"This Oberheim OB-12 is owned by Animal Collective
Though certainly used other places, this was definitely used on AC's remix of Don't Think Twice It's Alright by Bob Dylan.
SN: 4063801 There is some cosmetic wear including light scratches, scuffs and dust throughout, but the synth is overall in clean condition. There are a couple of very small dings in the side wood panels. The instrument is in proper working order. All buttons, knobs, faders and keys are intact. Overall this is a great synthesizer that features a plethora of sounds and colors at its player's fingertips. No case or power supply included.
All items in The Official Animal Collective Reverb Shop ship fully insured with delivery confirmation and a signed and embossed Certificate Of Authenticity from Animal Collective.
Also included is a poster for "Panda Bear Meets The Grim Reaper" as well as 2 Animal Collective lanyards."
"OB-X8 sound demo by INHALT. Programmed, played and recorded by Matia Simovich / INHALT at Infinite Power Studios. The OB-X8 was recorded straight into Pro Tools HD and no post processing or FX were added. What you're hearing is the raw synth.
"For the first time in over 40 years, a legendary analog synth sound returns.
The OB-X8 combines the three different voice architectures of the classic OB-X, OB-Xa, and OB-8 synths into a single incredible instrument. The individual filter types and other unique characteristics of each model have been faithfully reproduced, along with an uncompromising 100% analog signal path, giving you the most authentic and satisfying OB experience possible.
Oberheim is BACK!"
Oberheim OB-X8 INHALT Sound Design Demo No Talking
"My history with Oberheim runs deep. Probably the most important synthesizer for me was the Oberheim OB-8. I connected deeply with its melancholic and midnight music sounding tone which matched very well what I was doing with INHALT at the time. But never to be beguiled by softer emotions, the flick of the unison switch instantly took the OB-8 into an aggressive "body" music. It was the perfect writing tool due to the even tone across all octaves and the fact that its intrinsic musicality was unavoidable. Around the time I got the OB-8 I also got a vintage 2 Voice (thanks for restoring that one Chok) and both were heavily used on many records that I made. Those were my MVP's for many years.
When I received the call from my colleagues at Sequential that not only was a new Oberheim in the works, but that it was to be THE Oberheim, I couldn't wait for the beta testing and sound design to start. And when the prepro unit arrived, I knew that the newly reborn and official Oberheim company, in tandem with the team at Sequential, created something incredible. Something so comprehensive, deep, detailed, featured and yet immediate and simple, with no possibility of making a bad sound. Every sound I made sounded exactly as it should, and they ALL embodied that unmistakable Oberheim sound. That magic that is often imitated but never accomplished. Until now.
I'm not going to get into specs, those have been already covered everywhere, but I will say this: as someone that has used all of the "big" Oberheims, and that has made many records in commercial studios with the OB-8 and a vintage 2 Voice, I can definitively say that this Oberheim does all of those sounds and more. Its charisma changes from filter to filter and it seamlessly traverses from X, Xa to 8 with the Page 2 voice offset and vintage knob, but it ALWAYS sounds like the genuine Oberheim that it is. This incredible team, that I've had the pleasure of working with, has created something that might possibly be the ultimate polyphonic analog synthesizer. And I can't wait to use it on the many upcoming projects at Infinite Power Studios.
This is a recording I made of many of the patches I created for Oberheim and the shipping factory library that will come with the synth.
Please note, the OB-X8 in the video is a prototype unit and I recorded this with a beta firmware. As such, while the synth was largely done there were some changes both to the panel and to the OS that are in the final shipping version (obviously). The OB-X8 was recorded straight into Pro Tools HD and no post processing or fx were added. What you're hearing is the raw synth."
The Sound of the Oberheim OB-X8 - Julian "J3PO" Pollack [custom knobs on this one]
"Oberheim has released a new synthesizer--the first in many decades--the OB-X8. It is a faithful recreation of all three of the classic OB-series synthesizers in one: the OB-X, the OB-Xa, and OB-8. It is an incredible synth.
In this video, you will hear a bunch of presets I created for the OB-X8. Some of my sounds will be included factory with the OB-X8 while most of these presets will appear in a presets pack I will release soon (check www.j3po.net for the release of my official sound bank). This particular unit is an early prototype with non-production knobs. The final production units will look slightly different.
It is important to note that the OB-X8, like the original OB's from back in the day, does NOT contain any onboard effects. In this video, I used some external reverbs and delays to give certain presets the ambience and resonance they deserve. Light compression and limiting was applied for the purpose of uploading to YouTube and balancing the sounds."
"I'm always reluctant to post something in prototype form. When I had this unit it was sonically pretty close. Obvious at a glance are the knobs and 3D printed bender box levers. The synth itself sounds great and such a dream to play with a nice modern key bed."
And the press release:
Oberheim Returns to Operations and Releases Its First New Synth in 35 Years
San Francisco, CA – May 9, 2022 – In a momentous industry development, Oberheim Electronics, one of the most venerated names in synthesizer design, has announced its return to operation to meet the rising global demand for its instruments.
Today, the company is launching its first new product, the OB-X8: an eight-voice polyphonic analog synth that combines all of the key features of the legendary OB-X, OB-Xa, and OB-8 products from the 1980s – including all the original presets that gave them their signature sounds.
“I wanted to come back strong with a new design that brings together the sounds of the greatest instruments from across the OB range, together with the distinctive sound and styling of those synths,” said Tom Oberheim. “But we took it even further. You can now combine the various OB voice architectures in ways that produce unique and interesting new sounds and capabilities.”
Originally founded by Tom Oberheim in 1969, Oberheim Electronics created ground-breaking products that fueled the electronic music revolution throughout the 1970’s and early 1980’s. After ceasing operations in 1985, these instruments attained near-mythical status, with highly prized vintage models selling for many times their original price on the secondhand market.
Since that time, Tom Oberheim had created a handful of limited-production instruments and co-designs with various partners under other names. But in a recent significant development, he regained control of the Oberheim trademarks and IP, and now, in partnership with Focusrite PLC, has decided to once again introduce new products under the Oberheim brand name for first time in more than 35 years.
“I’ve always had a very optimistic outlook on our industry and the future in general. I felt that one day, when the time was right, Oberheim would return. A big part of this was the fact that so many musicians have contacted me over the years to ask how to get hold of an original Oberheim. So when I finally reacquired the Oberheim name, it was clear that the time was finally here,” said Oberheim.
The catalog of artists associated with the original products is long, and includes innovators like Prince, Van Halen, and Herbie Hancock. For many, it was much more than just an instrument. A handful of A-list artists such as Trent Reznor, creative force behind Nine Inch Nails, and Golden Globe, Academy Award, and Primetime Emmy-winning composer got pre-release previews. “When I was shown the new OB-X8, I was immediately impressed with the forensic level of detail that went into its design and the respect for its lineage,” remarked Trent. I will be making room in my studio for one and I’m excited more people will be able to experience this classic instrument.”
Creating a new company out of thin air was no small feat. “I’m excited to work with my old friend and audio industry innovator Marcus Ryle, along with some other members of the original Oberheim team again,” said Tom. “And thanks to an exclusive partnership with Focusrite group company Sequential LLC, we have the ability to design, manufacture, distribute, and support new instruments on a global scale.”
For Marcus Ryle, one of the inventors behind the ADAT, the QuadraSynth, and Line 6 guitar amps and effects, this represents closure of sorts: “Synths were my first love and the reason I entered this industry. Tom hired me when I was 19, and I feel lucky to have been a part of the Oberheim design team during its glory days. Now, a whole new chapter in the story of analog synthesizer-based music is about to get written.”
Dave Smith, founder of Sequential and himself a legendary figure in synth history, also collaborated with Marcus (an Oberheim team member from the 1980s) and Tom to create the new product. “We’ve already developed other interesting design ideas with Tom for follow-up products that will allow us to take Oberheim into the future as a synth brand,” commented Smith. “It’s a very exciting time to be a musician.”
The OB-X8 eight-voice analog synthesizer will be available at the end of June with a US MAP of $4,995.
About Oberheim
Oberheim is the 21st century return of the legendary company that helped fuel the electronic music revolution. Now,
just as then, Oberheim is guided by the vision of engineer and inventor, Tom Oberheim. Tom’s genius for innovation introduced the world to the first commercially available poly synth and other groundbreaking electronic instruments that literally changed the sound of music. Today, Oberheim reawakens this legacy by bringing the famed Oberheim sound to a new generation of instruments and artists. The company’s passion remains unchanged by time or technology — to once again provide the world with the finest-sounding analog synthesizers ever made. Oberheim brings its products to market with the help of the Focusrite organization and renowned synth maker, Sequential."
OBERHEIM OB-X8 SPECIFICATIONS
• 8-voice, pure-analog polyphony with saw, square/pulse, triangle, and noise • Two discrete SEM/OB-X-lineage VCOs per voice deliver classic punchy Oberheim tone • Discrete SEM-lineage VCFs deliver authentic OB-X-style tone and presence • Genuine Curtis filters add bold OB-Xa/OB-8 character • Meticulously modeled envelope responses match each OB model: OB-X, OB-Xa, and OB-8 • The 61-key FATAR velocity- and touch-sensitive keyboard allows unparalleled expression and responsiveness • Bi-timbral capability allows two presets simultaneously for splits and doubles • 400-plus factory programs, including the full set of factory sounds for the OB-X, OB-SX, OB-Xa, and OB-8 • Integral, fanless, heatsink-free power supply • Real walnut end cheeks • High-resolution OLED display enables patch management and easy access to advanced features • Classic Oberheim Pitch and Mod levers allow expressive note bending, vibrato, and access to arpeggiator functions
ENHANCEMENTS • Additional SEM filter modes add high-pass, band-pass, and notch functions to the classic OB-X filter • Vintage knob allows variable amounts of voice-to-voice variability to emulate the behavior of vintage instruments • Velocity sensitivity adds expressiveness to volume and filter • Channel Aftertouch adds real-time performance-based modulation • Enhanced unison allows variable voice stacking from 1-8 voices • Variable triangle wave cross-modulation • Over 600 user-programmable preset locations • Programmable per-program pan allows wider stereo presence • Variable oscillator and noise levels
INS & OUTS • Stereo and Mono outputs • Volume, Sustain, and Filter inputs • Arpeggiator clock input • MIDI In, Out, Thru • USB • Dimensions: • Weight: 32.5 lbs • Dimensions: 40.5” L x 16.67” W x 5.87” H
"You heard that right: Oberheim is back. And a new chapter is about to begin.
Brought to you by Tom Oberheim, former Oberheim engineers Marcus Ryle (co-founder of Line 6/co-creator of the ADAT) and Tony Karavidas, with Sequential’s Dave Smith and his team.
Visit oberheim.com to sign up for updates on what’s in the works.
And get ready to party like it’s 2099.
----------------------------------------------
Video Cast: Tom Oberheim, Marcus Ryle, Dave Smith, and Tony Karavidas.
Music by Julian (J3PO) Pollack"
Why this matters: in case it's not obvious, the Oberheim brand and lineage is back with the rightful owner. Moog was first, followed by Sequential, and now Oberheim. Bob Moog did business as Big Briar until he managed to secure the Moog name back. Dave Smith did business as Dave Smith Instruments until acquiring the Sequential name back. And Tom Oberheim did business as Tom Oberheim.com, until now. He now has the rights to the Oberheim brand and has the support of others to build new Oberheim products. We now have the original Moog, Sequential, and Oberheim brands back with the original legacy.
P.S. Nice coasters!
P.P.S. Curious what synth we are hearing in the trailer... :)
Update: Looks like it is indeed a new Oberheim. via @iamj3po:
"If you know me, you know how much I love synths. I could not be happier than to help announce that OBERHEIM HAS OFFICIALLY COME BACK!!! I’ve had the great pleasure and honor to work with them on the new secret sauce that will be coming out 😉 and if you want to hear it…well I composed the music for this little video, and I did the whole thing with the new instrument (except for the kick and snare, which are Oberheim DMX samples). If you like synths, and especially if you like Oberheim…this should make your day! Be sure to follow the new Oberheim IG page @oberheim_electronics … more soon ❤️"
"3 Variations of a patch based on the sounds from the original 1982 Blade Runner movie, which were originally created on a Yamaha CS-80 by the composer Vangelis. This version uses a monophonic setup with the AJH Synth Gemini 2412 dual VCF.
This is Part 3, see Part 1 & 2 of this series featuring the Gemini - Part 2 features brass sounds, partly derived from this patch, but loosely inspired by Jean-Michel Jarre (Oxygene) and other 1970's-80's sounds. Part 1 features a simple performance bringing versions of the sounds from both parts 2 & 3 together.
The CS-80 was fully polyphonic, and has remained hugely expensive to this day. It used two 'channels' per voice, each being a complete 2-VCO synth voice in itself, with both a high pass and low pass filter in series (HP into LP). It's known for having an exceptionally bright sound, which is difficult to match.
The Gemini 2412 is a dual multi-mode filter, each having low pass, band pass, high pass, and variable LP/HP, along with Dual (both filters mixed in parallel) and Cascade modes (first filter into second filter). Both filters are connected to a voltage-controlled cross-fader, or can be used as 2 entirely separate VCF's. It's based on the VCF from the original Oberheim SEM module, but also has a high-resonance option selectable by jumpers of the rear of the module, which is capable self-oscillation.
"Oberheim OB-X voice boards tuning trimpots and the autotune function compared to the tuning features of the SonicProjects OP-X PRO-II software VST AU synthesizer.
This is an addition to the 'Voice management and detuning' chapter in the official Tutorial: [posted here]
For this comparison we are having a look at the electronics under the belt of an Oberheim OB-X Rev. 2 with 6 voice cards installed.
OP-X PRO-II internally works exactly the same as a real voltage controlled polyphonic analog synth including separate independent voices, voice-based tuning trimpots, slightly deviating voices caused by device tolerances and temperature drift, and autotune.
The autotune options in OP-X PRO-II however not only cover pitch (as in OB-X) but also filter cutoff (as in Matrix-12), filter envelopes and portamento, and autotune also can be applied seamlessly on demand, so achieving any state between tuned and detuned.
Other than in real voltage controlled polyphonic analog synths OP-X PRO-II can save the state of detunings with the patch and so allows a different sate of detuning for every patch, which was impossible to do in the originals.
SonicProjects invited this engine already back in 2006 with the first version of OP-X PRO (in fact already its precedessor OP-X had it, but not yet offerig user-accessible trimports - only autotune) and was the first plugin manufaturer in the world offering this feature.
In OP-X PRO-II this detuning engine has was extended and refined with a seamless autotune option and quick calibration features."
"Part 2 of a series focussing on the Gemini 2412, but also useful for producing brass sounds with any analogue synth, preferably one with a bandpass filter. The sound of this patch is very loosely inspired by some from the 1970's to 80's, such as Jean-Michel Jarre (Oxygene), and Clannad (Legend), and was created simultaneously with a CS-80/Blade Runner (Vangelis) inspired patch (video for this patch coming next weekend). None of these sounds I believe were made using an SEM, upon which the Gemini filter is based, but the sound and character of the early Oberheim synths are particularly excellent for brass sounds."
"Trans-X is a Canadian 1980s synth band formed in Montreal, Quebec, Canada. They are known for their hit song "Living on Video" which charted worldwide."
"First of 3 videos with the Gemini 2412, starting with this simple performance using 2 sounds derived from a monophonic synth brass patch, loosely inspired by Vangelis (Blade Runner) and Jean-Michel Jarre (specifically Oxygene). The next 2 videos will show you how to make the sounds. The patch emulates the Oberheim SEM design (2 VCO, 1 VCF, 2 ADS envelopes), as the Gemini 2412 is based on the filter from that classic gorgeous-sounding synth module. As many will know, Vangelis famously used the CS-80, and Jarre a variety of expensive early synths, but the humble SEM wasn't necessarily associated with either of them. However, it's character of sound, and that of the Gemini, make it a particularly good choice for brass-like pads and leads, either using it's bandpass filter (as in this video), or it's high pass and low pass filters (much like the CS-80). In the next video I'll show how to construct the brass sound from the later half of this video, and in the video following that will show how to make a couple of sounds directly based on the CS-80 patches used in Blade Runner, so stay tuned.
Check out the AJH Synth playlists for more 'Patch of The Week' videos, which will be either performances or 'how to' guides detailing a range of sounds, some familiar, some less so, and each containing a patch sheet at the end to show you how to construct it for yourself.
Video by https://www.youtube.com/c/DreamsOfWires
More Videos: John Carpenter 'Assault on Precinct 13' inspired Gemini patch: https://youtu.be/fKyEDf2QkV8 Stereo Filtering with the Gemini 2412: https://youtu.be/96QRXHZJSL8
"Just for fun, a patch inspired by a classic synth soundtrack from the 1970's. This time using the Gemini 2412, 1 VCO and Ring SM to create a version of John Carpenter's excellent soundtrack for his 1976 movie 'Assault on Precinct 13'. I don't know for certain, but I've a hunch that he might have used an Oberheim SEM module (or perhaps one of it's polyphonic configurations; Four Voice etc), as it sounds like one in the bass part at least, so I've used the Gemini 2412 to simulate it, since this VCF is based on the SEM filter. The SEM (Synthesizer Expander Module) was a classic 2-oscillator analogue synth module from 1975. It sounds to me like a single sawtooth being used in the movie theme, but I add an additional sub-octave using the Ring SM - it's a cover version, not an attempt to recreate it 100%.
I use the Muting Mixer for the VCA, along with it's overdrive function, to create a more aggressive, punchy bass sound, somehow more befitting a dark, low-budget thriller movie of the seventies. I also chose a reverb setting that to me sounded a little claustrophobic.
Patch Notes and PDF link further down the page.
Check out the AJH Synth playlists for more 'Patch of The Week' videos, which will be either performances or 'how to' guides detailing a range of sounds, some familiar, some less so, and each containing a patch sheet at the end to show you how to construct it for yourself.
"'Carol of the Bells' a magical work that sounds nice electronic!
Happy Holidays to all of my subscribers & friends!
Here is a fun version using 100% Cherry Audio 64 bit VST plug-ins!
Cherry Audio VST Plug-In Synthesizers used:
Polymode (Moog Polymoog), Eight Voice (Oberheim SEM),
DCO-106 (Roland Juno-106) & Mercury-4 (Roland Jupiter-4)!"
"This video demos the 50 presets in the new 'Arturia OB-Xa J3PO Presets Collection.' The patch bank is available for purchase exclusively from https://www.julianpollack.com and the cost is $19. Instructions come with the pack for installation. It's quite simple to install.
This preset pack is roughly divided into three categories:
While I believe that no software emulation will ever capture every single detail and nuance of the original hardware, Arturia has a done a great job with this virtual synth, paying homage to the original Oberheim OB-Xa. With the additional features, modulation, and array of quite superb digital effects that the Arturia OB-Xa has to offer, this instrument has become a go-to synth in my digital arsenal. Similar to Sequential's new "vintage knob," the Arturia OB-Xa has controls under the hood to give variation to each voice, including pitch, filter envelope, filter cutoff, and more.
You must own the Arturia OB-Xa to use these patches.
I also have patches available for the Prophet Rev 2, Prophet 6, OB-6, Prophet 5/10, Softube Model 84 and a free bank of 50 sounds for the free VST synth “OB-Xd” — all available on my website. If you're a Nord Stage 3 user, download my bank from the Nord Keyboards website. I have two samples packs, "J3PO x The Ox" (hip hop and soul keyboard and drum loops) available on Splice, and "J3PO x Nicholas Semrad" keyboard samples and loops--available from https://www.julianpollack.com."
Korg Kronos Uber Analog Volume 2 Sample Pack Demo 3" Synthesizer Sample Pack Demo 3 by Rik Marston **No Talking!** ***Watch in HD!!*** **Turn it UP!!!***
In this video I play two Oberheim Matrix 6 Programs, the rest is ARP ODYSSEY. Hear the ODYSSEY played with polyphony with these new programs! ***Attention all Korg Kronos Users!!!!!*** Uber Analog Volume 2 analog synthesizer sample pack is HERE! Only $16.99 USD same day SAFE digital download! Put the power of the ARP ODYSSEY, OBERHEIM MATRIX 6 & SEQUENTIAL CIRCUITS SIX-TRAK in your Korg Kronos! https://www.etsy.com/shop/AhnyxianSou... ALL synthesizer collection sample packs just $16.99!!!
"Korg Kronos Uber Analog Volume 2 Sample Pack Demo 2" Synthesizer Sample Pack Demo 2 by Rik Marston **No Talking!** ***Watch in HD!!*** **Turn it UP!!!***
***Attention all Korg Kronos Users!!!!!*** Uber Analog Volume 2 analog synthesizer sample pack is HERE! Only $16.99 USD same day SAFE digital download! Put the power of the ARP ODYSSEY, OBERHEIM MATRIX 6 & SEQUENTIAL CIRCUITS SIX-TRAK in your Korg Kronos! https://www.etsy.com/shop/AhnyxianSou... ALL synthesizer collection sample packs just $16.99!!! "UBER ANALOG VOLUME 2" for the KORG KRONOS, Kronos X & Kronos 2 1 FULL BANK 128 PROGRAMS OF VINTAGE / CLASSIC ANALOG SYNTHESIZERS!!! TOTAL OF 1.85 GB's!!!
"'Korg Kronos Uber Analog Volume 2 Teaser' Synthesizer Sample Pack Audio Demo by Rik Marston **No Talking!** ***Watch in HD!!*** **Turn it UP!!!*** ***Attention all Korg Kronos Users!!!!!*** Uber Analog Volume 2 analog synthesizer sample pack is HERE Only $16.99 USD same day SAFE digital download! Put the power of the ARP ODYSSEY, OBERHEIM MATRIX 6 & SEQUENTIAL CIRCUITS SIX-TRAK in your Korg Kronos!
ISRC : BE 3ID 21 00011 - Song ISRC : BE 3ID 21 90011 - Video
Special thanks to SSLRent Hasselt for providing the stage and light show. https://sslrent.be/ Special thanks to Lorenz Stas for programming the light show.
Special thanks to Kevin Vonckx from Vos Media for shooting the video images. https://vosmedia.be/"
""ASD Synthesizer Collection Sample Packs"
***Watch in HD!!*** ***Samples for the FUTURE!***
"OB Tyrell" Multisample from the ASD Oberheim Matrix-6 Sample Pack.
My world famous synthesizer sample packs (formally on Reverb under Reverb Sync)
are on sale again to the masses on my new Etsy page!
These .WAV samples can be used in ANY device or software that can load .WAV's.
My NEW Etsy store: **AhnyxianSoundDesign** UP NOW!
https://www.etsy.com/shop/AhnyxianSou..."
#sequentialpro3 #sequentialsynthesizer #analogsynthesizer
Sequential PRO 3 "To The Extreme"
Synthesizer Demo by Rik Marston
***Watch in HD!!*** **Turn It UP!** ***No Talking!!!***
The Sequential PRO 3 in action playing To The Extreme!
This synth is an excellent LEAD synth. Seriously! It's FUN!
It should be on top of every synthesizer rig. Get one!
ALL FX COMING FROM THE PRO 3!!!
Meteorite friend featured:
"Kirk" Algerian Stone Chondrite meteorite!
Sending POSITIVE VIBES to YOU!!! ;)
Please see all of my 490+ synth videos right here on my channel!
Oberheim, Roland, Korg, ARP, Moog, Sequential, Yamaha etc. etc.
*Keep posted & check in for all of my new daily uploads!*
All Music & Video (C)2020 Rik Marston / Marston Manor Productions
Recorded into the BOSS BR-600 digital recorder!
Sean Christopher Evoking Emotion with Synthesizers
"Oh how I loved this song and album (Real Life's Heartland) back in the 80's as a teenager, and Send Me An Angel has to be in my top ten pop songs of that entire decade. In fact, I recommend that you buy Heartland if you love this song. Needless to say, I've always wanted to cover this piece and finally got around to it. For synth bass duties I used my Sequential Pro 3 and for everything else synth I used my beloved Oberheim OB-8 which did a fantastic job recreating those 80's synth patches. For drums and guitars I used NI's Kontakt and Battery.
A big thank you to Tim Murphy for providing the lead vocals. Until this cover, Tim has not sang for over 20 years, but with a little coaching from my wife gave us a great performance IMO. Also thank you to my wife, Ann Marie, for providing the "Angel" vocals. I provided additional bass vocals underneath the chorus and 2nd verse.....which luckily for you the listeners isn't too loud. LOL"
And the original followed by the '89 version with a Sequential Circuits Prophet-5
Real Life - Send Me An Angel [HQ/1080p]
Luv Puppy
Real Life - Send Me An Angel '89
reallifeexperience
"Real Life official video for the Australian release of Send Me An Angel '89. The US version was a reworking of the 1983 video where they edited out original keyboardist Richard Zatorski. Real Life had released Send Me An Angel '88 before they remixed and re-released it again in 1989. This version reached No.51 on the Australian Top 100 chart but got as high as No.24 in Melbourne."
