Yamaha DX7 - 80's Hits, Band Aid, Do They Know It's Christmas? Christmas Pageant With Star Wars, 4K

Published on Dec 8, 2017 Power DX7

"This is a Christmas special for viewers and subscribers to enjoy the festive season, and hopefully bring peace and happiness to the world through my buddy DX7 MK1!

Excluding drum tracks, the DX7 MK1was used for all sounds from male choir, pads, strings to the famous DX7 Tub Bells (beefed up version).

Watch the video with your family and sing along as you can use this video as a Christmas Karaoke song! This Christmas pageant was held in Adelaide, Australia. This is a 4K Christmas pageant video.

Band Aid created ''Do They Know It's Christmas' and released in 1984. Many famous British artists/ bands contributed to make this song, including Sting, Duran Duran, Culture Club, Phill Collins, U2 an more.

I hope everyone has a great Christmas and a Happy New Year! Or whatever your religion is, enjoy the end of the year and look forward to a new year."

Arturia Introduces Virtual Polyphonic Buchla Music Easel, Fairlight CMI, DX7, Clavinet in V Collection 6

Published on Dec 5, 2017 Arturia

Playlist:

Arturia announces V Collection 6
Arturia announces CMI V
Arturia announces DX7 V
Arturia announces Buchla Easel V
Arturia announces Clavinet V

Update: tutorial videos:






And a couple of user videos followed by some details on each:

Arturia Buchla Easel V Dual S&H Sequence Sound Design

Published on Dec 5, 2017 Rishabh Rajan

"A tutorial on creating a unique Sample & Hold type melodic pattern using the Complex Oscillator and the Modulation Oscillator in the Buchla Easel V from Arturia. The Buchla Easel V is included in the V Collection software suite."

Arturia V Collection 6 vs Analog Lab 3: Review, what's new and the best way to get it

Published on Dec 5, 2017 loopop
​
"For over 15 years now Arturia has been recreating and then breathing new life into legendary vintage synthesizers. Both V Collection 6 and Analog Lab 3 contain a massive library of 21 instruments and over 6,000 presets. The depth they go in and care they put into these recreations is astounding. And once they've completed recreating an instrument, they take it much further adding substantially more functionality, typically including more modulations, sequencing, effects and polyphony. Since there are quite a few buying options that let you get your hands on these - in this video I'll talk about what the different software packages give you and what's the cheapest way you can get started."

"In 1980, the Fairlight CMI turned heads with the introduction of digital sampling. Now our software homage lets you turn some heads yourself.
With exotic new sound of digital samples, the promise of an all-in-one digital workstation, and a physical design right out of a sci-fi movie, the Fairlight CMI was an object of desire for most self-respecting ‘80s keyboardists. Countless musicians and producers weighed the risks of bank robbery in order to afford one. No need today. Our faithful recreation gives you the same tools that many MTV stars used to make a cannonball splash into the pool. We’ve even made lots of improvements and additions that bring added power to this keyboard legend, including an alternate additive synthesis engine and tons of new modulation options. No vintage keyboard collection is complete without the CMI V.

Now it’s your turn to experience the sound and power of the digital workstation that started it all.

The unique musical architecture of the CMI

The CMI V isn’t just a digital instrument. It’s a complete digital workstation.
Our enhanced reproduction of this keyboard superhero lets you work with 10 digital instruments of your choice at once—mixing, layering, splitting and sequencing them as you please. Each instrument can draw from three different means of sound generation. The most obvious is the sampling engine that literally first defined the term in the industry. You can also shape sounds with the original additive synthesis engine where you control each of the component harmonics over time. We’ve even spun up the propellers and introduced a newer, simpler means of exploring additive synthesis like you’ve never heard it before named Spectral Synth. You also get around 300 expertly designed presets to get you going—including the original library of sounds you’ll recognize from countless hit recordings.

The CMI V has everything you need to explore the intersection of sampling and digital synthesis."

"In 1983, the DX7 changed the world of music. Today, the DX7 V gives you the power to change it again.
Nothing says ‘80s like the sound of the DX7. Our authentic recreation gives you all the same FM digital technology and sounds that earned the instrument a revered place in the history of both keyboards and contemporary music. We didn’t stop at just replicating it, though —we re-imagined it. New operator waves, extensive modulation additions, arpeggiator and onboard FX chains enhance your sonic possibilities exponentially. For bonus points, an intuitive graphic interface makes what was once a daunting programming task a creative joy today.

We put booster rockets on the instrument that created innumerable ‘80s hits. Now you can create the definitive sounds of today and tomorrow.

Unleash your inner sound designer with expanded features

The DX7 V gives you a unique tool for customizing and creating new musical instruments and sound effects.
With its radical departure from analog designs, FM synthesis helps you chart new sonic spaces. The DX7 V is capable of producing an incredible spectrum of sounds ranging from natural-sounding instruments to unique synths to alien worlds—complete with all the crystal clarity and punchy transients uniquely associated with FM. Since having an instrument with such extreme depth and potential is the dream of every sonic explorer, we challenged ourselves to go even further. We added a host of new features including multiple waveforms, a filter and feedback loop on each operator, new modulation sources, a monster unison mode, and more.

The DX7 V is the perfect design tool for designing unique new instruments and ear candy that help you make your own distinct musical statement.

Design elegance meets sound design power

The DX7 V sports a stunning interface allowing intuitive control over all of the instrument’s dramatically expanded features
While retaining the feel of the original design, we’ve streamlined the main interface of the DX7 V to make it much simpler to use and understand. Here you’ll find an uncluttered presentation of only your everyday performance controls, as well as the fundamentals to start visualizing and exploring new sonic structures. When you’re ready to dig deeper and flesh out the detailed character and animation of your sounds, one click presents a programmer’s paradise of incisive controls and displays light years beyond the tedious original hardware interface. Balancing usability and all the added power in the DX7 V, tabbed windows easily put your fingers on logically grouped functions spanning enhanced operators, additional envelopes, matrix modulation, step sequencer, FX architecture, and more.

Whether you just want to play the extensive library sounds or program your own, the DX7 V is a dream to use."

"Buchla Easel V
WEST COAST SOUND DESIGN PLAYGROUND

The Buchla Easel V is the first recreation of Don Buchla’s iconic instrument that helped define experimental West Coast modular synthesis in the early ‘70s. Our enhancements translate to vastly expanded possibilities for sound design and avant-garde music.

You’ve always wanted to paint with sound. Now you can with the Buchla Easel V.
One look at the Buchla Easel V and you know this is a different beast. In fact, it makes you think differently about sound right from the start—and the soundscapes you can design with it are as unique as the front panel array. To put that experience at your fingertips, we meticulously recreated the rare 1973 Buchla Music Easel right down to the component level. As you’ve come to expect from our other V-series instruments, we’ve gone the extra mile by designing in an enhanced feature set including polyphony, innovative new modulation/control sources, step sequencer, effects, and more.

If you like to paint outside the lines, Buchla Easel V is the perfect artistic tool for you.

Welcome to West Coast school of synthesis

Your music breaks from the pack. So does the Buchla Easel V.
The Buchla Easel V faithfully reproduces Buchla’s Music Easel that helped define West Coast synthesis’ focus on experimentation and breaking musical norms. We’ve applied our award-winning TAE™ modeling technology from the front panel to the resistors to capture it all with incredible realism.

Complex oscillator design, AM and FM synthesis, uniquely percussive gate/filter combos, and numerous ways to modulate and clock just about every parameter, all drop you right in the middle of a sonic sandbox. Design and perform soundscapes that burble, shimmer, pulse and evolve without ever touching a keyboard or pad—unless you want to add even more control. Nearly 300 presets by expert sound designers get you started with timbres ranging from hauntingly beautiful sonorities to clangorous pokes in the ear.

Whether you’re looking to experiment with simple sounds or build complex evolving passages, the Buchla Easel V is a constant source of inspiration for sonic adventurers.

Create sounds no one has ever heard before

In addition to faithfully reproducing a classic, we’ve infused the Buchla Easel V with even more of that vintage goodness to love.

We’ve made patching even more fun and foolproof. When you drag a color-coded patchcord between patch points, only valid targets light up, saving you the frustration of making invalid connections that do nothing. The original Music Easel lacked a noise source, so we’ve added one to the preamp—handy for introducing rhythmic elements. We’ve also designed a feedback loop into the preamp, so you can really get things howling. Up to four-voice polyphony greatly enhances your performance capabilities, too.*

With our extensions to Buchla’s original design, you now have an even more intuitive programming experience paired with additional sonic options."

"May the funk be with you

Whether you love playing oldies or pioneering new musical territory, there’s nothing like the distinctive sound of the Clavinet’s hammered strings.
The unmistakable bright, punchy sound of this vintage keyboard occupies a unique sonic space somewhere between harpsichord, hammered electric guitar and slapped bass. Top keyboardists of the ‘70s used its signature bark and bite to cut through the mix while delivering some of the most authoritative percussive keyboard lines ever played. Thanks to the ultra-realistic Clavinet V, you can now command the same crisp sound that helped define funk and formed the bedrock of many pop and R&B hits back in the day. If you’re looking to add natural energy and vintage cred to your sound, the Clavinet V is just the ticket.

The Clavinet V inspires with both the sound and feel of the funkiest electric keyboard ever made. Your fingers have never danced like this before.

Ain’t nothing like the real thing, baby

Only modeling technology gives you this faithful reproduction of a vintage Clavinet.
Since the Clavinet is an electro-acoustic instrument, complete with multiple settings and a dynamic action, there are countless subtle variations during performance. By comparison, “Clav” synth patches and samples seem one-dimensional. That’s why we’ve applied our award-winning physical modeling and algorithmic emulation to give you a sound and playing experience indistinguishable from the real thing.

The Clavinet V brings all the inspiring nuances and natural goodness of the original instrument to your keyboard collection.

More than a Clavinet

Clavinet V delivers all the original features, plus new additions designed to keep your creative juices flowing.
The original Clavinet controls were simple to use, and we’ve kept them authentic. If you want to go deeper, just click the lid open and you can easily tweak exactly how your instrument sounds and behaves. The built-in collection of effects pedals—chorus, flanger, wah and more—let you easily get the rich signature sounds of the keyboardists who popularized the instrument. You’ll also find an integral vintage guitar amp, so you never have to look elsewhere to get just the sound you’re looking for. Of course, everything can be preset for instant recall.

The Clavinet V isn’t just a Clavinet. It’s a complete rig at your fingertips."

Yamaha DX7 Halloween Spooky Music – Cute Baby Capybaras, Tasmanian Devil At Adelaide Zoo, 4K

Published on Oct 31, 2017 Power DX7

"Power DX7 Halloween Special - Halloween Night At The Adelaide Zoo, located in South Australia, Australia

As I went to a family fun event at the Adelaide Zoo, I created DX7 Halloween music for the Halloween Night.

This video was filmed using a brand new Sony 4K pro video camera. Yes, Power DX7 now goes to 4K! I used Final Cut Pro for 4K video editing.

The Adelaide Zoo has a lot of both Australian animals and animals from around the world. They do a lot of conservation work as well.

The link to the Adelaide Zoo website.
https://www.adelaidezoo.com.au

The video features:
- Yellow Tale Rock Wallaby (Australia)
- Meerkats (Africa)
- Capybara (South America)
- Tasmanian Devil (Australia)
- Monitor Lizard: Goanna (Australia)
- Mega Bats: Fruit Bats (Established a colony near the Zoo), yes they are wild bats!

Featured Sound
1. Low frequency atmospheric sound

2. Scary voice – Low and mid notes played for 16-bit sampler like female choir sound

3. Spooky – A typical scary sound, a white ghost floating in the air

4. Necho Necho Gucha Gucha (FM Resonant sound) – A unique resonant filter-like sound using FM synthesis only with a filter cut off effect!

5. DX SAWPAD 1 – Emulation of Roland analog
synths, Jupiter and JX series synth typical sawtooth pad sound (Jupiter-8, JX-8P and JX-10), with or without chorus and reverb

6. Bells – 2 different bells sounds

7. Female Opera – high notes

8. Evil Bats – A sound cross between bats and monkeys with effects making it very scary!

Enjoy!"

RA Tech: Melodic Pads on the D-05

Published on Sep 12, 2017 Resident Advisor

"Roland has announced the next synth in its Boutique range, the D-05.

It's based on the D-50, which was Roland's flagship digital synthesiser in the late '80s and early '90s. It was competing against Yamaha's DX7, which used a synthesis technique called frequency modulation to create lifelike sounds. The D-50, however, used 8-bit samples for the attack portion of the sound, while linear arithmetic synthesis generated the sustain part. This allows it to generate complex, morphing patches not possible on analogue synthesisers.

The D-05 recreates the original circuitry using Digital Circuit Behaviour technology and contains the signature joystick, which is used to blend between different layers of a sound. There's also built in chorus, reverb, delay and EQ effects in addition to a 64-step polyphonic sequencer. It runs off USB power or batteries and functions as a soundcard when connected to a computer. Sweetwater has listed a pre-order price of $345."

How To Learn Very Basics Of FM Synthesis - Minimoog Syntronik & FM4, From VCO, VCF To VCA

Published on Sep 10, 2017 Power DX7

"This FM synthesis tutorial series is designed for people who love analog/ subtractive synths and want to start a FM synthesis journey without complexity of the DX7 6 operator FM synthesis. I will explain the similarities and differences between analog synths VCO, VCF and VCA, comparing them to FM4 FM synthesis. I will show you how you can learn 4 operator FM synthesis using FM4. I will take you through sound design of a sawtooth sound using FM synthesis. You need to learn this step for Part 2 of this tutorial in order to make saw pads.

FM4 is an iPad FM synthesizer. FM4 can teach you how easy it is to make a great sound on a FM synth, using only 4 operators. Its interface is quite similar to analog synths, making transition from analog synths to FM synths easier and smoother."

Roland Introduces the D-05 - Boutique Version of the Roland D-50

Published on Sep 9, 2017 RolandChannel

It may not have all the sliders of the concept module posted here, but it does have the engine. An interesting side note is that this is Roland's first synth to feature their "newly developed Digital Circuit Behavior (DCB)". The second video explains what this is. It is interesting. I always assumed digital was digital and easily ported. I do know that DACs (digital to analog converters) can have an impact on the sound you hear from a synth, and one of the reasons why many prefer the sound of the original DX7 vs. newer hardware. Nord/Clavia also advertised their new DACs on the Nord Lead 2 allowing for a cleaner sound if I remember correctly. All that said, it is interesting to think that Roland took time to work on their DCB technology to get a sound closer to the original, vs. just porting the digital engine. I'm looking forward to A/B tests with the original.

Roland Boutique D-05 Preset Walkthrough

Published on Sep 9, 2017 soundseasy

Roland D-50 Celebration Moments with Woody Piano Shack

Published on Sep 9, 2017 Woody Piano Shack

Roland D-05 Boutique Linear Synthesizer Sound Module - Overview and Demo

Published on Sep 9, 2017 Musician's Friend

And the press release:

"New Roland Boutique module recreation of the renowned D-50 Linear Synthesizer from the 1980s

Los Angeles, CA, September 9, 2017 — Roland announces the D-05 Linear Synthesizer, the latest addition to the growing Roland Boutique electronic instrument lineup. The D-05 is a compact reproduction of Roland’s D-50 Linear Synthesizer from the late 1980s, one of the most influential synthesizers ever produced. Combining the newly developed Digital Circuit Behavior (DCB) sound generator with the actual samples used in the original instrument, the D-05 delivers the D-50’s iconic, highly recognizable sounds with complete authenticity, backed by all the modern conveniences of the compact and affordable Roland Boutique module format.

Released in 1987, the D-50 was Roland’s very first all-digital synthesizer. Powered by the revolutionary Linear Arithmetic (LA) Synthesis engine, the instrument’s unique mix of sampled attacks and synthesized sustaining waveforms – plus built-in chorus, reverb/delay, and EQ for studio-quality polish – made it a must-have synth for musicians around the world. The D-50’s bold new sounds and beautifully crafted presets inspired artists everywhere and quite literally dominated the popular music, film soundtracks, and commercial jingles of the era. To celebrate the 30th anniversary of this giant in the history of synthesis, Roland presents an inspiring recreation that brings the genuine D-50 experience to the music creators of today and beyond.

At the D-05’s core lies the first synthesizer with Roland’s DCB technology. Paired with the exact PCM attack and loop samples that were so vital to the D-50 sound, the D-05 precisely recreates every tonal nuance in stunning detail. The user interface is totally authentic as well, with the familiar D-50 panel layout and many direct-access controls. Even the all-important D-50 joystick is included, allowing users to smoothly morph between different mixes of Upper and Lower Tones in real time.

The D-05 also includes many modern enhancements not available with the original D-50. The 64-step polyphonic sequencer is ideal for performance and music creation and offers the ability to sequence shuffle and gate timing along with tempo and patch changes. There’s also a built-in arpeggiator for adding movement to the D-05’s already evocative LA Synthesis sounds.

Like all Roland Boutique modules, the D-05 is extremely portable, runs on USB bus power or batteries, and functions as a USB audio/MIDI interface for performing and producing with a computer. It also includes a built-in speaker for monitoring the sound in mobile situations. When mounted in the optional K-25m Keyboard Unit, the D-05 can be used as a compact, all-in-one synth with 25 velocity-sensitive keys."

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How To Learn Very Basics of FM Synthesis - FM4 Sound Design Tutorial Part 2 Tube Bells

Published on Aug 18, 2017 Power DX7

"This FM synthesis tutorial series is designed for people who want to start a FM synthesis journey without complexity of the DX7 6 operator FM synthesis. I will show you how you can learn 4 operator FM synthesis using FM4. I will take you through sound design of the DX7 famous Tube Bells patch using FM4 with only 4 operators.

FM4 is an iPad FM synthesizer. FM4 can teach you how easy it is to make a great sound on a FM synth, using only 4 operators. Its interface is quite similar to analog synths, making transition from analog synths to FM synths easier and smoother."

All parts here.

How To Learn Very Basics of FM Synthesis - 4 Operator FM Synth, FM4 Sound Design Tutorials

Power DX7
Published on Aug 11, 2017

"This FM synthesis tutorial series is designed for people who want to start a FM synthesis journey without complexity of the DX7 6 operator FM synthesis. I will show you how you can learn 4 operator FM synthesis using FM4. I will take you through sound design of the DX7 famous Bass 1 patch using FM4 with only 4 operators.

FM4 is an iPad FM synthesizer. FM4 can teach you how easy it is to make a great sound on a FM synth, using only 4 operators. Its interface is quite similar to analog synths, making transition from analog synths to FM synths easier and smoother."

iTunes: FM4 - Primal Audio

Syntronik & Yamaha DX7 - Sound Comparison Minimoog, OB-Xa, CS-80, Jupiter-8, JX-8P To SY99 & DX7

Power DX7
Published on Aug 7, 2017

"Syntronik is a sampled waveform based VST that emulates legendary synths such as Minimoog, Oberheim OB-Xa, Yamaha CS-80, Roland Jupiter-8, Roland JX-8P and Yamaha SY99.

As I can never afford (nor I have space to keep) all of those legendary synths, I bought Syntronik so that I get to play and learn more about those legendary synths.

As I’ve been making analog/subtractive synth-like patches on my DX7, I decided to put my DX7 MK1 against Syntronik with mighty legendary synths like Minimoog, OB-Xa, CS-80, Jupiter-8, JX-8P and SY99.

In this demo and comparison video, you will watch and hear sounds of the DX7 MK1 compared side by side to Syntronik legendary synths. Some sounds are close and others are different in many ways.

Although the DX7 can’t do everything that analog synths with a resonant filter can do, the DX7 can stand its own with unique sounds that analog synths may find very difficult to emulate.

I will take you thorough from very easy installation and set-up steps. I will give you a quick tour of Syntronik interface and legendary synths.

Comparison
Yamaha CS-80 with a synth brass for UK Alaska Vs Power DX7 signature patch, Alaska with a natural flanging effect

Yamaha SY99 with bell and electoric piano Vs Power DX7 signature patches, Bell X2 and E.Piano (beefed up version)

Minimoog with Resonant stab bass & Resonant Sequencing Vs Power DX7 signature patches, Resonant Stab Bass and Resonant Sequencing. As the DX7 doesn’t have a resonant filter, it needs to generate all harmonics using its FM synthesis. This produces a resonant filter-like, yet very distinctive tone with a ‘Sticky’ feel.

Roland Jupiter-8 with Resonant Unison Lead (16 Oscillators stack) vs Power DX7 signature Resonant Lead with ear piecing mid range (no unison for the DX7)!

Roland JX-8P/ JX-10 with Saw Pad Vs Power DX7 Signature Saw Pad
Oberheim OB-Xa with Rush Subdivisions and Van Halen Jump Synth Brasses Vs Power DX7 Signature Rush Subdivisions and Van Halen Jump Synth Brasses

Oberheim OB-Xa with a warm pad Vs Power DX7, Earth 1, the mother of all pads!

To finish this demo, I include a brand new DX7 song called ‘Resonance Beat’ by combining various Power DX7 signature patches, including Bell X2, Resonant Stab Bass, Resonant Sequencing, Earth 1 Pad. Also it includes a new Bell (like a small bell rolling around inside of a glass bottle), a Resonant Filter Sweep sounds and another Resonant Sequencing sound with a formant type tone when played soft (yes, you can have two different tones in a single patch for the DX7!).

Enjoy!"

How to learn Yamaha DX7 Synthesizer: FM synthesis – Sound Design Vibe

Published on Jul 31, 2017 Power DX7

"This FM synthesis tutorial series will analyse the DX7 factory patch, Vibe. Part 1 will cover algorithm, feedback and oscillator.

Please note that although my tutorials use the DX7 for FM sound design, what you’ve learnt here can be applied to any FM synthesizers, including Yamaha dx7 vst and plug-ins such as Dexed, FM7 and FM8."

Yamaha DX7 - 80’s Hits, a-ha Take On Me, Mr Mister Broken Wings, Europe, Berlin, Top Gun, Madonna

Published on Apr 29, 2017 Power DX7

"If you love 80's hits, you want to watch this Yamaha DX7 demo, faithfully re-creating those 80's hits from a-ha Take On Me, Mr Mister Broken Winds, Europe, Berlin, Madonna and more.

This is a Yamaha DX7 synthesizer demo unlike any others."

You can find all posts featuring Power DX7 demos covering the 80s and more here.

New NNZD Music Toys: MOSTRO FM Synth

Published on Jul 12, 2017 Blanali

A new synth from a new maker, Neonized aka NNZD. The following are the details, Google translated, from Neonized:

"In recent years we have seen a small number of FM synthesizers appear in the market, that form of synthesis that dominated the eighties and thanks to its exponent the already classic Yamaha DX7 was part of the dominant sound in this decade. Their strings, their pianos and bass lines, are already part of the collective memory and have been present from pop and rock to soundtracks.

But the FM always had something that made difficult its permanence in the electronic music, the difficulty in its programming, and the little intuitive of its interface, the complexity of its sounds has always been one of its attractions, but in what to program it refers Has always been something of a dark art, it was not until the appearance of VST versions like the classic FM8 from Native Instruments that we were able to penetrate into their guts and exploit their possibilities.

With the appearance of some FM in recent years, such as the Korg Volca FM and the Yamaha Reface DX, some of these parameters have become more accessible, especially for the musician or composer who seeks to modulate the sound in an intuitive way As it does in the usual subtractive synthesizers, and above all in direct, in order to give a greater expressiveness to the instrument and also to music.

Synthesizer fm This is where the MOSTRO appears, made by OSS (Outer Space Sounds) a Start Up born in Barcelona, ​​but with a "foot" in Medellin (Colombia), and that is currently in prototype, but is in the last Stage before launching into a Kickstarter to have a commercial production. This small FM has a polyphony of 4 voices, LFO, Sub Oscillator plus a Delay and an included Glide, and most important, control in potentiometers of these parameters, which gives the flexibility and expressiveness of a conventional noun synthesizer, Even within the unpredictability that is usually the FM synthesis. Its size makes it portable, and although it still depends on being connected to a power outlet, this does not prevent it from being desirable in a live Setup where it can be controlled or controlled from its MIDI connections.

I had the opportunity to explore his sound, basically in a couple of small improvisations, one of them sequencing it externally. In the videos that are at the end of this article you can hear a little sound and precisely the malleability of this thanks to its controls, and that immediately made me think about their possibilities in the context of the live. Possibilities that in the version that will be launched finally will be many more to include the possibility of loopear internally as well as 4 CV Inputs and 1 CV Gate In, which immediately includes it in a set of analog synthesizers or even by its format, within a Eurorack!"

Yamaha DX7 & SY77 - 80's Synth demo and FM synthesis comparison with Van Halen, Madonna, Pink Floyd

Published on Jun 2, 2017 Power DX7

"This is a Yamaha SY77/ TG77 demo and comparison video with Yamaha DX7. I will also compare the SY77/ TG77 with Roland D-50 and Korg M1.

I will show you key differences between the DX7 and SY77/ TG77. This includes:
- Sampled waveforms
- Self-oscillating resonant digital filters
- Advanced frequency modulation, including algorithm, feedback, AFM source inputs, oscillator with 16 selectable waveforms, envelope generators etc

I will go into detail with AFM parameters for digital filters, algorithm, feedback, oscillator and envelope generator.

The SY77/ TG77 has superb digital filters that can self-oscillate with its higher resonance setting. It's analog-like sound is just amazing. It's filter can be used for low pass, high pass and band pass settings. The you set two filters with the same low pass filter setting, you get -24dB cut off.

I will also give an example of SY77/ TG77 sound design using one of my original patch.

I created this Oberheim OB-Xa emulated sawtooth pad using just one AFM element, giving you 16 polyphony. It uses algorithm 42 with 3 independent towers. As you can assign 3 operators with a feedback loop, I created 3 independent towers producing their unique sawtooth waves. By combining them, you can create an amazingly rich and analog-like sawtooth pad.

The SY77/ TG77 also includes expanded envelope generator. It has 7 levels and rates and you can loop AFM envelopes. I will give you a quick tour of its envelope generator and a demo of a sound that uses the envelope loop function.

The SY77/ TG77 also has a pitch envelope that can be assigned globally (to overall sound) or per operator (you can switch on/off for each operator). This makes it very easy to create an analog-like stab brass sound.

Basically the SY77/ TG77 is a big brother of the DX7 and its FM synthesis, capable of producing far more complex sounds."

Yamaha DX7 - 80's Hits, Berlin Cover, Masquerade, Karaoke Music

Published on May 19, 2017 Power DX7

"Yamaha DX7 faithfully re-creates one of the 80's Hits, Berlin Masquerade. It's a full length verison and created as Karaoke music, so enjoying singing!

Berlin Masquerade
With added bass, guitar, FX and drum tracks, they bring the song to life! The modulated string pad is an emulation of the Prophet - 5 string pad that was used for the original song."

Yamaha DX7, Roland D-50 & Korg M1 - 80's Synths Compared

Published on May 5, 2017 Power DX7

Playlist:
Yamaha DX7, Roland D-50 & Korg M1 - 80's synth Demo, Miami Vice, Pink Floyd and Yes, Part 1
Yamaha DX7, Roland D-50 & Korg M1 - 80's synth Demo, Emerson, Lake & Palmer, Pink Floyd Part 2

"Want to know how capable Yamaha DX7, Roland D-50 and Korg M1 synthesisers are ? Can the DX7 keep up with the mighty D-50 and M1? Watch this video to find out!!!

This is a demo of Yamaha DX7, Roland D-50 and Korg M1 synthesisers, the 80’s 3 iconic digital sysnthesizers showcased side by side. Part 1 will compare e.piano, piano and pipe organ sounds.

Yamaha DX7 Synthesizer – The first commercially successful digital synthesizer with Frequency Modulation synthesis
a. Released in 1983
b. FM synthesis based on 32 algorithms to design a particular sound
c. A sinewave generating oscillator with an envelope is called operator
d. No filters, you create all necessary harmonics/ inharmonics from a sine wave

Roland D-50 Linear Synthesizer – The first commercially successful digital synthesizer with a fully digital subtractive synthesis, a virtual analog synthesizer and 8 bit sampled waveforms
a. Released in 1987
b. Digitally emulated subtractive synthesis with typical waveforms such as sawtooth, square etc
c. PCM section includes 8 bit sampled waveforms
d. Each unit is called partial
e. Structures to combine different partial
f. Digital filter with resonance

Korg M1 Work Station – The first commercially successful digital workstation with 16 bit sampled waveforms for acoustic sounds and drum kits, as well as an 8 track sequencer
a. Subtractive synthesis with 16 bit waveforms
b. Digital filter without resonance
c. 1 oscillator mode for 16 polyphony (2 oscillator per voice for 8 polyphony)
d. A well-designed workstation for music creation

Electric Piano
Korg M1 – Softer with a bit of sharp attack
Roland D-50 – Softer and mellow
Yamaha DX7 – Power DX7 Signature E.Piano patch with solid and sharp attack and a smooth chorusing effect

Piano
Korg M1 – Modified piano patch with amazing realism due to its 16 bit waveforms
Roland D-50 – No compared
Yamaha DX7 – Power DX7 Signature Grand Piano patch with amazing realism at lower and mid notes

Pipe Organ
Korg M1 – Factory Patch Pipe Organ with realism
Roland D-50 – Factory Patch, Cathedral with realism
Yamaha DX7 – Power DX7 Signature Soft Cathedral patch with realism
Yamaha DX7 – Power DX7 Signature Cathedral patch that faithfully emulates the pipe organ sound from Yes, Close To The Edge"

Access Virus FM Power | Synthmorph Sequences

Published on Apr 28, 2017 SynthMorph

"https://synthmorph.com/products/acces...
Virus FM Power is not just a distinct soundset of 94 presets based on FM synthesis capabilities of Access Virus, but also contains 20 special morphing Synthmorph MIDI sequences."

"Although the classic Access Virus B and Virus C are primarily virtual analog synthesizers, they are armed with a simple two-operator FM mode applying frequency modulation synthesis. Despite this simple 'pseudo-FM' structure, Virus uses some clever methods to extend the range of possible FM sounds into its own unique territory of amazing sonic landscapes.

As this synthesizer has a special frequency modulation character, it proved to be a rewarding idea to dig deep into this part of the Virus and making presets using its FM-only features. What does it mean? The filters are usually completely off (as the original Yamaha DX7 did not have a filter at all), but the unison modes, the arpeggiator and the otherwise powerful distortion are hardly used too. Even the built-in effects were used differently – they are disabled most often!

The idea was to create pure, punchy, bright FM sounds. While the presets were inspired by some classic FM presets, a Virus always encourages you to break the rules and create something beyond the ordinary: you can use these sounds not just for synthwave, ambient, techno, edm, pop, psy, house or trap, but basically for any purpose.

The sonic palette is varied: deep and raspy FM basses, crystal clear keys, tinkling mono leads, animated pads and sharp plucks, often spiced up with some irregular yet controlled atonal, aliased, and droning nature."

Amazing Yamaha DX7 analog patches demo V2 – Van Halen Jump, Rush Subdivisions, U.K., Berlin + BONUS!

Published on Apr 21, 2017 Power DX7

"This is a re-mastered version of the original Yamaha DX7 analog patches demo video. Except for U.K. Alaska, all songs include bass, drums and other additional tracks. This video also include a bonus track that you haven't seen it before.

All DX7 patches featured are created and fine-tuned by myself, using my DX7 front panel only (no patch editor used). I hope you enjoy this video and hope to inspire you that the DX7 is the truly powerful and versatile ‘pure’ synthesizer of all time.

Video Contents - Not in an order

Berlin, Masquerade
With added bass, guitar, FX and drum tracks, they bring the song to life! The modulated string pad is an emulation of the Prophet - 5 string pad that was used for the original song.

Rush, Subdivisions
It includes a brand new Oberheim OB-X like synth brass sound (soft and mellow like the original). It also features a female choir pad.

Van Halen, 1984 & Jump
Beautiful, warm and rich Oberheim synth (e.g., OB-X and OB-Xa) string and brass patches are faithfully created. It is amazing how the Yamaha DX7 sounds are so close to sounds from Oberheim synths. Also, it can mimic filter sweeping, creating analogue-like, yet uniquely DX7 sounds.

U.K., Alaska
This DX7 analog patch is uniquely DX7 with its’ FM synthesis engine. It ‘s a very powerful DX7 synth brass sound with ‘ear-piecing’ mid-range harmonics as well as it’s own flanging effect.

Bonus Track: Rush - Tom Sawyer
This song was the main feature of the Rock and Roll Hall Of Fame 2013. It includes a filter sweep, bass, MiniMoog thick lead, pad and drums."

FM Bass Patch Programming

Published on Apr 17, 2017 Synthesizer Keith

"This video goes deep into the details of programming an FM bass patch on the Yamaha DX11.

To duplicate the patch in the video, perform a voice initialization, and then make these changes:
Algorithm 5
Feedback Level (OP4) 6
Coarse Oscillator Ratio (OP1, 2, 3, 4) 0.5, 0.5, 2.0, 0.5
Fine Oscillator Ratio (OP1, 2, 3, 4) 0.5, 0.5, 2.0, 0.5
Detune (OP1, 2, 3, 4) -3, -2, +3, +2
Attack Rate (OP1, 2, 3, 4) 31, 26, 31, 26
Decay 1 Rate (OP1, 2, 3, 4) 11, 8, 11, 6
Release Rate (OP1, 2, 3, 4) 10, 6, 10, 6
Decay 1 Level (OP1, 2, 3, 4) 13, 9, 13, 9
Output Level (OP1, 2, 3, 4) 88, 85, 88, 80"

Also see:
Linear vs Exponential FM Synthesis by Synthesizer Keith
How To Learn Yamaha DX7 Synthesizer by Power DX7
The Yamaha DX7 II FD D Video Manual by The N.Y. School of Synthesis

How To Learn Yamaha DX7 Synthesizer – Tutorial: Fundamentals of FM Synthesis, Algorithm

Published on Dec 2, 2016 Power DX7

"This is a foundation level tutorial and it’s the first Yamaha DX7 & FM synthesis tutorial from the FM synthesis tutorial series. This how to learn tutorial gives you an overview of the most important aspect of the Yamaha DX7 and FM synthesis, Algorithm.

Algorithm plays a critical role in the FM synthesis sound design. It determines how all Operators (oscillator with envelop generator) interact with one another. The DX7 algorithm offers both frequency modulation synthesis as well as additive synthesis. Having 32 options of different algorithm, the DX7 FM synthesis offers greater versatility of sonic creation.

Future tutorials will include FM synthesis sound design, as well as further explanation of algorithm."