Yorick LFE now has a Patch Librarian. Also: marking and moving Favourite Patches on OB-X8.

video upload by Steve Hunt

"The Low Frequency Expander from Yorick Tech now has a patch librarian so you can save blocks of patches from a synth and send them back to the synth in the same or a different location. A great way to organise and back up your patches.

You can also can now mark patches as Favourites, step backwards and forwards through Favourite patches, step through patches in a sound category, and step through just the Favourite patches in a category. It can also fetch the favourite patches from the synth, store them in the LFE as a SysEx file and then send them back to the synth in a block, rather than having them spread around different locations in the synth."

J3PO meets the UDO Super Gemini

video upload by J3PO

"Just got the new SUPER GEMINI synthesizer by UDO in my studio and upon taking it out of the box, I immediately fell in love. Just incredible. I will be creating a preset library for this beast in early 2024.

Learn synthesis and sound design with me: https://musixup.com/synthesis-and-sou...

I have presets available for the Super 6, Prophet 6, Prophet 5/10, Prophet Rev 2, OB-6, OB-X8, Spectrasonic's Omnisphere, Arturia OP-Xa, and many others — all available on my website. If you're a Nord Stage 3 or Wave 2 user, download my bank from the Nord Keyboards website."

Boutique Handmade Analog LFO Low Pass LP Filter by TSL Studio Equipment on Oberheim: OB-X8 Synth

video upload by

"Analog LFO Filter 2023 Edition Updated
This is a Unique Pure Analog and Handmade Point to Point Low Pass Filter with Internal LFO
For Guitar , Bass , Other Instruments and for Synthesizers
(for guitar is amazing)

Knobs:
- Audio Input Volume
- Filtering Knob
- Resonance Control
- LFO Speed
- LFO Depth

Switch:
- LFO ON/Off
- True Bypass Switch

The device working with standar 9v dc power supply for pedals (Negative center tip polarity)
Audio IN & OUT Jacks are 1/4" Mono

Device Size Hammond 1590BB
Size L x W x H4.7 in x 3.7 in x 1.34 in (119 mm x 94 mm x 34 mm)

I send my packs World Wide with A priority Registered Package and Tracking Number.
Power Supply not included.

Infos:
TSLStudioEquipment@Gmail.com
www.TsomokosAudio.com"

Oberheim OB X8, prophet 6, evolver kb

video upload by jostalmac

Who becomes silverware first? - 10 minute LFO filter sweep and semi-generative Eurorack jam

video upload by thesrabbit

"This sonic experiment was inspired by the Dreadbox Erebus LFO having a whopping 10-minute long cycle time. Therefore, I thought it might be fun to run that LFO into every single filter I have with a CV input, including big analog polys with a VCF control input on the back intended for expression pedals. The honorary VCFs include: 2x Roland System-500 521, G-Storm Electro SH-2 and SH-5, Dreadbox Erebus, Oberheim OB-X8 (OB-X SEM LP mode), Sequential/Oberheim OB-6, Roland Juno-6.

Interestingly the filters on the big polys don't open all the way. I assume this has something to do with the inputs being calibrated for expression pedals rather than Eurorack CV. According to my oscilloscope, the Erebus LFO range is -5v and +5v. This is pretty typical for Eurorack. I set the cutoff at about 50% for all the filter modules. This seemed to work perfectly. But I was not able to do that with the polys. With the cutoff at 50%, the filters would open up all the way, but they wouldn't close nearly enough. I had to bring the cutoff completely down, and as a result, the filters on the polys wouldn't open up all the way. I did alternate takes where I walked around and tried to smoothly nudge each one up in order to get the filters fully open, but that was a disaster. In retrospect, I could have set up a one-shot MIDI LFO to do this and triggered it once at the right moment, but I already had enough things to worry about.

One of my audio interfaces is dead or dying, and it keeps ruining takes and sometimes crashes Logic. I finally turned it off and went with my lone Focusrite Scarlett 8i6, which has always been solid. But now I had an extra synth without an input and I wanted to have the polys on their own tracks so that I could blend them in with the Eurorack stuff to taste. And there's no possible way I could overdub since the whole point is to have one LFO sweeping all of the filters at the same time. I ended up resorting to an old 1989 JVC cassette deck to record the OB-6. So that shot at the opening of the video is legit. There's such a big wall of sound here that it's impossible to tell if it ended up adding any saturation. It definitely added some hiss and crackles but that's fine in this context. The cassette itself is ancient, cheap consumer grade, 60 minutes per side. I ended up recording over some 90's black metal that had been there since, well, the 90's.

To add to the grit and grime, I intentionally ran the filters from the Eurorack straight into the audio interface, bypassing the typical flow through VCAs. Ok, fine, I totally forgot about the VCAs, but it sounded extra dirty, so I didn't stress out too much. I certainly wasn't going to power everything back on, tune everything up and do another take because of it.

Obviously when the filters are closed or nearly closed for several minutes, there needs to be something to fill that gap. That's where the generative stuff comes in. There's 3 different sample and hold circuits feeding different things, including back into themselves in one case. Some voltage is running through different logic gates in conjunction with other, steady LFOs. Since I'm out of filters, the sound consists of pink noise through a VCA, triggered at random by a very short decay envelope. This runs into a recovery tape delay module, that gives sort of a slapback effect.Then there's a single oscillator, pitch controlled by another S/H circuit run through a quantizer and then running into the spring reverb tank. It's also triggered by the same random voltages triggering the noise hits. Then there's the Mutable Instruments Plaits, making the plinky plonky sounds, again everything triggered at random. It's running into the majestic Calsynth Typhoon.

The last thing to note is that the Erebus LFO also acts like an automated fader to increase and decrease the level of the VCA where all the rhythmic sounds are running through. I simply inverted the signal of the LFO output to do this. As the filters open up, the VCA level diminishes. When the filters fully close, the VCA level increases to maximum.

Last last thing. That knob twisting near the beginning isn't for sci-fi FX, though that's an added bonus. I was simply trying to get the LFO back to its "starting position." I didn't quite succeed. I don't believe the Erebus has any sort of LFO triggering mechanism to help with this. All good though.

FX: Audiothingies DoctorA delay and reverb, Boss DM-101 delay

No post processing other than a 30Hz low cut and slight limiting on the master"

PlayFader PlayMates - Oberheim OB-X8 via MIDI 🔥

video upload by Play All Day

"What’s going on here then? MIDI baby, yeah!
The cv outs are connected but they’re not in the mix. This is just MIDI - 909 sending MIDI transport into PlayFader and the @Oberheim OB-X8 being sequenced by PlayFader. Channel A controls filter cutoff while Channel B sequences, all via MIDI (PlayFader features a 3.5mm Type A connection).

MIDI is here!!! Along with other new features like buffer contents visualisation, channel mute, patch storage allowing up to 8 patches to be saved (includes all settings and buffer contents), Buchla 1.2v/oct and Korg Hz/oct scaling, channel copy and loads more.

Firmware updates are way ahead of schedule, so much so that we are behind on updating the Play Data guides and manuals.

Btw, the LED screen refresh rate doesn’t always match the camera capture rate which is why the LEDs might not always be consistent... maybe, but I'm clearly not a video expert... we’re getting a better camera really soon :)"

Oberheim OB-X8 - KING OF SYNTHS

video upload by Martynas Rusteika

0:00 First sounds out of box
0:43 Funny organo
1:03 Analog waves
1:54 Ultimate stereo of every note
3:13 ARP + LFO = stereo delays
5:34 Fat sound of ONE OSC
8:40 Rewarding sound of ARP

Oberheim OBXa SN 820101

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Tone Tweakers eBay | Reverb

Note auction links are affiliate links. See the site's privacy policy for more info.

"This unit came to us in relatively good working order, but these synths need a full restoration in order to work like new again and be as reliable as possible, so that's what we did. It's been meticulously cleaned inside and out and electronically refurbished so it's working exactly as it should, no surprises typical of most vintage synth purchases these days. We also took some important future-proofing measures, so it will hopefully outlast all others. This unit should tune better than all others too as it also includes our custom tuning stabilization modifications. This process took approximately 37 hours of valuable skilled labor which is of course factored into our price - you get what you pay for. This ob-xa contains a JL Cooper MIDI retrofit.




Here's a rundown of what our tech did - there could be more things left out:

Disassembled and cleaned inside and out
Keyboard mechanism rebuilt:
Old bushings removed and replaced with new bushings
Key guides adjusted
Bus bars cleaned
Key contacts cleaned
Keys cleaned and reinstalled
Replaced power supply caps, replaced IC socket, diodes, trims
Lots of molex connector terminals replaced
Jacks cleaned
All pots cleaned
VCO trimpots replaced for more stable tuning
Replaced most electrolytic capacitors
Recalibrated
Replaced 4053 logic IC chips x3
Replaced CV section TL082 IC chips x8
Replaced CA3080 VCAs IC chips in CV section x8
Replaced battery
Reloaded patch data
Replaced wooden sides
Repaired often defective pitchbend"

CLICK FOR MORE »

Oberheim OB-X8 Backlash Refill Pack

video upload by Barb

"This demo is a sneak peek of a refill pack for the OB-X8 that will add new sounds to the original Backlash soundset. You will find 24 new programs and 24 new doubles. The full pack is now 80 programs and 48 doubles.

The recording :
This audio recording uses no compression or EQ.
Some sounds have been recorded full dry, others have different type of reverbs. Some few others have a bit of delay. You have details of FX used on each extract.
For the drums parts, a Roland TR-8S has been used, loaded with samples recorded from the Backlash set. Some are raw, others have been edited to give more differents types of sounds.

This refill pack also provides these additionnal one shot drums and basses samples of the OB-X8 in wave format.

Thanks !

For any other infos on this set, please check the product page :

https://www.barbandco.com/store/p314/...

Intro 00:00
Blades Of Memory 00:09
Bowed Contra 00:37
Dark Mood Pad 01:06
Depth Gauge 01:27
Woo Bass 01:40
Heroic Chorus 01:56
Chopped Soul 02:17
To LA And Back 02:42
Mecha Lead 03:01
Pillow Keys 03:20
Rich Man Sitar 03:45
No Delay Needed : 03:52
Glass Collapsing 04:03
Rough Pulse 04:17
Solina Style 04:42
Street Fair 05:14
Victorious ! 05:26
Matrix Marauder 05:45
Synth Orchestra 06:12
Valerie 06:26
Out Filter 06:36
Glue Bass 06:50
Kill'em All ! 07:01"

Oberheim OB-X8 Sound Sets by Blue River Sounds

video uploads by Blue River Sounds

Blue River Sounds was founded by ex-Sequential, and current Groove Synthesis founding partner, Mark Wilcox.

Note there are three videos in the player above. You can use the player controls to flip between them.
The third video, "OB X8 Doubles," features layered sounds.

Details:

"Inspiring and useful sounds for the Oberheim OB-X8. Leads, basses, pads, complex textures, and much more. Available for purchase at www.blueriversounds.com."

"No effects were used in the recording of these sounds. They are organic and full of movement right out of the box and don't rely on FX to make them sound great.

Special thanks to our friend Nick Semrad for his excellent playing in these demos."

OB X8 Doubles - 3rd Video
"64 Doubles presets for the Oberheim OB-X8. These are unique, impactful, and complex Oberheim textures that make great use of Page 2 features and aftertouch to add movement and stereo depth.

This set requires Blue River Sounds OB-X8 Sound Set 1 and Sound Set 2. When you purchase this Doubles set, OB-X8 Sound Set 1 and Sound Set 2 are included."

"Blue River Sounds has 3 new sound sets for the Oberheim OB-X8 — 2 sets of 64 Singles, and 1 set of Doubles that references the Singles. Blue River Sounds was founded by Mark Wilcox, a key player at Dave Smith Instruments/ Sequential for nearly a decade. He also helped bring back Oberheim in 2022 and is co-designer of the 3rd Wave Advanced Wavetable synth at Groove Synthesis."

And via Blue River's about page:

"Blue River Sounds was founded by Mark Wilcox, a California-based sound and instrument designer whose presets have been featured in every Sequential synthesizer since 2014.

His multi-decade career in music tech includes nearly 10 years at Sequential. His contributions to their product designs and factory sound sets have been numerous.

Mark is also a founding partner of Groove Synthesis and co-designer of the critically-acclaimed 3rd Wave Advanced Wavetable Synth. He did much of the sound design for that synth, as well."

Knobcon 2023

video upload by Jeremy Parker

"My first Knobcon! What took me so long? It's about way more than just modular, and I simply had a great time. People were so nice, whether they were faces to names I knew online, or complete strangers that I just talked to randomly. This isn't a comprehensive view of everything the con has to offer, but it was a glimpse into my experience. So many people to thank and acknowledge below:

https://www.knobcon.com/

Ben Alman and The Entire Robot: https://www.twitch.tv/theentirerobot
@TheEntireRobot
Oberheim: https://oberheim.com/
Sequential: https://www.sequential.com/
Juanito Moore:

/ @ozerik
Modular for the Masses: https://modularforthemasses.square.site/
Hammond Organ: https://hammondorganco.com/
Circuit Happy: https://circuithappy.com/products/the...
The Golden Shrimp Guild:
https://gsg.live/
Kyaa & AE Modular: https://forum.aemodular.com/board/22/...
A Yellow Sine: https://www.ayellowsine.com/
@gerbilhamsterrecords3342

00:00 Intro
02:12 Friday Night Welcome
03:34 Saturday Exhibits
3:53 Oberheim OB-X8
4:35 Sequential Trigon-6
5:34 Juanito Moore
9:05 Hammond
12:05 Circuit Happy
14:08 The Golden Shrimp Guild
15:50 Lectures
16:06 Kyaa Modular
16:45 A Yellow Sine
16:56 Schedule
17:24 Golden Shrimp Jam & Outro"

UVI Introduces Synth Anthology 4

video uploads by UVI

Note the above is a playlist featuring 4 videos. You can use the player controls to skip through them or just watch them all in order.

Details on Synth Anthology 4 follow:

The authentic sound of 200 synthesizers, from vintage to modern
4,000+ presets and layers deliver incredible sound with hardware soul
Feature-packed dual-layer engine with fx, arpeggiator and more

Synth Anthology 4 - A Synthesizer Tour de Force
https://www.uvi.net/synth-anthology-4

Rebuilt from the ground-up, Synth Anthology 4 now features the authentic hardware sound of 200 vintage and modern synthesizers, a fully redesigned engine with powerful features, fx, arpeggiator, smart sound suggestion engine, native MPE support, and more.
A dreamlike collection!

Also included in SonicPass ➡️ https://www.uvi.net/sonicpass

Video credits: Anthony Hak
Music Credits: Théo & Thomas

"The Best Keeps Getting Better

What's new in version 4?

Almost everything!
We've rebuilt the engine from the ground-up, added more synths, more presets, more effects, more filters, more modulation, a dedicated browser, a second fully-customizable layer for creating hybrid and blended timbres, an all-new smart suggestion engine that helps you quickly find similar sounds, a more powerful arpeggiator/phraser, bus effects, native MPE support, and more!

Real Hardware Sounds There is something unmistakable about the sound of a real hardware synth, from subtle differences between voice circuits and drift to the varied way filters bite into the sound; there's a distinct character and energy. Synth Anthology 4 delivers the authentic and uncompromising hardware sound with all the conveniences of a modern software instrument.

Every piece of hardware represents a unique creative vision, sonic character, innovations, and strengths. Whatever you're looking for, from analog to digital, vintage classic to future classic, you will find it here. Synth Anthology 4 delivers an incredible collection of hardware, every major manufacturer, every type of synthesis, every era, 200 synthesizers in all.

You won't find a more complete collection anywhere else."

The list:

CLICK FOR MORE »

Oberheim OB-X8: Sounds with Page 2 Features (including an OB-6 filter mode sweep)

video upload by thesrabbit

"Contents:

0:00 Intro (Notch Dream patch with delay)
3:27 Hell's Swells patch (with short plate reverb)
5:35 OB-XH patch (with delay and reverb)
6:50 OB-XH lower layer (dry)
7:11 OB-HX upper layer (dry)
7:31 Hell's Swells lower layer (dry)
7:53 Hell's Swells upper layer (dry)
8:16 Notch Dream lower layer (dry)
9:01 Notch Dream upper layer (dry)
9:51 LFooy patch (with delay)
11:01 Square Weirdo patch (with delay)
11:55 Crazy AF patch (with delay)
12:44 Dirtano patch (with reverb)
13:47 Notch Dream patch variation with MIDI Mod (with delay)
15:16 OB-6 filter mode patch variation with MIDI Mod (with built-in chorus and delay)
18:06 Outro with OB-X8 and OB-6 (Notch Dream patch and OB-6 filter mode patch with delay)

If you have an OB-X8 and you're not using the Page 2 features, you're missing out on half the synth. Nobody seems to talk about these features or explore them. The OB-X8 is indeed a very versatile synth capable of many different timbres, not just the classic sounds from the original OB series. There are so many things you can do with modulation envelopes, LFO phase inversion, different SEM filter modes, and layering, just to name a few things. The OB-6 is limited by comparison. I find it pretty frustrating to use sometimes after making sounds on the OB-X8. It does have other tricks up its sleeve of course, and it sounds beautiful. It's definitely its own brand of OB with its own flavor. Similarly, the addition of 3 SEM filter modes and ability to mix and match OB-8, OB-Xa, and OB-X components and features make the OB-X8 its own beast, and I feel like a lot of people don't really appreciate that. It is so much more than a reissue.

Rant aside, my main motivation for this was to see how close I could get to emulating an OB-6 filter mode sweep. I think I got pretty good results here regardless if the sound is close or not, but I'll let you be the judge. Let me know what you think. There's no way to match perfectly because the filters sound different, and I believe a lot of it has to do with the differences in the oscillators, and maybe gain staging. The OB-X8 filters are more aggressive, with more prominent resonance. Crank the resonance on the OB-6 with the filter in the notch position. It barely does anything. Do the same on the OB-X8 and you'll hear those "sing-song harmonics" as you sweep the filter. And although they're not as loud as they are in the other filter modes, they are still very noticeable. There is also something magical about the high pass filter in the OB-6. Again it might be due to the oscillators. I find the high pass on the OB-6 very comforting, not that the one in the OB-X8 is bad in any way at all. It's just different. I also find the notch filter in the OB-X8 to be more "chewy". This is probably the result of it being more aggressive. In a battle of the filters, I'd choose the OB-X8 for lowpass and notch, and the OB-6 for bandpass and highpass. Anyway, I'm sorta ranting again.

Ultimately, I hope you enjoy these sounds and if you have an OB-X8, I strongly encourage you to explore all of the Page 2 features. I'm sure you've noticed that I have the pinstripe overlay for my X8. While I do prefer the pinstripe look, I really got it because it has the Page 2 function labels on it, and this is huge for me. Page 2 doesn't have to be menu-diving, it can simply be shift functions, which tons of synths have and they're easy to use. Having the labels and changing Page 2 parameters on the panel is a game changer for me. I don't have great eyes, so the small screen can get tiresome after awhile. If you don't want to splurge for the overlay (it's pretty expensive), maybe there's another option for adding labels to your synth. For me it's totally worth it.

Lastly, I think I may have inadvertently ripped someone off in the outro. It sounds like it could be from a movie, but I can't place it.

Enjoy the video.

MIDI Mod for iOS and Apple Silicon Macs:
https://apps.apple.com/us/app/midi-mo...

Bandcamp:
https://hypergol.bandcamp.com"

0000 0000 1000 0110 1001: Live in the studio by Hypergol (Oberheim OB-X8 instrumental)

video upload by thesrabbit

"Here's a live in studio version of track 3 from my latest EP "More Voices"

This track utilizes the first patch I made after unboxing the amazing OB-X8 from Oberheim. It's a nice, lush, unmistakably 'Oberheim' pad sound using the OB-Xa 24db filter. It starts off with the patch split, with an arp on the upper layer and then moves to double mode (stacked) with 4 voices panned hard left and 4 hard right. On the album version, I didn't do any stacking, opting to double track instead so that I could get the full 8 notes of polyphony. There are some challenges when limited to 4 notes, particularly with envelope triggering. It's fairly obvious here in the latter section of this live performance, as there are some notes that aren't nearly as soft as I'd like them to be. The beautiful modulated plate reverb from the Audiothingies Doctor A helps to make things less jarring. In this performance, I occasionally sweep the filter of both layers (rather poorly) with a foot pedal. The battery on my real camera is dead, so no fancy moody bokeh in this video, unfortunately.

Check out the original track over here on my bandcamp page:
https://hypergol.bandcamp.com/album/m..."

All the soft pads: OB-X8, OB-6, Nord Lead 2, JUNO-6, JX-3P, JP-8000, Reface CS, Eurorack

video upload by thesrabbit

"Warning: The recordings in this video have a LOT of bass, even with a 30Hz EQ low cut. Maybe some of that will get trimmed off in YouTube compression.

Contents:
0:00 OB-X8 with TAL chorus I
1:34 Nord Lead 2 with TAL chorus I
3:04 OB-6 with built-in chorus
4:36 Juno-6 with built-in chorus II
6:06 JX-3P with built-in chorus
7:35 JP-8000 with built-in slow chorus
9:06 Reface CS with built-in chorus
10:43 Polyphonic Eurorack with Mimeophon
12:14 OB-X8 with reverb
13:53 Nord Lead 2 with reverb
15:28 OB-6 with reverb
17:04 Juno-6 with reverb
18:41 JX-3P with reverb
20:15 JP-8000 with reverb
21:52 Reface CS with reverb
23:29 Polyphonic Eurorack with reverb

I had to reupload this due to being a Davinci Resolve noob. There were all sorts of weird artifacts in the audio with the original upload. Hopefully it's fixed now.

I'm not sure if there's a point to this video at all. I love soft pad sounds. They're warm and comforting. I decided to make a pad sound on the Roland JX-3P and one thing led to another and of course I had to make a similar sound on ALL of my analog and virtual analog polysynths, including Eurorack, as I now have all the components to make a 2-VCO 4-voice polysynth. All of these pads are based on a simple 2-oscillator sawtooth, with a little detuning and pitch mod to one of the oscillators, if possible. On the Juno I there's only 1 oscillator, so there's maybe a little more LFO to pitch than on the other synths.

In the beginning, you see me play the notes on the Oberheim OB-X8 (Yes, it's an X8 and not something vintage, I have a pinstripe overlay, mostly for the Page 2 labels). I used that "performance" to capture the MIDI, which is then routed to all the other synths that are featured here, including the Eurorack setup. Before tracking the modular stuff, I removed some notes from the recorded MIDI so that there wouldn't be all sorts of crazy unpredictable voice stealing.

I used the built-in chorus on the JX-3P, so I figured it's only fair to use chorus on everything. I used the TAL Juno Chorus plugin on the OB-X8 and Nord Lead 2, setting 1. I used the built-in Chorus II on the Juno-6, and the "slow chorus" on the JP-8000. For the Sequential OB-6 and Yamaha Reface CS, I went for a similar type of slow chorus. The chorus on the OB-6 is very usable if you keep the rate low. There are sweet spots to be found. For Eurorack, I used the Mimeophon with a short delay time. It doesn't really do the chorus thing so much, but it does sort of act as a stereo widener. So if it sounds a little clangy, that's probably why.

Eurorack 4-voice poly is assembled like so:
Voice 1: 2 VCOs from the System-500 512, System-500 521 VCF, System-500 VCA, System-500 envelope
Voice 2: 2 Eowave Titan VCOs, System-500 521 VCF, System-500 VCA, System-500 envelope
Voice 3: 2 VCOs from the Wavefonix Dual CEM 3340, G-Storm SH5-VCF, Doepfer VCA, Doepfer Envelope
Voice 4: Dreadbox Erebus all internal VCOs, VCF, VCA, and envelope
All voices are mixed together and then fed into the Mimeophon
There is some additional filter modulation applied to all filters via the Erebus LFO

After the first round, all recordings are played again with the wonderfully lush Audiothingies DoctorA modulated plate reverb, approx 50/50 wet/dry mix."

Boss DM-101: First Jam with synths - Oberheim OB-X8 and Roland JP-8000

video upload by thesrabbit

"I got the DM-101 yesterday and immediately fell in love with the character and stereo modes in particular. I decided to make a quick jam that features my favorite mode so far, the stereo "pattern" mode. This mode has some nice stereo width and interesting tempo sync'd delay repeats. Since the repeats are a bit on the long side, for a BBD, there's plenty of lo-fi goodness, which almost sounds like a bit crusher.

I ran both the JP-8000 and OB-X8 into a mixer, and then FX sends from the mixer to the DM-101. I had no problems sending the mixer line-level signal to the 101. I thought I might have to use a re-amp box to bring the the level down, but I didn't have to, which is great.

I was lazy and recorded straight into Mainstage, which is not great because I couldn't mix the dry synth track and FX track after. Sometimes the balance is good, other times not so much. Oh well, it was a quick live jam so whatever. I just wanted to record something with this particular delay setting, which I have since saved as a preset of course.

Sorry the videography is so boring. My room is a total mess and I don't have anywhere good to position the camera right now.

All of the OB-X8 patches will be included in my upcoming soundset. Release date TBD."

Oberheim OB X8 Sound Demo (no talking) with Presets for Ambient, Electronica and Melodic Techno

video upload by Limbic Bits

0:00 (PADS) Mosaic Texture
0:58 Winter Solstice
2:03 Cortisol
2:34 Eerie Drone C
3:22 Kingdom of Fools
4:19 Transmission
5:08 Cascade
5:22 Rain
6:14 The Hive
6:42 Freezing
6:59 Relax
9:06 First Contact
9:49 Parabiosis
10:26 Dawn of the Pad
11:10 Cortisol (again)
11:41 Adrenaline
12:22 Epinephrine
13:06 Amygdala
13:28 Dopamine
14:09 Vessels
14:47 Cochlea
15:02 Cranial Nerve II
15:25 Focus Pad
16:21 Hippocampus
17:10 Limbic Pad
18:02 (BASS) Weltenzerstörer
18:25 Bass Anthem
18:36 LowRider
18:42 Sync Bass
18:56 Pathetic
19:21 Pitch Black
19:32 Basic Bass
19:48 Adenosine
20:13 Orga Bass
20:23 Kicked Bass
20:30 House Bass
20:38 Sub Bass
20:47 (LEADS) H2SO4
22:10 Afterlife
23:11 Transcendent
23:25 Capitan Pasado
23:41 Arachnoid
24:09 Boarder Lead
24:39 Cotton Candy
25:29 Arcadia
25:39 AggroD
25:55 Fast Lane
26:11 Mellow Pulse
26:32 Helios
26:54 Broken Marble
27:18 Duality
27:50 Walking Lead
28:05 BaseLead
28:14 (EFX) Signals
28:23 Factory Arp
28:30 Chaos
28:36 Arcade Arp
28:42 Relax Drone Outro

Oberheim OB-X8 - Synth Exploration

video upload by Kraft Music

"Find exclusive Oberheim OB-X8 BUNDLES at Kraft Music:
https://www.kraftmusic.com/brands/obe...

Adam Berzowski explores the sounds of the Oberheim OB-X8 at the Kraft Music studio

Contact Adam directly at 414-858-4008 or aberzowski@kraftmusic.com if you have any questions or would like to place an order on your very own OB-X8

The Oberheim OB-X8 marks the return of a legendary analog synth sound. With a 100% analog audio path that cuts through a mix like no other synth, the OB-X8 sounds like a classic Oberheim because it is a classic Oberheim. The OB-X8 combines the voice architectures of the OB-X, OB-Xa, and OB-8 into a single instrument, faithfully reproducing the individual filter types and other unique characteristics of each model. Using the OB-X8's clear and easy-to-grasp set of controls, you can even mix elements of different models to create sounds never possible with the originals.

OB-X8 is available with a 61-key Fatar velocity- and touch-sensitive keyboard with channel aftertouch, allowing unparalleled expression and responsiveness, as well as a desktop module version with a footprint that's compact enough for studios of any size and convenient enough to take out on the road.

Get more for your money with an exclusive Oberheim OB-X8 polyphonic analog synthesizer bundle from Kraft Music. These package deals include the accessories you'll need to get the most out of your new analog poly synth, all for one low price. If you have any questions, please contact us. Our knowledgeable Sales Advisors will be happy to assist in choosing the bundle that's right for you!"

Oberheim OB-X8 w/ Blue Pinstripes

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"This is an OBX-8 8-voice analog synthesizer, in mint condition, outfitted with the pinstripe overlay. This overlay is non-adhesive vinyl, held in place by the knobs (i.e., it can be removed easily if you prefer). Pinstripe overlay is ~ $140 value"

OB-XA / OB-8 Style Blue Pinstripes

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Oberheim OB-X8 8-Voice Polyphonic Analog Synthesizer

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