SoundOfIzrael - Moogfight in IPAD AIR 2

Published on Apr 17, 2017 Sam Izrael

live jam...
ipad air 2
model 15
animoog
synthmaster
fufue machine
patterning

Spotted this one on discchord.

'Infatuation' - ngarjuna

Published on Apr 16, 2017 ngarjuna

"Modular Jam 74 - 'Infatuation'
Produced by ngarjuna
© 2017 Acid Coast

Patch Notes:
Drums in Patterning

Acid Voices
Abstrakt Instruments Avalon
Proco Rat

S&H Filter Lead
Rubicon (Sigmoid and Pulse mix) out to Omsonic RNF
TZFM to Rubicon from Pittsburgh Oscillator (enveloped by Octocontroller SQR LFO)
Hard sync'd to Pittsburgh Oscillator SQR
Octocontroller S&H CV to Omsonic CV A
Maths envelope to Omsonic CV B (triggered by Sequencer One)
Octocontroller TRI LFO and Wogglebug STEPPED to Omsonic V/oct
to uVCA enveloped by Maths

CLICK FOR MORE »

Endorphin.es - Cockpit ✈ overview

Published on Jan 30, 2017 TheEndorphines

"Endorphin.es - Cockpit

- 6 HP width, up to 1 1/2“ in depth – super slim and SHUTTLE friendly
- 4 stereo channel performance mixer – the missing link to the 84 HP SHUTTLE system
- connect your desktop synthesizers/iPad/drum machine/mp3 player to be mixed altogether with the rest of your modular gear
- two channels of send and return to use Apple™ iOS™ devices as an FX processor (using 4 pin TRRS cable)
- on-board compressor with external sidechain control to add proper dynamics or ducking to your mix
- stereo output for speakerphones or headphones with enough current to drive a wide range of headphones
iOS apps used in the video: noii.se Flux:FX for iPhone and iPad, Olympia Noise Co. Patterning, StepPolyArp (by Laurent Colson)
Music sketches by Principal Uno."

'Captain Smartypants' - ngarjuna

Published on Jan 29, 2017 ngarjuna

"Modular Jam 68 - 'Captain Smartypants'
Produced by ngarjuna
© 2017 Acid Coast

Patch Notes:
First Acid Voice
Abstrakt Instruments Avalon VCA out to
DinSync.info VCF-303 with help from AD Sequencer 1
modulated a smidge by Octocontroller LFO
Into uVCA enveloped by the VCF-303 ENV out
The LFOs is my fingers (on both cutoffs)
This was piped into the Synthrotek Eko RATE modulated by Sequencer 1 LFO

Subsequent Acid Voices
Avalon
Same LFO setup

Drums
Olympia Noise Co. Patterning
You can see some of the poly-rhythm happening in the video (different step lengths for different instruments)

Samples and Scratches
Samplr

Modular Yellow Lead
Stereo patch (more or less the same on each side with 2 different Rene sequences)
Rene driving the STO SHAPE modulated by Wogglebug SMOOTH and Octocontroller S&H CV
Into the Optomix struck by gate and enveloped by Maths DAMP modulated by LFO from Octocontroller
Into Synthrotek Eko RATE modulated by Wogglebug STEPPED
Wogglebug (clocked, pitch sequence into HEART) clock modulated by Octocontroller Triangle LFO

Modular SMR
Octocontroller is kicking out 6 channels of S&H Gates going into the 6 channels of the 4ms SMR
Some of the 6 S&H are locked (looping) and some are not
Into the Zvex Instant Lofi Junky
Sequencer 1 driving the scale rotations and also right and left rotations around the scale
Triangle LFO from Seq 1 is making the little trills modulating ROTATE input
Square wave sequencing the trill LFO also controls DEPTH on Instant Lofi Junky

Modular Sync Lead
AD Sequencer 1 driving Medic Modules Cranial Saw VCOs and Pittsburgh Oscillator
CSaw in sync mode, VCO 2 up
Sync sweep envelope from PEG to VCO 2 MOD in
into STG/Soundlabs Post Lawsuit Filter
Envelope from AJH Minimod CG dynamically applied (LFO from Sequencer 1)
Also getting Wogglebug STEPPED and S&H CV from Octocontroller
Into the Intellijel Polaris Bandpass
FM1 audio rate from Pittsburgh Oscillator (some wiggling on Pittsburgh pitch)
FM2 from PEG
Into Oakley Classic VCA enveloped by AJH MMCG
Into Eko (split) getting RATE modulation from Wogglebug SMOOTH"

Soulsby Synthesizers Launches The Oscitron at NAMM 2017

The official press release follows. See here for previous posts w/ demos.

"Anaheim, USA - 19/1/17.

Soulsby Synths have launched their first Eurorack module, The Oscitron, on the first day of this year's NAMM show. It is available from their website and will soon be available from retailers (see website for list). It comes bundled with the Uni-Five utility module for £260. The modules are also available separately.

The Oscitron is an 8-bit wavetable oscillator. The audio engine is based on the Atmegatron desktop synth module but has many differences too. These include an audio input that can sample wavetables and an adjustable audio engine resolution.

Other features include pitch quantizer, 15 filter algorithms, wave-crusher pulse width and phaser effects. There are 5 CV inputs, a clock input which can be routed to many parameters and an audio input and output.

As with the Atmegatron, there will be numerous software versions released for the Oscitron. A port of the the Odytron analogue modelling software will be released soon after launch.

The Uni-Five is the companion module to the Oscitron and converts bipolar LFOs and 8V envelopes to 0-5V control voltages suitable for the Oscitron inputs.

There are 2 other exciting announcements at NAMM this year. First a new limited edition Atmegatron designed by Pete Fowler (Super Furry Animals / Monsterism). Only 30 have been made, each signed and numbered. The design features a bright pink glossy finish with monsterism screen print patterning.

Finally, the initial prototype of the Atmultitron is on demonstration. It is a 6 voice polyphonic 8-bit synthesizer with 3 octave keyboard. The final specification will feature Eurorack connectivity and wavetable sampling from the Oscitron, along with sequencing and versatile modulation routing. The Atmultitron is aimed to be released in mid-2018.

'The initial prototype of the Oscitron was premiered at NAMM 2016', said Paul Soulsby CEO of Soulsby Synthesizers. 'One year on we are delighted to launch the finished product and premiere the next big project, the Atmultitron.'"


Note the knob area is clear/see-through.

Pretty cool!

Like a little space station in there.

iPad jam #2

Published on Dec 14, 2016 Alex Wray

"iPad jam with Fugue machine playing back Arturia iMini, with Patterning on the drums, and Arp Odyssei with a little help/skip from Korg gadget. Summed together via Audiobus and miMIX, recorded directly to Audioshare. Master control via Audiobus Remote on iPhone. Slight post mastering via compression/EQ in logic."

Spotted on discchord.

'Pants On Fire' - ngarjuna & 'Won't Be Pretty' - Gist | Modular Tracks by ngarjuna

Published on Nov 8, 2016 ngarjuna

Modular Jam 58 - 'Pants On Fire'
Produced by ngarjuna
© 2016 Acid Coast

Acid Patch
Modular (Rubicon - VCF-303 - uVCF)

Drums
Patterning

West Coast Bass
STO Vari - Optomix - Maths

West Coast 1 (Melodic)
STO - Optomix - Maths - PEG
Utilizing variously output from SINE and VARI

West Coast 2 (Rhythmic)
Rene - STO dynamically (uVCA enveloped by Woggle Smooth) FM'd by Sputnik 1 - Shape modulated by Woggle Stepped - VARI to Optomix - Maths
Seq1 driving Sputnik VCOs - Sputnik 2 into Timbre modulated by PEG - dynamically FM'd by Sputnik 1 (uVCA enveloped by Seq1 sine LFO) - Optomix - Maths

SMR
Sequencer 1 - SMR

'Won't Be Pretty' - Gist

Published on Nov 12, 2016

Note this track has some potentially NSFW lyrics for some.

Modular Jam 53 - 'Won't Be Pretty'
Produced by ngarjuna
© 2016 Acid Coast

Gist is
ngarjuna - bleeps and bloops
Rich Prewett - guitars

Vocals
TransVocal Discombobulator
(U-he Diva, Zynaptiq Morph, Cytomic The Drop)

Acid Voice
Audiorealism ABL3 burnt with fire and rage

Drums
Jamstix & iSpark

Modular Lead
Rubicon SINE into Aion 904A into NLC Timbre into AJH Minimod VCF getting some LFO modulation from PEG and some audio rate modulation from Pittsburgh Oscillator TRI
to the uVCA being enveloped by Maths SUM with ch1 as the GATE env and ch4 as the ACCENT env

Robot Noise Patches
West Coast cross mod FM patches and some Wogglebug RINGMOD

'Get Dirty' - ngarjuna

Published on Oct 24, 2016 ngarjuna

"Modular Jam 61 - 'Get Dirty'
Produced by ngarjuna and Deborah Sherman
© 2016 Acid Coast

Patch Notes:
All Seeing Drums in Patterning (composited)

SMR Pips
Sequencer 1 Gate, Accent, Clock, CV1, CV2, Wogglebug Burst
are each hitting one of the six channels of the SMR
Left and Right inputs being fed by Sputnik 1 and Sputnik 2 respectively each cross FM’ing one another with Maths SUM (double cycling) adding to the EXP input on Sputnik 2, Wogglebug Stepped modulating CV input on Sputnik 1 with a Rubicon LFO further hitting the EXP input on Sputnik 1
CV3 on Seq1 is what’s moving the rotation along the dial

Lead Voice
Sequencer 1 pushing the Cranial Saw (Saw/Square/Sub mix) into the Polaris VCF in Bandpass A
FM1 is being fed by Maths SUM getting signal from Minimod Envelope and Rene (CV sequence to Unquantized OUT)
FM2 full positive fed by uVCA 2 which is dynamically sending Rubicon audio rate triangle wave modulated by a mixture of a Seq1 LFO, some random from the Wogglebug Stepped and OR out from PEG
Much of the movement including the longer sweeps is accomplished via manual wiggling on the Polaris cutoff

Bass
STO VARI OUT to Optomix
FM’d by its own SIN OUT (tuned to a pretty low octave)
Sputnik VARI OUT (Square) to Optomix
Maths enveloping Optomix and Sputnik VARI CV (ch1) and providing Accent (ch4)

Zaps
Pittsburgh Oscillators into STG Soundlabs Post Lawsuit Filter
Modulated by Sequencer 1 LFO

All Acid lines in Audiorealism ABL3

Male vocals made with the TransVocal Discombobulator (Uhe Diva/Zynaptiq Morph/Cytomic The Drop)

Female robot vocals processed with Audio Damage Replicant"

Modular Jam 59 'Sex Drive'

Published on Sep 18, 2016 ngarjuna

Borderline NSFW, so all you peeps at work, be warned! Great track though so be sure to check it out later if you can't now.

"Patch Notes:
Drums, bass and modular percussion elements were from an older session (from before I started keeping patch notes unfortunately). Drums were in Patterning processed through Flux and Filtatron and Replicant. The bass patches were all west coast patches made with 258 VCOs, Optomix and Maths. The modular percussion was also made with the same sort of arrangement (probably being modulated by PEG and Wogglebug...sorry it was a while ago)

Acid Patch 1
Standard-ish acid patch:
Seq 1 driving Rubicon sigmoid into VCF-303
303 EGs out (through Maths for mix) to uVCA

Acid Patch 2
There are two variants, Bandpass (A) and Lowpass (3 pole):
Sequencer 1 triggering Maths ch1 and Dual ADSR (Gate) and Minimod EGs (Accent)
Pitch going to Cranial Saw in sawtooth with a tiny bit of sub
Into Polaris modulated by Rubicon sine (via uVCA modulated by PEG OR) at audio rate in FM1, mix of Wogglebug Stepped Out and Maths ch1 envelope (on gate) and an accent envelope from the Minimod (AD)
Wogglebug smooth providing fall modulation to Maths ch1
Dual ADSR ch1 into Minimod VCA (Gate), Minimod EG2 into Minimod VCA (Accent)

Vocals
All made with the TransVocal Discombobulator (my own little monstrosity made from Uhe Diva, Zynaptiq Morph and Cytomic's The Drop)

2016 Acid Coast"

Modular Jam 57 "Phantoms"

Published on Aug 22, 2016 ngarjuna


"Patch Notes:
Drums
Sequenced in Patterning then each track was overlaid in the video so that you can see them all at once

SMR Drone
Gates from Seq1 hitting the inputs
Custom scale tuned to two chords (more or less)
Seq1 static CV is used to move between the chords with a bit of morph

West Coast Melody
Rene sequence driving
STO SHAPE modulated by Maths ch4 (fall modulated by Woggle STEPPED) into
Optomix with trig to STRIKE and Maths ch1 enveloping

West Coast Harmony
Similar to above WC Melody
Rene is in a different snake pattern (the second) with the note in row 2 offset (from pos3 to pos2 since row 2 goes backwards in pattern 2)
Variation on the Woggle modulation including mixing it with a slow LFO

"303ish"
Standard VCF303 patch with some wiggling
Rubicon as VCO, uVCA as VCA
Cooked in tubes in the Source+Plus

Bandpass
Rubicon sigmoid to Polaris in BP
Modulated by PEG and ADSR2
uVCA enveloped by ADSR1

Strum
It's not up in the mix but during the breaks where the Bandpass is playing there's a sequence from the Rene running double speed through the STO shape modulated by Wogglebug STEPPED into the Optomix struck and opened by Maths

FM Hash
Sputnik 1 FM'ing Sputnik 2 into the Optomix (no strike no envelope) via Timbre modulated by Seq1 LFO
FM through uVCA enveloped by Seq1 LFO iirc (sorry spotty patch notes on this one)"

Korg Minilogue Sub & Bass Test

Published on Apr 1, 2016 laurent bisch

Minilogue test 2 with DX7

Published on Mar 26, 2016

"Minilogue + DX7IID + Patterning + Ableton FX & recording"

IPad Patterning Demo

Published on Jun 2, 2016 Israel A.

"Patterning is an iPad music app for creating beats with a standard percussion sounds or your own imported sound effects. It is very easy to use and learn. Import sounds from other applications directly to patterning."

iTunes: Patterning : Drum Machine - Olympia Noise Co.

Spotted on discchord.

Doom to Jazz and back. Elektron A4, Korg E2, DSI Tetra, Animoog, iM1, Patterning, Genome

Published on Jan 18, 2016 exnihilo415

"Feels like a drone laden DOOM level in the beginning and then it transitions into a upbeat jazzy section and then before you know it you're knee deep in the dead again fumbling for the red keycard.

Genome MIDI is doing most of the sequencing aside from the internal stuff on the A4 and the internal stuff on the Electribe

Channel 2: Moog Animoog, sparkly lead duty.

Channel 4: is Korg iM1 doing the stabby chord progressions

Channel 5: Drone. DSI Tetra thru Boss RE-20 delay for max malaise

Patterning: The echo Clav, soft martial hats, and some kick

Korg Electribe: is doing deep kick, loud hat and snare

Elektron A4: Walking bass / jazzy mono lead for the upbeat part."

DSI Pro 2 + Moog Sub 37 :: Synced Sequencers

Published on Dec 7, 2015 experimentalsynth

"Syncing sequencers, arpeggiators and more on the DSI Pro 2 and Moog Sub 37, then sending clock-synced CV step sequences and LFOs from the Pro 2 to the Sub 37. On top of that, we have the Eventide H9 and the Patterning drum app (both clock-synced). Just scratching the surface and exploring a bit. There are worlds to discover with a setup like this. Learn more at www.experimentalsynth.com"

A Winter Sequence

Published on Nov 28, 2015 experimentalsynth

"After hooking up the gear, this piece kind of wrote itself. Patterning on the iPad was the master MIDI Clock. The Pro 2 and MicroBrute sequencers, along with the H9 and a Line 6 Echo Pro were synced to it. The Pro 2 sent independent synced CV step sequences to modulate the Voyager filter and the filter on a Moog MF-101 Low Pass Filter processing the MicroBrute. The MicroBrute audio was also processed by the Echo Pro.

Learn more at www.experimentalsynth.com"

Pro 2 + Patterning + Sub 37 + H9 :: Scenes From A Sequence

Published on Nov 25, 2015 experimentalsynth

"Fun with Patterning...[iTunes] and a few other things...

A Dave Smith Instruments (Sequential Circuits) Pro 2, Olympia Noise Company Patterning app, a Moog Sub 37 and an Eventide H9 make a great, relatively compact performance setup. This is just a small example of some of the places you can go with it.

The Pro 2 is the heart of the system. 41 modulation slots (busses), a 16 track sequencer and massive CV capabilities give it the power to extensively control itself, and other gear.

Everything is clock-synced. The Sub 37’s filter is modulated by a CV step sequence from the Pro 2. This is synced to, but independent of the track that sequences the Pro 2’s internal sound engine.

The Eventide H9 is clocked the same, and does some nice magic when it picks up sharp filter events from the Sub 37 audio.

Learn more at www.experimentalsynth.com"

Drum Solo (Modular Jam 35 Drums)

Published on Nov 2, 2015 ngarjuna

"Four visualizations of the solo drum tracks from Modular Jam 35.

Each visualization features all tracks at once (with 7 of the 8 tracks having a rotation of some kind).

Drums are created in Olympia Noise Co.'s Patterning and processed through Noiise's Flux and the Moog Filtatron."

iTunes:
Patterning : Drum Machine - Olympia Noise Co.
FLUX:FX by Adrian Belew - the professional audio multi-effects app - NOIISE
Filtatron - Moog Music Inc.