MATRIXSYNTH: Search results for dave bell


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Showing posts sorted by relevance for query dave bell. Sort by date Show all posts

Tuesday, March 20, 2012

The PPG 1003 "Sonic Carrier" - World's First Programmable Synth?


via Wolfgang Palm on Facebook
Be sure to see the video below.

"This was the first programmable synthesizer (1977)."

Programmable as in patch memory. The 1003 was a programmable monophonic synth with two oscillators, digitally controlled keyboard, and it was duophonic.

But was it the first?

Excerpts via Part 4 of the PPG Story:

Thursday, October 17, 2019

Suzanne Ciani to Mentor Emerging Electronic Producers as Master in Residence at Studio Bell


via the National Music Centre

"Synth legend Suzanne Ciani to mentor emerging electronic producers as next Master in Residence at Studio Bell

Four artists from across Canada to be mentored by electronic music pioneer

(Calgary, AB — October 17, 2019) The National Music Centre (NMC) is pleased to announce electronic music pioneer Suzanne Ciani as the next Master in Residence at Studio Bell in Calgary.

Dubbed the 'Diva of the Diode,' Suzanne Ciani is a five-time Grammy award-nominated composer, electronic music pioneer, and neo-classical recording artist whose work has been featured in countless commercials, video games, and feature films. Over the course of her 40-plus year career, Ciani has released 16 solo albums, including Seven Waves, The Velocity of Love, and most recently, her comeback quadraphonic Buchla modular synth performance recording LIVE Quadraphonic.

Alongside NMC ON and AEMCON events, Ciani will offer her expertise on electronic music composition, including analog modular live performance and sound design techniques, with four emerging Canadian electronic artists during an intensive one-day session. Participants include Calgary producer and bass music advocate Homesick, Winnipeg-by-way-of-Toronto electronic artist Joanne Pollock, experimental music-maker YlangYlang from Montreal, and Toronto-based experimental electronic performer Korea Town Acid, who will also appear as part of NMC ON: After Hours on November 15. Tickets for After Hours are on sale now at studiobell.ca/whats-on.

The public will also have a chance to see Ciani lead a public Buchla Masterclass on November 16. Tickets for that event are available at studiobell.ca/whats-on.

'I’m thrilled to share my history and expertise in my favorite music medium, analog modular, with young emerging Canadian artists,' said Suzanne Ciani. 'I’m looking forward to our exchange of ideas.'

The Master in Residence program invites emerging artists to work under the leadership of a Master in Residence chosen to inspire creativity, encourage innovation, share expertise and provide mentorship. Previous masters have included acclaimed country icon Terri Clark, singer-songwriter Steven Page, Canadian techno ambassador, Richie Hawtin, and Our Lady Peace founder, Raine Maida. Internationally-acclaimed artist and producer, Daniel Lanois led NMC’s first ever Master in Residence event in 2015 with an interactive master session in collaboration with Sled Island Music and Arts Festival.

'As a pioneering, Grammy-nominated composer and performer of electronic music, Suzanne Ciani is a master with international pedigree,' said Adam Fox, NMC’s Director of Programs. 'Connecting emerging Canadian artists with career-altering mentorship opportunities is something that the National Music Centre takes great pride in. This is going to be a once-in-a-lifetime experience for this year’s selected participants.'

Wednesday, August 01, 2012

DSI Mopho x4 Keyboard Synthesizer Available Now


"Dave Smith Instruments is just a week away from introducing DSI's new Mopho x4 synthesizer keyboard to the world. This new synth is polyphonic Mopho keyboard! The Mopho x4 is the newest addition to DSI's revered line of analog subtractive synthesizers. Building upon the same award winning voice architecture of the Mopho and Mopho Keyboard, the Mopho x4 boasts huge sound and 4 voice polyphony in an ideally sized, portable, and elegantly designed package. Use it to create huge unison basses, creamy leads, maniacal sequences, and ethereal pads. The Mopho x4 is sure to satisfy all your polyphonic analog synthesis needs.

4 times the voice 4 your pleasure
Each of Mopho x4's four voices is composed of two analog oscillators, two sub octave generators, selectable 2- or 4-pole famed Curtis low-pass filter, three 5-stage envelope generators, four LFOs, a re-latchable arpeggiator, and a 16 x 4 step sequencer. Its voice also comes packed with 20 modulation sources and almost 50 destinations!

You can FM the filter to create metallic bell-like sounds and use the feedback path to add subtle or destructive harmonic content to your sound. Mopho x4's 100% analog signal path is powerful, monstrous, and sonically dynamic!

Work less, play more
Mopho x4 is intuitive and inviting. Every parameter is fully programmable and editable from the front panel. The controls are logically laid out, lending themselves to quick access so you can tweak knobs without missing a beat.

The x4's full sized 44-note semi-weighted keyboard has aftertouch and velocity sensitivity. The sturdy full sized pitch and mod wheels are freely assignable and sport smooth reliable action.

It grows with you
Expand Mopho x4's polyphony using its Poly Chain port. Mopho, Tetra, and Prophet '08 can all be connected to the x4 to increase its voice count. You can Poly Chain up to three Tetras with Mopho x4 to create a 16 voice analog super synth!

The Mopho x4!
Dave Smith Instruments is the only company pioneering and producing fully programmable polyphonic analog synthesizers. In fact Dave's been at it for 35 years!

Designed and manufactured in San Francisco, Mopho x4 has the high quality sound and build for which DSI is renowned. From its feature packed analog voices and unmatched sonic versatility to its refined design and engaging interface, you won't find a polyphonic analog synthesizer like this anywhere else.

The Mopho x4 will be priced at $1,299 US MAP!"

Spotted on Gearjunkies

Update: It looks like the info went live at http://www.davesmithinstruments.com/. Intro video below.

Mopho x4 Synthesizer Keyboard Introduction

Published on Aug 1, 2012 by DaveSmithInstruments


"It's a polyphonic Mopho keyboard! Mopho x4 is the newest addition to DSI's revered line of analog subtractive synthesizers. Building upon the same award winning voice architecture of the Mopho and Mopho Keyboard, the Mopho x4 boasts huge sound and 4 voice polyphony in an ideally sized, portable, and elegantly designed package. Use it to create huge unison basses, creamy leads, maniacal sequences, and ethereal pads. 4 times the voice 4 your pleasure Each of Mopho x4's four voices is composed of two analog oscillators, two sub octave generators, selectable 2- or 4-pole famed Curtis low-pass filter, three 5-stage envelope generators, four LFOs, a re-latchable arpeggiator, and a 16 x 4 step sequencer. Its voice also comes packed with 20 modulation sources and almost 50 destinations! FM the filter to create metallic bell-like sounds and use the feedback path to add subtle or destructive harmonic content to your sound. Mopho x4's 100% analog signal path is powerful, monstrous, and sonically dynamic! Work less, play more Mopho x4 is intuitive and inviting. Every parameter is fully programmable and editable from the front panel. The controls are logically laid out, lending themselves to quick access so you can tweak knobs without missing a beat. The x4's full sized 44-note semi-weighted keyboard has aftertouch and velocity sensitivity. The sturdy full sized pitch and mod wheels are freely assignable and sport smooth reliable action. It grows with you Expand Mopho x4's polyphony using it's Poly Chain port. Mopho, Tetra, and Prophet '08 can all be connected to the x4 to increase its voice count. You can Poly Chain up to three Tetras with Mopho x4 to create a 16 voice analog super synth! The Mopho x4! Dave Smith Instruments is the only company pioneering and producing fully programmable polyphonic analog synthesizers. In fact Dave's been at it for 35 years! Designed and manufactured in San Francisco, Mopho x4 has the high quality sound and build for which DSI is renowned. From its feature packed analog voices and unmatched sonic versatility to its refined design and engaging interface, you won't find a polyphonic analog synthesizer like this anywhere else." http://www.davesmithinstruments.com/

Wednesday, October 18, 2006

Synth Dreams


Dave of umop.com and The Packrat sent an email on a synth dream he had, to me and a couple of others. I replied with my own. Dave and Peter Forrest thought they were a good read so I figured I'd put up a post. Dave gave me the go ahead to start with his. If you have any similar stories, feel free to post them in the comments. I thought this particular Packrat Toon held a little bit of truth to the experience behind the dreams. BTW, title link takes you to the rest of The Packrat strip. Hmm... Now that I think of it, all the toons would make for great dreams. : ) Click the image to read it.


Before we start. Question: How many of you realized it was a dream in the middle of it and actually tried to take it back to the other side? I have.

Via Dave:
"Not for nuthin', but after I bought some office furniture at Ikea the
other day, I guess the store invaded & scrambled my thoughts, because
I dreamed I bought a little 2-osc analog synth from them.

I'd supply a picture but it was so nondescript it doesn't really
matter. It was about half a MaxiKorg with similarly colored switches;
plain black cheapo plastic body. Mixer faders all the way over on the
side, embedded in the end cheeks like an OB-Xa retrofit (for only two
VCO's?... there were so many faders...); and of course those cheeks
were Ikea's specialty "birch effect" particle board in composition.

One other detail I remember is the waveform knob was a simple knob
which went from brass (saw) to EP (electric piano [??]). When cranked
all the way left, this thing sounded fatter than the brass from ELP's
"Touch and Go" and I recall remarking to my girlfriend in the dream
(who was naked of course...TMI?) that I planned on bringing this
little $199 beauty out with me to Pong* shows as a dedicated brass
synth.

The name? "Ikeaboard" of course.

Just thought I'd share. It's weird to have dreams with this many
technical details skirting so close to the realistic."

############################################################################

Via Matrix:
"Too funny, I used to have synth dreams all the time. There was a time in
real life, where I was hitting up pawn shop after pawn shop looking for
"that deal." I had major GAS. At that time I'd have dreams about shops in
various cities with crazy analog gear I've never seen before. Bizarre
Roland/Oberheim combo analogs. The shops always seemed to have mini lofts
in the back where they stored a bunch of dusty old analogs. I have
re-occuring dreams about making rounds through pawn shops on Santa Monica
Blvd. in LA between Van Ness and Western, which I just realized there isn't
a single pawn shop in that stretch if I remember correctly, and rounds in a
downtown that's a mix between LA, Venice Beach, and Seattle. The most
memorable synth of all things was a Red SH-101 that was shiny and had curves
which slanted in by the keys. Imagine a shiny red SH-101 designed by
Ferarri and you'll get the idea.

Here's a couple of real life experiences similar to my synth dreams:

1) I used to go up to Vancouver B.C. about twice a year and run through this
routine:

1. Check-in at hotel.
2. Walk out and down one side of Granville Ave hitting every pawn shop on
the way to the liqour store (mostly avoiding eye contact with the porn shop
displays in between - Granville basically has pawn shops, porn shops, clubs,
and convenience stores with .99 pizza by the slice). And then walk back up
the other, hitting all the pawn shops on that side.
3. Buy a synth if I was lucky enough to find one (I bought my JD-800 for
$650 Canadian there)
4. Bring it and the drinks up to the hotel room, and go through my cleaning
ritual while drinking these Canadian berry flavored drinks with MuchTV
(Canadian MTV) in the background (my wife liked that show when we visited).
I'd also watch life go by out on Granville. I always got a second to third
story room with a view of the street. I'd spend about an hour clianing the
synth and then play a bit and head out for the night. Back from the night
I'd stare out the window and watch the craziness that happens when people
start leaving the clubs. The whole time I'd be glowing and thinking about
how cool it was that I actually found something. There was a Kurzweil
K2000S I was eyeing in a shop for a while, but I thought the asking price at
$800 or so Canadian was too much for it to be a deal. Visiting Granville
was my pawnshop dream in real life minus of course the mass cool gear, but I
usually found something interesting too look at if not buy. I'd always go
up for my birthday as well, so finding something on that trip was always
better.

2) I went to Maui once, and made a point to hit the pawn shops at some
point. I didn't get around to it until the last day. To my wife's
reluctance, we hit shop after shop and found nothing. We burned out and
gave up. On the way back to the hotel, my wife spots Taco Bell. We go in
and I see a pawn shop around back. I say just one more. She's says no, but
I pull the what if that's the pawn shop that has the $50 Minimoog?! She
gives in. I walk in and in the back I see what looks like either a TR-707
or 909. I figure of course it's the 707 with my luck. I get closer and
it's pretty dusty, and... It's the 909. I get that sick feeling in the
stomache, that feeling of panic like someone or something is going to go
wrong. I grab it and look at a sticker on it. It says 220, but no $. I
ask the guy working there if that's the price. Turns out he's the owner and
he says a little nervously, "oh..., we can take $30 off of that" A 909 for
$190! I say sold! But... He only takes cash. I have no cash and he is
about to close! He's in a hurry to go see some blockbuster that just came
out. The shop opens again after my plane leaves. I ask if there is an ATM
close by. There is one across a high speed highway. but he says I better
hurry because he needs to make the movie and will not wait. What do I do?
I bolt across the street. I manage to withdraw the money and run back just
as he's locking the shop. I get that sick feeling like I knew it was too
good to happen, but... he has the 909 in hand and I make my purchase. : )
Only... They didn't have any 1/4" cables for me to try it, and as he was in
a rush, I had to buy it hoping it was ok. I almost didn't get it but I
figured I could get it repaired at that price, so I'm hoping it's just not
too bad. I get back and plug it in. I hear it thumping away. Big grin.
; ) I clean it up and it's immaculate, no issues whatsoever."

Wednesday, January 31, 2018

David Van Koevering Has Passed Away


Update: this post will be pinned on top for the day. You can find newer posts below.

Brian Kehew wrote in to let us know synth legend David Van Koevering passed away yesterday at the age of 77. Per Brian, "So many people in the industry knew him; such a long and varied life!" Indeed. The following is the obituary sent to him from Van Koevering's family.

Tuesday, December 10, 2013

Dave Smith Introduces the Mopho SE

Published on Dec 10, 2013 Dave Smith Instruments·25 videos

"Questions? Email support at dave smith instruments dot com.
It's a Bigger Badder Mopho!
Mopho SE is the newest addition to DSI's revered line of analog subtractive synthesizers. Building upon the same award winning voice architecture of the Mopho and Mopho Keyboard, the Mopho SE boasts huge sound in an ideally sized, portable, and elegantly designed package. Use it to create huge basses, creamy leads, and maniacal sequences.

The Mopho Sings!
The Mopho SE voice is composed of two analog oscillators, two sub octave generators, selectable 2- or 4-pole famed Curtis low-pass filter, three 5-stage envelope generators, four LFOs, a re-latchable arpeggiator, and a 16 x 4 step sequencer. Its voice also comes packed with 20 modulation sources and almost 50 destinations!

FM the filter to create metallic bell-like sounds and use the feedback path to add subtle or destructive harmonic content to your sound. Process external audio through the Mopho's voice and add some analog warmth to any source. Mopho SE's 100% analog signal path is powerful, monstrous, and sonically dynamic!"

Sunday, January 01, 2023

Oakley TM3030 TB303 Clone with Original TB303 Chips

Note: Auction links are affiliate links for which the site may be compensated.
video upload by dave bell

"Oakley 303 synth clone. Dry and flat, external sequencer."


via this auction

"Self Built, now discontinued - full honest replica to a TB303 using original Roland TB303 filters from japan, The Item is in a Rack formation and has Midi in / out - no knobs were bought for the Potentiometers as seen in the pic.

For me, its the best 303 sounding clone out there."

Friday, October 09, 2009

The Birotron


"Rick Wakeman of the band "Yes" invented and developed this instrument along with help from David Biro. Wakeman formed the company Birotronics, Ltd. which made just 35 Birotrons. Like the Mellotron, the Birotron "sampled" instruments and uses 8-track tapes for the various sounds. This was necessary before digital sampling became available. They were mainly used for strings, choirs, brass, and flutes; sounds not easily reproduced on the synthesizers of that era."

via 8-Track Heaven where you will find more info.

via John Van Eaton

Updates via the comments:
via Darren Landrum:
I seem to recall this one used tape loops, which contained continuous sounds. Shaping could then be added via an envelope generator. Great for sustaining sounds like strings, organ, and choir, but not so good for transient sounds like tubular bells. Of course, the Mellotron was most famous for the sustaining sounds, so maybe the Biro fellow was on to something. The only artist I can recall using the tubular bell tape for the Mellotron is Isao Tomita.

via Milo Johnson:
"The Birotron used 37 8-track tapes, one per key (with all of the attendant problems of 8-tracks) instead of strips of tape like the Mellotron and Chamberlin. Mellotron sounds last about eight seconds and then the tape has to rewind to play the note again. The Birotron used hand-crossfaded recordings to give "infinite" sustain, or at least until the 8-track clicked and changed direction. Rick was the money man and contributed some ideas for improving the instrument, but Dave had already developed it when he approached Rick for financing. It looks like fewer than 20 were ultimately produced and about half of them are accounted for. Dave didn't have one of his own instruments for many years until David Kean of Mellotron.com found and restored one and gave it to him. There is a Yahoo! Birotron Group moderated by Dave Biro, open membership so you can get the story straight from the horse's mouth."

Tuesday, May 18, 2010

How the Vocoder Saved the World, Literally

This one in via fabio. Motherboard has a good review on Dave Tompkins' How to Wreck a Nice Beach. You can find it here.

"The brink of nuclear annihilation calls for sound advice over a secure phone line, at least one that works properly. On October 25, 1962, John F. Kennedy pushed the button and spoke on the vocoder. While his voice went to the machine, his body was at the pharmacy, infused with steroids, painkillers and anti-spasmodics. He heard a hiss of static and pushed again. At the other end, British Prime Minister Harold MacMillan heard “garble,” not, “I don’t want to have an incident with a Russian ship tomorrow.” While the US Strategic Air Command was at a DEFCON 3 state of readiness—with no secure way to communicate with the ground—Kennedy’s Brahmin accent was being transformed into “Mickey Mouse/Donald Duck,” a side effect of processing the president’s vocal tract into a binary code. Talk of a “Naval interdiction” of all vessels bound for Cuba was compressed and artificially rendered at 1667 bits per second. The letter R was nowhere to be found.

Kennedy had been using the KY-9, a 500-pound 12-channel scrambler developed by Bell Labs in 1953. He often turned to the KY-9 during the Cuban Missile Crisis, a time when a single teletype exchange with Premier Khrushchev in Moscow could take over twelve hours between transmission..."

Click here for all posts featuring Dave Tompkins' How to Wreck a Nice Beach including video.

How to Wreck a Nice Beach on Amazon. Added to the Synth Books section as well.

Friday, August 20, 2021

Dave Smith Poly Evolver Rack Super Analog Hybrid Synthesizer Rik Marston


video upload by Rik Marston Official

"Synthesizer Demo by Rik Marston

The Dave Smith Poly Evolver Rack has arrived! A short but powerful sweeping pad! My second video on YouTube was the Poly Evolver, it has over 52k views and I didn't even run it thru my digital recorder! I loved that synth so much & I missed it I had to get the harder to find cousin, the Poly Evolver RACK. In this video i am using the Yamaha MoXF6 as MIDI controller. The PER responds to Cuttoff Filter, Decay & Modulation / Pitch on the wheels very well! More Poly Evolver Rack coming soon! I also will be making a custom sound bank and SAMPLE PACK very soon for the masses! So subscribe & tap that notification bell!
Thank you for watching!
You ROCK!"

Rik's Links:
Ahnyxian Sound Design: https://www.etsy.com/shop/AhnyxianSou...
Music: https://itunes.apple.com/ca/artist/rik-marston/

Friday, March 11, 2011

Roger Linn Previews New LinnStrument Prototype

Roger Linn Previews New LinnStrument Prototype from Turnstyle Video on Vimeo.


"Unless you're a musician AND a tech head, the name Roger Linn won't ring a bell. But you have heard of prolific artist Prince and J Dilla. Well Linn is the man behind the machines (LinnDrum,& Akai MPC) that made these legends popular and changed the way music is created.

Mr. Linn has a new toy -- the LinnStrument. It looks like an iPad with a grid of pressure sensitive note buttons to capture expression, pitch and timbre of each note individually and all at once. The product is not yet ready for mass consumption but take a sneak peek at the LinnStument prototype in action."

Don't miss Dave Smith in the background.

Wednesday, May 28, 2014

Limited Edition Pittsburgh Modules Starting with the Dual Ring


via Pittsburgh Modular

"We are starting a line of limited edition modules as a way to share some of our more esoteric designs with the world. The modules will range from chaotic and noisy, to simple, to over the top. Each production run will be limited to 50 modules, and each module will be hand signed and numbered on the rear of the panel. All limited edition modules will be available for sale exclusively on shop.pittsburghmodular.com, and once they are gone, they are gone.

We are pleased to announce the Dual Ring, our first limited edition module. The Dual Ring houses a pair of ring modulators with linked inputs and an output mixer, creating unique sonic and signal routing possibilities. The Dual Ring was a request of our good friend Dave Skipper. We were a little skeptical at first but the results prove this was an inspired idea."




[The Dual Ring houses a pair of ring modulators with linked inputs and an output mixer creating unique sonic and signal routing possibilities. Each ring modulator offers 3 types of effects based around the classic ring modulation circuit.

A ring modulator multiplies two audio inputs together resulting in a unique form of amplitude modulation or frequency mixing. The output is the sum and difference of the frequencies present in each waveform. Ring modulation produces a signal rich in harmonic and non-harmonic tones often sounding metallic or bell-like.

The individual ring modulation circuits in the Dual Ring can be used independently, mixed, or chained together resulting in a large palate of uniquely rich and complex tones.

Effect 1: Ring Modulator - (Switch Full Left) Outputs the sum and difference of the X and Y inputs.

Effect 2: Floating Z Modulator - (Switch in Center Position) Outputs the sum and difference of the X and Y inputs summed with the ambient voltage within the circuit.

Effect 3: Linear Amplitude Modulator - (Switch Full Right) Outputs the sum and difference of the X and Y inputs summed with the carrier (Y) signal."

via Pittsburgh Modular on what it's like to be a boutique modular manufacturer and why they decided to come out with the limited edition modules:

"Three years ago Pittsburgh Modular Synthesizers started as a crazy idea to sell a few strange, handmade modules out of a basement. Thanks to your enormous response to those modules we've grown meteorically.

Shipping modules and instruments in large numbers takes a tremendous amount of time and resources. Resources that we can not commit to every idea we have. While we have been working hard to expand and improve our manufacturing capabilities, at heart Pittsburgh Modular is still a small company that remains committed to producing high quality, hand made electronic instruments. Over the past few years, we have chosen to focus our energy on modules that make up the core of our amazing synthesizers. Because of this, we have a lot of concepts and a lot of modules that were designed but never sold. Most of our ideas are too strange to fit in with what Pittsburgh Modular has become and it would be impossible for us to maintain a product line that included all of our designs. Still, we want the modules for our systems so here is the idea..."

Sunday, January 21, 2018

OSCar Synthesizer | The New Romance


Published on Jan 21, 2018 Alex Ball

"A friend of mine brought over his 1983 OSCar analogue monosynth for the day. A fairly rare synth, they were used heavily by Ultravox.

So, we unleashed our New Romantic side.

Synths:
OSCar (sequences, bass, leads, FX)
Yamaha DX7 (bell piano)
Roland JX-3P (pads)
Roland Juno-6 (pads)
Roland SH-101 (some doubling of bass parts)
Rhythmic Robot EMU Emulator II VST (sampled piano)

Guitars:
Ibanez JEM 7DBK
Squier Jagmaster
Fender Blues Junior II mic'd with an SM57
Ibanez Tube Screamer 808
Boss Chorus CE-2

Bass:
Fender Jazz Bass
Orange OB1-300
DBX 266XL Compressor

Drums:
Past to future - California Drums
Fairlight CMI III samples

Vocals:
Recorded with an AKG C414

Plugins:
Waves, U-he, Goodhertz, T-racks, Past to future reverb impulses

All instruments performed by Alex Ball & Dave Grant
Song and recording by Alex Ball 2018"

Sunday, December 24, 2017

Christmas - Dave Smith Pro 2 - Waldorf Blofeld


Published on Dec 23, 2017 100 Things I Do

"A Christmas Noodle on the Pro 2 and Blofeld (Actually more a Christmas tune). Its a little more Berlin School inspired and a little darker than regular Christmas music. I managed to pull some very nice Horn, bass and bell sounds from the Blofeld. The blofeld still amazes me how versatile it can be. Hope everyone has an excellent X-Mas.. One last clip to come to end of the year!"

Tuesday, May 31, 2016

70s/80s Horror Inspired Synth Jam. Goblin/Zombi


Published on Sep 1, 2015 Reuben Jones

"A synth jam inspired by 70s/80s horror films from the likes of Argento, Fulci and Romero, and bands like Goblin and Zombi.

Dave Smith Instruments PolyEvolver
Korg MS10
Linn Drum VST
Mellotron VST
Novation Supernova 2
Sequential Circuits Pro~One"

Goblin - L'alba Dei Morti Viventi - Dawn of the Dead (1978) Theme Cover

Published on Oct 30, 2014 Reuben Jones

"A cover of Goblin's fantastic, dawdling, sluggish and stumbling theme to the original Dawn of the Dead. Uploaded for Halloween 2014.
Equipment used=
Korg MS10
Novation Supernova 2
Yamaha TRB5f
Boston Baby Grand (just for the video)
Keyzone Piano VST
Tapeotronic Mellotron VST
KettleDrum Timpani VST
Superior Drummer VST
Bell sample

Dawn of the Dead OST"

Tuesday, April 06, 2010

How to Wreck a Nice Beach - Book on the Vocoder

via Melville House Publishing and available on Amazon here.


"How to Wreck a Nice Beach: The Vocoder from World War II to Hip-Hop, The Machine Speaks

The history of the vocoder: how popular music hijacked the Pentagon's speech scrambling weapon

This is the story of how a military device became the robot voice of hip-hop and pop music. Though the vocoder, invented by Bell Labs in 1928, was designed to guard phones from eavesdroppers, it expanded beyond its original purpose and has since become widely used as a voice-altering tool for musicians. It has served both the Pentagon and the roller rink, a double agent of pop and espionage.

In How to Wreck a Nice Beach—from a mis-hearing of the vocoder-rendered phrase "how to recognize speech"—music journalist Dave Tompkins traces the history of electronic voices from Nazi research labs to Stalin's gulags, from the 1939 World's Fair to Hiroshima, from Manhattan nightclubs to the Muppets.

The result is an amazing chronicle of postwar music and culture, filled with unexpected and surprising encounters. We see the vocoder brush up against FDR, Solzhenitsyn, Stanley Kubrick, Stevie Wonder, JFK, Eisenhower, Neil Young, Kanye West, the Cylons, Walt Disney, Henry Kissinger, and Winston Churchill, who boomed, when vocoderized on V-E Day, "We must go off!" And now the device is a cell phone standard, allowing your voice to sound human.

From T-Mobile to T-Pain, How to Wreck a Nice Beach is a riveting saga of technology and culture, illuminating the work of some of music's most provocative innovators."

Update: You can find an NPR segment on the vocoder and book here.

Monday, August 20, 2012

Bob Moog Foundation Commemorates Sixth Anniversary


YouTube Published on Aug 20, 2012 by moogfoundation

"Bob Moog's legacy lives on in the rock stars and panelists at Moogfest 2011. Find out why Bob's extraordinary legacy deserves to be carried forward.

Featuring: Moby, Wayne Coyne, Diego Stocco, Eric Persing, Bryan Bell, Dick Hyman, Terry Riley, David Borden, Joel Cummins, Alan Vega and Torley."

"Asheville, NC - August 20, 2012 - Tomorrow marks seven years since beloved synthesizer inventor Bob Moog passed away in 2005. It has also been six years since his family formally established the non-profit Bob Moog Foundation. The BMF continues to advance Bob’s legacy by announcing several recent projects ranging from educational videos to a Web page tracing the history of synthesizers. The “Moogmentum” that the BMF initiated in the summer of 2006 continues picking up steam.

In cooperation with macProVideo.com, the Bob Moog Foundation introduces a tutorial series titled The Foundation of Synthesis with Marc Doty. Six videos cover the History of Synthesis; Oscillators; Filters; Control Voltage; VCAs, Ring Modulation, and S&H; and Applied Synthesis. Education specialist Doty, best known for his YouTube-based synth instruction, has created custom animations and uses a variety of instruments to demonstrate these six concepts. In addition, keyboardist Erik Norlander makes an appearance to give a brief tour of his massive modular synthesizer affectionately known as the Wall of Doom. The first three videos from this exclusive series will be available on August 23 for individual downloads or to monthly or annual macProVideo.com subscribers. A large portion of the proceeds will go to benefit the BMF.

A new promotional video, produced by Flying Pig Studios in Asheville, highlights the Bob Moog Foundation’s unquenchable desire to inspire innovation and ignite creativity. It features performers and panelists from last year’s edition of the annual music festival held in Bob’s honor, Moogfest 2011. Musicians such as Moby, Dick Hyman, and Wayne Coyne of the Flaming Lips talk about Bob Moog’s lasting impact on the world of music and the importance of continuing his legacy. You can view the video at http://youtu.be/VO-9JtN5-a0. [embed above]

This week the BMF is also releasing free online video coverage of “History of the Minimoog,” one of the most spirited and informative panel discussions of Moogfest 2010. Watch and learn as legendary Moog collaborators Bill Hemsath, Tom Rhea, Dave Van Koevering, and Herb Deutsch discuss their individual roles in developing the Minimoog synthesizer in 1970 as part of a team effort with Bob Moog.

Anyone who has researched the history of synthesizers knows how frustrating it can be to find consistently reliable information. As part of the Foundation’s relentless effort to rid the world of misinformation, the BMF announces its comprehensive Timeline of Synthesis, which will be posted on its website beginning this week.

Dr. Bob’s SoundSchool is making news, too, with its ongoing mission to teach the science of sound through the magic of music. After concluding its pilot program in 8 Asheville second-grade classrooms this past spring, DBSS is expanding to 25 classrooms in Asheville and Buncombe County schools for the 2012–2013 school year. Using traditional and electronic musical instruments with custom educational materials, the BMF plans to expand DBSS to 100 classrooms in North and South Carolina by 2014.

For more information and announcements, visit www.bobmoogfoundation.org."

Thursday, January 01, 2015

Happy New Year From MATRIXSYNTH! - A Look Back at 2014


Happy New Year everyone!

I want to start by thanking everyone that comes to MATRIXSYNTH and helps make it what it is - the readers, the supporters, and of course all the sponsors on the right.

THANK YOU and have a GREAT 2015!!!

This site is a labor of love and a ton of work. This site is ultimately meant to be an testament to everything synth in the making. We have over nine years of daily synth history captured here, 119,983 published posts. I can't wait to see what the future brings us in 2015!

That said, here are a few interesting bits from 2014 in the longest post of the year. ;)

Wednesday, January 01, 2014

Happy New Year! The Year in Synths 2013


Happy New Year Everyone!

What a busy year it has been in the world of synths.

This is going to be one doozy of a post, so bear with me. This post is a review of the year in synths for 2013. We begin with Tributes to Those We Lost This Year, followed by New Manufacturers & Makers, Older Manufacturers Added to the Site, New Gear Announcements, Top 10 Posts by Traffic,  My Standout Posts for the Year, and finally This Years' Synth Events. I did my best to keep things as short and concise as possible.

Let's begin with the hardest part of the post.

Tributes to Those We Lost This Year

RIP Bernard Parmegiani - Electronic & Acoustic Composer
Lou Reed RIP
RIP Dick Raaymakers aka Kid Baltan
RIP George Duke - DreamWeaver
RIP Ralph Dyck, Sept 28, 1941 – May 20, 2013
RIP Ray Manzarek

All missed and never to be forgotten. Take a moment to remember them.

------

New Manufacturers & Makers

Starting last January, I decided to keep a running list of every new manufacturer and maker introduced to the site during the year.  This is something I haven't done before and I thought it would be interesting to see how many there were in the year.   It's easy to focus on the big synth announcements throughout the year, but what about all the new makers and brands? I shouln't have to go considerably into the significance of new designers on the scene, so I'll just say two things regarding them.  One, the number of new makers is a direct reflection on the interest in our scene, and two, these are the creators of new gear which directly translate into new designs not previously available to us.  Think about that for a moment.  These are makers and designs that did not exist before.  They are part of our synth history.  So what is the total count of new synth designers for the year? A whopping 113. Think about that a bit. One hundred and thirteen new synth designers and brands this year alone.

Here they are (note a handful date back to 2012, but 2013 marked their momentum and availability):

Tuesday, May 07, 2019

(Matrixbrute/DSI Pro 2/Model D): "The Scrying"


Published on May 6, 2019 Kris Lennox

"'The Scrying', for synth(s), orchestra, & choir. Video shows only one part. Try loud with headphones to make the most of the DSI bass.

Instrumentation below:
Matrixbrute (also acting as controller for Model D. Audio from MB running into Line on D i.e 6 oscs in total)
DSI Pro 2 (on bass duties, obvious at 1:24, and particularly at 2:39. All low end = Pro 2. (...Is the Pro 2 the sleeping giant of Dave's lineup? Possibly...))
Organ (can be heard entering @ c. 2:03) = Viscount Cantorum VI Plus
Roland Integra 7 (choir(s), strings, flutes, french horn)
Bell = city of Tartu, Estonia
Korg M1 also deep in the mix (towards the end).

Numerous overdubs (some Doepfer, some MB), some 10/16 (i.e 5-multiple), plus some polymetricism which can likely be heard at c. 5:18 (3+3+2/16 against 5/16).

Audio also on Soundcloud - https://soundcloud.com/user-736798162...

PPS if anyone here owns a Doepfer, they'll recognise the tone @ 4:29. I like to call it the "Doepfer Twang".

PPS excuse video footage quality - for some reason the focus was off.

All best
Kris"
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