First Experiment with the folktek MΣƧᄃΛᄂIПΣ V.2

video upload by Richard Devine

sonicPlanet - First Experiment with StarWaves

video uploads by sonicPlanet


video upload by Richard Devine

"StarWaves is an audiovisual sound architect, the embodiment of sound, space and visual design rolled into one. Presented by sonicPlanet www.sonicplanet.com, it is a move towards the next generation of sound design apps.

Available for OSX and iPad (Windows version later), minimum hardware requirements : for iOS an 2019 iPAD (8th gen or pro) or newer, for OSX a recent Mac (2019 i7 or M1)"

via the user manual on SonicPlanet:
StarWaves is an audiovisual scene architect, the embodiment of sound, space and visual design rolled into one.

StarWaves gives the sound designer the architect’s role by creating possibilities of dialogue between these multiple elements.

IN THE MAKING OF SONIC ARCHITECTURES
StarWaves can import the sonic material in its concrete form as recorded files. Then this digital data is being represented as 3D rigid physical forms in space. We name them “the platform blocks” distributed spatially, a structure which stems from the sonic material being imported. There can be 100s of them, reaching the granular levels of sonic material. The layout of the platforms can be designed with 3D tools like positioning, rotation; they can be stretched, bent, scattered along their physical dimensions in continuous transformations.

As Goethe wisely stated : the architecture itself is 'frozen music'. How do we interact with this architecture to create the sonic textures ?

We know that sound travels as waves in an environment. It originates from a source and travels towards a distance, then interacts with the surface material of the environmental objects, gets

SONICPLANETTM
reflected, refracted, and absorbed within all the physical reality of its nature, granting a flexible relation to spatiality.

Sound remains as a hidden existence until it reaches our body. StarWaves uses on its scene the transmitters which send particles and beams of light to the space ( reminiscent to particle behavior of light or sound ) They hit the platform blocks ( representing the sonic material ) get reflected and collide with further objects, travel in distance until they die.

The time they collide with these rigid bodies they trigger sonic events and start a flow of synthesis processes. It is this continuous kinematic interaction, this physical realm which composes the sonic being and applies continuous transformations on its texture.

CLICK FOR MORE »

First experiment with the Twisted Electrons BlastBeats

video upload by Richard Devine

"BlastBeats is a 10 voice groove box offering 6 drum voices and 4 synth instruments."

Make Noise's Tony Rolando Talks Tape & Releases a New Album

video upload by MAKEN0ISE

"Make Noise founder Tony Rolando discusses his history with tape music, sampling, and microsound, which led to the development of the Make Noise Phonogene and Morphagene.

Tony's new album Breakin' Is A Memory will be released on Important Records April 29th:
https://importantrecords.com/products...
https://tonyrolando.bandcamp.com/albu...

Check out the music video for "Running Towards An Edge," directed by Elyse Tabet: [below]

0:00 Intro
1:01 Tony’s first encounters with tape music by John Pfeiffer, Barbara Kolb, and Mario Davidovsky
2:24 “Composing with Tape Recorders” by Terence Dwyer
3:21 The Superba tape machine
4:56 The Mystery of tape music
6:32 The difficulty of making tape music with just one device
7:28 The Casio SK-1
8:48 Tony’s tape music process ca 1995
9:58 Musical Interlude: “I’d Like to Make Communication W/ U”
12:00 The Ensoniq Mirage
13:52 Tony’s Mirage Sample Bank
14:48 The Wall of MIDI
15:32 The Akai S612
17:45 The Wall of MIDI (again)
19:18 Tony’s time in bands
19:57 Getting back into electronic music
21:44 Reaktor
22:39 Granular ensembles and computer struggles
24:38 Another Brick Wall and the feel of instruments
26:18 Other granular software of the time
27:57 Curtis Roads, Josh Kay, Richard Devine
29:09 “Microsound” by Curtis Roads
29:43 Outro


http://www.makenoisemusic.com"

Tony Rolando - Running Toward an Edge

video upload by Tony Rolando

"Running Toward an Edge" from 2022 release "Breakin' is a Memory" on Important Records.

https://importantrecords.com/products...
https://tonyrolando.bandcamp.com/albu...

Richard Devine Ascension - Modular Patch

video upload by Richard Devine

"Patch experiment using the Noise Engineering Variatic Erumption x 2, and Minigorille CV graphic modules x 2. Clock output from the Tiptop Circadian Rhythms into the CV Graphic input 1, left side (purple). Then another output from the TipTop CR taken to the right side (siliver) CV Graphic module. Output 4 from the Tiptop CR sent to the left side Variatic Erumption (ext gate to the hit jack input) which would send very slow burst of random gates. The CV Graphic CV output (PONG sequencer mode 2) A and B would output bouncing ball like CV voltages to the Variatic Erumption CV Pattern, and Time/Division input. This created some very organic scattered sequencing, taking one output that was triggering a Snazzy Fx Ardcore running custom frac drums patch.

The other output was running into a trigger input on the Mutable instruments clouds, which is causing the light granular scattering in between the beats. Another output from the V.E. running into the Noise Engineering Basimilus Iteritas, for the FM pluck like percussion sound. Next output from VE running into a 4ms RCD, random triggering spaced out burst to the clock input. From here, the output was taken (4)out to the MakeNoise Optomix set slightly open, which was running a ALM's new "Akemie's Castle" dual voltage controlled oscillator, running out the chord output (OSC A). From the Akemie's Castle the output is going into a Tiptop Z-DSP processed with the Halls of Valhalla card running program 7 (Asgard). Mult output also taken to the Strymon Big Sky pedal running in "Chorale" mode mix completely wet for delicate melodic swells. Making the rich choral timbres. Another gate output from the Noise Engineering V.E. running into the Mutable Instruments Rings module. Output from here sent to the Qu-Bit RT-60 effect module, which is also being triggered (for effects program change) via by the 5 division output from the 4ms Rotating Clock Divider.

Kick drum created using the MakeNoise telHarmonic module, running into an Optomix. Snare and hi-hat sounds courtesy of two Ladik D-333 Rom players. One running the Snares card, and another running hi-hats. Both outputs being summed into the Synthrotek DLY module. The delay input being modulated by a modcan QuadLFO output 1 slow S&H. First sequenced notes via the Mutable instruments Braids running the new "HARM" additive harmonics mode. The quantization was set to "Oinian". Second Braids for other harmony running the "OPSK" smooth sine like melody, VCA mode set to on, with short decay for pluck like quality. Signal for both braids are being sent to another Qu-Bit RT-60 running program number 1-Reverb. Quantization set to "Oinian". Bassline sound created with an Intellijel Shapeshifter output 1, then being run into intellijel uVCF filter in LPF input, then the signal goes out a Qu-Bit RT-60 in program 1 Reverb.

Link to download the free track here: http://bit.ly/1LkddOy"

Ambient Explorations pt.34 (Waldorf Quantum 8-Voice Hybrid Synth)

video upload by Piotr Garbaczonek

"Thanks for watching!
I got to play on Berklee's Waldorf Quantum which is a very heavy $4500 8-Voice Hybrid Synthesizer. Some cool sound designers and composers worked on the presets and sound banks on this synth such as BT and Richard Devine. I was recording stereo directly into the Avid Omni HDX, and into Ableton 11.

Here are some links of mine:
https://linktr.ee/pgarbaczonek
Go follow my Patreon here:
https://www.patreon.com/pgarbaczonek?..."

New Waldorf Iridium Keyboard Synthesizer w/ Polyphonic Aftertouch

Sounddemo video upload by WaldorfMusicChannel

"Trailer & sound demo for our brand new Waldorf Iridium Keyboard Synthesizer with polyphonic aftertouch – no external effects and processing were used."

Waldorf teaser revealed.

Update:

Matt Johnson Jamiroquai Exclusive!! Waldorf Iridium Synthesizer keyboard version

video upload by

"This new synth is an absolute beast with 2 synth engines and amazing poly aftertouch!

All rights reserved."

And the press release:

Waldorf widens range of high-quality synthesizers with polyphonic aftertouch pressure-providing Iridium Keyboard

REMAGEN, GERMANY: having introduced Iridium as a high-class synthesizer in a compact desktop form factor with welcomed added extras building upon the high-quality synthesizer developer’s demanding design standards set by its Quantum keyboard flagship’s futuristic functionality and advanced tonality, Waldorf Music is proud to take the concept further forward by announcing availability of its Iridium Keyboard counterpart — radically redesigning its desktop synthesizer namesake around an all-new 49-key FATAR TP/8SK semi-weighted polyphonic aftertouch pressure-providing keyboard as the first such implementation of that keyboard in the world, with an expanded front panel proffering one-knob-per-function control as a workflow-raising result of this high-class synthesizer’s palpable physical makeover, also allowing for six freely-programmable Macro buttons with which users can define functions from a wide range of features for additional performance control — as of March 4…

It is, however, hardly surprising that Waldorf Music has chosen to name its latest high-quality synthesizer Iridium Keyboard since the instrument in question is physically designed around award-winning Italian digital piano, organ, and synthesizer keybed manufacturer FATAR’s all-new TP/8SK keyboard, configuring 49 semi-weighted sensitive keys with polyphonic aftertouch and three contacts as possibly one of the best synthesizer keyboards money can buy. Best of all, tremendous tonal changes flow freely when playing the Iridium Keyboard live since polyphonic aftertouch is transmitted individually for each note played. Performers can conceivably play and hold down any number of keys simultaneously, subsequently moving each finger individually. In other words, individual keys are affected by the pressure applied by each finger, thereby creating, for instance, individual data streams for modulation purposes, whereas with monophonic (Channel) aftertouch all notes played will respond in the same way. With a powerful Mod Matrix offering 40 independent modulation assignments, each with individual settings for Source, Amount, and Destination, Iridium Keyboard far from disappoints when it comes to powerful modulation options, of course — just like its Iridium desktop synthesizer namesake. Notably, Iridium Keyboard is also capable of processing MPE (MIDI Polyphonic Expression) data, duly making multiple parameters of different notes separately controllable to effectively enable it to behave more like an acoustic instrument in terms of spontaneous, polyphonic sound control.

Clearly, the 851 mm (W) x 355 mm (D) x 110 mm (H) physical dimensions of Iridium Keyboard has resulted in some marked differences to the original Iridium desktop design, with a one-knob-per-function control approach afforded by its naturally expanded front panel, albeit aided still by its industrial-grade highly-responsive touchscreen display to provide an interactive overview of the Mode page selected (via associated LFOS, OSC 1, OSC 2, OSC 3, FILTERS, MOD, and EFFECTS buttons), parameter changes, and additional information. Indeed, Iridium Keyboard also incorporates six freely-programmable Macro buttons adjacent to the Pitch and Mod (modulation) wheels with which users can define functions from a wide range of features for additional performance control, combining to further enhance its performance pedigree.

Put it this way: while Iridium Keyboard — duly described by Waldorf Music as “...a high-class synthesizer with an extraordinary polyphonic aftertouch pressure keyboard featuring a wide range of unique sounds with approved Waldorf quality — made in Germany!” — ships with specifically created new sounds and samples in addition to all those included in the Iridium desktop from the likes of Kurt Ader, BT (Brian Transeau), Richard Devine, Thorsten Quaeschning (Tangerine Dream), and Howard Scarr, to name but a notable few, its impressive specification otherwise mirrors that of the original Iridium — itself described by Waldorf Music as “...a high- class desktop synthesizer featuring a wide range of unique sounds with approved Waldorf quality — made in Germany!” — as a 16-voice digital synthesizer. Sounds from Waldorf Music’s Quantum synthesizer flagship — an eight-voice, hybrid affair as a result of offering two analogue low-pass filters per voice — can conveniently be loaded into Iridium Keyboard and vice-versa.

As another entry fit for Waldorf Music’s rich history, Iridium Keyboard — with its industrial design bearing the high-class hallmarks of Axel Hartmann, one of the most respected synthesizer designers in the industry who was also responsible for the company’s wavetable synthesis-based Microwave debut back in 1989 — takes pride of place in the high-quality German synthesizer developer’s distinctive family tree as another direct descendent of the legendary PPG Wave synthesizer series that made their mark throughout the Eighties by bringing the distinctive sound of wavetable synthesis to the musical masses. Musically, though, the Iridium Keyboard — like its Iridium desktop synthesizer sibling — brings much more to the production table than its acclaimed ancestor, featuring five different synthesis models for each of its three oscillators (OSC 1, OSC 2, and OSC 3): Wavetable — a table consisting of single-cycle waveforms; Waveform (virtual analogue) — a standard oscillator model to create typical analogue waveforms; Particle (sampling and granular sampling) — allowing for extensive manipulation of sample-based sounds; Resonator — manipulates multi- samples from the internal (2GB) sample flash memory or noise via an exciter and various spectral parameters that can be modulated, matchless for generating awe- inspiring animated sounds and drones, which can, for example, easily be integrated into a Eurorack modular synthesizer environment via the Iridium Keyboard’s integrated control voltage connections (CV In1, CV In2, CV In3, and CV In4); and Kernels — effectively enabling one oscillator to become up to six sub-oscillators that can be interlinked through FM at audio rate and arranged in user-definable constellations. Clearly, Iridium Keyboard can create a wide range of unique sounds like no other.

Other fanciful features include three true stereo path digital filters per voice that convincingly cover all conceivable classic filter variants — various digital filters are additionally offered by the FORMER section, such as Comb, classic Waldorf high- and band-pass, and notch filters from Waldorf Music’s Largo and Nave software synthesizers, plus PPG models, alongside signal enhancer effects, such as Drive and Bit Crusher, and more; six envelopes, six LFOs, and much more besides are available for use as sources in the Mod Matrix, routable to almost any numerical value in Iridium Keyboard.

Connectivity-wise, the well-spec’d Iridium Keyboard communicates well with the outside world, thanks to two audio inputs (for processing external signals); CV inputs as well as Gate In and Trigger In connections (for forwarding external signals to the Mod Matrix); Clock In and Clock Out connections (to synchronise with other gear); USB and DIN MIDI connections; USB Host port (provided for MIDI devices and also handling data exchange); Control and Sustain Pedals inputs; a headphone output (with dedicated volume control); and last, but not least, two audio outputs.

On the face of it, then, with a performance pedigree fit for taking its wide-ranging unique sounds further forward, the reassuringly-weighty (12.0 kg) Iridium Keyboard certainly more than lives up to its billing as “...a high-class synthesizer with an extraordinary polyphonic aftertouch pressure keyboard featuring a wide range of unique sounds with approved Waldorf quality — made in Germany!”

The Dust Collector

video upload by Richard Devine

"@finegear_evolvinginstruments Alien Modular Crunk processed by The Dust Collector 👽"

See the Finegear label below for more.

ID700 polyphonic software synthesizer

video upload by Richard Devine

"@modoscdesigns Finally for Mac OS desktop the ID700 polyphonic software synthesizer based on the voice architecture of the Buchla 700."

Additonal ID700 posts. The MacOS version along with the iOS version going on sale was announced on December 10th here.

Ambient Recording Sound Fish ASF-1 MKII Hydrophone

video upload by Richard Devine

"First recording with the Ambient Recording Sound Fish ASF-1 MKII Hydrophone. The sounds you are hearing are of oxygen slowly leaking from chunks of colored sidewalk chalk. 👽"

Richard Devine playing Opera Rotas

video upload by SPHERICAL SOUND SOCIETY

"OPERA ROTAS mutant, generative FM drum machine Is here. Built around a Yamaha OPL2 FM audio chip, a close cousin of the one used in the Sega Genesis / Megadrive consoles."

OPERA ROTAS

The ARP 2600 Synthposium (Trailer)

video upload by Alan R. Pearlman Foundation

"TICKETS: bit.ly/2600-event

Join the Alan R. Pearlman Foundation online Saturday, September 18th, for a virtual Festival and Fundraiser honoring the 50th anniversary of the mighty ARP 2600, hosted by The Record Co. in Boston, MA!

This online celebration will feature live performances, live panel discussions, a 2600 synthesizer clinic, premiered videos of performances and interviews, special guests, a silent auction, and more. All proceeds will benefit the Alan R. Pearlman Foundation and the ARPs For All project. (For schedule please see below.)

Panelists include:
Alsún Ní Chasaide, Alison Stout, Antonio Guitterez (Antonus) BT, Brian Kehew, David Baron, David Friend, David Frederick Jr, David Mash, DJ CherishtheLuv, EMEAPP, Jack Hotop, Jennifer Hruska, Jean-Michel Jarre, Jon Carin, Korg, Lisa Bella Donna, Marie Ann Hedonia, Michael Bierylo, Michael Brigida, Richard Boulanger, Richard Devine, Steve McQuarry, Tom Piggott

New and exclusive content by:
Alex Ball (video performance), Berklee Ensemble (video performance), Bill T. Miller (video performance), David Van Pelt (video performance), DJ CherishtheLuv (video performance + interview), Don Slepian (video performance + demo), EMEAPP (video performance + Live Stream), Ernesto Romeo (video performance + demo),Renzo Torti Forno (video performanc),, Glen Harlock (2600 video patchbook)*, Jennifer Hruska (video performance with ensemble), Jim Mitchmerhuizen (interview excerpt), Lisa Bella Donna (video performance), Marie Ann Hedonia (video performance + interview), Steve McQuarry (video performance + interview)

The ARP 2600 is one of the most influential synthesizers ever created and has been played by artists such as Stevie Wonder, Herbie Hancock, Edgar Winter, Joe Zawinul, and sound designer Ben Burtt (as the voice of R2D2). Recently brought back into production by Korg, the ARP 2600 is once again a beacon of unlimited possibilities for a whole new generation of musicians.

The event will live stream from Boston’s own The Record Co, a community music workspace with professional recording and rehearsal studios. The event will focus on the ARP 2600, the iconic synthesizer that brought semi-modular synthesis to performers and educators around the world. It will feature panel discussions, performances, and interviews with world-renowned artists, technicians, engineers, and more. Participants will be able to interact live with panelists via Zoom.

Proceeds will benefit ARP Foundation initiatives, including The ARPs For All project, a joint effort by The Record Co. and ARPf, enabling anyone who rents studio or rehearsal time to use these incredible instruments at no additional cost.

Come join us!

CREDITS
Video Editing by Margot Bennett
Music by Omer Berger"

Reminder: THE ARP 2600 SYNTHPOSIUM is Coming Saturday, September 18TH

This is a follow-up to this post. You can purchase tickets at the event page here. For Group rates and free scholorship tickets see the admission section below.

"Join the Alan R. Pearlman Foundation online Saturday, September 18th, for a virtual Festival and Fundraiser honoring the 50th anniversary of the mighty ARP 2600, hosted by The Record Co. in Boston, MA!

This online celebration will feature live performances, live panel discussions, a 2600 synthesizer clinic, premiered videos of performances and interviews, special guests, a silent auction, and more. All proceeds will benefit the Alan R. Pearlman Foundation and the ARPs For All project.
Who
Panelists include:
Alsún Ní Chasaide, Alison Stout, BT, Brian Kehew, David Baron, David Friend, David Frederick Jr, David Mash, DJ Cherish the Luv, EMEAPP, Jack Hotop, Jennifer Hruska, Jean-Michel Jarre, Jon Carin, Korg, Lisa Bella Donna, Marie Ann Hedonia, Phil Cirocco, Richard Boulanger, Richard Devine, Steve McQuarry

New and exclusive content by:
Alex Ball (demo), Berklee Ensemble (video performance), Bill T. Miller (video performance), David Van Pelt (video performance), DJ Cherish the Luv (video performance + interview), Don Slepian (video performance + demo), EMEAPP (video performance + Live Stream), Ernesto Romeo (video performance), Glen Harlock (2600 video patchbook)*, Jennifer Hruska (video performance with ensemble), Jim Mitchmerhuizen (interview excerpt), Lisa Bella Donna (video performance), Marie Ann Hedonia (video performance + interview), Steve McQuarry (video performance + interview)

Why
The ARP 2600 is one of the most influential synthesizers ever created and has been played by artists such as Stevie Wonder, Herbie Hancock, Edgar Winter, Joe Zawinul, and sound designer Ben Burtt (as the voice of R2D2). Recently brought back into production by Korg, the ARP 2600 is once again a beacon of unlimited possibilities for a whole new generation of musicians.

How
The event will live stream from Boston’s own The Record Co, a community music workspace with professional recording and rehearsal studios. The event will focus on the ARP 2600, the iconic synthesizer that brought semi-modular synthesis to performers and educators around the world. It will feature panel discussions, performances, and interviews with world-renowned artists, technicians, engineers, and more. Participants will be able to interact live with panelists via Zoom.

What
Proceeds will benefit ARP Foundation initiatives, including The ARPs For All project, a joint effort by The Record Co. and ARPf, enabling anyone who rents studio or rehearsal time to use these incredible instruments at no additional cost.

Come join us!

When

EVENT SCHEDULE:
There will be an approximate 5-minute break after panels.

11:00am – Berklee Synth Ensemble (opening music)

11:30am – Opening Address

12:00pm – Panel 1 - ARP 2600: The First 50 years

1:00pm – Intermission (videos)

1:30pm – Prerecorded- The Next Fifty Years (remaking, restoring and reimagining)

2:00pm – Panel 2 – Maintaining Vintage 2600s in a Modern World

3:00pm – David’s 2600 Tutorial/Demonstration – A comparison of the original ARP2600, the new Korg ARP2600 FS, and the upcoming Korg ARP2600M Module. Demonstrations of some of the more esoteric capabilities of the 2600.

3:30pm – Intermission (videos)

3:45pm – Lisa Bella Donna

4:15pm – Panel 3- Artists using ARPs

5:15pm – Jennifer Hruska Group

5:45pm – Finding a New Voice

6:15pm – Live Stream from EMEAPP

6:30pm – Results from Silent Auction and Closing Remarks!

ADMISSION:
Students (Only): $10.00

Access to the Synthposium
Price of admission will increase to $12 on Sept 15th
General Public:

$20.00

Access to the Synthposium
Price of admission will increase to $25 on Sept 15th
$50.00

Access to the Synthposium
10% Discount off a t-shirt at our store
Special access to full length interviews & concerts
$100.00

Access to the Synthposium
10% Discount off a t-shirt at our store
1 ARP CD Download
Special access to full length interviews & concerts
Special access to tutorials

Synthposium Scholarship: In light of our challenging times, we can provide access to free scholarship tickets if circumstances dictate. Please send an email to dina@alanrpearlmanfoundation.org

Group Rates: For group rates, please email dina@alanrpearlmanfoundation.org

Interested in being a sponsor: For inquiry please email dina@alanrpearlmanfoundation.org"

Cinematic Waldorf Iridium patch

video by Ambiotic Fluid

"Waldorf Iridium custom patch using 2 layers, the sequencer, custom wavetables and particle oscillators."

Avant garde ambient Waldorf Iridium patch

video by Ambiotic Fluid

"Custom Waldorf Iridium patch. This synth is great for bringing our your inner Richard Devine avant garde experimental sound design chops"

Richard Devine on the opsix

video by Korg

"Richard Devine does a deep dive into some of the sounds he created and designed for the new opsix!"

TFoM2020 ONLINE / 5 Exclusive Interviews

Playlist:
Tony Rolando / Make Noise TFoM2020 exclusive interview（full length）
Dan Green / 4ms Company TFoM2020 Online exclusive interview（full length）
Joshua Holley / Malekko Heavy Industry TFoM2020 Online exclusive interview（full length）
Richard Devine interview for TFoM2020 ONLINE
Anthony Baldino Interview for TFoM 2020 ONLINE

Tokyo Festival of Modular 2020 ONLINE

Playlist:

1. TFoM2020 ONLINE

Tokyo Festival of Modular 2020 ONLINE
TFoM 2020 online
11月14日（土）　20:00 ~
※ チャンネル登録すると便利です。
Patch the World for Peace !
Featuring Exclusive Interview :
Richard Devine
Anthony Baldino
Tony Rolando | Make Noise
Joshua Holley | Malekko Heavy Industry
Dan Green | 4ms Company
Émilie Gillet | Mutable Instruments
and more !!
live:
Julia Bondar | ENDORPHIN.ES
※イベントの内容は変更になる可能性があります
※番組は事前収録し、編集した番組として放映いたします。

Tokyo Festival of Modular
Dave Skipper
HATAKEN
Hiroto Takeuchi / SARAAM
Roberto / Ipnoteca

Clockface Modular Rintaro
FiveG Hirai
Meeting of Modular Z_Hyper

撮影 Ayako Mino
翻訳 Wakaba Kimura 他

2. DOEPFER demonstration by Dieter Doepfer
3. Endorphin es QUEEN OF PENTACLES Master new
4. Kilpatrick / Neon Captain Radiator demo
5. Looptrotter Radek demonstration TFOM 2020

First Experiments with Erica Synths Syntrx Analog Synthesizer

Richard Devine

"First Experiments with Erica Synths Syntrx Analog Synthesizer"

Sequenced with the MAKENOISE 0-CTRL.

Novation AFX Station • Lightbath Patches + Overlays Demo

Lightbath

"I'm honored to be one of five sound designers selected by Novation and Richard D. James to create Patches + Overlays for the new AFX Station synth. I'm in good company with the others being Richard Devine, Noyzelab, Perplex On and ol' pal, r beny.

The AFX Station is a Bass Station II with a facelift that makes it easier to use the AFX Mode Overlays that are part of the new firmware. Plus, the thing looks great, now. More pro, less toy imo. It's a powerful synth that reminds me a lot of my Roland SH-101, but with patch-saving capabilities and some gnarly distortion and drive.

My patches parody a few choice sounds like BoC's Roygbiv and One Very Important Thought and some of the dirty sounds used by Tobacco and Black Moth Super Rainbow as well as a bunch of 'classic' Lightbath sounds and even a few jokes.

Lightbath Patches

082 - Audubon
083 - B3 Marimba
084 - Bass Racer
085 - Dandy Gum
086 - Formantable
087 - Gravity Error
088 - ImportantThought
089 - Mosquitohead
090 - Pluckbath
091 - Roy G. Biv
092 - SH-Gregorian
093 - The Fourth Below
094 - Threefold
095 - Tobacco Blessing
096 - Warm Chillbath

Lightbath Overlays

o5 - Gyil
o6 - Glitch
o7 - Flute"

Novation → https://novationmusic.com/en/synths/a..."

You can find additional Novation AFX Station posts here.

Hans Zimmer & Renzo Vitale Create The Sounds of the BMW Concept i4 Electric Car

BMW USA

This one was spotted and sent in via John L Rice.

"World-renowned composer Hans Zimmer in collaboration with BMW sound designer Renzo Vitale developed a unique sound brand for BMW’s electric vehicles. BMW IconicSounds Electric adds another level of emotion to the BMW concept i4 and makes it audible using a world of unique sound.

The sound of the BMW Concept i4 achieves this to perfection, combining BMW's past and future into a seamless harmony of electric car technology.

There's no limit to the expression drivers can feel in the Concept i4. From driving sounds in ""Core mode"" to the more intense and pronounced sounds of ""Sport"" mode, there's a wide breadth of sound ranging from light, transparent, to even surprising with this concept vehicle.

Feel the sounds of the future and see the next generation of electric car technology today."

Also see:
Jaguar I-Pace to Feature Synthesized Sounds by Richard Devine and the Yamaha Montage
Roland's Single Knob Synth for Cars