's Moog modular is iconic. Not only does Keith still perform with it, but it inspired Moog Music to re-issue the awe inspiring monolith.

Thank you Keith, and Happy Birthday!!!

Left: Keith in St. Petersburg, Russia 2008 via wikipedia.

Below: Keith back in the day via @moogfest.

via wikipedia: "Emerson first heard a Moog when a record shop owner played Switched-On Bach for him. Emerson said: 'My God that's incredible, what is that played on?' The owner then showed him the album cover. So I said, 'What is that?' And he said, 'That's the Moog synthesizer.' My first impression was that it looked a bit like electronic skiffle.'[8]

Without one of his own, Emerson borrowed Mike Vickers' Moog for an upcoming The Nice concert at the Royal Festival Hall, London with the Royal Philharmonic. Mike helped patch the Moog and the concert was a great success. Emerson's performance of Also sprach Zarathustra from the recently released 2001: A Space Odyssey was a show stopper. Emerson: 'I thought this was great. I've got to have one of these.'[8]

With ELP's record deal with Atlantic came funds to buy the Moog. Keith: 'It cost a lot of money and it arrived and I excitedly got it out of the box stuck it on the table and thought, 'Wow That's Great! a Moog synthesizer [pause] How do you switch it on?...There were all these leads and stuff, there was no instruction manual.' Mike Vickers came through by patching it to produce six sounds and those six sounds became the foundation of ELP's sound.[8]

In 1969, Emerson incorporated the Moog modular synthesiser into his battery of keyboards. While other artists such as The Beatles and The Rolling Stones had used the Moog in studio recordings, Emerson was the first artist to tour with one. Emerson's use of the Moog was so important to the development of new models that he was given prototypes, such as the Constellation he took on one tour[8] and the Apollo, which had its debut on the opening track of Brain Salad Surgery, 'Jerusalem.'"

The New Emerson Moog Modular System Is Real

Remember the April Fools post? Turns out the April Fools joke was that it's actually real.

"Moog Music Announces The New Emerson Modular System

Friday, April 25, 2014 - Moog Music unveils one of its largest engineering undertakings, the new Emerson Moog Modular System.

On the 50th anniversary of the introduction of the Moog Modular, the first voltage controlled synthesizer, Moog Music is proud to honor Keith Emerson and his seminal collaboration with Bob Moog. Today, for the first time at Moogfest 2014, Moog Music reveals its three year effort faithfully recreating the iconic Emerson Moog Modular.

In the intervening 50 years since the advent of the first Moog synthesizer, people have steadily come to appreciate the power and flexibility of the early Moog modular systems. Now in 2014, 60 years after Bob Moog started his electronic musical instrument company, with great respect for the tradition, design, and craftsmanship of the original Moog modular systems, Moog Music proudly announces the recreation of arguably the most famous synthesizer in history--Keith Emerson’s Moog Modular System.

Over the last 3 years Moog Music has set out to research and build a faithful recreation of this highly complex, custom instrument. Using the original documentation as well as circuit board and art files for nearly every original Moog module, Moog Engineers have painstakingly recreated the original Emerson Modular System. The new Emerson Moog Modular System is comprised of handcrafted Moog modules built from the original circuit designs and are true recreations of the originals, utilizing the same hand assembly methods used in the Moog Music factory in Trumansburg, NY in 1969. The modules in the new Emerson Moog Modular System are built just as the originals were, by hand-stuffing and hand-soldering components to circuit boards, and using traditional wiring methods. Even the front panels are photo-etched aluminum (a rare process now), which is the classic and durable, look of vintage Moog modules.

Moog Music is proud to partner with Keith Emerson and salute his pioneering artistry with the announcement that Moog will build a handful of these incredible, custom handcrafted Emerson Moog Modular Systems.

To celebrate the introduction of the new Emerson Moog Modular System, Moog Music featured Emerson as a headliner at Moogfest 2014, where he played a special performance last night on Thursday, April 24th and is featuring a live discussion with Emerson today, Friday, April 25th."

A couple of pics of Keith Emerson at Moogfest with the system via John Grabowski's photostream on Flickr. (click through for more).

And via @Moogfest

"Introducing the new Emerson Moog Modular System. … pic.twitter.com/KHSP5dl5W3"

Gene Stopp pictured with the new system.  Gene is a renowned modular tech who worked on Keith's original system.  He and Brian Kehew worked closely together on the new system.  You can see them both pictured here.

Moog Recreates Keith Emerson's Monster Moog

"The Synthesizer Genome Project: Moog Reverse Engineers the World's Most Famous Keyboard

Moog Creates a 1:1 Recreation of Keith Emerson's Moog Modular, Using Original Processes and Components

ASHEVILLE, NC – April 1, 2014 – Today, Moog Music announced that over the last three years, its dedicated engineering team has painstakingly reverse engineered and built a 1:1 recreation of the world's most famous keyboard: Keith Emerson's Moog Modular, using original processes and components. When it was created in 1970, the original Emerson Modular included the following:

81 total modules / custom panels

12 unique, custom built modules including: sample and hold, preset programmer, custom LFO's and DRONE VCO Control

Two custom modded modules: 903 Noise Source and 905 Reverb

First synthesizer with performance presets

Shoots rockets

The Emerson System, by Moog Custom Engineering, is to be released later this month and is based on the original Emerson Modular. The Emerson System will include the following:

Every standard module printed from original circuit board films

Original/vintage and NOS (new old stock) components sourced from around the world

All face places are reproduced using original transparencies and techniques

Each module is hand build and soldered with original schematics and service manuals as guides

No longer shoots rockets

More information on the Emerson System, including pricing and availability, will be announced shortly."

Top pic:

EMERSON MODULAR - (b. 1970)

- 81 total modules/custom panels

- 12 unique, custom built modules including: sample and hold, preset programmer, custom LFO's and DRONE VCO Control

- Two custom modded modules: 903 Noise Source and 905 Reverb

- First synthesizer with performance presets

- Shoots rockets

Bottom:

EMERSON SYSTEM
by Moog Custom Engineering - (b. 2014)

- Every standard module printed from original circuit board films

- Original/Vintage and NOS (new old stock) components sourced from around the world

- All face plates reproduced using original transparencies and techniques

- Each module hand built and soldered with original schematics and service manuals as guides

- No longer shoots rockets"

Waves of Inspiration: The Legacy of Moog Exibition Updates

"Exhibition features Keith Emerson's Legendary “Monster Moog” Modular Synthesizer through October 18th, 2009

CARSLBAD, CA/ASHEVILLE, NC – The Museum of Making Music (Carlsbad, CA), in partnership with the Bob Moog Foundation, has opened Waves of Inspiration: The Legacy of Moog exhibition, to run through April 30, 2010. The exhibit is the first of its kind, marking the first public display of the artifacts from Bob Moog’s archives and an examination of the impact of his work on the world of music.

MONSTER MOOG INSTALLATION
On August 30th, Keith Emerson's (Emerson, Lake and Palmer, The Nice) mammoth “Monster Moog” modular synthesizer was added to the exhibit after it was featured the previous evening in a musical celebration of the exhibit opening by Emerson and Erik Norlander. Emerson used this remarkable instrument on numerous recordings over the past 40 years, including his solo in “Lucky Man” (1969), possibly the most popular synth solo in history. He also used the synthesizer on countless world tours and is generally credited with pioneering the use of the Moog modular as a touring musician.

The “Monster Moog” began as a modest system, but grew over time as Emerson
requested that Moog create custom additions for his touring instrument, including extra modules, custom sample-and-hold, and several pre-sets, an innovative addition for that time. The synthesizer grew into a massive cabinet of five sections and over 75 modules. It stands more than four feet above its special base – almost 8 feet high. Its sound is noticeably clearer and stronger than any other keyboard Emerson plays – it is an instrument of significance and legend, and arguably the most famous synthesizer of all time.

Bob Moog and Keith Emerson enjoyed a special relationship of toolmaker and musician that grew in to a lifelong friendship. Moog is noted for listening to musician's needs and technical specifications which he then used to improve his instruments: This dynamic is explored throughout the Waves exhibit.

KEITH EMERSON

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ANTOINE BARIL'S ONE MAN ELP: Backstage Pass @ EMEAPP

video upload by EMEAPP

"After over two years in the making, we are proud to be a part of the One Man ELP project; the brainchild of the amazingly talented Antoine Baril of Québec, Canada. As with his previous "One Man" videos that he has released over the last 7 years (Rush, Genesis, Yes), his attention to detail and accuracy is second to none and it was amazing to watch him at work within our walls for an intense week of keyboard craziness in July 2022. Along with his amazing videographer Paul DiGiacomo, they captured some stunning footage and audio to make this epic video project one for the ages. It was a blast to play a supporting role in this, we gave full access of our Keith Emerson keyboard rig (as well as our extensive collection of vintage analog synths) to Antoine and it was like turning a kid loose in a candy store, a cornucopia of awesomeness! Join us for an exclusive backstage peek at some of the recording processes and video shoots during this one week period. The ELP material he performed and recorded runs Then EMEAPP's executive director Drew Raison will take you on an up close and personal tour of all the keyboards and synthesizers that were used in this project.

Complete list below:

Yamaha GX1 (6:55)
Keith Emerson’s Hammond/Goff C3 w/dual Leslie 122s (7:13)
Keith Emerson’s Split Moog Minimoog Model D (7:51)
Keith Emerson's Hammond L100 (8:09)
Moog Minimoog Model D Pair (Bernie Worrell's Minimoog on right) (8:45)
Keith Emerson’s Moog Modular Synthesizer (9:16)
Mellotron M400 (9:39)
Oberheim Eight Voice (9:58)
Oberheim OB-X/OB-Xa (10:20)
ARP Quadra (10:55)
KORG PS-3300 (11:06)
Moog Taurus I (11:22)
Hohner Clavinet L (11:34)
KORG M1 (11:55)
Keith Emerson’s Steinway Model D (12:10)"

MOOG SYSTEM 55 MODULAR for Sale

via this auction

Tons of pics at the auction, including the inside.

Update1 via 3P in the comments: "That's not a stock 55--the FFB should be a 914, not a 907. Some other modules are out of place as well."

Update2 via eben in the comments: "it looks like this has been relisted [link], and is $15000 at the moment. it appears to be kieth emmerson's 'spare' modular system! also i just noticed they have used my picture of ms peel in the auction... "

Update3: Correction via the auction: "This particular 55 was purchased from Will Alexander, the famous (Keith Emerson's) synth tech."

Some details from the new listing: "For your consideration is this 1976 Moog System 55 modular synthesizer. This complete unit (every module and keyboard) recently underwent an extensive $7,000+ service, and has been used less than 2 hours since. This particular 55 was owned by Keith Emerson, and was acquired from his good friend and personal synth tech, who has worked with Emerson both on the road and in the studio for over 30 years.

List of Modules :
1) 921 VCO (12/9/76, 12/10/76, 12/23/76)
2) 907 Fixed Filter Bank (RA Moog, '69)
3) 904-A Voltage Controlled Low Pass Filter (RA Moog, 08/01/70)
4) 992 Control Voltages (09/14/77, 09/23/77)
5) 911 Envelope Generator (10/13/76, 10/16/76)
6) 902 Voltage Controlled Generator (01/17/77, 01/17/77)
7) 911 Envelope Generator (10/14/76)
8) 902 Voltage Controlled Amplifier (06/13/69)
9) 902 Voltage Controlled Amplifier (01/14/77, 01/17/77)
10) 902 Voltage Controlled Amplifier (11/11/76, 11/22/76)
11) 902 Voltage Controlled Amplifier (11/12/76)
12) 993 Trigger and Envelope Voltages (06/22/77)
13) 911 Envelope Generator (10/09/74, 10/10/74, 12/27/74)
14) 911A Dual Trigger Delay (06/21/77, 06/22/77)
15) 911 Envelope Generator (10/14/76)
16) 911 Envelope Generator (01/07/77, 01/12/77)
17) 921A Oscillator Drive (01/03/77, 01/06/77, 01/06/77)
18) 921B Oscillator (01/14/77, 01/21/77, 02/03/77)
19) 921B Oscillator (12/27/76, 12/28/76, 12/28/76)
20) 921B Oscillator (01/13/77, 01/17/77, 01/18/77)
21) 921A Oscillator (11/16/73, 11/17/73, 12/5/73)
22) 921B Oscillator (11/21/73, 12/06/73, 12/13/73)
23) 921B Oscillator (01/14/77, 01/18/77, 01/19/77)
24) 904A Voltage Controlled Low Pass Filter (09/10/76)
25) 903A Random Signal Generator (10/04/76)
26) 994 Multiples (Difficult to read test production/test dates)
27) 960 Sequential Controller (03/23/77, 04/30/77, 11/17/77)
28) 962 Sequential Switch (07/22/77, 08/30/77)
29) 930 Power Supply (--/--/76)
30) 995 Attenuators (no tag)
31) CP2
32) CP8A
33) 961CP Interface
34) CP3A
35) CP3A (with locking pot mod)
36) CP3A (with locking pot mod)
37) Blank Moog Panel
38) 950 Keyboard Controller (RA Moog, 07/06/68)

The reason for some modules being RA Moog, some being from '73, and others dating from '76-'77, is because as Emerson would service his monster Moog's modules one at a time, he would swap between units. Although at one point this was an intact '76/'77 System, it has since been serviced and repaired, as Emerson's demanding touring schedule dictated.

The auction includes both original cabinets, (although the smaller top cabinet is in rough shape due to tour abuse), a reissue 22-space top cabinet, a reissue keyboard garage/stand, an original 950 RA Moog controller, and a variety of cables. Everything one needs to fully use this synth will be included.

As explained, this synth works perfectly and sounds amazing. We encourage local interest to come view, inspect, and hear the unit in person."

Update3: It looks like this may not be Keith Emerson's after all. The following is via an email from "Keith Emerson Business Office" forwarded to me by Michelle Moog-Koussa of the Bob Moog Foundation.

"Dear All,

Please post/forward this everywhere. Keith does not wish anyone to fall victim of fraud, especially for $15100 or potentially much more.

This item sold on ebay is claimed to have been owned by Keith Emerson.
It is either
1) constructed with stolen parts, or
2) complete misrepresentation (It was never owned by Keith).

Keith does own a small back-up unit that is supposed to be in a storage unit, but it looks nothing like the photos on this page. He has NEVER sold or given any MOOG units to anyone.

Keith asked the seller to disclose the name of the person who sold it to him, but he refused to disclose the info. (Keith has a very good idea who that is, and I'm sure you do too)

Keith requested the seller to remove the listing, and has reported the fraudulent listing to eBay."

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Waves of Inspiration: The Legacy of Moog Museum Exhibit

"Waves of Inspiration: The Legacy of Moog Museum Exhibit Features Electronic Music Pioneer's Archives for the First Time

Carlsbad, CA/Asheville, NC – The Museum of Making Music and The Bob Moog Foundation announce Waves of Inspiration: The Legacy of Moog exhibition to run from August 29, 2009 – April 30, 2010 at the Museum’s facilities in Carlsbad, California. The exhibit is the first of its kind, marking the first public display of the artifacts from Bob Moog’s archives.

Bob Moog (1934-2005) was a pioneer in the field of electronic music, inventing the Moog synthesizer in 1964. His invention made synthesis accessible to musicians for the first time and in doing so provided them with new realms of sonic expression. The instrument revolutionized the face of music and was used by such early synthesists as Wendy Carlos, Keith Emerson, Rick Wakeman, Stevie Wonder, Chick Corea, Herbie Hancock, Jan Hammer, and more.

“The Moog synthesizer defined the sounds of progressive rock and was regarded as the best sound in synthesizers. ” – Keith Emerson(Emerson, Lake and Palmer)

The Moog synthesizer is widely used today in almost every genre of music and continues to be coveted for its rich, warm analog sound and high level of expressiveness.

“Bob Moog was one of the great visionaries of our time. His ideas far transcend just music, and to this day continue to have impact on everything from rock to rap to quantum physics” – Billy Corgan (Smashing Pumpkins)

Moog's career spanned over 50 years and his work left an indelible impact on music, musicians and music-lovers alike. Bob Moog's unique legacy is one of expanding musical expression through innovation and inspiring musicians to explore the boundaries of sonic reality. Tens of thousands of musicians worldwide were, and continue to be, inspired by Moog's work, and the sonic palette it provides.

Bob Moog was awarded two GRAMMYs for his work: the NARAS Trustee's Award in 1970 and Award for Technical Achievement in 2002. He also won the Polar Music prize in 2001 from the King of Sweden and numerous other awards that recognized his contributions.

The exhibition, which highlights the inventor's career and the impact that it had on the world of music, will feature rare vintage synthesizers and other related Moog instruments and memorabilia from the Bob Moog Archives and from various private collections. A custom video presentation created by Moog historian and exhibit consultant Brian Kehew will form a central part of the exhibit. The exhibit will explore the numerous musicians, engineers and colleagues who played a vital role in the evolution of the Moog sound and the relationship between and the inventor/toolmaker and the musician, as well as the genesis of a variety of musical interfaces.

The instruments featured in the exhibit will trace the history of Moog’s work. The exhibit begins with vintage theremins and a prototype of the first modular synthesizer which originally belonged to Herb Deutsch, an experimental music composer from Long Island whose 1963 meeting with Dr. Bob Moog would help define the synthesizer as a musical instrument, and set a course for the future of electronic music. Other excellent examples of modular instruments from the late 1960s and early 1970s will be on exhibit, most notably Keith Emerson’s famous “Monster Moog” will be featured for the first time as a part of the museum display.

The exhibition will highlight and explore crucial steps that were taken in the advancement of the Moog synthesizer during the years following the development of the modular system. The display will showcase a sequence of models that led to the emergence of more compact instruments, such as the Minimoog. The main impetus behind this tremendous work was Moog’s vision to create a portable electronic music studio on which musicians could compose and perform.

The opening weekend (August 29 -31) will kick off with a launch of the Moog exhibition featuring an intimate musical performances by Keith Emerson and Erik Norlander and talks by Larry Fast and Brian Kehew.

Tickets for the opening weekend events can be purchased on the Museum's website beginning August 3, 2009. The Museum is planning an array of exciting programming throughout the seven month exhibition with panel discussions featuring people who collaborated with Moog throughout his lifetime, and concerts featuring top synthesists. The ultimate goal of this exhibition and its programs is to highlight Moog's career while celebrating synthesis as a whole.

This exhibition is funded in part by The Norris Foundation.

-------------

The Museum of Making Music is a division of the NAMM Foundation.

Founded in 1998 under NAMM’s organizational umbrella and with its sponsorship, the Museum of Making Music explores the multifaceted history of the American music products industry from its beginnings in the 1890s to today. Housed at NAMM Headquarters in Carlsbad, California (north San Diego county), the Museum tells stories of hard work, challenge, inspiration and pioneering innovation, and reveals the profound relationship between the industry, popular music, and global culture. For more information see www.museumofmakingmusic.org.

The Bob Moog Foundation is a non-profit organization founded upon Moog's passing in August 2005. The mission of the foundation is to educate and inspire children and adults through the power and possibilities of electronic music and through the intersection of science, music and innovation. The foundation has three main projects: preserving and protecting Bob Moog's archives, creating a Student Outreach Program that brings electronic music into the schools, and its hallmark project, the creation of a Moogseum in Asheville, NC, for which it was recently awarded a $600,000 lead grant by the Buncombe County Tourism Development Authority. The Moogseum is planned to open late 2012.

For more information see www.moogfoundation.org."

Prototype Controller from Bob Moog

via the Bob Moog Foundation blog on the upcoming Museum Exhibit, Waves of Inspiration. The Legacy of Moog. See the link for more. Keith Emerson will be performing.

"The exhibit will also include many artifacts from other private collections including the Moog Modular prototype previously owned by Herb Deutsch, a full Moog Modular IIIC and a working and extremely rare Eaton-Moog Multi-Touch Sensitive Keyboard loaned by avant garde opera composer John Eaton. Of particular note, Keith Emerson’s (Emerson, Lake and Palmer) custom built “Monster Moog” synthesizer will be displayed for the first month of the exhibition along with notes and schematics from Bob’s archives regarding the instrument." Note I gave this post the DIY label, just to make the point that it all starts with DIY. Click on the image.

Update: the following official newsletter came in from the Bob Moog Foundation on the event. I thought I would capture it here for the archives.

Keith Emerson to Perform at Opening of Moog Archives Exhibit
Synth legend Emerson and Erik Norlander will both perform at the Museum of Making Music to celebrate the opening of the first exhibit of Moog Archives!

Who: The Bob Moog Foundation & The Museum of Making Music
What: Waves of Inspiration. The Legacy of Moog. An exhibit, interactive engagement and opening weekend of performances including Keith Emerson and Erik Norlander.
When: August 28-30, 2009
Where: The Museum of Making Music, Carlsbad, CA

Interested in purchasing a ticket? Email to request details.

Visit our blog for details on the exhibit and "sneak preview" pictures of Bob Moog's archives, including a schematic drawing Bob drafted for Emerson's "Master Module".

See the pictures.

The Museum of Making Music, a division of the NAMM Foundation, is a small museum located 35 miles north of San Diego. The museum is dedicated to the exploration of the multifaceted history of the American music products industry from its beginnings in the 1890s to today. The Bob Moog Foundation has been planning this exhibit over a year and a half ago with the museum’s Executive Director, Carolyn Grant and Curator, Tatiana Sezinenko. Moog historian Brian Kehew has been involved as the consultant for the exhibit and is responsible for introducing the two parties at Winter NAMM 2008.

Here at the Foundation we regard Bob’s archives as a fascinating testament to history, innovation, and a lifetime of perseverance. Since retrieving the archives from unstable storage conditions in January of 2006, we have worked to preserve and protect this priceless collection that traces the 50 year career of a dedicated pioneer. With this exhibit, we are delighted to be sharing an extensive part of the archives with the public for the first time.

A special thanks to Carolyn Grant and Tatiana Sezinenko for their generous energy and thoughtful attention to telling a rich, fascinating story with an emphasis on accurately portraying Bob Moog as the toolmaker he so often described himself to be while giving careful consideration to the many people who make up the Moog Legacy. Thanks also to Brian Kehew who has worked (and will be working over the next six weeks!) tirelessly to help bring this exhibit to fruition. Finally, our deepest thanks to Douglas Babb, who made the trek from Indiana to North Carolina five times (on his own dime) to help us sort out and understand Bob’s archives.

We encourage all of you who are in the San Diego area to attend this unique exhibit. It will be an excellent opportunity to share in the life and work of Bob Moog – and for all you gearheads out there, it will be a chance to see many rare, if not one-of-a-kind pieces. Come share in the legacy that continues to inspire!

Continue to check our blog and the museum’s website for updates.

The Bob Moog Foundation
Make Waves by donating to the Bob Moog Foundation"

Keith Emerson’s personal Moog Minimoog THE ORIGINAL spilt system?

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

via the seller: "For Sale is likely the only original Moog synthesizer owned and used by Keith Emerson that will ever be for sale. Keith Emerson’s other Moog unit, his massive modular system, will certainly one day wind up in a museum and not be available to collectors.
This incredible and historic Minimoog has some very serious provenance. Keith Emerson owned it, recorded with it and toured with it using it on his most famous 70’s and 80’s tours. Further to that Keith had it heavily modified for his unique purposes making it truly a one of a kind relic of music history.

Robert Moog liked the idea so much he created a prototype of what was to be a factory split system. Photos of that unit are online however I have never known anyone to actually own one or see one..

It was technician Tony Wride, who first acquired Keith’s original Moog Minimoog directly from Keith Emerson in 1992. As the story goes with a bit of help from Will Alexander who handled the transaction. The unit was later sold to a synthesizer collector in Texas via auction. That collector is whom I purchased it from.


A unique opportunity to own a piece of Rock history! This Minimoog was one of the earliest ones owned by Keith Emerson (26 June 1973 date on keyboard) and he had the keyboard and electronics separated so that it could be used in his stage setup. Basically the keyboard was set up to slide into place when required while the electronics section remained out of the way"

Update via Seth Elgart in the comments: "Moog actually did make a split keyboard. I've never seen one in person but they did exist. A bit more polished than Emerson's actually as it's not a modification."

Also this exact one appears to have been previously listed here back in 2012.

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Electronic Voyager: Discovering Bob Moog Documentary From the Makers of I Dream of Wires & the BMF

via The Bob Moog Foundation

"We are thrilled to announce our collaboration with Waveshaper Media, the producers of the acclaimed modular documentary “I Dream of Wires”, on a new film about Bob Moog, Electronic Voyager.

A Kickstarter campaign in support of Electronic Voyager has begun.

In association with the Wave Shaper, we aim to create a definitive and personal documentary about the life of Bob Moog. Through the eyes of our Executive Director and Bob’s own daughter, Michelle Moog-Koussa – also a dedicated Moog archivist and historian – we will give viewers an insight into the man behind the iconic Moog brand.

Electronic Voyager takes us on a sonic journey into the often unpredictable life and stunning brilliance of Bob Moog, a man who ‘fell backwards on a banana peel’ into the music instrument business, as well as the psychedelic world of the 1960s music scene. Bob unwittingly revolutionized the face of music, and helped birth an enduring industry.

With Michelle Moog-Koussa as our guide, we are in a very unique position to tell Bob Moog’s story in a new and profound way – from the perspective of his own daughter, who has not only a deep personal connection to Bob Moog, but also a firm dedication to his work and legacy. Bob’s friends, associates and admirers open up when they speak to Michelle about her father, leading to uniquely candid, revealing and joyous stories and insights about Bob Moog.

Electronic Voyager documents a special personal journey for Michelle, to trace her father’s iconic story – visiting the places and meeting the people who were a part of Moog’s history. With exclusive access to unseen family photos and rare historical artifacts from the Bob Moog Foundation Archives, Electronic Voyager opens a window for the outside world to better understand the man behind the legendary Moog synthesizer.

Support the Kickstarter campaign here.

The recent, tragic passing of Bob Moog’s close friend and important collaborator, Keith Emerson – perhaps the most iconic Moog keyboardist – was just another reminder of how important it is to document Bob Moog’s crucial chapter in the history of electronic music, NOW. We are turning to Kickstarter – a direct link to Bob Moog’s friends, admirers and fans – to help us get to work on this important documentary as soon as possible.

Confirmed participants include:

Early electronic music pioneers: Herb Deutsch, Morton Subotnick, Bernie Krause (Beaver & Krause, Moog modular session musician – George Harrison, The Doors), Joel Chadabe, David Borden (Mother Mallard’s Portable Masterpiece Company).

Contemporary Moog musicians: Moby, Adrian Utley (Portishead, Moog Ensemble).

Friends and music industry contemporaries: Dave Smith (Sequential Circuits), Tom Oberheim, Roger Linn, Dave Rossum (E-mu), Mark Vail (Keyboard Magazine), David Mash (Berkelee College of Music), Dominic Milano (Keyboard Magazine), Wayne Kirby (University of North Carolina – Asheville).

Session musicians, composers, technicians: Patrick Gleeson (Herbie Hancock, film composer), Greg Phillenganes (Stevie Wonder, Michael Jackson), Edd Kalehoff (tv/film composer), Michael Boddicker (Michael Jackson, film composer), Will Alexander (Keith Emerson’s synth tech).

Moog employees/collaborators: Bill Hemsath, David VanKoevering, Tom Rhea, Roger Luther, Greg Hockman, Tom Gullo, Dale Ong.

As with any great Kickstarter campaign, we are offering a host of exciting perks, many of which are limited to the campaign and are not available elsewhere. Read all about them and get more details about the project here:

http://tinyurl.com/ElectronicVoyagerKickstarter

Please join us on this incredible journey, the sonic journey of Bob Moog!"

Rare Vintage Moog System 55 & LHC Modular Controller

Note: Auction links are affiliate links for which the site may be compensated.

This one is in via a supporting member of the site. You can find the Moog System 55 listed here, and the left hand controller listed here.

Details on each follow:

"Vintage Moog 55 Modular Synthesizer - now being sold separately from the LHC at a ***hugely reduced price*** - seriously tempting for an original machine with known provenance. An all original vintage Moog 55 Modular Synthesizer. (Note: The incredibly rare factory-custom-made LHC “Left Hand Controller” 3 wheel box has been moved to a separate listing) . This is a complete Vintage Moog 55 Modular Synthesizer that was special ordered directly from Moog in 1979 and delivered to the original owner in 1980. The modules inside show they were assembled between 1974-1980. There have only been 3 owners of this 55... we are all good friends and have worked with many of the same recording artists in LA. This modular sounds amazing and huge! There are several advantages to the Vintage Modular Moog including holding its value, and appreciating over time. This 55 was serviced and restored a few years ago (around ‘09) by Keith Emerson’s Moog tech. Every detail was checked and tested including (fresh keyboard bushings/quiet) etc. It’s in very good shape inside and out. Sequencer is perfect. Has original back-panel perforated boards too. Front panels look great. Maybe 5 small scratches, mainly near screws. Cabinet overall very good: Minor wear. Top cabinet has corner chip around the back. I just tested every module this week and they are all good and sound great. It will leave here all working. Should be ready to play and record, but, since it has sat unused recently, you may wish to exercise the pots and use a jack burnisher here and there. This has a nice switchable power supply for use worldwide. System 55 Modules 5 x 902 Voltage-Controlled Amplifiers 1 x 903A Random Signal Generator 1 x 904A Voltage-Controlled Low-Pass Filter 1 x 904B Voltage-Controlled High-Pass Filter 5 x 911 Envelope Generators 1 x 911A Dual Trigger Delay 1 x 914 Fixed Filter Bank 1 x 921 Voltage-Controlled Oscillator 2 x 921A Oscillator Drivers 6 x 921B Oscillators 1 x 960 Sequential Controller 1 x 961 Interface 1 x 962 Sequential Switch 1 x 992 Control Voltage Panel 1 x 993 Trigger and Envelope Voltages Panel 1 x 994 Dual Multiples Panel 1 x 995 Attenuator 1 x CP2 Console Panel 3 x CP3A Console Panels 1 x CP8 Console Panel 1 x 350 Watt 120 VAC or 230 VAC Switch Selectable Power Supply"


"Ultra RARE Factory Custom Original Moog LHC. Left Hand Controller / 3 pitch-wheel box for Moog Modular. Likely only 2 made. The original owner custom ordered a Moog Modular 55 back in 1979. He asked the Moog company directly to custom-make this for him. They delivered it in 1980. It plugs into the back “accessory port” with a multi-pin connector. It can “normal” to most of the modular, and using switches and a patch or two, quickly set up the wheels for pitch-bends, vibrato, filter sweeps, volume swells, etc. It is a joy to use, works great, and really helps make the performance expressive. One other Moog Modular LHC was made for a famous Jazz artist, that is a friend of the original owner. It was told to me, by him, that there may have only been two of these made. This seems likely, since his was also one of the last modulars made during the original period (see other listing) and modular production stopped roughly a year later. There have only been 3 owners of the vintage Moog Modular 55 that this was custom made for (and that is listed separately today). We are all good friends and have worked with many of the same recording artists. I have never seen another... Nor has any other expert that has seen it! The original serial number and Moog “Custom LHC” tag is still attached to the bottom of the unit. Looks great, works great, highly collectible."

Emerson Modular System & More Coming to Gearfest 2017 This Weekend

via Moog Music:

"This weekend, Moog Music travels to Fort Wayne, Indiana for Gearfest 2017: two days of hands-on music technology demonstrations, workshops from top engineers and artists, amazing musical performances and exclusive on-site deals.

Visit us at Gearfest to see the Emerson Moog Modular System, watch a live build of a limited-edition instrument and explore the outdoor 'synth garden'...

In the summer of 1970, Moog Music shipped a model I-CA synthesizer to Keith Emerson. Over the course of many years, Emerson collaborated with Bob Moog on the commission of dozens of custom modules to complete his megalithic Moog. Using original documentation, circuit board and art files, Moog engineers spent three years rebuilding Keith Emerson's legendary Moog Modular system. Each module is hand-stuffed and hand-soldered using the original parts and processes of the 1970s. We will be demonstrating the Emerson Moog Modular System on the Crescendo Stage at Gearfest 2017 and the final E.M.M.S. (only 2 others exist in the world, excluding Keith's original) will be available for purchase exclusively through Sweetwater."

"Experience Production of a Limited-Edition Instrument

Analog production moves from Asheville, NC to Fort Wayne, IN as we build a limited-edition instrument live at Gearfest 2017. Visit the Moog Pop-Up Factory at the Crescendo Stage to discover the details of the build and experience hands-on instrument production. All instruments built during Gearfest will be available for purchase on-site or exclusively through Sweetwater.com."

"Visit the Outdoor Synth Garden

In addition to the Moog Pop-Up Factory and the Emerson Moog Modular System on display at the indoor Crescendo Stage, you can also enjoy refreshments with the Moog crew and walk in the cool grass of our outdoor "synth garden" located at Booth C4 in the Electronic Music Production Tent."

Keith Emerson's Moog With Cycling Presets Light Show

Emo's Moog w cycling presets Published on Jan 5, 2014 CJ Vanston

"Keith Emerson's Moog being put through the paces by Gene Stopp"

Moog Announces New Modular Systems for 2015 with Back to the Future Sounds Documentary

Back to the Future Sounds Published on Jan 19, 2015

"On January 19, 2015 Moog Music Inc. announced their plans to recommence a limited run manufacturing of three of their most sought after 5U large format modular synthesizers: The System 55, the System 35 and the Model 15. These three modular synthesizer systems were originally created and manufactured by Moog in 1973.

To commemorate the announcement, Moog shot a short film at their factory about the inspiring and multifaceted relationship artists have with modular synthesizers. The video features electronic music pioneers such as Suzanne Ciani, Malcolm Cecil, David Borden, Dick Hyman and Herb Deutsch alongside performances on the new Moog modular systems by Holy Ghost! (DFA Records), Gavin Russom (ECSTATIC/Entropy Trax), Max Ravitz AKA Patricia (L.I.E.S./Opal Tapes/ Spectral Sound), Kaitlyn Aurelia Smith (Western Vinyl), Jacques Greene (Vase/LuckyMe) and M. Geddes Gengras (Stones Throw/Leaving). Each artist played a patch on one or more of the new Moog modular synthesizers recorded in one take with no overdubs."

Suzanne Ciani | System 55

Published on Jan 19, 2015

"In this video, electronic music and sound design pioneer Suzanne Ciani explores the Moog modular System 55 for the first time in decades. Ciani came to the Moog factory in Asheville, NC to play the first System 55 newly handcrafted by Moog in over thirty years. The patch, created and performed live, was shot in one take and features a sequence designed on the 960 Sequential Controller that's driving three 921B oscillators into a 904B High Pass filter whose cutoff is being modulated by a 921 oscillator. A second set of 921B oscillators is also being played manually into a 904A Low Pass filter whose cutoff knob is also being modulated by the 921 oscillator. The resulting sound of each is then sent through its own dedicated MF-104M analog delay for ambience. The audio has been captured directly with no eq, compression, or editing applied."

And the press release:

"ASHEVILLE, NC – January 19, 2015 — January 19, 2014 Asheville, NC: 50 years ago, at its first introduction, the Moog modular synthesizer represented as radical a transition as Kandinski’s abstracts or Kodak’s cameras – offering both a break from yesterday and a startling glimpse of tomorrow. And, as with all cultural explosions, the impact of Dr. Bob Moog’s invention was impossible to evaluate from the epicenter. It’s only now, 50 years down the line that we can get some measure of the importance, and the sheer untapped potentiality of the Moog Modular Synthesizer.

Today, it is with great excitement that Moog Music Inc. announces their plans to re-commence the limited run manufacturing of three of their most sought after 5U large format modular synthesizers: The System 55, the System 35 and the Model 15. These three modular synthesizer systems were originally created and manufactured by Moog in 1973.

To commemorate the announcement, Moog shot a short film at their factory about the inspiring and multifaceted relationship artists have with modular synthesizers. The video features electronic music pioneers such as Suzanne Ciani, Malcolm Cecil, David Borden, Dick Hyman and Herb Deutsch alongside performances by contemporary modular artists like Holy Ghost! (DFA), Gavin Russom (ECSTATIC/Entropy Trax), Max Ravitz AKA Patricia (L.I.E.S./Spectral Sound/Opal Tapes), Kaitlyn Aurelia Smith (Western Vinyl), Jacques Greene (Vase/LuckyMe) and M. Geddes Gengras (Stones Throw). Each artist played a patch live, in one take, with no overdubs on one or more of the new Moog Modular systems.

The foundation for this announcement was laid last year at Moogfest 2014, when Moog released the Emerson Moog Modular system – a faithful recreation of Keith Emerson’s legendary modular instrument, which was the culmination of three years worth of research and engineering. Now Moog will use the techniques learned recreating the EMMS manufacturing process to once again build these modular systems. Crucially, in deference to the unique character and appeal of the original instruments, these systems will be made entirely to their original product specifications and manufacturing techniques and processes.

Working from the 1970s schematics, the System 55, the System 35 and the Model 15 will be meticulously handcrafted, as a true recreation of the original. The modules are built from the original circuit board films - just as they were in 1973- by hand-stuffing and hand-soldering components to circuit boards, and using traditional wiring methods. The front panels are photo-etched aluminum, a classic process rarely still used in today’s synthesizer manufacturing, to maintain the classic and durable look of vintage Moog modules.

Upon their first release in 1973, the System 55, the System 35 and the Model 15 represented a high watermark for modular synthesis, and their inimitable tones can be heard shaping many much-loved albums. They were fundamental in the development of contemporary soul, RnB, and disco from giving Stevie Wonder’s classic run of 70s LPs their questing, innovative edge, to providing Giorgio Moroder with the pulsating machine melodies that ushered in electronic dance. At the same time, these were the instruments that inspired Brian Eno to push further out into seas of layered tranquillity on his pioneering ambient albums, or provoked bands like Yes and Tangerine Dream to blast their sonic freak outs into the cosmos.

However, the reintroduction of these instruments is not about reliving the past – while much incredible work has been done with the Moog Modular, there is so much further yet to be explored in this relatively young instrument. Artists had only begun to grasp the vast possibilities of these large format modular synthesizers when they went out of production over thirty years ago. Decades of electronic experimentation have enabled musicians to move on from viewing the Moog Modular as a replacement for traditional instrumentation. Now a new generation of artists, with a greater understanding and more complex tools, will have the opportunity to explore the power of these singular sonic machines. Today, the modular synthesizer is viewed in the manner Bob Moog originally intended: to “discover endless offbeat, unconventional, and even irrational ways of working.”

The dedicated nature of the Moog modular rebuilding process is such that the units will come in extremely limited quantities. There will be 55 units of the System 55, priced at $35,000 per instrument; 35 of units of the System 35, priced at $22,000 per instrument; and 150 units of the Model 15, priced at $10,000 per instrument.

Alongside these Moog Modular Systems will be the Sequencer Complement B Expansion Cabinet, a dual 960 Sequential Controller, an accompaniment to the System 35 and System 55, that has been out of production for over 30 years– as well as an optional 5-Octave duo phonic keyboard."

http://www.moogmusic.com/content/moog-modular-synthesizers

[AES] Moog Recreates Keith Emerson's Modular System

Published on Oct 11, 2014 Audiofanzine

"Probably the most striking product at the show was Moog's 50th anniversary recreation of Keith Emerson's Moog modular system. Watch the video to learn more about how Moog did it, and to hear some vintage modular sounds."

A Tribute to Keith Emerson from The Bob Moog Foundation

A Tribute: Thank you, Keith Emerson

Published on Mar 15, 2016 moogfoundation

Be sure to read Michelle Moog-Koussa's tribute to Keith as well.

"Keith Noel Emerson (November 2, 1944 - March 10, 2016). Remembered with the highest respect and gratitude for his formidable musicianship and his unparalleled contributions to bringing modular synthesis to the fore of rock music, a combination that changed the sonic landscape.

Rare archival photos by Mark Hockman, courtesy of the Bob Moog Foundation Archives.

'Close to Home', written and performed by Keith Emerson, available on iTunes."

via Michelle's tribute:

"And herein lies the weight of writing about Keith Emerson’s passing. My connection to him, our connection, is multifaceted, rooted in his musical relationship to my father and in my personal and professional bond to my father and his powerful legacy. When asked on several occasions by interviewers if my father were a musician, he would firmly reply no, that he was a toolmaker, and “I make tools for musicians.” This was an inherent acknowledgement that his technological creations were but silent machines unless musicians released their vast capabilities to the listener. The best musicians, starting with experimental jazz composer Herb Deutsch, astonished him with their pioneering efforts to weave early modular synthesizers into their music. Although Wendy Carlos was the first to bring the vastly expressive but technically complex Moog modular synthesizer to the popular consciousness (thanks to her musical prowess and painstaking technical achievements), it was Keith Emerson who dared to not only perform live with the instrument in front of tens of thousands of people each night, but to do so while using it as a featured voice. Keith pioneered the use of the Moog modular in a live rock context while fearlessly bringing it and other electronic keyboards to the fore of the genre."

BMF Re-Configures Erik Norlander’s “Wall of Doom”

via the Bob Moog Foundation where you'll find more pics and the full story.

"Amos Gaynes [right] and August Worley [left] - To many of you, Amos Gaynes from Moog Music needs no introduction. He is well-known in the synth community for his clear and insightful articulation of all things that involve a Moog tech. Amos understands the contemporary Moog gear inside and out as a tech and as a creator of firmware for some of the newer products. A student of mechatronics at UNC-A, he is well on his way to becoming an engineering force at Moog Music, Inc.

August Worley is an electrical engineer who shares a unique qualification with Bob Moog. August is the only person to have worked at Moog Music Buffalo, Big Briar, Inc. and Moog Music Asheville. He was part of the engineering team who helped Bob develop the Voyager. August was uniquely qualified to work on this modular project, as he formerly toured with ELP as the keyboard tech for Keith Emerson’s Monster Moog Modular. He also developed the pyrotechnics for Keith’s Moog ribbon controller.

Between the two, Amos and August have donated over 60 hours of time to the completely reconfiguration of the Wall of Doom in to its new home." Be sure to see the full article for tons of more pics and the full story behind Erik Norlander's "Wall of Doom" and upcoming event with the system, at Moogus Operandi on May 27th"

THE RIVER Analog Polyphonic Synthesizer & More Handmade Miniature Synths

Published on Mar 30, 2019 Ronaldo Lopes Teixeira ROLT

And more: (I believe I've posted some of these in the past - here's the full set - see the miniature label at the bottom of this post for others)



Update: the list:
MINI KORG 2 - HANDMADE MINIATURE
HANDMADE CLASSIC KEYBOARDS COLLECTION MINIATURES by Rolt
Making a Mellotron M400 Miniature
MINI MOOG MODEL D - HANDMADE MINIATURE
ARP ODYSSEY HANDMADE MINIATURE
HAMMOND B3 ORGAN HANDMADE MINIATURE
FENDER RHODES SUITCASE PIANO - HANDMADE MINIATURE
PROPHET 5 - HANDMADE MINIATURE
WURLITZER ELECTRA PIANO (BEIGE) - HANDMADE MINIATURE
HOHNER CLAVINET D6 - HANDMADE MINIATURE
MOOG LIBERATION - HANDMADE MINIATURE
Celeste - CLASSIC HANDMADE PROG KEYBOARDS

CLICK FOR MORE »

Haven't Found The Perfect Sequencer?

Maybe this will help. A sweaty towel owned by none other than Keith Emerson! Wear it while you play for that extra perspiration, I mean inspiration, or take it to your local cloning lab and grow your own Keith Emerson. Details from the auction below (the seller sniffed it).



Via the auction:
"Keith Emerson's Towel
From Black Moon Tour
Here's a weird one. I was digging through my old boxes at my parents house and found my old concert t-shirts and this blue and white striped bath towel in a bag. It didn't take long for me to remember why I saved this towel in a ziplock bag - it was Keith Emerson's towel he used during the ELP concert I saw at Stanhope, NJ back in the summer of 1992.

My two brothers and I got to the show many hours early and I was lucky enough to get to stand against the wall in the front of the stage. I remember it being a very good show and that they played the classic song "Pirates". Keith used the towel the whole show to wipe his head and neck and threw in into the audience after the show was over. My entrepreneurial brother who was standing behind me actually caught the towel out of the air and then sold it to me for $15 on the ride home. (Nice brother, huh?)

After getting home, I placed the towel into a plastic ziplock bag and I NEVER washed it. (Pretty gross, I know) It has stayed in the bag ever since. It doesn't smell though- I sniffed it to check.

Well anyway, I'm not much of an ELP fan anymore, so I'm selling this piece of music memorabilia starting at the $15 price I paid for it 14 long years ago. You are welcome to use it as a bath towel, use it to cover your mini moog, hang it on your wall for inspiration, or somehow possibly extract Keith Emerson's DNA from it and make super keyboardist babies in the future! : )"