Gimme Some (Kick) Drum by Blue Lantern Modules || Full Walkthrough and Sound Demo

video upload by Robots Are Red

"GSDrum, or Gimme Some Drum, or Gimme Some Kick Drum is a 10 hp drum synthesizer module. It really shines as a kick module, but can do other drum sounds such as toms or something out of the syncussion, or act as a bass synth tracking it 1v/oct. This is not a typical kick oscillator using the 'Twin T' approach, GSDrum uses a v/oct tracking triangle core VCO with an OTA based VCA. There is CV control for the trigger of course, along with v/oct tracking, Linear FM, and VCA accent inputs. The Timbre knob shapes the oscillator starting at a sine wave, to a triangle wave, all the way to an overdriven square wave. Influenced by the Korg ER-1 drum synthesizer. The accent input can simulate midi velocity or drive your sound even more. You can jump to any section of the video here: 00:00 Opening 01:03 Introduction 01:42 Walkthrough Begins 01:50 Pop 02:07 VCA Envelope 02:58 Pitch Envelope 04:05 Tune Knob 04:15 VCA Knob 05:07 Timbre Knob (Waveform morphing) 06:16 Accent Input 06:57 v/Oct Input 07:10 Linear FM Input 07:40 Feedback Patching 08:43 Kick and Drum Sounds (Minimal Talking) 10:11 v/Oct Bass Line Demo (Minimal Talking) 11:17 Accenting with Sequenced Gates (Minimal Talking) 14:25 Frequency Modulation with Sequenced Gates (Minimal Talking) Special thanks to Blue Lantern Modules for providing the modules for this video."

via Blue Lantern Reverb

"Part of the 'Gimme Some' series. Gimme Some Drum....

What does this module do?

This module is a complete mini synthesizer that specializes in making analog kick drum sounds.

This product does not use a "Twin T" approach to make it's drum kick sound. This is using an actual 1v/octave

triangle core vco, and ota based vca. The shaper circuit that converts a triangle wave into a sine wave was brought to the front panel. The shaper knob was calibrated to start its shaping at the beginning of a sine wave, and end with an overdriven square wave.

This parameter is called 'Timbre'.

This product can produce a wide variety of ultra generic analog kick drum sounds.

Influenced by the Korg ER-1 drum synthesiszer, but laid out in an analog fashion.

-toggle switches are connected to 'timing' capacitors. You can select decay legnths on the fly.

-Depth Knobs let you precisely dial in how much punch, and loudness you want.

-Accent input lets you simulate 'Midi' velocity but with a positive CV input signal. This makes the Amplifier go louder in volume.

This is basically a CV input for the VCA circuit.

-POP parameter creates a clicky sounding, short audible pulse.

All the internal circuitry was optimized for drum kick. You really can't goof up and not make a percussive sound.

All you need is a triggering signal.

Internally Pre-Patch Products: OTA Triangle Core VCO + Sine Wave Shaper + Assist Percussion Utility

Big time savings!"

"Time Intertwines" Arturia Microfreak, Minifreak, Moog Matriarch, AudioThing Noises

video upload by Vöstok-one

"Time Intertwines,

In the morning’s chill, in the evening’s light,
Each step a stride towards hope’s height,
On the shores of the lake, where time intertwines,
Where the world’s beauty ever shines.

May the wind carry our fleeting fears away,
And may the lake whisper in our ears,
The secrets of dreams yet to be found,
On the path to tomorrow’s hallowed ground.

I hope you will enjoy this song as much as I had fun playing it."

50 Tempera Custom Patches [Bank 1] by synth_nyc

You can find hi-res demos on https://synthnyc.com

Some info on the set via synth_nyc

"As with my Kaivo custom patches, this sound bank only uses Factory Samples.

The Tempera has several workflows. I’m focussing my sound bank on having the Tempera sound generated by an external keyboard (Emitters are configured in ’Toggle’ placement mode), and also on having tonal patches.

The way Beetlecrab Audio implements granular synthesis is very interesting IMHO, it really shines in generating controlled random sounds (!), I mean it creates easily a rhythm or pattern if you’d like in the patch, but with random changes. A bit like a random ARP would do on a chord. The result is very musical IMHO. If you add that this randomness can be placed in the stereo field (L/R or Center/Middle) with some Jitter (or not). And that you can scan tracks vertically (Y) and / or several tracks horizontally (X) - up to 8 with up to 4 Emitters; the possibilities are endless.

Many of my patches scan tracks vertically (Y) only as I found that already creates a great novel soundscape, but several patches scan several tracks horizontally as well (that’s the ones with a XY suffix in the Patch Name)

It would be possible to create some of this controlled randomness if you were to use Korg Wave Sequencing 2.0 and add some randomness to each Step using the Probability parameter, but you would not be able to go as far as the Tempera.

The most interesting results IMHO are with samples that present spectral changes (across time) or temporal changes (gap, etc…) across time and with a fixed pitch. Though I’ve used some samples that had pitch changes (the FX is also interesting) and no (clear) pitch.

Lastly, unlike my experience with other synthesis where I can hear in my head the sound result before adjusting a parameter, with Beetlecrab Audio implementation of Granular Synthesis, sometimes the result is unpredictable (at least to me) but often musical."

You can find them at: https://synthnyc.bandcamp.com/album/tempera-custom-patches-bank-1

Beyond Pluto | Connecting Pluto to Other Gear

video upload by Shines

Follow-up to this post where you'll find additional videos.

"Welcome to Part 3 of my Pluto tutorial series! This video is going to take us beyond the confines of this tiny device, and get other external gear involved."

0:00 Intro
0:30 Audio Out
0:45 Audio In
1:21 CV Output
1:47 MIDI
2:42 USB-C MIDI
2:52 Sync In & Out
3:08 Firmware Updates
3:24 Configuration Mode
3:43 Conclusion

KORG Introduces the KingKORG NEO!

video uploads by Korg

"KingKORG NEO packs the power from the legendary virtual analog synth KingKORG into a compact 37-full size key synth, with new sounds, a 16-band vocoder, effects, and virtual patching.

At your fingertips is deep sonic exploration with the intuitive front panel equipped with dedicated knobs and screens, 3 oscillators with 138 different oscillators types to choose from, and 18 classic synth filters, including iconic models such as MS-20, TB303, SEM, Minimoog, and Prophet 5, faithfully recreated through KORG's advanced XMT engine."

CLICK FOR MORE »

Pluto | Discovery + First Impressions

video upload by Shines

"I’ve been in space for the past 4 weeks, and my ship has picked something up out of the void.

Meet Pluto, an insanely versatile, portable, duophonic modular synth from Modern Sounds. In this video I’ll give my immediate impressions, and build a small patch to showcase a mere fraction of what this travel-sized modular experience is capable of.

A more in-depth tutorial is on its way!

Learn more about Modern Sounds here: https://www.modernsounds.co

0:00 Intro
0:35 Unboxing
0:46 Pluto Design
1:34 Clock Division
2:08 First Jam
3:18 Conclusion"

Unlocking the Voices of Pluto

video upload by

"Let's dive into Pluto! This is an incredible battery powered modular synthesizer that features two simultaneous four-step sequencers and a whole bunch of sonic capabilities.

This video will focus on the sounds of this synth, and all of the different voices you can get out of it.

0:00 Intro
0:57 Voice Basics
1:15 How to Play the Voices
1:41 Voice Types
3:20 Modulation
3:48 Effects Section
4:53 Conclusion"

Tiny Modular Sequencing on Pluto

video upload by Shines

"Check out the videos below for tips on sound design, and my initial impressions of this incredibly unique synth!

Thank you so much for watching these tutorials on Pluto!

0:00 Intro
0:11 Clock Points
0:29 Choosing Notes and Scale
0:59 Touchpads
1:21 Pulse Width
2:25 Clock Division
2:54 Random Clock
3:07 Shuffle
3:38 Other Patch Points
4:21 Conclusion"

Xaoc Devices LEIBNIZ #6 / ROSTOCK / delay and loop 8 bits of information / extensive playthrough

video upload by BRiES

"'ROSTOCK by Xaoc Devices should not be taken lightly' is what I figured out while making this video. ROSTOCK can be easily mistaken for just being a delay, but the patch ideas (provided in the manual of ROSTOCK) prove that with some creative insight you can use ROSTOCK for much more somewhat unexpected and useful things.

This video is a slow burn. I start of by proving that high-fidelity audio rate delay is probably not the strongpoint of ROSTOCK, but just like me there will probably be a lot of people hoping that they can still get away with using it as such. That's why I spend a generous amount of time showcasing this feature of the module. I demonstrate and explain how the clock works on ROSTOCK and how to use the seperate clock inputs, as well as exploring the loop and scramble features of the module. Afterwards I go into detail about the patches provided in the manual of ROSTOCK and you'll soon see that this is where ROSTOCK really shines: auto-generative waveforms, patching up a trigger/gate sequencer or 1-bit multi-tap delay, creating chaos and looping melodies, ... ."

0:00 intro
0:24 a few sounds
1:24 introduction to ROSTOCK
6:03 thank you Xaoc Devices
7:10 summary of the video
8:22 explaining audio delay (intro patch)
15:55 modulating length CV
19:27 modulating the clock
22:50 no clue about Leibniz?
25:30 clocks
27:40 conveyer belt analogy
31:08 loop and scramble
48:18 P.I.1 audio delay and feedback
1:00:49 P.I.2 JENA chaos loop
1:11:37 P.I.3 LIPSK gate sequencer
1:22:34 P.I.4. POCZDAM multi-tap
1:28:10 P.I.5 Turing Machine bonus
1:44:04 thank you for watching!

Exploring the Korg Polysix: Vintage Synth Magic

video upload by Ian Dixon

"The Korg Polysix, a 6-voice poly synth launched in 1981 for £899 / $1095, aimed to deliver an affordable polyphonic analog synthesizer experience. Featuring the DDM2044 4-pole VCF, also found in the Mono/Poly and Trident, its filter was used in notable synths like the PPG Wave 2.2/2.3, Emu Emulator, and early Fairlight models. With a single oscillator per voice, offering Saw, Pulse, Pulse Width, and a sub-oscillator, the Polysix's sonic palette is rich.

Noteworthy are the single ADSR envelope for the filter and amplifier, and the VCA's gate mode. Modulation features for the VCO, VCF, and VCA, along with a delightful delay on the MG (Korg's LFO), contribute to its unique sound. The Ensemble and Chorus effects add movement, creating a timeless sonic experience. While pre-MIDI, it boasts CV/Gate and an arpeggiator. Save your patches via the cassette interface with 32 memory slots.

If you're eyeing a Polysix, beware of potential circuit damage from leaked batteries. Experience it virtually through the Korg Collection.

The Polysix's influence extends to modern synths like the Korg Modwave and Wavestate, both featuring Polysix-modeled filters. The Modwave excels at creating Polysix-type sounds (grab my free Polysix collection for the Modave).
https://thedigitallifestyle.com/w/202...

Used by Tears for Fears, Geoff Downes, Eat Static, Astral Projection, Jimi Tenor, Global Communications, Kitaro, Robert Rich, and Keith Emerson, the Polysix shines in synthwave and retro synth music.

Dive into my videos covering classic hardware synths (TX7, Korg Karma, MS2000) and explore my virtual collection, including the Wavestation and M1. Don't miss the journey into the sonic history of these iconic instruments!

00:00 Introduction
01:21 Synth Design
03:25 Starting with Init Program
04:41 Mapping controlls
04:58 VCF
06:04 Enverlopes
06:23 MG
07:40 Polysix effects
08:56 Arpediator
10:56 Extras on the VST
12:31 Issues with the orignal Polysix
13:02 Korg Polysix Plugin / Modwave
13:41 Polysix patches
14:07 Fear of Tears
14:27 Synthwave sounds
14:56 Patch demos"

Hologram Chroma Console + Great Conjunction generative synth - every effect isolated NO TALKING shhh

video upload by Arman Bohn

"Just giving some love to a brand new Hologram Chroma Console. My Great Conjunction prototype just came in today, and I decided to set up a simple, generative patch and play with each effect on the chroma console.

I didn’t get into too many of the shift menus. Just a brief exploration of what each effect does in the context of a pretty, basic synth sound.

This thing really shines when you start adding the effects together and get into some of the deeper features of motion capture.

I may even dust off the guitar and plug it in, who knows!

I sell my synths/devices over here:

https://www.tindie.com/stores/distrop..."

mutable opt touch synth "LICHEN"

video upload by ultra cacophony

"LICHENは5VCO,4LFO,5VCA、組み替え可能なタッチパッドを備え、光を介したオーディオの伝達を行い一石VCAなどを含む非線形なフルディスクリート回路で構成されたシンセサイザーです

まず初め、ジャック穴のみがあるシンセを作ってみたいと思い立ちました（それはきっと美しいだろう）しかし普通POTが担う定常的な値の設定できないというのはシンセにとってあまりにも大きな縛りであるという壁に突き当たりました

そこで後に「peg」と名付けることになるプラグとLEDを組み合わせた構造を考えました　pegはジャックから供給される電圧に応じた強度で下側を照らす構造です　パネル上には光センサを配置してあり、挿し込んだpegは自由に回転するため、回転位置によってセンサに光の当たる量が変化します

pegは赤外線で信号を伝えますが、信号を視認するため可視光でも光ります(そのため室内明所で使用可能です）光は常に2方向を照らしており、操作による相互干渉を誘発します　光の角度によって3種類(60°,120°,180°）のペグがあり、どのペグをどこに挿すかによって音色が規定されます

pegは光を伝える構造であると同時に、タッチプレートでもあります　上部の金属部に触れることによって身体抵抗を通じて信号を伝えます　

pegの導入によって3.5mmジャックは非常に多くの役割を担うことになりました
・通常通りのパッチングポイントとして
・回転運動により値を設定するPOTのような役割
・組み替え可能なタッチプレート
・オーディオ信号を光に変換して伝える
・5mmLEDを配置する台座
などなど…

このシンセサイザーは3.5mmジャックという一般的なインターフェースの可能性を再考するものです

2022 ulcasiva" Googlish:

"LICHEN is a synthesizer that is equipped with 5VCO, 4LFO, 5VCA, a reconfigurable touchpad, transmits audio via light, and is composed of a nonlinear fully discrete circuit including a single VCA.

First of all , I wanted to make a synth with only a jack hole (I'm sure it would be beautiful), but I ran into the wall that not being able to set constant values, which is normally the responsibility of a POT, was too much of a constraint for a synth.

Therefore, we came up with a structure that combined a plug and an LED, which we later named "peg." A peg is a structure that illuminates the underside with an intensity that corresponds to the voltage supplied from the jack. is equipped with a light sensor, and the inserted peg rotates freely, so the amount of light hitting the sensor changes depending on the rotational position

The peg transmits a signal using infrared rays, but the signal It glows even in visible light (so it can be used indoors in bright places).The light always shines in two directions, causing mutual interference when operated.Depending on the angle of light, there are 3 types (60°, 120°, There are pegs (180°), and the tone is determined by which peg you insert and where.

The peg is a structure that transmits light, and at the same time it is also a touch plate. By touching the metal part on the top, you can It transmits the signal through a resistor.

With the introduction of PEG, the 3.5mm jack has taken on a huge number of roles
・As a regular patching point
・By rotational movement Functions like a POT to set up
・Reconfigurable touch plate
・Converts and transmits audio signals to light
・Pedestal for placing 5mm LED
And so on...

>This synthesizer rethinks the possibilities of the common interface of the 3.5mm jack

2022 ulcasiva"

Simesky+Fritch - SKALA.02

video upload by Simesky+Fritch

Supporting member Simesky has a new release out available on multiple platforms on distrokid here.

Format: Streaming / Download / Cassette

"A MAGNIFICENT EXPERIENCE" - Lost in the Manor - Earmilk

"A DARING AND MAGICAL IDEOLOGY" - Headbanger News

"A NEW MASTERPIECE" "AN UNSTOPPABLE FORCE" - Sinusoidal Music

"SIMPLY SENSATIONAL" - Indie O’Clock

‘Such Imperfection’ debuted in summer 2022 as a love letter to 80’s pop vinyl.

A year later, making good on their promise, Simesky+Fritch released their follow up singles
‘ColourRunningAway’and‘BackandDownAgain’toworldwideacclaimand highpraise.

The singles went global. The airwaves lit up. Indie charts and national stations in UE and UK put the
tracks on rotation and Simesky+Fritch gained cult status. The reception was simply astounding.

What comes now is a glorious (mini) album and statement that shines high with a new-neon swagger. All the dark light of new-wave, all the glisten of 80’s pop, all the shimmer of retro and the gloss of lost decades is reshaped into something spectacular.

So welcome to ‘SKALA.02’. Welcome to Simesky+Fritch

Welcome to the future of cool retro indie reimagined by modern pop masters.

Designing Sound With Shapes // Vector Synth

video upload by Jorb

0:00 Intro
2:09 Orbiter Screen
10:45 Overtone Generators
19:49 Filters
28:55 Sound Gen Summary
30:24 Arppegiator
34:37 Post Effects
37:24 Where it Shines
40:02 Conclude

---
The orbiter reminds me of Moog's Animoog.

Kawai K5000 Demos by Snupps

video uploads by Snupps Synth channel

Use the player controls to skip through videos.

Playlist:

1. Kawai K5000s demo, my sounds

A ambient demo of the Kawai K5000s Advanced additive synth, All of the sounds were made by me.

2. Kawai K5000s demo: Photosynthesis

A ambient track where i use some of my sounds on the Kawai k5000s Advanced additive synth. I also use for parts of the track, the Behringer deepminds 12 and Yamaha Ex5.

CLICK FOR MORE »

Novation Circuit using Delorean Dream 3 pack Video #2

video upload by G Tracks

"WELCOME BACK!!!!! Yves has done it again with his new Delorean Dream 3 pack. This is me GTracks using the Novation Circuit and the Delorean Dream 3 pack to bring you this Track. The work flow is a little different from the Circuit Tracks and I am not as perfect as I would like to be with the timing but the grittiness of the Circuit still shines through. Yves Big City Mastering has created this pack with huge sounds and patches that stand out from the rest. This is the beginning of a series of Tracks using this pack and the Novation Circuit and the Novation Circuit Tracks to bring you along for an unforgettable ride. I can't say enough about the pack and the samples! They are great and everyone should have this pack in there components software. I beta tested this pack before it came out and Yves was AWSOME throughout; the final pack is worth every penny to pick up @IsotonikStudios The creators put a lot of time into these packs to ensure that we have quality samples to work with when we are creating our own music. Please Like and Subscribe and stay tuned for more Great Tracks. Thanks for watching, best heard with headphones 🎧 Let's go make some music 🎵🎶🎵🎶

#wearenovation #circuittracks #novation #novationcircuittracks #novationcircuit #drummachines #techno #dance #edm #trance #dawless #Tascam #Portacapturex8 #googlepixel #googlepixel7pro #isotonikstudios #yvesbigcity #deloreandream3 #gtracks #letsgo Make some DAWLESS music

MY SETUP:
Novation Circuit

Pack used is Delorean Dream 3 available soon!!!!!!!!!!"

Novation Circuit and Delorean Dream 3 Video #1

video upload by G Tracks

"Yves has done it again with his new Delorean Dream 3 pack. This is me GTracks using the Novation Circuit and the Delorean Dream 3 pack to create multiple sessions to bring you this Track. The work flow is a little different from the Circuit Tracks and I am not as perfect as I would like to be with the timing but the grittiness of the Circuit still shines through. Yves Big City Mastering has created this pack with huge sounds and patches that stand out from the rest. This is the beginning of a series of Tracks using this pack and the Novation Circuit and the Novation Circuit Tracks to bring you along for an unforgettable ride. I can't say enough about the pack and the samples! They are great and everyone should have this pack in there components software. I beta tested this pack before it came out and Yves was AWSOME throughout; the final pack is worth every penny to pick up @IsotonikStudios The creators put a lot of time into these packs to ensure that we have quality samples to work with when we are creating our own music. Please Like and Subscribe and stay tuned for more Great Tracks. Thanks for watching, best heard with headphones 🎧 Let's go make some music 🎵🎶🎵🎶

Pack used is Delorean Dream 3 available soon!!!!!!!!!!

Packs from @IsotonikStudios are amazing packs and very versatile. Big sounds that can be modified to suit your style and needs. Have Fun!!!!"

Korg Trident MkII

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Very rare and majestic sounding two oscillator analog poly synth from the golden age of synthesizers. Three sections (synthesizer + brass + strings) that can be mixed together for the thickest, richest sounds possible. Really shines at doing pads and string sounds but also can be excellent for bass & lead synth as well (though more limited than comparable analog poly synths like Yamaha CS series, Oberheim, etc.). Tons of in/out routing capability. A standalone LFO can really bring this thing to another level (I used a moog moogerfooger ring mod).

This guy has it's bumps and bruises, some brackets on the wood cheeks, plus some tape gunk left over but it's what inside that counts.

Completely serviced and re-traced by local synth repair guru Gerry Dahl in 2017. He replaced the dead & leaky battery and repaired all the boards. It's run well ever since.

The factory patches have been wiped but you can program your own sounds."

CLICK FOR MORE »

NightRider by Ryk Modular

video upload by Cinematic Laboratory

"Night Rider is a quad resonant filter with a built in sequencer. It has four bandpass filters that can be used in parallel and serial configurations, a mono allpass filter in two flavors and an amazing karplus strong mode.
It works in many configurations, but it has a strong preference for more complex sources and abolutely shines with something big and polyphonic like Vector Wave or Knobula's Poly Cinematic. While this may seem as a 'too many options' module, you can easy find your way after getting lost in a patch or two. Absolutely stunning module."

Suzuki TO-37R

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Vintage Suzuki TO-37R POLYPHONIC electric keyboard and drum machine. Three basic keyboard sounds which can be pressed simultaneously for interesting tones. For example- strings and flute combo produces a gnarly overdrive sawtooth. The built in analog drum machine is capable of the same multi patching. Two can be press in creating really interesting and playable rhythms. This keyboard shines in front of a delay and reverb!

DISCLAIMER:

The volume pods are a little scratchy which is expected for a 50 year old synth. The rear output jack is inoperable. It could probably be fixed simply but that’s beyond my scope. I always used the headphone jack as an output which works equally well. The built in speaker is really nice but I wouldn’t push it too hard."

245t and SQ-1 Tips & Tricks - Buchla & Tiptop Audio

video upload by Stazma

"More infos & affiliate links in the description // Support on Patreon to get samples from this session: https://www.patreon.com/join/stazma

Analog sequencers are not only for notes, in fact the 245t shines more at automating parameters of your synth patch in my opinion. I'll show you how I like to use it with an SQ-1 taking care of the melody part."

Synthesizers.com Composition Contest Videos

Use the player controls on bottom to skip around.
You can find descriptions for each video below. You can find additional Synthesizers.com contest posts here.

Playlist:

1. O Z Hall: Zebra Synth

Dive into the enthralling world of synthesizers and witness O Z Hall's outstanding entry, "Zebra Synth", in the Synthesizers.com Composition Contest. Crafted with unparalleled precision and technique, this remarkable composition combines an array of captivating sounds that will take you on a breathtaking sonic journey.

Hall masterfully utilizes three distinctive patches in "Zebra Synth" to create an immersive soundscape. The first patch features a drone made using a Q106A oscillator, which is meticulously processed by a wave folder. Another oscillator, intertwined with linear FM from the wavefolder output, results in a fascinating "clang tone" that is beautifully amplified by a digital reverb.

In the second patch, a sequenced voice is artfully produced by employing two re-paneled Q106 oscillators. One output is channeled into the input of the linear FM, which subsequently provides intriguing timbral variations. The Q119A sequencer's 3rd row masterfully controls a Ratchet effect, adding even further depth to the composition. An expertly-applied digital delay effect enriches the output of this patch.

Lastly, the lead voice is ingeniously designed using the Q169 Dual Oscillator with Pulse Width modulation. O Z Hall skillfully manipulates the 24db/oct low pass filter in real-time to deliver an electrifying performance. The extended digital delay effect ties the entire sonic experience together.
O Z Hall's "Zebra Synth" draws its arsenal of modular synthesis tools from the Synthesizers.com catalog, including Q106, Q106A, Q119A, Q171, Q148, Q127, Q169, Q168, Q167, Q114, Q174, and Q175A modules. The creative process has been meticulously executed, showcasing how these modules can be combined to engineer a rich and dynamic sound adventure.

CLICK FOR MORE »