"All sounds come from the Circuit. Added a bit of delay here and there in Ableton. For better sound quality please visit my SC page https://soundcloud.com/rsln/the-hunt"
"the first part demonstrates the patch in the MARF manual pp. 16-17 which uses a short sequence from Output 2 to vary the pulse train of Output 1. And the second demo uses each stage to be a completely different sound object/gesture -- sort of sequenced musique concrete. From step 1-2 is like a 30 second glide :-)"
"I was on SuperBooth this year for creating video content. More gear news will coming soon. Please support me on Patreon if you enjoy my content: https://www.patreon.com/synthanatomy?...
During SuperBooth, I visited the booth of U-he, the plugin developer from Berlin. Urs presented me the RePro Alpha Version and gives me more informations about the future of the research project and Zebra 3"
SuperBooth 2016: U-he RePro Research Project - Audio Demo
"For sale is a very rare Evol Audio Fucifier effects unit. These hardly ever show up for sale, so if you've looking for one now is your chance! It's in excellent shape, it does show a little wear from racking but overall very clean shape. I would estimate it's used under 10 hours, likely even less. Hasn't seen much use at all in a private home studio and just too much gear and no time for music, so cutting back on the equipment. It's 100% fully functional. Very amazing sound, one of a kind effects processor, nothing else out there like it on the market. Seriously inspiring design and the sound is out of this world. It can do amazing subtle processing, super sweet warm sound, and get seriously mangled distortion as well. IMHO it's much more versatile and useful than a Mutronics Mutator or Sherman Filterbank, hence I have sold those two but still kept the Fucifier."
That's one shagalicious case. Don't burn your inner thighs on it.
"The fine item you are considering is a Vintage PAIA 2 4712 Reverb s & 4711 Mixer Needs Fuse Cap 4700 Synthesizer Marvin Jones. I have lots of photos below, so be sure to scroll down to the bottom of this page to take a better look. This quality set comes with everything you see pictured below, including two of the PAIA 4712 reverbs and a 4711 mixer all mounted into a nice rack chassis. Everything looks nice and clean, but the fuse cap and fuse are missing from the back, so I have no way to test the set. Since I can’t test the set, I’m selling the set “as is” although as I said, everything looks to be in well cared for condition. The 4712 Reverb was designed by Marvin Jones for the 4700 sythesizer and from the number on the mixer I'm guessing the mixer was part of that system. Please see my photos below to have a look at this nice item."
"This weird thing is a vintage drum module. Made in England. It has 5 input trigger jacks and one output jack. There are 5 channels: Snare, Tom 1, Tom 2, Tom 3, Bass. I tested this using the CV outs from a Beatstep Pro and everything works. It can be triggered by drum pads as well. The sounds are very Kraftwerk-y. On the front there are level controls for each drum, and some additional settings for the snare: decay, noise, pitch. Output is mono or stereo through a quarter inch TRS jack."
"Using an Arduino and a Sparkfun MIDI shield, I made a ribbon controller to drive my Prophet 6. It's fun! For more info, check out: http://synthhacker.blogspot.com/2016/..."
"I then extended the ribbon electronics to do CV so that it could drive older synths. Here's a short demo of the ribbon with my Korg Mono/Poly"
"Live jam with an old 1969 R.A.Moog Modular system IP. Solo on a Casio CZ-101 with the Moog providing the background rhythm transposed by the lower half of the keyboard.
The Moog has a build date of August 11,1969 and was sold to Walter Sear who was the distributer of many R.A.Moog products. This Moog left the Trumansburg,NY factory the week of Woodstock. Perhaps Walter Sear was looking for a sale with all the famous artists in New York that week. The Moog ended up in a famous Manhatten studio. It was sold in 1981 to a professor who kept the Moog stored for 17 years. I acquired the Moog in 2008 and refurbished the barely used Moog and it is about 97% original replacing only power supply caps. The original configuration for the IP had 12 blank spaces. I have since filled those spaces with period correct 1969/70 modules adding a 904B high pass filter and the 904C filter coupler. Along with an additional 911 envelope generator, 911A dual trigger delay and 912 envelope follower. Two additional spaces were filled with DIY clone modules I built to the same 1969 specs with a 902A band pass filter adaptor and a 982 final output mixer."
"At Superbooth 16, we talked with Moon Modular synth designer Gert Jalass.
He told us the story of how he went from being a ‘typical DIY guy’ to creating new modular synthesizer designs, with detours to make MIDI gear for Kraftwerk, build a Synthesis Technology MOTM modular and repair Moog Modular Systems."
"After posting the awesome jam with Chris from Audio Damage yesterday [see here] here's the chat we had with Chris and walkthrough the new and existing modules."
"Up for sale is a rare soviet analog electronic drum synthesizer "LELL UDS". Produced in the USSR in 1989 on "SAM" factory in Moscow. It uses 2 separate channels of drum synthesis and has warm, punch and very analogue drum sounds, also many fx or percussion variations! (check the Demo section below photoes) The module is in excellent functional condition, tested by pro service, with 3 socket converters to standard 1\4TRS 'Jack'
& voltage converter for 110 volt countries included!
LELL UDS is a compact analog electronic drums\percussion synth module like SIMMONS, FORMANTA UDS (ROKTON), ELSITA or similar. It can be used as a supplement to the standard drum module to get synthesized sounds with the possibility to change sound parameters on fly. Good for use in any kinds of music & modern/experimental percussions. Except for the pads the module can also be triggered by any other audio signal - synthesizer, CV gate, drum machine or virtual instrument, analog output e.t.c.
It has 2 independent channels with powerfull parameters of synthesis (24 knobs) such as - GAIN, TONE PITCH, TONE ATTACK,TONE RELEASE, ENVELOPE SPACE, NOISE FILTER, NOISE ATTACK, NOISE RELEASE, NOISE TONE, ACCENT (CLICK), MIX TONE-NOISE, LEVEL etc. There is also a sensitivity level,
a ballance between noise & tone, a master level.
Three connectors on on the rear panel: 2 trigger inputs and main audio output. All three 5Din-to-1/4TRS "Jack" socket converters will be included!"
"Up for sale is an EXTREMELY RARE soviet poly synthesizer-keytar "FORMANTA MINI". It is a portable polyphonic 8-voiced analog\digital hybrid synthesizer with microprocessor control (KR-580) & 32 unique and powerfull programmed timbres "presets". There is a vibrato effect with depth & frequency control & "unison" effect. FORMANTA-MINI is a polyphonic synthesizer, you can play 8 voices at one time. It features a unique set of electronic parts, reliable keyboard (41 notes C-E) made in magnetically controlled contacts; synthesis modules consist of independent boards, which is convenient for maintenance. Also, a nice "1980s futuristic" look!
CONTROLS:
Preset select knobs: Banks 0-3, Sounds 0-7 (32 in total)
Unison Mode: On/Off
Fine Tuning: +/- 1 Semintone
Vibrato: Depth, Rate
Main Volume Level
CONTROLS ON THE GRIP: 2 Sustain buttons, Vibrato, Solo button (doubles the volume), Glissando Controller (1-2-3 semitone up\down pitch shift)
Keytar-synth with direct cable is connected to external power supply and amplifier box (included). Connection on external amplifier : on/off switch, Audio output on standard 1/4''jack (thru the included converter), Synth input with 5-Din connector (cable included)
This synth looks excellent and very clean for such old unit and is in perfect working condition and fully checked."
"This is a final version of my SnapClap synthesizer designed only for handclap sounds. This one is build in eurorack format module, 12HP width. The sound is made from CLAP part (series of pulses) and NOISE part (decaying white noise).
Controls:
- clap pitch (pot) - pitch of series of pulses,
- clap decay (pot) - density of pulses,
- clap variation (switch) - causes each pulse to have different lenght,
- noise pitch (pot) - cutoff frequency of BP filter, changes noise color,
- noise decay (pot) - noise envelope lenght,
- output level (pot),
- sensivity (pot) - of the sound triggering input,
- autotrigger speed (pot),
- autotrigger on/off (pot),
- humanizer on/off (switch).
Inputs / outputs:
- "synth" trigger input - for standars 10 ms pulse,
- "sound" trigger input - connected witch sensivity control, lets you trigger claps with any source,
- line output.
Power supply:
- max. 50 mA @ +12 V,
- max. 10 mA @ -12 V,
- works well with +/- 15 V.
PCB:
- double sided,
- 100 x 80 mm,
- no very rare parts."
"After much time here a NEW upload of a piece of music i have composed some time ago,the old version was made with 2 pieces connected with eachother,this piece is made LIVE and is just one piece of music,playing LIVE you can make a good piece of music with 2 synthesizers wich i have used:
Choir:GEM Generalmusic S2 Turbo
pad/bass:GEM Generalmusic Equinox-61
Noise:Roland JX-8P(added in the Pinnacle video software)"